Problem Previewing HD Project on NTSC Monitor - Only Still Frames...

Hello all.
I have a calibrated NTSC That i purchased for accurate monitoring of my projects.
I thought I tested on a HD project, but for some reason, now that I'm working on a major project it's not working properly.
When I'm editing, it will display still frames but not video. Before anyone suggests it, i have triple checked that the External monitor setting in the view menu is on All Frames.
Any suggestions?
-aj

But it won't for HD. For HD you need an HD capture card and HD monitor.
If you are working with DVCPRO HD from a Varicam or HVX, then you can monitor to an HD monitor routing thru an AJ-HD1200 or 1400...or if you have a capture card with analoge outs like the Kona 2 then you can monitor on an SD monitor.
You cannot monitor HD with the same setup you use for SD. Sorry.
Shane

Similar Messages

FCP Monitor only freeze-frame

I am trying to monitor my FCP work on an external monitor. Here is the hookup:
MacPro -firewire - Panasonic tape deck (AG-DV100P) - S video - JVC broadcast monitor (TM-H150CG)
I believe I have all the settings right and there is a nice picture on the monitor, BUT - while there is normal motion on the FCP canvas the monitor only has a freeze frame. It will show whatever frame the timeline stops on but will not show the motion of the clip.
Does anyone have a suggestion?
Thanks in advance.

Hi,
Sounds like you are trying to monitor HD video. You need a capture/ playback card (Blackmagic etc) to do this.
DM

Canopus DV Wont Monitor only single frames

Hi,
I have a canopus dvc110 on my final cut 5.1.4 and I'm trying to monitor the footage but it will only show the first frame when I hit play. If I pause, it will update where the playhead stops and will play if I scrub with the mouse or arrow keys but it won't play real time?
Is it a QUICKTIME Issue? If so, how can I revert QT from 7.15 to an older version?
Is it a hardware issue?
I have G5 dual 2.5 Power PC
8 GB DDR SDRAM
Final Cut 5.1.4
QT 7.1.5
MAC OS 10.4.9
Please help. I've been trouble shooting this for 2 days now.
[email protected]
Power Mac G4 Dual 500's Mac OS X (10.4.2)

Glad to help. Now that we seem to have reached the end of the thread, if you believe individual posts have either been 'helpful' or or have 'solved' your issue, please mark them as such.
This does two things, it directs people searching the thread to the specific post(s) that are most valuable is addressing the issue and it helps us poor unpaid volunteers gain some small measure of respectability in the Apple world. (I'm saving my Apple CrackerJack coupons for the FCP Secret Decoder Ring.)
Thanks for taking the time.
x

Drop Zone will not play video - only still frame

I have a generator template with drop zone, in and out.
When I select the video clip to use in the drop zone it shows as a still freeze frame - video does not play. Only the first frame displays.
This was a bug that Apple said is fixed in the last version... it is still a problem for me.
Anyone know about this?

Motion Template.
To quote FCPX 10.0.08 "Drop zones are no longer reset to the first frame of video after application restarts".... this is in the 'What's New' in the App store.
But if you use a drop zone in a generator template, FCPX only displays the first frame - no video. Many users reported this bug on the eearlier version. Some tried using a compound clip but this did not work for me. The bug is nto fixed.
I need to select a part of two different clips in the timeline on both sides of the template to ceate a transition - one ingoing and one outgoing.

IMovie imports video with only still frame

I have converted video files from MTS to MOV and they play fine in quicktime. But when I import them to iMovie, the video appears as one static frame the whole time while the audio plays fine. I have tried to convert the files again and import those, but I'm having the same issue. The format of the files is: H.264, 1920x1080, Millions AAC, 2 channels, 44100 Hz, 23.98. Does anyone know what I'm doing wrong?

You might try sending it from QuickTime to iMovie by using File -> Export To -> iMovie...

