Problems importing HDV tapes

Hello everyone,
First time I need to importe HDV tapes, frames recorded on HDV1080i 50i. I use a Sony HDV camera recoder, plug in with an firewire 800.
I set everything as it must be, then when I open the listed and capture the preview is black and when I start to capture it's says something like "missing of datas from the device, check the connections".
Do I need a special firewire cable for HDV images? Cause It works if I want to import some DVcam frames...
Please Help!! Just rent the camera for few days for import tapes...

Also, I have found that the WAY HDV is logged has a big effect as to how easily it can be captured - I used to constantly get the same warning you do. I started to mark my in and out points "on the fly" meaning the tape was rolling (NOT paused) while setting in and out points. Since doing it this way, I have yet to get that warning again. I imagine that it must have something to do with the GOP nature of HDV, but I'm not sure... I can use the same camera and cables to log and capture DV (paused) without an issue. As soon as I switch to HDV, the warning reared it's ugly head unless logged on the fly.

Similar Messages

Importing HDV-recapturing media imported as DV to HDV

Had problems importing HDV shot on a Canon HDV camera using a Sony HD700 deck so imported as DV due to time constraints (family video). Project is finished but read a recent post by redtruck changed my settings and can now import as HDV. Question I have is with the new DVC Pro HD settings, can I go back to the original project and just recapture all the clips in the new format? Or are there other considerations. Using FCP 5.1.4
Thanks

A quick update. I tried to re-capture a single clip. Set deck to HDV instead of Auto as suggested in other posts. When I go to re-capture, it recognizes the start point, clip show up in capture window but doesn't recognize end point of clip and just keeps trying to capture past the out point. Have all AV settings at DVD Pro HD and device control preset at DVC Pro HD firewire. Set AV device playback output at Firewire DVC Pro NTSC (720x480) and audio at Firewire DV.
Any suggestions?

Help - HDV tape import problem - Sony HC-3 broken - Questions/Warning

My Sony HC-3 HD camcorder has just failed. I've had it just over 3 years.
I really don't enjoy video editing much, and despite maybe shooting 20-30 tapes of HD footage of my young children, I'd only got round to importing a handful over Firewire, but was lulled into a false sense of security perhaps by treating the tapes as my film negatives (new tape each time).
The camcorder behaved a bit erratically a few weeks ago when inserting a tape, then the other day it gave an error, I ejected the tape and had a constant C32:11 error flashing. Lots of user reports on the web, no idea what the real issue is, but any suggested fixes didn't work.
Essentially I cannot close the tape transport compartment with or without a tape - it won't accept a tape and return to record/play position.
Almost feels as though something isn't clicking/catching when you push the tape in.
Anyhow, I thought if worst comes to worst I'll just buy Sony's latest model - then the realisation they'd discontinued consumer HDV tape camcorders. Not a happy bunny.
I've sent camcorder to local Sony repair center and am awaiting outcome.
Now my questions are:
1 - Is there any way of simply reading the tape data using an SD camcorder if I ever needed to ? - There are programs that use them to archive data so I guess in theory it must be possible just to read the data, unless it's stored in an SD compliant file format rather than just data.
2 - is 1080i HDV (1440x1080 res) as captured by the Sony HC3 a cross-vendor format or Sony specific - (if 1 is impossible) could I if needed say pick up a Canon HDV camcorder and use that to import my video?
3 - are we to assume now that DV/HDV is dead as a consumer format despite it's better image quality compared to hard drive/memory card video codecs.
Hopefully Sony will repair my camcorder for a fixed rate charge - if they can't or won't what are my options for importing the video I've got on tape?
There are bound to be companies who'll do this for a fee if worst comes to worst, but I feel a bit annoyed with Sony for dropping support for the format after buying an expensive camcorder only a few years ago.
Even if it can be repaired, I'm not sure I'll want to continue using it if there's a risk of future failure and inability to import old tapes. Frankly I'm glad I've used the video function on my Canon 5D II a lot in the last year or so for quick video clips even if many are transiently OOF.
Yes, my fault for not importing the tapes immediately after shooting, but I'd assumed that I would be able to import the data well into the future evene if it meant a new device.
AC

