Product advice for porting video to TV
Got a question. I want to connect my Analogue TV to my computer so i can wath movies, TV shows and even watch youtube full screen.
Currently i have a Visiontek Radeon HD 6350 installed. I do not want to get rid of the card. I am looking for a card that i can plug into a PCIe 1x slot and can be used to connect to the TV.
The TV in question is a analogue TV with S-Video, Component and Composit connections.
The computer is in a different ATX case
The Power Supply is a Thermaltake Toughpower 750Watt PSU. So power isnt a issue.
Any suggestions?
@bfldworker
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I Work for HP
Similar Messages
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Server Setup advice for a video production house
Hello Forum,
I recently started working for a small video production company, I need advice on the type of server and other hardware and services that will allow my co-workers to work efficiently. Here are some details:
Currently we are going to buy a new server, I am not sure what we should look at getting,
currently we use a mini mac running OSX server and have 6 iMacs that the editors and other staff use.
We also have a 15 TB Drobo network storage device which is attached to the mini-mac server we are going to replace.
The production team uses Final Cut and Motion to build documentaries.
The other issue is that need a way to connect the office in Baltimore to the office in Washington DC and ideally share files between each location, currently they cannot access the network from Baltimore and have to have a copy of the unedited footage on their own Drobo.
What type of server setup do you recommend? Quad core? speed?
Should we set up a VPN to connect offices or does someone have a better idea, if so what applications do we need?
I know windows networking pretty well, but Mac is totally new to me.Currently editing files from the server is really slow and files are usually pulled to the iMacs to do editing, burning DVDs from files on the server hardly ever works- they pull them local then burn the DVD and it works.
I would love to hear suggestions to help us get up and running.
Anyone know of a good website for server setup- Since there is no Domains in OSX that i know of, how can we secure the network? Links would be great.
Thanks in advance for any help and suggestions.Well if your looking for performance. You could get a Promise VTrak E-Class RAID with 32TB of storage, later on you can add more chassis to the raid for more storage space. The raid can be expanded up to 160TB. (80 drive bays, each drive 2 TB)
Using fiber you could attach the raid to an xServer or Mac Pro (running mac os x server). You'll probable want at least 8 or 16 GB of ram on the server.
The server can run a copy of final cut server. Witch makes it easer to work as a group. Mac OS X server, when properly configured, can also be used to create a VPN between both locations.
Final Cut Server will let editors check in/out specific parts of the documentaries. So the project lives on the server; instead of scattered over every ones computers. Part of this is you can pull down thumb nails versions of the video to work off of. Only when you do the final render do you download the HD version of the video.
If you want even better performance on the editing stations. you could also upgrade to Mac Pros. Mac Pros have upgrade slots witch you can use to add fiber networking. You could also use the upgrade slots to add a black magic real time HD capture card.
Or if you want to keep the imacs. you might want to hook the server to a switch by fiber, and have the imacs connected to the same switch by 1000-T
If you call apple i'm sure they'd be happy to help you figure this all out.
for info on Promise: http://www.promise.com/apple/
for mor info on final cut server: http://www.apple.com/finalcutserver/ -
Hi All
I am in the early parts of pre-production for a music-video. What I want to achieve is high contrast images in B & W of the band in a white studio, and then fill in the white with different kinds of stuff (kaleidoscope etc.) - the Gnarls Barkley "crazy" video is a good example.
I have done a few tests in FCP and AE in terms of keying out the white. The first problem I encounter is off course that AE's wonderful keylight effect cannot be used on Black or White colours ( I hadn't planned on shooting in front of a green/blue screen). Secondly, using AE's luma key I get the effect I want, but the key isn't that good. Then when I export I have to export the file as an animation which results in a space and rendering nightmare in FCP.
So, have anyone out there done something similar? How did you do it?
Is it best to shoot green/blue screen, or shoot high contrast footage, make into B & W and use the luma key?
Use FCP or AE? If AE any other way than the Animation codec for preserving transparency?
Can AE's keylight be used with B & W footage?
Is there a kaleidoscope filter for FCP? I know motion has a good one.
Cheers
-j-Warning: You're going to get lots of contradictory answers because I (we) love to offer advice on projects where my (our) money and time are not at risk. That's part of the elitist attitude around here.
Is it best to shoot green/blue screen, or shoot high contrast footage, make into B & W and use the luma key? <</div>
I'd plan on shooting on a chromakey stage. If you shoot on white cyc, you are stuck with the white. If you shoot on a properly lit key stage, you can do anything. This depends on your ability to shoot on a suitable format and use a crew that knows how to light a key stage. You need a really good camera and good tape format. DV is out of the question.