PLEASE HELP - COLOR SHIFTING PROBLEM on output NTSC monitors

http://www.smmlv.com/testproject/
Above is a link to a layered photoshop file that has a USA map and over a dozen network overlays used in a section of our video. I animate each layer on sepeartely in the video and have noticed a major problem recently, the color of the art does not hold true to placement. I created the art originally in Illustrator and then converted the file to Photoshop at 640x480, 72dpi. This has always worked perfectly in the past to display and animated artwork in FCP.
Right now, in FCP I am using the NTSC DV 3:2 frame size, and the compressor of DV/DVCPRO - NTSC. I have a JVC Profressional DV deck that hooks up through firewire and sends S-Video to my monitors. This setup has always given me a great picture even though it is not completely upcompressed. Using these settings and this art, the color lines on this map in red, light blue, yellow and purple all have a "color shift" to the left about 5 pixels. It makes it appear that the line is where it is in the file, but the color overlaying the line is offset to the left 5 pixels and transperant to about 50%. This occurs only when viewed on some TV's and NTSC monitors and projectors. The strange thing is, some monitors display the color aligned almost perfectly on these maps and other monitors and projectors show this "digital halo" of color shifting really bad. If I take the layered network overlays in these colors and color tint them to black or grey, white, light green, or even light orange, they no longer have the color shifting and the detail is perfect.
Is there any way to fix this problem? I have tried duplicating the sequence and setting the compressor to 8bit Uncompressed, and while my captured footage is not this compression, in theory the art should render at this higher resolution setting. This did nothing to solve the problem.
I also have tried using different Broadcast safe and Y/C corrector filters with different results. The Y/C filter allowed me to reposition the color problem and thus removing most of the problem, but also removing most of the color. Nothing else has allowed me to seemingly move the color into the proper possition.
What is causing this color shift on the displayed NTSC image?
In FCP 4.5 I can see my rendered video in the program viewer screen and besides the pixel compression appearing on the lines, overall the video looks great paused or even better when playing. Then you view it through my deck onto my Pro Sony NTSC 19" color monitor and it also appears great, with a slight color halo to the left of these colors, but the color in the lines are there. If you are a few feet from the screen and know what you are looking for you might see it, but doubtful. Then you view it using the same signal on a 17" Samsung TV and the color shifting makes the map and other art, like the clients blue logo, look horrible, with each color line appearing twice and offset left from each other as if you had double vision. Normally I would think it is the TV causing this, but then we tested this same movie on 2 differnt projectors. The $700 Epson projector displayed everything beautifully, again with only the slightest color halo to the left, but then the Panasonic $4000 projector made everthing in these colors look double vision again. What is going on???
One more thing to keep in mind, my color bars also show this problem with these colors as well as shot footage of these facilities. There are tall red poles in the shots and everything displays fine except for the red pole color looks like it's glowing off the pole to the left.
PLEASE tell me there is a solution to this.

I have tried Degaussing, using filters, changing cables, and testing other monitors and systems on these monitors, everthing I can think of to solve the issue. Is it FCPo or is it the monitors?... or is it a signal strength thing. Can monitors and projectors shift color when the signal is read from a DVD or Mini DV Deck? Is there a fequency difference (Ie: 75mgz or 80 mgz) that might be causing the shift in some monitors and not so badly in others. But if this was true, how would some DVD's (like Baby Einstein DVDs that use really bright colors) display red and blue perfect using these same player and monitor, while my projects is shifting color? Doesn't that rule out the signal from the DVD player if other DVD's do not have this issue?
I have uploaded the original art used, an exported .jpg file from the FCP timeline and sample photos of 2 different monitors to show to show this problem as best I can. http://www.smmlv.com/testproject/
Someone out there must have had this problem before. There's no way a color shift problem like this with Mini DV has gone on this long without someone seeing it.
One last thing about what I have tried... I do understand that with editing in Mini DV instead of uncompressed or HD video I lose a bit of resolution (4:2:2) and I see this compression occuring in some of the areas in the video where these problems persist. But, I did remake the art and rerender this project in an 8bit uncompressed settings and then displayed that up on the screen and I get the same color shift. I keep going in circles trying to find the culprit that is causing the delema.
PLEASE HELP! There are large tours going through our facilities daily and the large screen projector is displaying this problem as well. Let's just hope they don't notice and that their TV's at home or office does not display it on our final DVD's made.