Jeremy Hansen wrote:
HDV is not dead!!! Heavens, the pros laugh at AVCHD and hard drive based cameras. When you shoot on HDV tape, you have a backup.
Sony do still manufacture HDV pro camcorders of course - it's the early adopter consumer they've left in the lurch.
One of my original reasons for using tape was this automatic backup - silly of me not to routinely import tapes to Mac of course.
To answer your questions:
1. No, you can't read it with an SD camera. you are correct that it is just 12GB of data, but no software really knows how to go back and forth, so to speak. In case you care, there was an app years ago (I forget which) that could use a Dv camera as a 12GB backup drive. But practically, no.
Shame really seeing as it's just data - I'd used the Firewire SDK kit DVHSCap app to pull off 12-13GB m2ts files in the past which I felt would be ok for computer archival, unedited direct playback on PS3 and fairly quick to convert to AIC as needed for future editing purposes using a utility.
I did wonder if DVHSCap might be able to pull the data from an SD camcorder, but maybe the tape just would not play.
2. HDV is HDV. If you had problems, pros would advise you to import with the same camera, or at least same brand. But, usually there are no problems. There shouldn't be, but occasionally there are.
I was hoping this was the case, great.
3. Image quality is NOT better with hard drive based camcorders. In fact, most use a higher rate of compression than HDV. What is the advantage? A tape-based camera takes an hour to import and hour. Hard drive cams go faster. Some look great, but there is no advantage over HDV.
Yes, the only advantage of HD/card based camcorders is simpler import faster than real time, and I'd always been concerned with HD camcorders you'd have too many eggs in one basket if the HD failed in between imports to computer.
I own an HC-3, and you have to realize it was an early camera in the high-def market. I don't use it often (except as a secondary) because of its optics.
I've always found it produced pretty acceptable results - constantly amazed that 3-4 year old products get regarded as obsolete by manufacturers who just want you to buy the latest gadget.
Here is my advice:
Get a Canon HDV camera. Use it to import your tapes, and enjoy its superior optics and color quality. Opinion? Yes, but I believe it.
I may consider that if repair fails - any model recommendations that would trounce the Sony?
Cheers
AC

Importing DV/HDV Tapes

Hi,
I would like to know if there is any software to import DV/HDV tapes to my Macbook pro (doing the same job that we can do using the "Log and Capture" window) ?
I don't want to use the FCP to do it because I want to use it at the same time in another tasks.
Thanks

You cannot capture video AND use FCP at the same time doing something else. Meaning you cannot capture video AND edit video at the same time on the same machine. Just not possible. Nor can you capture and compress video at the same time.
To be able to capture video while you are working on something else in FCP....you'd need another machine.
Shane

Problems with importing video tape into iMovie '08

I'm using a canopus advc 110 to import video tapes from a vhs recorder into iMovie. BUT, the process often stops after only a few minutes when I still have a long way to go. I'd like to be able to leave it to work for 20-minute chunks (longer if possible, but I think that's about the limit), but it keeps stopping after a few minutes. When I come back in the room, it keeps trying to import (time in upper right corner keeps going) but had quit earlier according to time on the lower center of the iMovie screen. This is adding to my frustration and time, which is limited. Any suggestions??

