Problem with Capturing in FInal Cut Pro

Hey guys...im trying to capture from my TV to my macbook using Final Cut Pro and my external capture card. I have an ADS Pyro Tech DV Link capture card for informational purposes. The problem is, when i capture, my video is EXTREMELY dark...does anybody have any suggestions on what to do, or other programs that may work in capturing video from my capture card?

http://discussions.apple.com/thread.jspa?messageID=7166454&#7166454

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I am having a problem with playback in Final Cut 6.0.6 of 1920x1080 60p footage.
I transcoded MTS files shot on a Sony NEX FS100 into Apple Pro Res mov files but the
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best quality?
I am Running Mac OSX 10.6.8
2x2.4 Ghz Quad Core Intel
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Admittedly my FCUT is out of date, I intend to up to X when I finish off an ongoing project.
Thanks Luci

You might consider running diskwarrior on your drive (alsoft.com). And run diskutility, repair disk. A corruption of the drive could cause problems. Also, drive speed starts to fall sharply as the drive gets full. Make sure you have a minimum of 10% free space on the drive. You might also get a utility to check the speed of the drive. I think Aja has one.
Also, do you have anything else connected to the firewire bus? If so, try disconnecting it. You might also try disconnecting ethernet and turning off your airport. Resetting your fcp preferences couldn't hurt.
https://discussions.apple.com/docs/DOC-2491

Can I download and use final cut pro 7 on new mac pro tower?,or I must work with the new final cut pro x only?

can I download and use final cut pro 7 on new mac pro tower?,or I must work with the new final cut pro x only?

Disclaimer: This response assumes that a "new mac pro tower" is the new cylindrical model.
1. You cannot download Final Cut Pro 7. FCP7 is part of Final Cut Studio (2009) a.k.a "FCS3" and it was only released on a DVD set. It can still be purchased online (maybe even from Apple) for prices ranging from a few hundred to $1K and it is 5 years old and unsupported.
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3. A new version of iMovie Pro Final Cut Pro X has been released which is reportedly very fast and is supported.
It's all a matter of what kind of movies you make...

Is Adobe Lightroom compatible with Mac's Final Cut Pro & iPhoto?

Is Adobe Lightroom compatible with Mac's Final Cut Pro?
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What kind of compatibility are you looking for?

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What happens to Apple Color users with the new Final Cut Pro x?

Some of the functions of Color have been incorporated into FCP X, meaning you will have more than the 3-Way-Color-Corrector but less than Color.
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How do you import a Widescreen Quick Time File captured by Final Cut Pro?

Hi
Here's my workflow: I captured HD 1440X1080 footage in Final Cut Pro. FCP creates a folder of Quick Time Files in a Scratch Folder. A month ago, I had no problem importing the Quick Time files into IMOVIE HD 6 and preserving the widescreen format.
Now, for some reason, when I import the same files into IMOVIE HD, it is squashing the image (stretching it vertically) and leaving a gray bar on the left side of the screen.
Can IMOVIE HD import Widescreen QT files created by FCP? If so, how?
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iDVD does everything automatically for you. With DVDSP and Compressor, all steps must be done correctly. The trade off is that you achieve better quality using Compressor over iDVD.
1. First thing to do is export your sequence as an uncompressed interlaced 25i 720 x 576 16x9 Anamorphic QT.
2. Determine your optimal bitrate by using a bitrate calculator. Here's a good one. Remember you need to account for all video on the disc, including motion menus.
http://www.videohelp.com/calc.htm
3. Bring your down converted QT into Compressor and use the manual settings set your bitrate. Also encode out a Dolby digital AC3 file. These files take up less bandwidth than uncompressed audio. Also remember to match your upper fiiled dominate filed order as well in Compressor. This must be consistent throughout the export and encoding stages.
4. bring your encoded video and audio files into DVDSP and author

Help with capturing on final cut

I have been using Final Cut Pro for a couple years and have never had this problem before but now im stumped. When I plug my firewire from the computer into my camera and try to capture it tells me: "Attempt to capture video without a video device selected. Please select a video device in your capture presets and try again". So I got into Audio/video settings-then under capture presets and i do have DV NTSC 48 KHz selected. Which i think is what i have always used.
I have used two different firewires with the same result, i can capture into imovie just fine so its not the camera. Also when trying to capture on the bottom of the capture window it says VTR OK which usually means i wont have a problem...i thought.....please help!!!