Will not playback audio or video in preview or project monitor

First off i am running PP CS3 on an Imac with leapord... 4gb ram... 300 gb of free hard drive... 3.06 processor and i am having a problem with playback... i open the project i am wanting to work on and i go to playback in either window(preview or project) and it will play for about 15 secs with no problem with audio or video, and then out of nowhere the audio quits and then if i stop the playback and try to restart it there is now playback at all, only a frozen frame from where the playhead started. For now i have an external monitor i am able to view on with no problem via firewire and it is a decent temporary solution but i will not be able to do this for long... I appreciate any and all help, and if there is any more info needed to solve this problem feel free to let me know
Thank You

Well, if your previewing via an external monitor via firewire, that
seems to imply that the timeline playback is in fact working.
First question: Is this on ANY project, or just this one...that you know of.
Second: Is there anything at this 15 second point on the timeline. Some
different type of media than the rest, something like that?

Preview on NTSC monitor

Since Compressor uses FCP for the Preview window, would it be possible to have the preview also show on an NTSC monitor via firewire?

From what I can tell it does. Open FCP and send compressor a clip. Make sure you see the clip in the Compressor preview window. Now go back to FCP. There is a small window open that tells the frame number Compressor is looking at, and says "close Compressor Preview to cancel." I can't use FCP until I close the Compressor preview window.

External NTSC monitor setup

When I use an external NTSC monitor connected to an Apple DVI to video adaptor then to a Radeon 800XT video card I have many crashes. It seems like these are caused by the External monitor setup. I would to know what sort step up others are using for external video. And what kind of success you are having with them.
Thanks
Ken

I to have had the same problem, in fact, I just posted about it a few days ago. Hopefully Apple's monitoring this forum and looking at the issue. The only solution I've found is to disable the external preview, which is quite frustrating. Just a question have your crashed happened while you're working or when you perform application switching. I've only had problems when I apple-tab to another program and then do the same to get back into Motion.

Cannot get 16 X 9 aspect ratio on NTSC monitor

Just installed a Radeon 9800 pro Mac edition to replace the original GeForce 5200 that came with the computer. The new card is great and gives 30 fps on the main LaCie electron blue 19" monitor when "Full screen" mode is selected. Problem is ... when I select "External video" regardless of the option selected under "Preferences" in "Output" the framerate drops to 6 or 7 fps. The image on the Sony PVM monitor always shows in a stretched 4 X 3 aspect ratio with letterboxing all around it, top, bottom and sides regardless of what option I select in the ATI preferences on the Mac2TV panel. Now when I drag the viewing window from the main monitor to the External Sony PVM monitor and select "Full screen",(external video turned off) the aspect ratio remains in 16 X 9 with an acceptable frame rate.
Any suggestions out there? Thanks!
Dual 1.8 (original) G5/2.5gb RAM Mac OS X (10.4.6) Radeon 9800 pro Mac edition
Dual 1.8 (original) G5 Mac OS X (10.4.5)

A solution for "Video output"
When sending an FCP 5.1.1 HDV sequence to "Motion project", it sends it at 1440 x 1080 and Motion 2.1.1 will open a new project to that size. Once that FCP HDV sequence is opened in Motion 2.1.1 and "Full screen mode" is selected it will play to a full screen in 16 x 9 at 30 fps on the "Main Computer Monitor". In this case the main monitor is a LaCie Electron blue 19". Now if "External video" is selected that being a Sony PVM 1351Q the image will show as a 1440 x 1080 and play at only 5 fps. Furthermore it will create a letterbox on all four sides. (looks like a stretched vertical 4 x 3). Now if a new project is opened in Motion 2.1.1 in HD (1920 x1080) and the same HDV QT file is imported in Motion ; the same procedure repeated, the image will play at a proper size and the 16 x 9 aspect ratio on the secondary NTSC Monitor will be respected, mind you it will still play at only 5 fps.
"SOLUTION"
By canceling the "Video output" on Motion, a full frame 16 x 9 image can be viewed on the "Main Monitor". By the way, that image is astonishing compared to what it was with the previous video card. Now by dragging the "Viewer image" above the timeline to the "Secondary Monitor (Sony)" and selecting the "Full Screen Mode" it will then give a proper full screen image with a 16 x 9 aspect ratio on the Sony PVM 1351Q at 30 fps. The image seen on the NTSC monitors when using FCP 5.1.1 in HDV has also improved to a great degree. It has improved to the point where the Radeon® 9800 Pro Mac® Edition 256MB AGP becomes an interesting solution for HDV editing in Final Cut Studio.
If somene has a better solution, I'm all ears! ... or all read!
Dual 1.8 (original) G5 Mac OS X (10.4.6) Radeon® 9800 Pro Mac® Edition 256MB AGP