The canopus advc 110 will work IF you have a perfect tape.
Look at the Grassvalley ADVC300 it has the ability to compensate for bad tapes. Using Line Time Base Correction (LTBC), ADVC300 instantly cleans, stabilizes and preserves old VHS and Hi8 videos in clean DV format. No need to monitor, just start and forget. Fast forward the tape all the way and then rewind all the way before import will never hurt.
The program that comes with the ADVC300 has some nice filters that can improve video and audio of the source material. The ADVC300 will take Audio and Video from any source and convert it to FireWire (iMovie will treat it like a camera).
http://www.grassvalley.com/products/advc300
The ADVC300 is for anyone who wants to do editing and is concerned about quality of color and speed, for the novice it is an incredible gizmo that will restore VHS tapes to a state close to the original fixing midtones, highlights and shadows on the fly. Not only can you simply convert analog to digital you can actually manipulate the signal going in (if you want to).
A bit pricey bit it WORKS.
I would use iMovie 06 with iDVD 08/09.
iMovie 08 and 09 uses 'single field processing' meaning every other horizontal line of the video is thrown out, which reduces the sharpness of the footage. iMovie 06 uses ALL of the image to form the video.
Your workflow is editing DV clips and making DVDs, so iMovie 06 is better suited. Your movie will arrive at iDVD in DV format, which is an ideal match for making a DVD: same resolution, same pixels aspect ratio, and original quality. If you share your movie from iMovie 09, it gets re-rendered at 640x480 or less, and then iDVD upscales it back to 720x480. The end result is obviously not as good.
iMovie 06 and iDVD 08/09 is a "lossless" combination.
iMovie 09 is a wonderful programs assuming that you're using it for what it was designed to do, assemble videos to share on the Internet.

Trouble importing HDV mini DV footage from my Sony HVR Z7U into FCP 6.0.6

Cannot import HDV mini DV footage from my HVR Z7U camcorder into Final Cut Pro
I can Import the footage as an NTSC 720x480 signal.
One consistent answer is to make sure that in camcorders menu settings that the IN/OUT REC - iLINK SET is set to off.
No Luck, no communication with FCP in that mode.
That being said when cameras ilink is on I can import 740/480 NTSC video, not HDV.
Here’s where I’m at now
The video was shot in 1080i 30p onmini DV. With my Sony HVR Z7U Ican only import the video into FCP as a NTSC 720x480 signal. It looks great butnot in HDV?
I believe I have tried most every setting in my FCP audio video settings to import the HD footage into FCP. FCPseems to only recognize the camcorder in the NTSC mode.
Example - In FCP Audio /Video Settings
Sequence Preset - HDV 108030p
Capture Preset    - HDV
Device Control     - HDV FireWire Basic
Video Playback   - Only gives none or NTSC choices(I chose Apple FireWire)
With the setting above and Sony’s ilink off- window alert reads…
“Device is not connected or the capture preset is not set up correctly. You may still log offline clips. This might also happen if you play DV footage in an HDV device.” The camcorder viewer reads the digital footage as 1080i 30p. So it’s not shot in DV footage.
With the iLink on - I get the same window alert. Unless I capture in NTSC
For me FCP will only log and capture the footage when the Capture and Device Control Presets are set to a NTSC format and the camcorder ilink is on. Hence an NTSC 720x480 signal is imported. Not HDV?
Come on, I know this a common problem and I must be missing something very simple. Please Help! Many thanks.
Gary Boland
FCP 6.0.6
Mac G5
Someone mentioned using log and transfer. I use this with all my Compact Flash HD videos. I have found no info for importing HDV from mini DV in log and transfer with a (my) camcorder.

Gary, this is the Final Cut Pro X forum. You might try the other forum for FCP. Still, I have the Z5U Sony which is nearly identical to your camera except for the zoom as I recall. I think we have the same menu system. I see to recall there is a menu option that sets the output file format. Also you can set it to record in SD as well as I recall. I read my files in from tape to FCP X easily ... in high def. Best wishes.
stephen

SOLUTION: Are you having problems using HDV in FCP X and iDVD?

If you edit HDV (TAPE) in FCP X and want to burn the video in iDVD you will find the following problem . . . iDVD squashes the image as shown in the screenshot below.
Whether you export as ProRes or H.264, iDVD will see it like this as a squashed image.
This is because iDVD does not recognise HDV anamorphic images unless they are in the Apple Intermediate Codec.
There are 2 solutions to this problem:-
1. Create a ProRes 422 Custom Compressor Preset with a frame size of 1920 x 1080.
The only downside to this is that the conversion process in my 2008 iMac takes about 5 times realtime.
2. Create an Apple Intermediate Codec preset for HDV. This encodes on my iMac in around realtime, so it is at least 4 times faster than the ProRes solution.
Unfortunately, if you have Compressor 4 you cannot create Apple Intermediate Codec presets, but Compressor 3.5 will and what is more important, that preset can be installed in Compressor 4.
So you can export your HDV project from FCP X using Compressor Presets in either ProRes or AIC and use the resulting file in iDVD to get a correctly proportioned image like this.
I prefer to use the AIC preset as it is 4 times faster and there is no quality difference on the final DVD.
What do you do if you haven't got Compressor 3.5 or 4?
Well you can email me for a 12KB copy of the preset as I believe FCP X can use it even though you don't have Compressor.

