Problem with red footage import

I cannot import red footage in premiere pro cs4: error message "file grayed or damaged" Do you know why ?

After quitting CC (I'm not a subscriber kind of user, that's all), I went back to my master suite Cs6.
I did one mistake, updating to the current version. A sign of my problem was that Ae Cs6 didn't worked either (in terms of RED files).
(FCPX and RED Cine X etc worked fine, so I excluded a problem on my system)
The only solution that I found was working was: After I rolled back to Pr Cs6 6.0.2 (I do no updates druing productions, so one MAC was on 6.0.2, I just copied it)
It didn't worked with 6.0.0 nor with any other than the one named above.
The ImporterRedserver.app was 6.0.0 and the Importerred.bundle was the only one in history named ImporterRED 3.38.08 PM.bundle, which was version 6.0.1
Of course that will not work with Dragon. I tested Scarlet and Epic files from the past two years. They open fine.
The problem is, if one mixes the versions (e.g., newest RED Cine X and the Photoshop plug in, the stored information in the .RMD file might shift the color: compare Ps RED plug in v6 and v7, with an RMD setting done in RED Cine X. There is a huge shift in blue)
So, all in all, I hope Adobe delivers a new "bundle" and "app" for Dragon and Pr CS v6.0.x

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Problem With RED Footage

Hi all,
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E. Rocka

NLEdit,
Thanks for your response, however, that still produced the same result. The audio tracks are appearing in Soundtrack Pro, however, there are absolutely no waveforms. This hasn't happened to me on any other projects, so I'm assuming it's because it is RED footage. Any thoughts?
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Working on an 8 Core, 2008 Mac Pro with 16GB of RAM running Mountain Lion.
I just upgraded to After Effects CC and I'm having a whole bunch of errors ...
-- the 'MooV' file is damaged or unsupported
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I'm working on a MacbookPro, Early 2013, OS X 10.8.4, and I'm having the same exact error:
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I'm not sure if the bug is related, I'm just wondering if anyone else has any idea on how to fix this problem. I have a fresh install of CC so I can't downgrade to CS6.
Another error popped up during multiple trys in export:
In case the old file was actually corrupted, I checked all my backups that worked perfectly fine with CS6 in the past, and I get the same error when I copy them over to my hard drive on my mac.
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Memory: 16GB
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Start up in safe boot:
Safe Boot
http://support.apple.com/kb/HT1455
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Red Footage imports with heavy yellow cast

Good day all,
I am looking to import and work with some Red footage that I shot with a Red camera. I have installed Redcode, and Redcine. Am using CS 4.2.1, and even installed After Effects 9.0.3 to make sure that all drivers and whatnot that come with that are available.
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What am i missing?

I dont know what to say except what Jim already said to get what you really want... and even then I would look at the new Avid thing and the peripherals it supports ( and color grading etc ) on a mac ( so you can use import and export prores )
videoguys has some good info about the new avid thing ( 6 ? ) and whats supported etc. re: peripherals.
The only good thing about PPro right now IMO is photoshop and after effects and that sort of "suite " handling of stuff. In a perfect world you would have EVERYTHING... more than one platform to work from ( pc mac ) and more than one editing program etc.
redcine x is gonna give you your export ( probably mov animation for your ppro version ? ) and now you're already dealing with stupid color spaces that dont match and so on... so it doesnt matter what you do in redcinex really.
Upgrade to ppro 5.5 and deal with that ... direct from files and bypassing redcine... see how it works. Or find frames to find a white balance that works OK in PPro version you have. A lot of work ...cause you'll have to make cuts probably to fine tune.
Sorry.. is the way it is. FCP handled it better as prores.. but that program has bit the dust lately too... leaving you with this (newest version, not your version ) or avid now or the older version fcp. Part of what you're dealing with is the 32bit and newer 64bit stuff... not to mention a ton of other things.
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1) Has anyone had any luck getting HDR-HC9 iLink HDV-DV hardware conversion to work with iMovie, consistently?
2) Can anyone comment on image quality issues with converting HDV to DV footage using iMovie software.
3) Has anyone seen audio sync problems with iDVD from HDV original footage.
Thanks