Use FCP or AE? If AE any other way than the Animation codec for preserving transparency?< </div>
Why do you want to use something other than Animation? You can use a proprietary codec system that supports alpha but you did not mention access to specific cards.
Can AE's keylight be used with B & W footage? <</div>
Dunno, try the AE forum at adobe.com.
Is there a kaleidoscope filter for FCP? I know motion has a good one.< </div>
You're not going to be doing your effects in FCP.
bogiesan -
Pre-purchase advice For Portable Video Playing (not editing)
Thinking of getting a sexy looking MBA for portable music/video playing.
Heard/seen a few problems and don't know if this is typical.
Maybe I should be looking at MB and MBP.
Is anyone successfully playing lots of video/youtube etc continuously?
Thanksbobbyblue wrote:
Thinking of getting a sexy looking MBA for portable music/video playing.
Heard/seen a few problems and don't know if this is typical.
Maybe I should be looking at MB and MBP.
Is anyone successfully playing lots of video/youtube etc continuously?
Thanks
Inside Air-Conditioned environment:
Well, playing Smallville through MBA Superdrive using VLC, the temperature hits:
cpu: 60<65c
fans: 6200rpm
ps: After an episode or one and a half, sometimes it caused VLC to die. Don't know this is the Air issue or VLC or Superdrive.
However, youtube hits:
cpu: 65<75c
fans: >6200rpm(floating around; slightly higher than 6200rpm)
ps: I thought 6200rpm is the maximum but it really hits that far. And 75c isn't the highest, it can hits higher if u play more than 2 and continuously, it's like going to melt. -
Which ports and ACL ( servers) need to be opened for Jabber Video
Hi All,
We are Cisco partners ( ODC at Aricent New Delhi India) working for multiple Cisco projects.
We want to use Jabber Video for communication but as partners ACL ( Server/ports ) need to be opened to access the Jabber video servers.
Can somebody list me all the Jabber Server/Ports to which Jabber client need access to.
Can somebody please respond asap as we have opened an EXAM case for opening the ACL and need the list asap.
Thanks
SaurabhThanks Hoan for the quick reply it answers part of my question.
I also want to know for succeessful video calls which all servers i need access to for eg first it tries on
https://sjc1-movi-pr-bootproxy-vip.ciscojabbervideo.com/endpoint/configuration
then it goes to another server's for logging in etc.
I want to know the list of all servers so that ACL's can be opened for them.
Thanks
SAurabh -
Macbook Pro struggling - Adding iMac for Photo/Video. Advice?
Hey everyone! I'm new around these parts.
Anyhow, I've been working as a photographer for some years now, and am just starting to dabble into film-making as well. In the past, I've used 6, then 12MP cameras. RAW files were roughly 25MB. Nothing too hard to deal with. Now, I have a Nikon D800. The RAW files from this beast are reaching 80MB. It's shooting uncompressed 4:2:2 1080p video. All of this computes to REALLY slow editing, and lots of lag. Especially with video.
I've really worked my 15" Macbook Pro to death, and I would like to add an iMac for my video and photo editing needs. Here are the current specs of my macbook:
2.0GHz Quad-core Intel Core i7
4GB 1333MHz DDR3 SDRAM - 2x2GB
500GB Serial ATA Drive @ 5400
8x Double-Layer SuperDrive
Here are the programs I frequent:
Adobe Photoshop CS5.5
Adobe Premiere Pro CS5.5
Adobe Audition CS5.5
Adobe After Effects CS5.5
Adobe Bridge CS5.5
Word 2007
Powerpoint 2007
Premiere and After Effects, as well as Audition at time, are generally open at the same time to take advantage of the dynamic link. So, my Macbook is seriously having trouble keeping up. It's taking me upwards of 45 seconds to render 30 frames of a single layer of video. That's just no good when you're working with a longer production. Rendering files has become something I have to do while I busy myself someplace else waiting for it to finish. It's become a serious issue.
So, knowing all that, what specs would you recommend for an iMac? A Mac Pro just isn't an option, financially, at this time. If you need to know any more information, I'd be happy to oblige.
Thanks so much in advance,
MarkThere's a difference of $20 between this 21":
2.7GHz Quad-Core Intel Core i5
8GB 1333MHz DDR3 SDRAM - 2x4GB
1TB Serial ATA Drive
AMD Radeon HD 6770M 512MB GDDR5
Apple Magic Mouse
Apple Keyboard with Numeric Keypad (English) & User's Guide
Apple Remote
And this 27":
2.8GHz Quad-Core Intel Core i7
8GB 1333MHz DDR3 SDRAM - 2x4GB
1TB Serial ATA Drive
AMD Radeon HD 6770M 512MB GDDR5
Apple Magic Mouse
Apple Keyboard with Numeric Keypad (English) & User's Guide
Apple Remote
So, not too much difference. Would you say the extra 0.1GHz will make enough difference to choose the 21" over the 27"? Sorry, I don't know much about terminology and specifics. That's why I come to you. I just know that the extra 6" will really come in handy for both my photo and video work.