Ian,
Thanks for the tip!

Importing HDV footage - seems you don't want to use Premiere (?)

Hi everyone, and good morning.
Well, after many great posts, and lots of help here, I think I realize something....
If you own a camcorder that does HDV footage ( like my Canon H20 ), you must use something other than Premiere to import your original footage from the camcorder, if you wish to do any type of editing in Premiere later on.
If I understand what you have all told me that is.
For clarfication, last week, I imported my first HDV tape using Premiere, and the resulting file was a very high quality .mpeg file, however, it was not editable in Premiere at all. The audio and video were totally out of sync.
So, I then re-captured the original video from the camera into Pinnacle Studio 11, and this resulted in 2 files, a video and audio file. ( .wav and a .m2v file ). These files import into Premiere very well, and the audio and video is perfectly in sync from beginning to end.
With all this said, is there any point at all in keeping the original .mpeg file that I originally captured from the camcorder into Premiere ???
At this point, I don't see any advantage to this, but thought I would ask. I've read numerous posts that .mpeg is just not great for editing, etc,etc, so perhaps I should just delete this file, and keep going the route I'm now using ( capturing the original camcorder footage with Pinnacle Studio 11 ) (?? )
I also wonder, if one only owns Premiere, then what on earth do you do, if you have an HDV camcorder ? ( perhaps all of you that own one of these camcorders, capture the video footage from the camcorder, in a program other than Premiere ? )
Thanks for any info you may wish to give,
Dave.

I am not so sure the problem is always restricted to CS3 captured footage. I convert from AVCHD to HDV (usually using Elecard, or Procoder etc) and find that if I stitch the output into a longish single HDV file then although that hdv file plays ok in a player, and is in sync - it loses sync when imported into PP CS3 - but is OK in other NLEs (well Vegas) Seems to me that CS3 cannot hold sync if (some) hdv clips are simply longish. Bad bug!- although seems it's being worked on according to similar threads

Problems importing into iMovie and which is the required space..

Hi Karsten!
I could see that you know about video editing. And I have some problems and doubts I would like to ask.
The thing is that I have just bougth an ibook of 80 Gb hard disk RAM 512 MB Speed 1.67 GHz and I am trying to edit a documentary with it. The thing is that I started to importing images from a HDV 1080i Sony Camcorder into iMovie and the speed wasnt in real time, was slowing down to half of the original speed. I went to visit the help of iMovie it was saying when it happens is due to the desfragmentation of the disk, but I dont know if it is the real problem, it is a new computer, and how I can solve it.
And I also would like to know if I could have better results in the video importing and editing with an external hard driver other wise I could add more ram and more memory for the hard disk in the computer...
And the last thing, I would like to know how much space would I need in my computer for install and using Final Cut Pro and if it would be easy with more memory or an external hard drive...
Please Karsten or whoever who can have knowledge about these matter could help me. I really need it so much to start with my docu...
Thank you
Mac OS X (10.4) 80 Gb hard disk RAM 512 MB Velocidad 1.67 GHz

