Proper way to deal with superwhites

Footage from some cameras, such as Sony FS700, has levels all the way to 109%.  I'm just looking for a definitive answer on the correct way to deal with this in Premiere.  I can see that turning on the levels filter just clips everything at 100%, so that's no good.  If I use the Fast Color Corrector to set output white level to 235, it seems to do what I want.  Would it be correct to apply that filter to ALL footage shot with superwhites at the get go?

Curves , Levels...Da Vinci Resolve.....
If I use the Fast Color Corrector to set output white level to 235, it seems to do what I want. Would it be correct to apply that filter to ALL footage shot with superwhites at the get go?
Why not ....but when is the "get go"?
You dont want to be editing with footage that may need rendering as yo do so.
But adjusting levels  first step  before you grade and CC is excellent workflow. (essential actually)

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