Problem with sending clips from after effects to premiere. Color looks different. Any advice? Can't link. 4k raw in premiere and 40 layers per clip in ae. Can't handle it.

There's a definite color difference from Premiere to ae. I'm using cineform files as alphas from ae to put back over the clips in Premiere as a layer. The problem is the color doesn't match like it did in ae and the mask and all that seem funky. Anyone experience this or have ideas?

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> cause this compressor doesn't like images
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> in several forums I have red that "automatik" inside of encore does often not work properly
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Please read that post and let us know here on this forum thread if you have any questions or comments.
Also, please let us know if the proposed solution works for you.

Mark - The new document that we published is meant to address a specific issue. You can confirm you have the issue by the following:
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0   ???                                     0x04981f90 0 + 77078416
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thanks..will wait and try....thanks for the link
Am 17.04.2011 um 05:57 schrieb Todd_Kopriva:
The trial version will be available in May. See http://blogs.adobe.com/toddkopriva/2011/04/improved-trial-version-for-after-effects-cs5-5. html.
>

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For one...
Shane's Stock Answer #2: Blurry playback
ONLY JUDGE THE QUALITY OF YOUR MATERIAL ON AN EXTERNAL BROADCAST MONITOR, OR AT LEAST A TV.
The Canvas shows you what happens after the codec you are working with has been applied. The Viewer shows you the material in its native format.
1. Disable overlays on the Canvas.
2. Make sure you've rendered everything (no green bars at the top of the timeline).
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Shane

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In my case I take HD video with an Apple iPhone 4S and an iPad 2. These cameras can be just as easily oriented in any of four orientations by hand, or in various iPhone or iPad holders for mounting on a tripod. As long as I stay with Apple or Adobe products for my whole video handling process, I have no problem with software support for orientation
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More explanation of this is in the text below.
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http://www.impulsead...rientation.html
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As lossless image rotation is a fairly compute-intensive operation, digital cameras are not likely to include true lossless rotation after capturing the photo. The CCD/CMOS sensor hardware is designed to stream raw data in a particular direction (e.g. rows then columns), and so it may be hard to incorporate true auto-rotation in-camera without a performance impact to continuous shooting (frames per second).

Problem with sending clips from after effects to premiere. Color looks different. Any advice? Can't link. 4k raw in premiere and 40 layers per clip in ae. Can't handle it.

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