Firewire out to NTSC monitor.....no luck

I've tried the things suggested on this board and I have no luck getting video out to my NTSC monitor. When I go to View -> Video playback, I only get two choices, "none" or "digital cinema desktop preview - main". When I selectr "external video -> All Frames, the setting doesnt stick.
I have my MacPro's Firewire going to the DV input of my DVD recorder and the analog outputs to the monitor. Could it be that FCP simply doesn't recoginze my DVD recorder as a device? Hopefully I'm just missing something here.

Chris, I've tried to do what I think you're doing now, with a different objective - getting my FCP sequence to record directly via FireWire to my Samsung DVD recorder. And that didn't work either. I think the reason is for External Video to see a DV signal, it has to be both DV in and out. Since the DV FireWire cable you're hooking up to your DVD Recorder does not allow FCP to receive a DV signal, FCP is not recognizing the Recorder as a DV source. Does that make sense? I think you need to do as Jerry suggessts and get a DV deck or camera - I've seen JVCs selling for under $200!

Viewing on external NTSC monitor

Here is my setup, I have a Dual 2.7 GHz G5 with a X800XT 256 MB video card with ADC and DVI outs. I had an older card in there with 2 DVI's connectors and one of them had a DVI to Video Adapter to the NTSC and all was fine.
When I got the new video card I had to plug the LCD into the DVI connector and I installed an older ATI Radeon PCI card to runt he NTSC monitor. Not sure what model the the older card is but it does have an svideo out and DVI out. I have tried with the NTSC monitor plugged into the DVI connector with the DVI to Video adapter and plugged directly into the svideo out. Plugged into the DVI and adaptor the video is distorted and unusable plugged in directly to the Svideo port the video works fine but I can't get Final Cut or anything else to recognize it as the NTSC video out device.
My thought is that either the PCI card I have is too old for the Apps to recognize it, or that the Apps with only work with the primary AGP graphics Card.
Has anyone else had this problem? and is there an easy solution?
I have a ADC to DVI adaptor on order to give my new video card dual DVI outputs hopping that will fix the issue.
thanks
Ken

Easy solution...don't do this. Route the signal thru your deck or camera:
#8 External Monitor Viewing.
Shane's Stock Answer #8:
A simple path is mac > firewire > camera or deck > rca cables > tv
Then start up your camera and tv, then open fcp.
Then go View > External video > all frames
Video playback should be Apple firewire NTSC (If you are using an NTSC set)
Audio playback should be Audio follows Video
Techinially, this should send synched video to your TV
If for some reason you can't view your timeline on your external monitor, there are a few things to try:
1) Make sure that the camera/deck is connected and powered on BEFORE you open FCP.
2) In the Final Cut Pro menu select AUDIO/VIDEO Preferences and make sure your signal is being sent out thru Firewire DV.
3) Go to the menu and select VIEW>EXTERNAL>ALL FRAMES.
4) Click in the % box above the image and select FIT TO WINDOW.
5) Go to VIEW->refresh A/V devices
6) Make sure the Log & Capture window is closed
If you want it to play in both the canvas and the external monitor you need to go to the FINAL CUT PRO menu and select AUDIO/VIDIO settings and make sure MIRROR ON DESKTOP is selected under the PLAYBACK OUTPUT section
Shane

Connecting to NTSC monitor via component connection

I'm getting ready to add an NTSC monitor to my home editing system and I want to connect via the RGB for the best color correcting results. I don't want to go through a deck - mostly because I don't own one and none of my cameras do a component signal out. Anyone have any thoughts on the best means of getting an RGB signal out of FCP to an NTSC monitor?
G4 mirror door dual 1 ghz Mac OS X (10.3.9) fcp 4.5

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If we use the forums properly they will work well...