Mark -
How can I asociate a DataSource to a Port for my Video Capture Card???
Hi!
First of all, I sorry for my bad english.
I'm trying to manage ports of my Video Capture Card.It's 4 ports. I believe I can manage it cause running this code I found in a web, I can see a panel called Video Source that contain all my capture devices (the capturer card too) and the four ports. Ports have been asociate like SVIDEO, TVTUNNER, COMPOSITE, COMPOSITE2. I'm trying use PortControl, but I don't ontain nothing. I'm learning java for around only three weeks, I don't know very much.
My question: How can I asociate a DataSource to a Port for my Video Capture Card and so manage 4 streamings data . Should I work Port Control over a medialocator, a datastream, a player...?
I'm looking forward your answers. I'm very sad cause this problem.
Thanx for advance!xinixmayur, please don't post in threads that are long dead. When you have a question, start your own topic. Feel free to provide a link to an old post that may be relevant to your problem.
I'm locking this thread now.
db -
how to burn a video produced in iMovie in iDVD: with gratitude for the advice received I used the "professional quality" setting in iDVD for a video which in iMovie is 1h 20min long. however this also failled. where did I go wrong, please?
the message sked me to alter the quality of the DVD as the content was too large for the quality sellected.
PLEASE HELP again,
THANK YOU VERY MUCH
MIchaelCheck the Advanced ➙ Project Information menu option to make sure the playing time of the entire project, movie plus menu is below the 120 minute limit.
OT -
Logic and 23.976fps for HD video production
Why doesn't Logic Pro recognize 23.976fps. you can set the timecode frame rate manually in the synchronization preferences and uncheck auto recognize incoming frame rate. but if checked, Logic recognizes 23.976fps as 24fps. Is this because Midi Time Code does not support 23.976? (or does it?) I use a Motu 828mkII firewire interface that has smpte timecode input that Logic recognizes. Logic seems to recognize all other incoming frame rates (29.97 non drop, 29.97 drop,25,30 non drop, 30 drop) but recognizes incoming 23.976fps as 24fps. this becomes a serious problem in the field when multitrack audio capturing while chasing timecode provided by video production trucks or bays. for HD video production, 23.976fps is happening more and more. does anyone have a solution? can Logic read any other timecode formats besides MTC?
yes. Logic does have a 23.976fps setting in the synchronization preferences. this works fine as a setting when working with transfered OMF sessions or transfered sessions from Final Cut as an internal session frame rate. but Logic will not chase external 23.976fps because Logic's external timing is based on Midi Time Code which does not support 23.976fps. If you feed Logic 23.976fps from an external timecode generator, it auto detects it as 24fps. so when capturing audio chasing 23.976fps the files are all timecode stamped incorrectly and are not running at video speed. Apple really needs to address this issue since they are on the forefront when dealing with HD video production with Final Cut and since Logic is their flagship audio software they need to figure this out. can anyone explain to me that I'm wrong because I'm thinking about switching to some other software that doesn't depend on MTC for external sync.
any suggestions please. -
Advice on used mbp for photo/ video tasks.
Good afternoon everyone. I'd just like to pick the brains of some of the experts here regarding purchasing a used mbp for photo/ video. for about $1300 (preferably less) which models would you look at? I'm open to 15 and 17 inch variants. The 13 is just too small. I've been trying to find a 15" with 2.4ghz and 16gb ram but they are very hard to come by in my price range. Is there going to be a huge difference in speed between a 2.2, 2.3, or 2.4 i7 quad core processor? I'm also aware that some models came with superior graphics cards although I can't remember exactly which ones.
one more question, regarding the high res matte screens, are these going to make my guis look weird? I actually had a 2014 13" mbp retina and was hugely disappointed in its performance and took it back. The retina display was not compatible with photoshop And made it look awful. This happened with some web pages as well. Is this going to happen with the high res screens available previous to the retina technology?
Thanks in advance for any help and suggestions.
One last thing. Am I better off waiting/ spending a few hundred more and looking at more recent units such as a 15" retina? I don't like that the ram can't be upgraded and that they can't be repaired by the user as easily but the lighter weight is certainly a nice feature.I suppose what I'm asking is whether there are particular configurations that were better than others that I should look out for. you illustrated my point when you mentioned your friend's older but faster mbp. I believe sometimes there are configurations that seem to work better than others despite one being newer or having 'faster' or 'superior' hardware. I'm aware of the advantages of ssd's and had one in my last mbp along with maxed out ram.
