Problem with logical domain and boot net

Trying to install a new domain on a T2000. Able to get to "Configuring devices" but then it just sits and twirls... What have I configured wrong in the domain creation?
I have:
{0} ok show-devs
/cpu@7
/cpu@6
/cpu@5
/cpu@4
/cpu@3
/cpu@2
/cpu@1
/cpu@0
/virtual-devices@100
/virtual-memory
/memory@m0,8000000
/aliases
/options
/openprom
/chosen
/packages
-virtual-devices@100/channel-devices@200
\virtual-devices@100/console@1
/virtual-devices@100/ncp@4
/virtual-devices@100/channel-devices@200/disk@0
/virtual-devices@100/channel-devices@200/network@0
/openprom/client-services
/packages/obp-tftp
/packages/kbd-translator
/packages/SUNW,asr
/packages/dropins
/packages/terminal-emulator
/packages/disk-label
/packages/deblocker
/packages/SUNW,builtin-drivers
|0} ok show-disks
/) /virtual-devices@100/channel-devices@200/disk@0

There are a number of issues with network booting in LDOM 1.0.2, I think they affect all versions of the LDOM software though. If you add a vnet to a guest domain and then try and jumpstart a guest domain from time to time immediately after the guest domain does the RARP request it hangs. Just sending a break to the guest domain, going back to the ok prompt and starting the boot net - install again generally fixes it.
Also there are some gotcha's with LDOM's that affect jumpstart.
1) If you chose option a) harden the OS using JASS when doing the installation of the LDOM software and you have the jumpstart server on the control domain then it isn't going to work. JASS turns off things like rpcbind which will prevent jumpstart from working. The same problem affects network booting. You would think that running a jass-execute -u to undo the hardening of the o/s in the control domain would work but it doesn't and you have to start over with a fresh solaris image for the control domain. This only applies if you have your jumpstart server on your control domain.
2) Since jumpstart relies on the MAC of the client to function and since with LDOM's the MAC is dynamically assigned from a pool of address's you can end up with the wrong entry in /etc/ethers on your jumpstart server. That is worth checking.
3) Since the MAC of the virtual network device isn't the same as the MAC shown when you run banner at the ok prompt in the guest domain you can end up with the wrong entry in /etc/ethers. Either do a boot net (vnet1 whatever) and then make a note of the MAC its broadcasting or do an ldm list-bindings domainname for the guest you want to network boot and copy and paste the MAC of the virtual network you are going to be booting from.
All the regular gotcha's with net boot and jumpstart still apply with LDOM's but so do all the usual fixes. Use of snoop will allow you do debug most problems. Also using show-nets at the ok prompt in the guest domain and make sure that you have the right number of virtual networks.
Paul.

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    33. When no track or part is selected, and you vertically zoom in, Logic should zoom into the center most track.. It behaves very oddly and zooms in more towards the top. This becomes extremely annoying when dealing with a sequence involving 100 tracks, and a part is selected but you scroll far below where the part is.. When you begin to zoom in, it takes you towards the selected part, yet it's not displayed on the screen and you have no reference for what you are even looking at. The rule should be this: If the part is on the screen, zooming vertically will bring you to it. If it's off the screen, you will zoom into the center track of whatever is currently on the screen.
    34. I mentioned this in a thread earlier... http://discussions.apple.com/thread.jspa?threadID=752485&tstart=0
    There is a bug when using the transform tool involving the 'position' variable. In my example, I was attempting to reverse the time placement of three chords, that occured in a part somewhere in the middle of my song. By selecting the measure start and end of this part, Logic was unable to select or operate with the transform tool (and I tried a variety of transform options). If I moved this part to the beginning of the song, then the transform tool would suddenly work. After some research, I found online someone had said "Position Time position of the event, referenced to the start of the MIDI Region (not of the song)."--- But if I still doubt this is true, because I then placed the part on a new track with no other data, and placed it in the middle of the sequence and in the transform tool under position I selected '1 1 1 1' to '5 5 5 5' as well i tried setting the position to 'all', and none of this worked. This obviously is a bug... If it's not then it's a very serious design flaw. The position should relate to measure numbers of a song, and nothing else.
    WATCH VIDEO OF THIS BUG:
    http://collinatorstudios.com/video/transform.mov
    That is all for now...
    For those who firmly agree with me and all of the points that I have brought up now and in the past, I encourage you to contact Peggie Louie, (the Logic HR department contact) at (408) 996-1010 and suggest that she hire me as a consultant to help eliminate Logic's many annoyances. I have tried to pursue this heavily in the past, but sadly I was completely ignored by her on all levels. Maybe you all can help make a difference?
    Fighting the good fight,
    Patrick J. Collins
    http://collinatorstudios.com