Is this camera capable of HD? If so, make sure the output settings on the camera are set for SD. Or, conversely, change your capture settings to HD.

Export videos with metadata to Final Cut Pro?

I would like to use Aperture 3 for reviewing video footage from my SLR and adding notes, ratings, etc. Has anyone come up with a way to get this metadata exported from Aperture and imported into Final Cut Pro? I can export a simple tab-delimited file from Aperture, but is there a way to get that in a form where it can become a bin in Final Cut Pro. (I think Batch List import in FCP will only work for capturing stuff from tape -- my clips already exist on the hard drive.)

Do you want to reedit them or do you just want to work with material generated in imovie. Not sure about the first, but for the second, export a quicktime movie. IMovie works with DVstreams which can cause problems in fcp.

Sync problem w/ DVD from Final Cut Pro X

My project is a 2-hour play. I improved the audio in ProTools then dragged it back into FCP. I was able to get the improved audio to sync perfectly with the video (both are 48K), then mute the original audio. I checked the whole 2-hour play for sync. I burned a DVD, played it on my DVD player, and the audio gets ahead of the video around the 30 minute mark and keeps drifting. Several DVD burns yield the same problem. Any advice?

Thanks Russ. OK, I am now rendering again via Compressor 4, this time I have 2 files in one tab - 1) a MPEG-2 and 2) an AC3 file. Seems to make sense.
To burn the DVD immediately after, I added a 'Job Action' to 'Create DVD' after the render, and the dialog confuses me. No problems with the 'Job Action' tab, but the "A/V Attributes" tab indicates the follwing:
Type: Final Cut Pro.app (shouldn't this be a reference to the rendered file/s?)
Video - showing the same dimensions of my FCPx Project file (NTSC ..640 x 480) instead of the MPEG-2 (Pal ...720 x 576).
Audio - Properties show Linear PCM... 6 channels, etc... not the AC3 file.
My question is, how do I create a DVD from the newly rendered files output from Compressor - is the Job Action the way to do it, and if so, how do I get it to reference the new files?
Thanks,
Geoff

How can I automate log and capture in Final Cut Pro

Does anyone know of a way to schedule the log and capture of video in Final Cut Pro with a script or software application, so that it doesn't have to be done manually?
I am using a capture card in my Mac to record college lectures for our department and it's not always possible for me to be there to start the capture. Our lectures occur on a regular schedule.
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In Automator, all the apps you can automate are listed in the far left hand pane. Click on the QT Player icon there to see the "Actions" available for it. In that list you should see "New Video Capture" and "Start Capture". First drag "New Video Capture" to the big pane on the right, where you assemble your workflow. Then drag the "Start Capture" action beneath that. You're basically done.
How to Save and Schedule this can be found in the Automator Help, when you search on "iCal":
1. Choose File menu > Save As Plug-in.
2. Choose iCal from the "Plug-in for" pop-up menu.
3. Click Save. Automator opens iCal and creates an event that calls the workflow at the scheduled time.
4. Name your event and set the date and time for the workflow to run using the pop-up menus in the info drawer.
You'll need to do another "workflow" to Stop the recording. All you need is the "Stop Record" action in the workflow - then save the same way as listed above.
Just note - I've used this process before and the QT movie generated, despite being recorded as "Camera Native" - was not editable in FCP. In fact, I don't even think I could import the final QT into FCP - let alone edit it. If editing's necessary maybe someone else can offer up another step to enable it. It was not necessary for my exact application, so I never explored it.
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Does anyone else get occasional lines during motion (not interlacing) and motion jerks with their HD video when it is viewed in anything other than Full Size HD?
I am having this problem and it's driving me crazy trying to figure out where the problem is. Original footage was shot on an HD JVC Camera 1920 x 1080/50p AVCHD. Final Cut Pro converts it to 29.97 Apple ProRes 422 with Field Dominance: Upper (Odd).
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Spark