Regarding the newer mbp 13 retina model my solution was to take it back. I simply was not happy paying more for a computer that was more expensive but didn't perform as well as my older model I had just sold. Also the size was not going to work.
Out of interest can anyone explain these anomolies in speed between newer and older models. Logic suggests that a newer model with faster processor and more ram should be faster but why is this not always the case?
Here's my predicament: 15" mpb with 2.4ghz i7 quad core and 16gb ram and ssd are running around $1400 used. This is more than I would expect to pay for a mid to late 2011 laptop but they seem to hold their value very well. There is a significant price jump between say a 2.2ghz model and a 2.4. Am I going to notice more performance on the 2.4 or is it not a big deal to save a few hundred bucks? Or do I just spend a few hundred more for a newer retina model? I just don't want to end up with a computer I cannot upgrade or work on myself and that is not a significant performance upgrade from my last model And doesn't even have a SuperDrive or additional HDD. I hope that makes sense.
So with all that said and considering that I use my laptop for photography and small amounts of video are there any particular models anyone would recommend Around the $1300 mark? Or other suggestions? -
Cable advice for iMac PowerPC G4 (3.3)
Hi,
I have this old iMac PowerPC G4 (3.3), the one that has a base station like half a football. I need to get a cable from this to my new projector, which is a DLP Theme, it has a multitude of port options, from S-video, VGA/Scart / Ypb pr, HDMI (V1.3) & finally Y/G, PB/b,Pr/R, Video but only one option from the iMac (I think anyway!). When I look at the Apple store there are many options, can anyone give some advice for the right cable to buy?
TFN
JamieYou need something like this: http://store.apple.com/us/product/M8639G/A
Might depend on the age of your iMac - don't know if the miniVGA connector
changed over its lifetime. -
Rules/Advice for use of FCE/iMovie
Reading through many posts seems I find some general rules of thumb not found elsewhere. Thanks in advance for all comments.
For serious video editing work and creation an external firewire HDD is needed, mainly to avoid dropped frames in either FCE or iMovie (iM). The new 20" iMac and external HDD (with 2 firewire connections, for the input device (DV camcorder or DV/SVHS deck) and to the iMac) should be able to run either FCE/iM.
I just did a 45 min project in iM with no noted dropped frames but likely would in much longer projects if I don't get the external drive?
Audio bit rate. Advice I read for iM is that without 16 bit audio the audio gets out of sync in long projects--does FCE also need 16 instead of 12? Not knowing this need, I've recorded a number of projects (with a DV deck and a DV camcorder) in 12--can I capture to the iMac/external HDD in 16 if I'm playing from a source tape that's 12?
Chapter Markers. Seems there are "Rules for Chapter Markers" that I won't repeat here but suspect they apply to both FCE/iM when used with iDVD. Do those rules apply when you use DVDStudio instead of iDVD? One rule I haven't seen yet is that one should likely not use the apply chapter markers option in iDVD as it could apply a marker that violates the "rules" and cause strange results in the DVD when played, right?
Any other rules or concerns I've missed--perhaps always max out on RAM even if its rather costly? What other basic tips or secrets should I know for editing with these products?
DaleI'll just cover a couple of your points:
Hard drvies: Internal HDs are actually a better choice, overall, than external ones .... if you have the option to have a separate HD for your Scratch Disc. You should not be storing your meids (your video) on the same disc where FCE lives, in other words, your system disc. Also, space is important; you should never let your scratch disc (your media disc) get too full. I think the reccomendation is something like you should always have 25% of that disc free. So, if you can do that with an internal, go ahead; if not, an external is your only option
RAM: More RAM is good; if you can, I would go up to at least a Gig but this would be more for other apps or running multiple apps at the same time. I ran my G5 on 512mb RAM for a year with few probs (BTW, I'm a pro wedding editor) FCE performance is more determined by Processor speed than RAM anyway
Dropped frames: Lotsa reasons for this but some ways to avoid it is to not have a lot of sequences open at once, lowering your RT settings, not running programs in the background, etc
Audio: As Ian already suggested, the rule for bit rates in FCE is to keep it all the same, so even any music you import should be resampled as a AIFF that matches your sequence ie all 12 bit or all 16 bit. Frankly, I don't know why someone would shoot in 12 bit; it is a lower quality sample rate. Some peeps do it cuz their particular cam allows them to acces other audio tracks in 12 bit; audio tracks you probably wont be able to capture in FCE anyway. At any rate, just keep that sampling rate all the same and you should not have any probs with sync.
