Publish site looks doesn't look the same on a PC

I just upgraded to iWeb08. everything works great except that when i look at my website on a pc the text isn't lined up correctly. Looks great on a Mac but not on PC. Check it out
http://web.mac.com/ckravec/Robbie/RobbiesBar_Mitzvah.html

Roddy wrote:
You're probably using a font that is not present on the PC. In this case your text is converted to a graphic and jumps out of line.
huh?
You should either use a font from the web-safe Mac/Windows list or convert your text into graphics in iWeb by typing it into a shape or adding a slight shadow.
double huh?

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After editing image in Photoshop the saved result doesn't look the same in Lightroom

If I edit a photo in Photoshop and then save the photo, and then view the saved photo (not the original) back in Lightroom in Develop mode, the photo does not look the same as it does in Photoshop. The dark shadows have been crushed in Lightroom. If I look at it in Expose mode it looks good, but in Develop it the blacks and dark shadows are darker than the image appears in Photoshop. This is a newer problem for me, I'm not sure when it started.
I'm using:
Lightroom 5.5
Photoshop CC 2014
Mac Pro 8-core 2008
ATI Radeon HD 5770 GPU
Mac OS X 10.9.4
Apple 30" Cinema Display, calibrated with a Spyder3 Elite but the calibration doesn't seem to matter, I can change to another profile (e.g. a stock profile not from the Spyder) and still see the same problem.
This seems to happen with Photoshop CC prior to 2014 as well.

I'm using ProPhoto RGB in Photoshop. I have a test file that shows this issue: https://dl.dropboxusercontent.com/u/84023411/shadows_test.psd
This is a 16-bit ProPhoto RGB image with just 2 colors. The top part of the image is filled with RGB 10,10,10 and the bottom half is 0,0,0. If I open this file in Photoshop and use Apple's DigitalColor Meter utility to read the displayed values of the color of the top, using "Display native values", the result is 18,18,18. I expect it to be different than 10,10,10 due to the display profile but I would expect the same image viewed in Lightroom's Develop module to also read as 18,18,18 in the top half. But when I do this (import the PSD into Lightroom and open in Develop) the Meter reads 12,12,12. If I view the PSD in Loupe mode in Lightroom the Meter reads as expected, 18,18,18.
The difference should also be noticeable to your eye (at least mine) without using any measurements.
The result is that the dark shadows appear crushed when editing in Lightroom Develop mode.
The problem happens on both my 2008 Mac Pro with an ATI Radeon HD 5770 GPU and on my 2013 MacBook Air, although the values read on the Air are different than the Pro due to display profiles.
Normally, of course, I'm editing a RAW file in Lightroom and open that up in Photoshop (cmd+e), but this test seems to show that it happens with non-RAW files.

Convert a PDF that was originally a publisher doc into word will it look the same as my PDF

Can I convert a PDF that was originally a publisher doc into word doc will it look the same as my PDF?

pguerett wrote:
1. The highlighting of the fields that Acrobat does is affecting the visiblity of your underline. Turn off the highlighting.
Paul, isn't this setting part of acrobat itself and not something one can "set" in the document? Opening pdf forms on my computer does not show the fields to be highlighted.
Which version of Designer did you use to create the form?
It looks like the same version I had quoted above.
I originally created a form that was based off of an existing PDF image. I had just put the fields "on top of" the scanned image that the PDF contained. The result was too ugly for me, so I copy and pasted all my fields over onto a new empty static form and created what I posted above.
Looking at the original "ugly" form's XML it looks like the version of the software didn't change:
<?xfa generator="AdobeLiveCycleDesignerES_V8.2.1.4029.1.523496" APIVersion="2.8.9029.0"?>
Also, the "right" attribute exists in the original "ugle" PDF document that is dated 5/3/2009 if that helps any.
I followed your instructions and removed "right" and that fixed the problem. Looks like LiveCycle's XML parser needs an additional validation check! I had wondered what that "right" thing was since when I was looking through all the settings I didn't see a corrisponding setting. I had just assumed that it was some internal setting I wasn't supposed to care about. Good catch!
Thanks for your help Paul!

