Propper scale of an imported image

Hi,
I want to pan over a larger panorama photo (size 8000px x 1500x).
If I drag this photo in the timeline, it is scaled to fit horizontally.
The problem: This scaling is assumed as 100% and if I rescale it (via Edit Effects) to fit it vertically the photo stays blurry and on a very low resolution. How can I get a photo in its original resolution into PE9?
Thanks
Konrad

First, per my books and the FAQs to the right of the forum, you should NEVER use photos larger than 1000x750 pixels in size
unless absolutely necessary. It nearly always chokes the program.
Then (also per my book), BEFORE you import the photo into your project, go to Edit/Preferences and uncheck the option to Scale to Frame Size so that your photo will not be comformed to the frame size. (If you've already imported the photo, you can right-click on it on the timeline and uncheck this option.)
Finally, when working with photos, press Enter to render your timeline whenever a red line appears above the clips. When the red lines turn green you'll see a much more accurate preview of your final, rendered video.
Lots more tips like this in my books, if you're interested!
http://Muvipix.com/pe9.php

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Here is the problem I encountered:
http://homepage.mac.com/bagelturf/files/dbe9ea5dec3f703abb4efece1249d894-682.htm l
And here is the solution:
http://homepage.mac.com/bagelturf/files/8a3a218630e2b36136612e19b4495ba6-683.htm l

Which version?
This is not my experience in 1.5.1: files without extensions are silently ignored, no? That's annoying enough!
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I am working in a HD 1280x1080 timeline, and I am importing images (jpgs, tiffs and PSDs) into the timeline, but they are getting scaled automatically, which is not what I want.
I am aware of the pixel-apect issue- what I would like if for the images to appear at 100% of their original size in the time line.
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I think the automatic scaling is a "feature" of FCP ... it does save time in most instances. But for your situation, place the images in the Timeline, double-click one of them to load it into the Viewer. Click on the Motion tab and change the scale value to 100% and the aspect ratio (under the Distort control) to 0 if needed. Next, right-click on the image in the Timeline you just adjusted and choose 'Copy.' Then select all other images in the Timeline, right-click on one and select "Paste Attributes" from the contextual menu. When the Paste Attributes window opens, select 'Basic Motion' and 'Distort' then click OK.
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I was wondering how best to import images into my iPhone 3G for viewing.
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Is there an easy way to downsize the files for viewing on the iPhone 3G? Does iPhoto have a setting specific for import/export use with the iPhone?
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Hi Sophie,
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This has happened several times. Let me try and explain it a little better.
I import images, step away from my computer, come back screen is blank (display asleep) the computer is not. I hit the space bar to bring it back to life and then try to do the next import. For some reason Aperture cant find the disk after that. I can get to it in finder and see the filesystem and folders.
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I use iPhoto importing images from this same computer and from iPhone with iCloud. A problem I've always suffered also before buying iPhone was that I can't import images in iPhoto.
Well, I can drag an image from, for example, the desktop, but if I delete that file on the desktop I won't be able to open that image in iPhoto, even if I've imported it. This is because of I don't know a way to "consolidate the library" in iPhoto (while I usually do it in iTunes), so iPhoto just manages my images, but it doesn't really import them.
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I can drag an image from, for example, the desktop, but if I delete that file on the desktop I won't be able to open that image in iPhoto, even if I've imported it
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Ok, the issue seem to be solved. The problem was this:
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Importing images with Lightroom 2 & Camera RAW 4.5

The following query has been raised with Adobe Technical Support (5 days ago and I am still waiting for a response/reply. They claim to reply within 24 hours but they have not on this occasion......they seem to be ignoring me
Perhaps a fellow user can help to identify or resolve the problem.
Operating System:
Windows XP Professional (Service Pack 3)
Software:
Adobe Design Premium CS3 (10.0.1); Photoshop Lightroom 1.4 (which was working fine) and Lightroom 2 (on trial and not working particularly well)
I am using a trial download of Photoshop Lightroom 2 (with Camera RAW 4.5 in Photoshop CS3).
I am having a few problems with editing Lightroom 2 images in Photoshop CS3 but I understand that Adobe is currently investigating a solution to this problem.
I have also noticed another potential problem since I have started to import images from a computer drive to Lightroom 2 and converting the Manufacturers RAW files to DNG (with the option to leave the files at their current location/drive).
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I am able to highlight the respective layer and create the empty Levels adjustment layer, change the blend mode to either Multiply or Screen, fill the Layer Mask with Black (Alt & backspace), change the opacity level as desired, select the brush tool and change the foreground colour to white to enable the applicable Dodge or Burn processes.
Unfortunately, it does not function irrespective of the preferred opacity level. The Dodge or Burn feature is static with no effect on the image.
I cannot recall any settings to open all files as Smart Objects in Photoshop CS3 but would welcome some help in identifying such a setting if it exists. Alternatively, I would welcome any other suggested methods of correcting the above difficulties.
The same difficulties are evident when I try to use the Dodge or Burn features via the Edit and Fill option with a percentage of Grey and the Overlay Blend Mode.
The "Common Denominator" of the above difficulties appear to be Lightroom 2 and Camera RAW 4.5 (individually and or collectively) and now I am stuck between a rock and a hard place.
Are any other users experiencing similar issues or have any suggestions about how I might correct or resolve these problems? ......
I am not afraid of hearing or accepting that the "Dummy Factor" has played some part or how I may release myself from the said "Dummy Factor".....any help is welcome help.
Adobe Technical Support seems to be ignoring me......I wonder why?
Regards
Bob Wallace

Essentially you are wrapping the raw image data into a special type of layer, a "smart object". You can then revisit and fine tune the Camera Raw conversion as often as you want and take advantage of working directly on the raw data in its pre-Photoshop purity. You can also apply to this smart object layer a number of Photoshop adjustments and filters - and again redo and fine tune them as often as you wish.
You'll find them explained in a number of recent books. I know Scott Kelby is keen on them, there are examples on Russell Brown's site, and my own book last year on B&W strongly advocated their use.
Have a play.
John

Is there a way to import images that have been edited and assign them to the original?

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Ah, the vestiges of a destructive workflow! Once you "get" Aperture, (specifically Masters and Versions) you are going to love it, as all of this work goes away - the relationship that you seek to retain is automatic in Aperture; it is simply done differently.
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-- The edited versions? (That is the hours of work that it took you to get there.)
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Of course, you can do a bit of both.
Others may have better suggestions, but you will find it easy to answer your own question when you understand an image based, as opposed to a file based, non-destructive workflow.
Good luck!

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Imported image's position moves when updated in Indesign CS6. Why??

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Propper scale of an imported image

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