Another key point in FCE that when you do your final export, you have to mixdown your audio. From Edit, Select All then go Sequence>Render Only>Mixdown
Chapters: Basic rules for this in FCE is you can't have a chapter marker less than one second away from the beginning or end of your program. I think iMovie has probs if you place a chapter marker right on a transition; FCE is more forgiving but I tend not to do this too much, it doesn't look very neat in playback. When you set your chapter markers, don't forget to select the Chapter Marker option in the submenu and don't erase the <Chapter> heading: that does not show up in your export. When exporting, make sure nothing is selected in your timeline and use Export as Quicktime Movie and select Chapters from the pulldown -
Advice for a new PC configuration for Adobe Creative Cloud, please?
Dear sir or madam,
For the moment I have an old PC (buy in April 2008) and perhaps if you help me I could have a more powerful machine.
Here is the resume of the configuration of my desktop
--------[ Operating System ]---------------------------------------------------------------------------------------- ----
Operating System Properties:
OS Name Microsoft Windows 8.1 Professional
OS Language Français (France)
OS Installer Language Anglais (Royaume-Uni)
OS Kernel Type Multiprocessor Free (64-bit)
OS Version 6.3.9600.16452 (Win8.1 RTM)
OS Service Pack -
OS Installation Date 21/02/2014
OS Root C:\WINDOWS
Components Version:
Common Controls 6.16
Windows Mail 6.3.9600.16384 (winblue_rtm.130821-1623)
Windows Media Player 12.0.9600.16384 (winblue_rtm.130821-1623)
Windows Messenger -
MSN Messenger -
Internet Information Services (IIS) -
.NET Framework 4.0.30319.33440 built by: FX45W81RTMREL
Novell Client -
DirectX DirectX 11.0
OpenGL 6.3.9600.16384 (winblue_rtm.130821-1623)
ASPI -
Operating System Features:
Debug Version No
DBCS Version No
Domain Controller No
Security Present No
Network Present Yes
Remote Session No
Safe Mode No
Slow Processor No
Terminal Services Yes
--------[ Motherboard ]---------------------------------------------------------------------------------------- ---------
Motherboard Properties:
Motherboard ID 06/19/2009-P35-ICH9-6A89OG0PC-00
Motherboard Name Gigabyte GA-EP35-DS4
Front Side Bus Properties:
Bus Type Intel AGTL+
Bus Width 64-bit
Real Clock 333 MHz (QDR)
Effective Clock 1333 MHz
Bandwidth 10667 MB/s
Memory Bus Properties:
Bus Type Dual DDR2 SDRAM
Bus Width 128-bit
DRAM:FSB Ratio 12:10
Real Clock 400 MHz (DDR)
Effective Clock 800 MHz
Bandwidth 12800 MB/s
Chipset Bus Properties:
Bus Type Intel Direct Media Interface
Motherboard Physical Info:
CPU Sockets/Slots 1 LGA775
Expansion Slots 2 PCI, 3 PCI-E x1, 2 PCI-E x16
RAM Slots 4 DDR2 DIMM
Integrated Devices Audio, Gigabit LAN, IEEE-1394
Form Factor ATX
Motherboard Size 240 mm x 300 mm
Motherboard Chipset P35
Extra Features Dynamic Energy Saver, SATA-II, RAID
Motherboard Manufacturer:
Company Name Gigabyte Technology Co., Ltd.