"..which is the difference between FCP and FCE?.."
FCE is Final Cut Express, a cheaper and 'cut-down' version of FCP (Final Cut Pro).
FCE changes HDV (hi-definition) video into a slightly different format called 'Apple Intermediate Codec' when it's importing HDV material - just like iMovie HD does. This means that importing is generally slower than importing ordinary DV, because the movie has to be converted while it's importing. On a G4 PowerBook or iBook HDV might import at half-speed, or take even longer (..maybe 4x 'real time'), as you've found.
The latest version of FCP can import HDV, and edit it, without any conversion, Apple says. But I don't know if that applies on any Mac, or if that needs a special capture card to be fitted into a PowerMac. In theory, I'd expect that importing and editing HDV using FCP HD 5 (..the latest version..) would be faster than on a PowerBook - because there's no conversion involved - but I can't say for certain till I receive my latest version of FCP (..I just did an Apple "cross-grade" to convert my FCP HD 4.5 into FCP HD 5).
HDV doesn't take up any more room on a tape than normal DV, because the high-definition is 'squashed' onto the tape, using MPEG-2 compression. Because iMovie HD and FCE HD can't handle this kind of compressed material directly, they convert it into the Apple Intermediate Codec, and that form of the video takes up more storage on a hard disc than the normal DV does!
So although normal DV uses about 13 gigabytes of hard disc space per hour of running time, the converted HDV (..converted into 'AIC'..) takes up, er ..I'm looking for a recent project ..most are on an external disc ..are here's a simple one: one-and-a-quarter minutes' worth uses 904 megabytes; nearly 1 gigabyte! ..Here's another: four-and-a-half minutes' worth takes up 6.5 gigabytes!
Using normal DV, 6.5 gigabytes would hold half an hour's worth of video, not 4.5 minutes' worth!
So you will need a big external hard disc to store hi-def footage. At least, with iMovie HD or FCE HD.
I don't know if FCP HD 5 would store imported footage in the original HDV format, that is with the same storage requirements of ordinary DV - like HDV tapes. If so, that means that you could store hi-def (..if you're using FCP HD 5..) in just the same amount of space as normal DV ..but I don't know for sure. Maybe you could ask in the FCP Discussions. I probably can't tell you till next week or so..
Where to get a 300gb hard disc? I'm sure there must be at least one shop, or electronics store, in Istanbul which sells them at reasonable prices. Otherwise, look online. There are many companies which now sell 300gb discs: Maxtor and LaCie, for example. But you do need one with a FireWire connection; not just USB. You don't need to buy from an Apple store: buy one from any computer shop ..an external hard disc for a PC works exactly the same ..but you must format it for use with a Mac, as described before.
All I know of Istanbul is Cumhuriyet Caddesi, Taksim Square, and the areas around what used to be the floating bridge, and the Spice Market, and round Haigha Sophia, but there must be lots of computer shops somewhere in the city.
"..I have never used iMovie for editing, I understood it is only good for capturing, sample and concise.." and it's also good for transitions, titles, adding photos and audio, adding video effects and for audio tweaking. And it integrates perfectly with iPhoto, iDVD, GarageBand ..and now 'iWeb'.

Dropped frames importing HDV from Canon HV20

Hi all,
I have a strange problem. When I capture a HDV tape with my Canon HV20 camera it runs ok for some time but starts dropping frames after a random time. It shows a yellow triangle in the capture screen. Sometimes it stops the capture half way by it self before the end of the tape is reached.
I can see that the memory is then full and the swap is +-1.2 Gig.
I disconnected all other firewire / USB stuff from the mac.
320G of free Disks pace.
Capture in FCE works ok but when importing it in to imovie the timestamp is not there.
Any idea's?
Cheers,
Jeroen

I tried reinstalling Quicktime, trashing my preferences, and repairing permissions, but the problem still persists. I think this problem may be different in nature from the communications problems that article is designed to address. When I try to import HD video it fails, but I can capture standard definition video recorded on the same tape without even having to disconnect my camera. I just close the capture window, find a section of tape with standard def video on it, and it captures without a hitch. I may be completely wrong about this, but it seems like Final Cut is just not able to recognize the HD video that has been captured on the tape. If anyone has experienced a similar problem or knows of a solution, help would be greatly appreciated.

