Problems calibrating LCD.

Help, my LCD is too warm (yellow) and I can't calibrate it away.
I had already noticed my 12" PB display was a bit off colour compared to others but when I recently connected it to an external monitor, the difference was shocking.
Now as I write, I have a 17" CRT Apple Studio Display connected in mirror mode. This web page looks very warm on the laptop display compared to the slightly cool CRT.
I have just calibrated both displays and I was very happy with the calibration on the CRT. Taken in isolation the CRT displays a natural white compared to a white card in daylight.
Calibrating the PowerBook display was not so comfortable. At every stage I found it impossible to get the central apple colour neutral against the background, usually wanting to go further down in the colour space.
Now I have two calibrated monitors side by side and they look entirely different. What can I do?
(Also, why is the PB monitor so rubbish anyway? The viewing angle is about 10 degrees!)
Any help appreciated.
Gaberdine

Hi Julia,
I have now tried SuperCal and it is certainly WAY better than the native OS X calibration tool in System Preferences. However, I have since switched to a 12" iBook (IMHO superior to the 12" PowerBook in most regards) and have yet to explore proper calibration on this baby.
As for getting your printer and your monitor to match... whoah, that is a big ask, alas!
Unless you have a professional qulaity printer, you will only be supplied with a default generic coloursync profile and the only way to calibrate your printer properly is (as I understand it) to get a custom RIP - for which you must pay. There are various online providers that supply this service (and some less generic ready-made ones) but remember, you must be consistent in the media you use (ink and paper) to get a truly consistent output.
I have given up trying to really understand colour spaces, coloursync profiles etc and am now rather pragmatic about it.
My monitor is calibrated, I supply image files in Adobe RGB or sRGB depending on the client and for my own printing/proofing purposes I just play around with the colour controls in the print dialogue until I am happy with the output from whatever App I am using and save that as a custom setting which serves as a de facto profile for my printer. It's not elegant but it sort of works. It can use up paper at first but if you are consistent about the way you work it will pay dividends in the end.
Hope this helps,
Gaberdine
Footnote:
One thing to note is that Apple coloursync offers you loads of profiles that are entirely irrelevant to most situations and you need to be careful about which profile you select. Basically it mixes profiles and colour spaces up in an unnescessary and confusing way (as I understand it).
For instance, when setting up a ColourSync workflow, don't set your printer's profile to Adobe RGB or whatever even though that may be the colourspace in which you edit images. Colour Spaces are about the way a potential palate of colours is handled and represented by the computer whereas a ColourSync Profile is about compensating for the way a SPECIFIC hardware device (camera, scanner, monitor, printer etc) is actually capable of reading/outputting colours.
In other words, even if you are working in Apple RGB (which has a limited palate of colours consistent with the hues that printing presses are capable of outputting ... thus saving you fussing about subtleties of colour that would never be noticed in print), you must still set the Profile of your output device to its own calibrated profile or RIP so that it accurately prints off the colours you see on screen. Otherwise it is like wearing contact lenses AND glasses - you don't get a double benfit, you just get confusion!
PS. Apologies to the colour professionals who may think I am talking complete rubbish.

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