--------[ CPU ]---------------------------------------------------------------------------------------- -----------------
CPU Properties:
CPU Type DualCore Intel Core 2 Duo E8400, 3000 MHz (9 x 333)
CPU Alias Wolfdale
CPU Stepping C0
Instruction Set x86, x86-64, MMX, SSE, SSE2, SSE3, SSSE3, SSE4.1
Original Clock 3000 MHz
Min / Max CPU Multiplier 6x / 9x
Engineering Sample No
L1 Code Cache 32 KB per core
L1 Data Cache 32 KB per core
L2 Cache 6 MB (On-Die, ECC, ASC, Full-Speed)
CPU Physical Info:
Package Type 775 Contact FC-LGA8
Package Size 37.5 mm x 37.5 mm
Transistors 410 million
Process Technology 45 nm, CMOS, Cu, High-K + Metal Gate
Die Size 107 mm2
Core Voltage 1.113 - 1.225 V
I/O Voltage 1.113 - 1.225 V
Typical Power 65 W @ 3.00 GHz
Maximum Power 91.9 W @ 3.00 GHz
CPU Manufacturer:
Company Name Intel Corporation
Product Information http://ark.intel.com/search.aspx?q=Intel Core 2 Duo E8400
Driver Update http://www.aida64.com/driver-updates
Multi CPU:
Motherboard ID OEM00000 PROD00000000
CPU #1 Intel(R) Core(TM)2 Duo CPU E8400 @ 3.00GHz, 3000 MHz
CPU #2 Intel(R) Core(TM)2 Duo CPU E8400 @ 3.00GHz, 3000 MHz
CPU Utilization:
CPU #1 / Core #1 0 %
CPU #1 / Core #2 0 %
--------[ Windows Video ]---------------------------------------------------------------------------------------- -------
[ NVIDIA Quadro 2000 ]
Video Adapter Properties:
Device Description NVIDIA Quadro 2000
Adapter String Quadro 2000
BIOS String Version 70.6.41.0.6
Chip Type Quadro 2000
DAC Type Integrated RAMDAC
Driver Date 29/09/2013
Driver Version 9.18.13.2739 - nVIDIA ForceWare 327.39
Driver Provider NVIDIA
Memory Size 1 GB
Installed Drivers:
nvd3dumx 9.18.13.2739
nvwgf2umx 9.18.13.2739
nvwgf2umx 9.18.13.2739
nvd3dum 9.18.13.2739 - nVIDIA ForceWare 327.39
nvwgf2um 9.18.13.2739
nvwgf2um 9.18.13.2739
Video Adapter Manufacturer:
Company Name NVIDIA Corporation
[ NVIDIA Quadro 2000 ]
Video Adapter Properties:
Device Description NVIDIA Quadro 2000
Adapter String Quadro 2000
BIOS String Version 70.6.41.0.6
Chip Type Quadro 2000
DAC Type Integrated RAMDAC
Driver Date 29/09/2013
Driver Version 9.18.13.2739 - nVIDIA ForceWare 327.39
Driver Provider NVIDIA
Memory Size 1 GB
Installed Drivers:
nvd3dumx 9.18.13.2739
nvwgf2umx 9.18.13.2739
nvwgf2umx 9.18.13.2739
nvd3dum 9.18.13.2739 - nVIDIA ForceWare 327.39
nvwgf2um 9.18.13.2739
nvwgf2um 9.18.13.2739
Video Adapter Manufacturer:
Company Name NVIDIA Corporation
Product Information http://www.nvidia.com/page/products.html
--------[ Physical Drives ]---------------------------------------------------------------------------------------- -----
HDDs :
. 2 HDDs 2 x 1 TB SATA-II RAID 0 for Editing video with Premiere Pro CC
. 1 HDD 2 TB SATA-II for backups
. 1 HDD 2 TB SATA-III for backups off site + Archive
[ Drive #1 - Intel Raid 0 Volume (1863 GB) ]
#1 (Active) NTFS 1 MB 350 MB
#2 NTFS C: 351 MB 1907380 MB
[ Drive #2 - WDC WD20EZRX-00D8PB0 (1863 GB) ]
#1 MS Reserved 0 MB 128 MB
#2 Basic Data G: (Archives) 129 MB 1907600 MB
[ Drive #3 - Hitachi HDS722020ALA330 (1863 GB) ]
#1 NTFS D: (Backup) 1 MB 1907727 MB
--------[ Memory ]---------------------------------------------------------------------------------------- --------------
Physical Memory:
Total 8190 MB
Used 3334 MB
Free 4856 MB
Utilization 41 %
Swap Space:
Total 9470 MB
Used 4131 MB
Free 5340 MB
Utilization 44 %
Virtual Memory:
Total 17661 MB
Used 7465 MB
Free 10196 MB
Utilization 42 %
Paging File:
Paging File C:\pagefile.sys
Current Size 1280 MB
Current / Peak Usage 243 MB / 700 MB
Utilization 19 %
Physical Address Extension (PAE):
Supported by Operating System Yes
Supported by CPU Yes
Active Yes
--------[ SPD ]---------------------------------------------------------------------------------------- -----------------
[ DIMM1: GeIL CL5-5-5 DDR2-800 ]
Memory Module Properties:
Module Name GeIL CL5-5-5 DDR2-800
Serial Number None
Manufacture Date Week 44 / 2009
Module Size 2 GB (2 ranks, 8 banks)
Module Type Unbuffered DIMM
Memory Type DDR2 SDRAM
Memory Speed DDR2-800 (400 MHz)
Module Width 64 bit
Module Voltage SSTL 1.8
Error Detection Method None
Refresh Rate Reduced (7.8 us), Self-Refresh
Memory Timings:
@ 400 MHz 5-5-5-15 (CL-RCD-RP-RAS) / 23-51-3-6-3-3 (RC-RFC-RRD-WR-WTR-RTP)
@ 333 MHz 4-5-5-13 (CL-RCD-RP-RAS) / 20-43-3-5-3-3 (RC-RFC-RRD-WR-WTR-RTP)
@ 266 MHz 3-4-4-10 (CL-RCD-RP-RAS) / 16-34-2-4-2-2 (RC-RFC-RRD-WR-WTR-RTP)
Memory Module Features:
Analysis Probe Not Present
FET Switch External Disabled
Weak Driver Supported
Memory Module Manufacturer:
Company Name Golden Emperor International Ltd.