Problem importing with sony cam

I've tried importing from a sony HDR-HC9 mini hdv tape without any luck , my cam is on power cable , the firewire plug in then i open imovie and then i click on import from camera , i get the blue screen that says importing but nothing is recording . i am sure one of you guys had this problem sooo what am i doing wrong ?
thanks for your time

Hi
See if You find any help in my list.
*NO CAMERA or A/D-box*
Cable
• Sure that You use the FireWire - USB will not work for miniDV tape Cameras
FireWire - Sure not using the accompany USB-Cable but bought a 4-pin to 6-pin FW one ?
• Test another FW-Cable very often the problem maker.
Camera
• Test Your Camera on another Mac so that DV-in still works OK
• Toogle in iMovie pref. Play-back via Camera (on<->off some times)
• Some Cameras has a Menu where You must select DV-out to get it to work
• Camera connected to "charger" (mains adaptor) - not just on battery
Does Your Camera work on another Mac ?
Sorry to say it is to easy to turn the 6-pin end of the FW-cable 180 deg wrong.
This is lethal to the A/D-chip in the Camera = needs an expensive repair.
(Hard to find out - else than import/export to another Mac ceased to work
everything else is OK eg recording and playback to TV)
Connections
• Daisy Chaining most often doesn’t work (some unique cases - it’s the only way that work (some Canon Cameras ?))
Try to avoid connecting Camera <--> external HD <--> Mac but import directly to the Mac then move
the Movie project to dedicated external hard disk.
• FireWire-port - Can be re-setted by - Turn off Mac and disconnecting Mac from Mains/Power for 20-30 minutes
Mac
• Free space on internal (start-up) hard disk ? Please specify the amount of free space.
(Other hard disks don't count)
I go for a minmum of 25Gb free space for 4x3 SD Video - and my guess is 5 times more for 16x9 HD ones
after material is imported and edited.
SoftWare
• Delete iMovie pref file may help sometimes. I rather start a new account, log into this and have a re-try.
• Any strange Plug-ins into QuickTime as Perian etc ? Remove and try again.
• FileVault is off ? (hopefully)
Using WHAT versions ? .
• Mac OS - X.5.4 ?
• QuickTime version ? (This is the heart in both iMovie and FinalCut)
• iMovie 8 (7.1.?) ?
• iMovie HD 6 (6.0.4/3) ?
*Other ways to import Your miniDV tape*
• Use another Camera. There where tape play-back stations from SONY
but they costed about 2-4 times a normal miniDV Camera.
• If Your Camera works on another Mac. Make an iMovie movie project here and move it
over to Your Mac via an external hard disk.
(HAS TO BE Mac OS Extended formatted - USB/DOS/FAT32/Mac OS Exchange WILL NOT DO)
(Should be a FireWire one - USB/USB2 performs badly)
from LKN 1935.
Hi Bengt W, I tried it all, but nothing worked. Your answer has been helpfull insofar as all the different trials led to the conclusion that there was something wrong with my iMovie software. I therefore threw everything away and reinstalled iMovie from the HD. After that the exportation of DV videos (there has not been any problem with HDV videos) to my Sony camcorders worked properly as it did before. Thank you. LKN 1935
from Karsten.
in addition to Bengt's excellent '9 yards of advice' ..
camera set to 'Play' , not rec/computer/etc.?
camera not on battery, but power-line?
did your Mac 'recognize' this camera before...?
a technical check.
connect camera, on, playback, fw-connected...
click on the Blue Apple, upper left of your screen ..
choose 'About../More..
under Firewire.. what do you read..?
More
• FileVault - Secure that it’s turned off
• Network storage - DOESN’T WORK
• Where did You store/capture/import Your project ?
External USB hard disk = Bad Choise / FireWire = Good
If so it has to be Mac OS Extended formatted
----> UNIX/DOS/FAT32/Mac OS Exchange is NOT Working for VIDEO !
mbolander
Thanks for all your suggestions. What I learned is that I had a software problem. I had something called "Nikon Transfer" on my Mac that was recognizing my Canon camcorder as a still camera and was preventing iMovie from working properly. After uninstalling Nikon Transfer and doing a reboot, everything worked great.
I never liked the Nikon Transfer software anyway--I guess I'll get a cheap card reader and use that to transfer photos in the future.
*No Camera or bad import*
• USB hard disk
• Network storage
• File Vault is on
jiggaman15dg wrote
if you have adobe cs3 or 4 and have the adobe bridge on close that
or no firewire will work
see if that halps
DJ1249 wrote
The problem was the external backup hard drive that is connected, you need to disconect the external drive before the mac can see the video camera.
Yours Bengt W

Importing HDV

While importing HDV into my Final Cut pro 5 system I am doing a "Capture Now" of the tapes. Unlike DV it will seperate every time the camera cuts into a new clip(like capturing in iMovie). I would like to know if there is anyway I can make it not do this. I just want to capture a whole tape and have it be one clip file instead of 85+ clip files.