Here's an example of a file (.MTS) converted to H264 for youtube then uploaded with horrible panning problems:
http://youtu.be/hD8UnT_fv1s
And here's the piece I made which works perfectly fine when fully loaded and played full size in HD mode, but has glitches at any other size/ quality when played:
http://www.youtube.com/watch?v=4VHByjcs-n8&list=UUSCZm618F5deYQzcZLiw-vg&index=1 &feature=plcp
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Log and Transfer works with both USB and FireWire -the majority of tapeless cameras connect via USB but you could jst as easily use a Disk Image of that cameras card located on a FW drive.
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There are also multiple video file types, not all of which are compatible because various manufacturers add their own tweaks to the AVCHD format.
Some manufacturers provide a plug in for their camera so that it works in FCP.
If Canon don't provide one for that camera you can use MPEG Streamclip (free) to transcode the files to ProRes LT or ClipWrap ($50).
You should also watch this tutorial: http://library.creativecow.net/ross_shane/tapeless-workflow_fcp-7/1

Very disappointed with G5 and Final Cut Pro

At work we bought a G5 last year for Final Cut Pro to edit plain DV video downloaded from a MiniDV camcorder via Firewire. The machine has 4gig memory, 6800 graphics, and is running FCP 5.0 with all of the Software Updates installed. The G5 is supposed to replace a much older PC that is running Adobe Premiere 2.0 on Windows XP. Even though the PC only has a single Pentium 4 CPU and older ATI X800 graphics, it does FAR more real-time effects than Final Cut Pro does on the G5. Why is this?? Almost everything I do, from titles to minor effects will appear instantly on Premiere Pro, real-time, no rendering needed. But almost everything I do on the G5 will show me a big red X until it has rendered. If I add a title, I still have to wait for it to render. If I add a light blur effect, I still have to wait for it to render. This is very annyoing and very depressing, we spent a lot of money on the G5. In reality, at least for us, it is slower than the older PC it is supposed to replace forcing us to spend a lot of time staring at those big red X'es while Final Cut Pro renders.
Are we doing something wrong? Or is this the case with all dual processor G5s running Final Cut Pro 5.0?? Is there anything we can do to speed up rendering or enable actual real-time effects/titles?

Welcome to the family.
Are we doing something wrong? Or is this the case with all dual processor G5s running Final Cut Pro 5.0?? Is there anything we can do to speed up rendering or enable actual real-time effects/titles? < </div>
Simple failure to understand your new tools. Open the manual, run the tutorials. Study carefully the sections on how to set up all of your preferences for DV. It's easy and when you're done you're going to feel really silly.
If your company intends to make money with FCP you must invest time to understand what you bought since you bought it without bothering to test drive FCP on a G5. If you liked Premiere on Windows, you may never enjoy using FCP on Macintosh. The switch can be devastating. You could be one of those poor souls who just doesn't get it. Turn your system over to a more open minded person on your staff.
bogiesan

HELP PLEASE WITH UPGRADING FROM FINAL CUT PRO TO FINAL CUT STUDIO 2

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Final Cut Pro and Boris Calligraphy titling generator. Upgrading is required if an older version is already installed.
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1. Turn off caps lock on your keyboard.
2. Use Carbon Copy Cloner or SuperDuper to clone your internal hard drive.
3. Use the Installation disks that came wiith your computer to Erase and Install Mac OS X on your internal hard drive. Use Software Update to get your copy of Mac OS to the latest version.
4. Repair Permissions.
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6. Repair Permissions.
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Problem with Capturing in FInal Cut Pro

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