Product Information http://www.geil.com.tw/products
[ DIMM2: GeIL CL5-5-5DDR2800 5 ]
Memory Module Properties:
Module Name GeIL CL5-5-5DDR2800 5
Serial Number 00000005h (83886080)
Module Size 2 GB (2 ranks, 8 banks)
Module Type Unbuffered DIMM
Memory Type DDR2 SDRAM
Memory Speed DDR2-800 (400 MHz)
Module Width 64 bit
Module Voltage SSTL 1.8
Error Detection Method None
Refresh Rate Reduced (7.8 us), Self-Refresh
Memory Timings:
@ 400 MHz 5-5-5-18 (CL-RCD-RP-RAS) / 23-51-3-6-3-3 (RC-RFC-RRD-WR-WTR-RTP)
@ 266 MHz 4-4-4-12 (CL-RCD-RP-RAS) / 16-34-2-4-2-2 (RC-RFC-RRD-WR-WTR-RTP)
@ 200 MHz 3-3-3-9 (CL-RCD-RP-RAS) / 12-26-2-3-2-2 (RC-RFC-RRD-WR-WTR-RTP)
Memory Module Features:
Analysis Probe Not Present
FET Switch External Disabled
Weak Driver Supported
Memory Module Manufacturer:
Company Name Golden Emperor International Ltd.
Product Information http://www.geil.com.tw/products
[ DIMM3: GeIL CL5-5-5 DDR2-800 ]
Memory Module Properties:
Module Name GeIL CL5-5-5 DDR2-800
Serial Number None
Manufacture Date Week 44 / 2009
Module Size 2 GB (2 ranks, 8 banks)
Module Type Unbuffered DIMM
Memory Type DDR2 SDRAM
Memory Speed DDR2-800 (400 MHz)
Module Width 64 bit
Module Voltage SSTL 1.8
Error Detection Method None
Refresh Rate Reduced (7.8 us), Self-Refresh
Memory Timings:
@ 400 MHz 5-5-5-15 (CL-RCD-RP-RAS) / 23-51-3-6-3-3 (RC-RFC-RRD-WR-WTR-RTP)
@ 333 MHz 4-5-5-13 (CL-RCD-RP-RAS) / 20-43-3-5-3-3 (RC-RFC-RRD-WR-WTR-RTP)
@ 266 MHz 3-4-4-10 (CL-RCD-RP-RAS) / 16-34-2-4-2-2 (RC-RFC-RRD-WR-WTR-RTP)
Memory Module Features:
Analysis Probe Not Present
FET Switch External Disabled
Weak Driver Supported
Memory Module Manufacturer:
Company Name Golden Emperor International Ltd.
Product Information http://www.geil.com.tw/products
[ DIMM4: GeIL CL5-5-5DDR2800 5 ]
Memory Module Properties:
Module Name GeIL CL5-5-5DDR2800 5
Serial Number 00000005h (83886080)
Module Size 2 GB (2 ranks, 8 banks)
Module Type Unbuffered DIMM
Memory Type DDR2 SDRAM
Memory Speed DDR2-800 (400 MHz)
Module Width 64 bit
Module Voltage SSTL 1.8
Error Detection Method None
Refresh Rate Reduced (7.8 us), Self-Refresh
Memory Timings:
@ 400 MHz 5-5-5-18 (CL-RCD-RP-RAS) / 23-51-3-6-3-3 (RC-RFC-RRD-WR-WTR-RTP)
@ 266 MHz 4-4-4-12 (CL-RCD-RP-RAS) / 16-34-2-4-2-2 (RC-RFC-RRD-WR-WTR-RTP)
@ 200 MHz 3-3-3-9 (CL-RCD-RP-RAS) / 12-26-2-3-2-2 (RC-RFC-RRD-WR-WTR-RTP)
Memory Module Features:
Analysis Probe Not Present
FET Switch External Disabled
Weak Driver Supported
Memory Module Manufacturer:
Company Name Golden Emperor International Ltd.