I have been importing HDV into FCP for the last year and I believe this is an unfortunate side effect of importing HDV into FCP.
I am not sure whether the problem lies in the HDV format or FCP, either way FCP is detecting a timecode break when the recording started/stopped. Unfortunately I do not believe there is any way around this.
If you haven't done it already, set "On timecode break:" under the "General" tab in "User Preferences" to: "Make New Clip". This makes import much more tolerable.

Importing HDV files (.m2t) no audio in timeline (or sound gaps in audio file) ONLY IN CS6 !

After importing HDV files, wait for conforming, and drop the files to sequence, on some files there is no audio at all or partial audio.
All files played OK in any mediaplayer.
I have no such problems in CS5 or 5.5 using the same files in the same project and sequence type. HDV 1080i/25
I reinstall PR CS6 and I delete all ".cfa" and ".pek" files, but no success.

All right so what I just discover so far in order to resolve this non sense bug thing, I've exported the faulted sequence in EDL, track by track.
On the original sequence, I had a Prores 422 video clip name "Clip 497" that was manually sync with an audio file call "Audio 10".
At another timecode in the original timeline, I had a h264 clip name "MVI_0050" that was synced with an audio file call "Tascam_0455".
I said that when I select only an audio file in the timeline and I make reveal in the project, it links me to the correct audio file in the bin but when I make match frame or reveal in the finder, it links the audio to a video file. The
Well the EDL just confirmed that, in the timeline created by the EDL, I have to relink manually all the files (wich is a pain in...) and my mysterious audio file "Audio 10" appears with the name "MVI_0050", I can still link it to the original "Audio 10" but I don't understand HOW an audio get to be linked to a video file......
The audio file coming from the Tascam still have their original names in the timeline.
Very weird and not very cool.
Oh and guess what, after closing Premiere and re open it, my sequence coming from the EDL where I spent 1 hours to manually relink the media....does not have sound anymore.......................

I can only import HDV with Apple Intermediate Codec!!!!

Hello,
I want to get to the bottom of this. I have HDV film shot on a DV tape. I cannot import this HDV footage, it appears to be importing, but the moment I hit "escape" to stop capture, I realize nothing was actually importing. I usually end up with a second of captured footage, ironically, it's of the second that I stopped capture on. So I capture my last second.
Of course, if I change my setting to Apple Intermediate Codec, it works fine.
I'm using Final Cut Pro 5 on a G5 that hasn't been online in a while. Maybe I just need some 'updates?"
Or is this a Final Cut Pro 5 issue since it came out when HDV was relatively new on the scene?
Should I upgrade to Final Cut Pro 6, cut that make importing HDV easier for me?
This footage I don't mind converting to Intermediate Codec, but in the future I'd like to not have to do this.
Anyone know what causes this?
Thanks!

You should be able to do it fine in 5.0 as well as 5.1.
I have been capturing HDV since August of 2006, long before FCP 6. Make sure you use a camera that is supported, for HDV is not a standard the way DV is. It is MPEG 2 out of the box. So when you capture you are in for a bit of a ride editing HDV on FCP 5. It can be done, but you are better to take a page from Shane's book and capture to DVCPro HD instead. It takes up much more space, but you will have no headache editing and outputting later.
Hope this helps.
Matt

How can I digitizing HDV tapes into FCPX

I am about to upgrade my Mac laptop and FCP, but I need to know how I can import (digitze) my HDV tape based video into FCPX. The camera has firewire 400, but I have used a firewire 400 to 800 cable to digitize into Final Cut Studio. What is the best way to do it?

If you get the Retina MBP, you will need to get a FW–Thunderbolt adaptor to use with your 4 pin to 9 pin cable.
Russ

Problems importing HDV tapes

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