Hi - you may get a more exact answer in the BlackMagic Macintosh forum, since there aren't a lot of BlackMagic queries on the Apple Discussions forums:
http://forum.blackmagicdesign.com/viewforum.php?f=11

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Hey! I have footege witch was recorded with camera Red One in 4k resolution and when I import it, for example, to Premiere CS5 it don't want to display... I see only black screen in composition window, nothing else. The same problem is when I try to encodeing it in Adobe Media Encoder CS5. On the display I see only one thing... "rendering". Do you knew what its wrong? It may be problems with drivers?
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Hello,
My system is: Win7, Premiere CS6 (6.0.5), 12GB RAM, etc...
My project settings: I'm using 1080p RED timeline.
Steps:
Using 4K RED footage with "Scale to frame size" disabled after placing the clip on timeline.
Under effects time remapping is set to 50%.
Motion->Scale is keyframed from 50% to 100% to achieve zoom in effect while preserving image quality.
Clip stays at 50% Scale ignoring the keyframes.
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Thanks.
This seems to work but I had to apply TR to the nested sequence and scaling to the original clip.
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hiya.
video likes 72 dpi ( though some will say it doesnt matter .. thats a long story ). basically video 'shows' 72 dpi ( basically what the monitor resolution is...typically 72 dpi ). As you know from print and dimensions, there is a relative sorta thing with byte count ( file size in bytes ), ppi ( I usually say dpi but in video its ppi ....same thing basically )..., and dimensions ( width x height ).
soooo , as you know in print and web stuff...there is a relationship between number of dots or pixels, dimensions in inches or pixels, and overall byte count of file size....
That said, in "print" it is usually best to go with 300dpi.. In video it is best to go with 72 ppi.....
Also, in print and going offest press.. its nice to go with cmyk ( for color separations ).. but in video and web its best to go with RGB.
The video stuff doesnt deal with vector stuff... it just sees and deals with bitmapped stuff...vector stuff is a mathematical sorta thing whereas video stuff is just plain old bitmaps ( like BMP, TIF, JPG, etc )...
Ideally your still images and graphics in a video editing program would be bitmapped rgb 72 ppi.. and match exactly the dimension of your video format ( eg. 1080p ). That said, it is normal to have LARGER images ( still images and graphics ) than your project dimensions if you PLAN ON SCALING AND MOTION )... like, your original graphic or pic can be larger than the project if you plan on scaling it down over time to make it look like you are zooming out in the video ....
To get the best results of a graphic or picture in a video is to have it exactly the project size ( eg. 1920x1080 px at 72 ppi for full HD ).
soooooo.... if you convert your vector to bitmap, save as psd or tif or something... at 72ppi , with the dimensions in inches or pixels that equals the video ( 1920x1080 for example )... you will see what you want in your second sample ( the original )...
ps.. you can import layers to the video if you wanna do a psd file and have ONE of those layers the one you use in your video ...can label it something like " video layer " ... whatever...

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Hi,
I find a big problem with iPhoto 7 and import !
I made 53 scan of photos in 1200dpi, modified, cleaned and saved them in jpeg files (1mo to 2mo by photo)
all are in the same folder and some are in grayscale other in colors.
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It is only in iPhoto.
If I share this event in iMovie small photo is black but if I move this photo in my iMovie project Photo is good...
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Have you a solution?
Regards,

all my photos are in jpeg in high resolution
It is very important because if we want to produce an album we must send a high resolution, but they are only 1mo to 2mo by photo not 35mo...
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I you produce in RGB photos are biggers...
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The problem I have some colors photos with this bug...

SCCM 2012 Update Group inconsistency Problem with Red marked Updates

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Hi,
Please try to manually synchronize software updates from the CAS and monitor the WSUSCtrl.log, WCM.log and wsyncmgr.log on the CAS and Primary sites.
Best Regards,
Joyce
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Problem with RED color in Aperture, iPhoto but NOT Preview

I'm having a weird display problem in aperture and iPhoto, as well as in the small thumbnail preview in the Get Info window in the Finder: photos with large areas of red appear over saturated and blotchy, while the same image will be displayed fine in Preview, Mail, Safari etc.
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QT7 install causes problems with 7d footage playback

Hi
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