External NTSC Monitor - 4:3 and 16:9 Question

I'm trying to find a configuration setting in FCP 5.0 when outputting to an external NTSC monitor that will force the image to "letterbox", rather than crop to 4:3.
I have a nice Sony NTSC monitor, but it's not the model that allows switching between 4:3 and 16:9 aspect ratios, unfortunately.
I don't want to have to replace this monitor at this time.
I see in the latest version of After Effects I can force the image to "letterbox" in the external monitor. I tested it, and it works perfectly.
Ironically, PhotoShop CS3 does NOT allow you to letterbox your preview to an external monitor. A widescreen formatted file appears cropped in my monitor.
So, my question is can I do this in FCP 5.0? Why am I stuck with a cropped image from a 720x480 aspect ratio? Is there a setting somewhere that will force the preview to letterbox on my monitor?
On a similar note, what will we use to replace NTSC monitors if you're shooting and editing HD?
Thanks so much.

FCP will not unsqueeze the image for you...you need a monitor that has this option.
what will we use to replace NTSC monitors if you're shooting and editing HD?
And HD monitor. But then you need some sort of HD capture card or output device (unless you are working with DVCPRO HD)...even HDV. And then you will need an HD monitor. The cheapest solution might be the Decklink Intensity and small HDTV...the intensity has HDMI out. But this only works if you have a MacPro. The MATROX MXO is next, and it connects via DVI. It can output a signal to an HDTV (component), or to an Apple Cinema Display or Dell 24" Display. That gets you broadcast quality on a computer monitor...believe it, or not!
http://library.creativecow.net/articles/ross_shane/MXO.php
Shane

NTSC Monitor for Pro CS3

I'm a bit embarrassed to post this, but have not been successful at finding the answer in a search.
When I am running w/ dual monitors and an NTSC monitor, what do I need to do w/ PPro so it outputs just the video (or program video, if you will) to the NTSC monitor - vs. outputting what you would normally see on the computer monitor. I assume it is in the ppro set up menu somewhere.
For now I am running CS3 (soon to upgrade to CS5) - I have the GeForce GTX 470 video card and dual monitors. I just recently purchased a NTSC monitor w/ a HDMI input so I've never had to worry about this, but I've grown tired of burning a DVD only to run up stairs to check color on a television (vs. the computer monitor). I (incorrectly) assumed the card would support dual montiors and a NTSC monitor (I realize this is now being a hardware question) because it also had an HDMI out. That being said, I've was able to find some info on this site (which I love btw) and saw that I could add another video card to supply video to a NTSC monitor.....but I still don't know how to limit the source of either card to the video out put of PPro.
Hope that makes sense...any help would be appreciated.
C.

Since I haven't actually done this, so can't be sure if there is a possible problem, follow at your own risk
Premiere will only recognize 1 graphics card for hardware acceleration, so adding a second card doesn't help on that front. Having said that, I would expect you could add a lower cost graphics card to run more monitors, which I have done and it works fine.
Now, as far as running the signal to a TV/monitor it follows that if you get a card that supports the type of output you desire to run the TV/monitor then it all takes care of itself from there.
On my 2 monitor setup I undock the playback monitor and drag it to the second screen where I can make it larger for better viewing of detail. Seems like you should be able to just drag it over to the TV/monitor then when you are ready to watch the playback there instead of on the computer monitor.
Seems straight forward, but perhaps someone who has actually done this will chime in. There may even be a way to duplicate the playback monitor on multiple screens so you can watch it playing on both the computer monitor and the TV/monitor at the same time?? But I'm guessing that will require an external box to split the output signal to the different destinations.
Hope you get it sorted out.

Problem Previewing HD Project on NTSC Monitor - Only Still Frames...

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