Problem workflow mxf canon xf 100

Hi,
I have shot a documentary with a canon xf 100. I could import the different mxf clips with the browser in Ppro CS5.5.2 but I cannot find a solution to work properly. I need to merge all the different mxf clips from each canon CONTENTS folder into one big clip, like if I had one big clip for each tape/card. For that, I created a new sequence from the different mxf clips and then I nested this sequence to get one unique file that looks like a unique clip. OK, but then, when I try to work from that nested sequence and to use it on my timeline, I cannot work with two mono tracks any more (I have set my project as mono, beacause I used two mono microphones). Everything I import from a nested sequence to the timeline becomes one  stereo file.
Then I tried something else. Inside Ppro, I merged ("merge clips") my nested sequence with another sound track, wich is in fact the full sound track I exported in a wav format from
the same nested sequence. At first, everything seems to be OK : I can work on my timeline with that merged clip, and I get two mono files. ...BUT as soon as I close and reopen Premiere cs5.5, one of my two mono files becomes empty. I can see the two mono audio file on the timeline but one of them has no sound at all!
Any idea ? thanks.

Thank you Stephen, but I personally prefer to edit with one big file per card (or per tape) I can scrub easily, instead of having hundreds of small files with numbers (like mxf files), especially when I have hundreds of hours of footage. To help me, I can always make a detailed shot list.
So I tried to do like this ; sorry for my English and if I repeat certain points, but I hope it could help other people :
on the timeline, I imported all the mxf clips coming from one card,
then I calculated a new wav stereo file from all the files,
then I made a nested sequence with all the mxf clips, but without the original sound tracks (only video, not audio),
then I merged that nested video sequence with the new wav stereo file I have calculated ("merge clips"),
then I could import that new merged clip in the source monitor and edit on the timeline with two mono tracks.
But I met two new problems for a good editing:
First of all, as I already described, after I closed and reopened premiere pro, one of my two mono tracks on the timeline became empty: you can see the segments on the timeline but there is no more sounds inside. It is clearly a bug of ppro. I’ve read different posts with audio problems on mxf files imported into ppro.
So what I did is that instead of calculating a new stereo wav file from my original sequence, I calculated two mono files, one for each channel. Then I imported those files into ppro and and I merged it with my video only nested sequence. I, then, could edit properly with two mono tracks even if I closed and reopened ppro.
But the problem is that now, if, for any reason, I become out of sync on the timeline between video and audio segments, there is no more red indications to tell me the number of frames out of sync. And of course, you cannot use the functions of ppro to re-synchronize ("move into sync, slip into sync"). And this is a huge problem (strangely, a nested sequence keeps that function but it has only one audio track).
I sometimes wonder how the programs are developed. Mxf files is supposed to be a step ahead, but it becomes in the real editing, at least with ppro, two steps backward. From what I’ve read on the net, many people like me lost a lot of time trying to find a solution for editing mxf with ppro, and even if I decide to work with two mono tracks as I described, which is long and painful with hundreds of hours, how can I be sure I won’t meet another audio issue later on.
It is clear that the developers of ppro are not editors or directors. All I want to do with my mxf files is the basic of the editing. I want a car I can drive properly, not a car with air conditioned, that has no brakes.
So if they hear me : could you please update ppro so that we could edit properly with mxf files? It means :
1/ inside ppro, merge all the clips from the same card into one clip, that we can edit with two mono tracks if we decide
2/ keep the out of sync function for each audio channel with that merged clip.
Of course, if there is a workaround, I would be happy to know it.
Thanks.

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