    11. Changing the movie's start time is very user
    unfriendly. There should be a simple way to specify
    to start at a moment of time relative to SMPTE-- So
    you can just say "+9:15" for example, and it would
    take you in 9 minutes and 15 seconds, rather than how
    it is now where you have to think backwards from
    SMPTE code and subtract.
    For this one I'd suggest getting SMPTE calculator. Entering timecode numbers and having to add and subtract is not so difficult, and AFAIC part of a composer's gig. But what I would add, instead, is that it would be fantastic if Logic provided a timecode calculator (edit: even if it was in the form of a custom Logic widget).
    13. Saving a song with a movie open should mean that
    when you load that song, the movie should be up and
    exactly as it was prior to saving. As it is now you
    have to select "open movie again".
    This doesn't always happen. I've struggled with this for a long time, and I don't know why sometimes the movie will load and not other times. I would also add here that Logic should show the file pathname to the movie. Somewhere...
    18. clicking on a track selects ALL parts. This is
    so so so annoying.
    You can prevent this from happening if you have cycle turned on and set to a set of locators that "contain" the parts you might want to select en masse. I always work with cycle=on so this is not a problem.
    21. If you have multiple tracks of the same track
    (such as three Audio track #1's)-- say you are
    recording guitar parts, and just copying the track
    and muting the previous track as a method of
    maintaining multiple takes for later auditioning. If
    you draw automation volume data on this track (it
    appears on all 3 tracks), and then if you delete the
    audio from one of the muted tracks and tell logic to
    KEEP it, suddenly all automation data is gone.
    GRR!!!
    Never had that happen. In my experience, telling Logic to keep the data always works.
    23. UNDO does not work on every function. for
    example, if you change an output to bus 1 instead of
    1-2, you cannot undo this. Undo should undo whatever
    the last command was, no matter what it was. This is
    what the word LOGICal is supposed to represent.
    Undo in Logic is highly problematic for other reasons. Here, I think there should be a specific Environment Undo, just like there's a separate undo for audio edits.
    29. When you drag a bus from the environment to the
    arrange window, it replaces whatever track was there.
    It should ADD a track instead of replace-- atleast
    there should be a preference for how this behaves.
    Right. This is a matter of personal preference. But still there are other ways to get an object assigned to a track. The "thru tool", for instance. No dragging required.
    32. Logic should offer a feature to collect sysex
    data from midi devices so that patch names show up
    and can be selected via program change.
    My guess: considering how much sheer time it takes to write this kind of software, let alone debug it with every conceivable device, it's not likely this is going to happen.
    That is all for now...
    For those who firmly agree with me and all of the
    points that I have brought up now and in the past, I
    encourage you to contact Peggie Louie, (the Logic HR
    department contact) at (408) 996-1010 and suggest
    that she hire me as a consultant to help eliminate
    Logic's many annoyances. I have tried to pursue this
    heavily in the past, but sadly I was completely
    ignored by her on all levels. Maybe you all can help
    make a difference?
    Wait in line buddy!
    (LOL)
    I must say, I'm very impressed with your list and attention to detail. And I feel your pain, trust me. But many of the things you've listed are feature requests and not bugs. And some of the behaviors you've described I have yet to run across. So this is typical with Logic, that it can be operated in so many diverse ways that no two people run it in the same way, nor would two people conceive the program's capabilities in the same way. But I digress...
    I also think there's a certain amount of Logic convention that I don't think you've adopted yet, hence your wish for behaviors that don't yet exist.
    I don't disagree with most of your feature requests, and I'm (quite unfortunately) able to say that I'm familiar with most of these bugs and about 9 dozen more. But again, it's important to distinguish between bug, feature request, time to RTFM, and errant behavior that's experienced by a very limited number of users.
    There's no doubt that this program has its problems. In particular, your #1 re the playback buffer. And I'm glad you've brought many of the bugs into the light for people to read. Good work.

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