Product Information http://www.geil.com.tw/products
Microsoft told me with Microsoft Update Advisor that I could upgraded from Windows 7 Pro 64 bits to Windows 8 Pro 64 bits and after one year with another Microsoft Upgrade Advisor from Windows 8 Pro 64 bits to Windows 8.1 Pro 64 bits. But Gigabyte does not give the drivers on their website for this motherboard that support Windows 8 and Windows 8.1.
I think I should purchase a new motherboard, a new CPU and new RAM. Do you agree? If yes, so can you tell me what king of CPU and motherboard to choose for Creative Cloud, please? I had followed Adobe advices to use a Nvidia Quadro 2000 graphic card and HDDs in RAID 0 for editing video.
Moreover Microsoft recommend to use a SSD for Windows 8.1. So, do I really need a SSD, with which capacity and which brand?
Thank you if someone can help me.
Yours faithfully
The names of actual companies and products mentioned herein may be the trademarks of their respective owners.Hi Isidore,
Please refer the link: http://www.adobe.com/products/creativecloud/tech-specs.html with system requirements to run the CC app's.
Regards,
Romit Sinha -
Thunderbolt Display Connection to a DVI Port video card
Hi everyone, Im a snob to when it comes to computers and I'm kind of interested to find out if it's possible to connect my 27" thunderbolt display to my DVI port video card of my computer with this device: http://store.apple.com/us/product/H5236ZM/A?fnode=MTY1NDA5OQ&mco=MjI1Njk4Njg&s=t opSellers. Tthanks in advance for any info that I can get guys.
No. That will work only with Mini DisplayPort displays, not Thunderbolt. Also that particular model is single-link DVI, so is for the 24" display.
-
Just looking for some advice for a Networking 'noob'
Hey folks,
I manage the post-production workflow for a small agency. We're getting ready to move into a new office space, and we'll be looking to make some upgrades to our video workflow and data management.
At the current time, we have two G5s (PowerPCs) and a new Intel Mac Pro. We may be adding a fourth (or even fifth) workstation. We shoot everything on the DVX (24p DV), but we're also (strongly) considering upgrading to an HD workflow and investing in a few HVX packages so we can have the option of shooting 720p. We will NOT be shooting anything higher than that, (no uncompressed, digibeta, no 1080p, etc.)
Right now, when we need to access media from other computers, we simply use the AppleTalk feature of our internal ethernet and mount the drives remotely. This actually works fairly well, and we usually don't have any issues with latency. But it becomes frustrating at times when we want to search for a particular media file or FCP project file and we can't remember which drive it was stored on. We'd like to have all of our editing workstations be able to access the same media simultaneously in one shared 'Mother Ship.'
I guess my question is: What should we get? Final Cut Server? G-Raid? Xsan?
I'm not really an IT guy, so I can't say I really know the differences between these different options, but any advice you can offer would be most appreciated.
And as for budget, we're prob looking to spend something in the range of $8,000-$10,000 dollars on this new system. (that's NOT including the HVXs, of course.
qpOk... here we go, not sure what you are doing except editing DV right now,
but this will work for HDV, DVCPROHD, Uncompressed SD and some ProRes
as long as you have a good Gigabit Router to transfer files. Please consult
a professional if this sounds scary to you.
*Redundant FILE SERVER* for project files, important stuff
1. Install at least 4GB RAM in G5 #1 (max $200)
3. Make sure there are two identical SATA drives in the G5. Install OSX Leopard Server ($499) on 1 drive. Use Carbon Copy Cloner (Free... http://www.bombich.com/software/ccc.html) and clone
the main drive to SATA drive #2 when drive #1 is set up completely. Use drive #2 as backup.
4. Connect CalDigit 2.56TB HDOne External Hard Drive Array (RAID-5) with PCI-X adapter ($2830)
SubTotal: $3600...ish
*Current MacPro* Add unprotected scratch disk for main edit suite
1. Install Sonnet Tempo SATA e4p Serial ATA Host Adapter ($260)
2. Connect Sonnet 2.5TB Fusion D500P eSATA Array System (RAID-0) ($1700)
Subtotal: $2000...ish
*2nd G5* convert to p2 Logging/backup Station
1. Sony BWU-200S Internal 4x Blu-ray Disc Rewritable Drive (599.95)
2. Roxio Toast ($85)
SubTotal: $700
*NEW Intel MacPro* will increase productivity
1. 8 Core 3ghz Intel MacPro ($3600)
Total: Around 9900-10,000
(Buy from PowerMax.com or other out of state vendor to avoid sales tax)
If you want to organize things, then FCS will help. You can install
on G5#2 for 999.00 more. I would focus on hardware first though.
Maybe you are looking for
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