MY CONVERTED DOCUMENT DOESN'T LOOK THE SAME

WHEN I CONVERTED THE DOCUMENT ..IT DOESN'T LOOK THE SAME.. MISSING LETTERS.. ODD CHARACTERS ETC

Converted from what to what? Using what software?
P.S. please don't post in all-caps; it is very difficult to read!

We have an older IMac (preIcloud) and just purchased a new Macbook Air. Our Iphones are set-up to synch with the IMAC and my calendars on the IMac & the phone look the same. But when I open ICal on the MacBook Air my calendar is missing items? Help..

We have an older IMac (preIcloud) and just purchased a new Macbook Air. Our Iphones are set-up to synch with the IMAC and my calendars on the IMac & the phone look the same. But when I open ICal on the MacBook Air my calendar is missing items? Help.

Are you wanting to import iCal to the MacBook Air. Since iCloud doesn't work with 10.6 OSX you probably don't have any data in iCloud yet?

How can I make a custom style look the same in both printed and online?

My specs:
RH 9.0.2.271
Windows 7, 64-bit
Word 2010
The Background Info:
So I created some custom css styles to try and mimic the look of a message box in our documentation. Here's the css code:
.MsgBox {
    color: #000000;
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    border-right-style: Solid;
    border-top-style: Solid;
    border-bottom-style: Solid;
    font-size: 10pt;
    background-color: #eeeeee;
    border-left-width: 4px;
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    border-top-width: 4px;
    border-bottom-width: 4px;
    border-left-color: #cdcdcd;
    border-right-color: #cdcdcd;
    border-top-color: #cdcdcd;
    border-bottom-color: #cdcdcd;
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    border-right-style: Solid;
    border-top-style: Solid;
    border-bottom-style: Solid;
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    border-bottom-color: #cdcdcd;
    border-left-color: #cdcdcd;
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My HTML Code:
<div class="MsgBoxTitle">
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</div>
<div class="MsgBox">
    <p>Please do the following steps in the indicated order.</p>
    <p>1. Remove the current SH-1/2/3 stylus.</p>
    <p>2. Attach the SHSP (Stylus Holder Setting Piece).</p>
    <p>3. Jog the probe to a safe location with a clear line of approach
     to the port(s) being calibrated. </p>
    <p>4. Then click OK.</p>
    <p>After you click OK the machine will begin DCC measurement.</p>
</div>
The Expected Output:
Here's how it renders in a browser (the title is MsgBoxTitle, the body is the MsgBox style). I'm happy with how it looks there, even if the box shadow doesn't always display:
The Ugly Printed Output:
And here's what it looks like in the printed output.
Ugly. Are there any tricks to get the printable (doc) output to match the online? Ideally, on the printed output, I'd like to have all the white space in my pseudo message box removed so it looks just like the online.

Hi Peter. Thanks for the reply.
I assumed that if I used the project style sheet during the export, Word would convert the style so that it looked the same as in the HTML. Is that a bad assumption? I'm currently not mapping to any template equivalent for these message box styles. I did try it as one of my attempts, but I couldn't figure it out. It never seemed to take the style in the .dot.
Anyway, if I use just 1 style, such as just the MsgBox, I obviously don't get the white paragraph between the title and message. That white paragraph comes from the first <p> tag in the MsgBox style. But I need to have the <p> tags in there because they're better for our localization process than line breaks.
I did do some tweaks that made it look better. Basically I structured it so that the MsgBoxTitle div is now inside the MsgBox div. Something like this:
<div class="MsgBox">
    <div class="MsgBoxTitle">PC-DMIS MESSAGE: </div>
    <p>Please do the following steps in the indicated order.</p>
    <p>1. Remove the current SH-1/2/3 stylus.</p>
    <p>2. Attach the SHSP (Stylus Holder Setting Piece).</p>
    <p>3. Jog the probe to a safe location with a clear line of approach
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    <p>After you click OK the machine will begin DCC measurement.</p>
</div>
And then I adjusted my styles borders, padding, and thickness. That helped it look more connected, but still doesn't look quite right:
Would love to get rid of that white space after the title.
If you have time, I would be interested in a more detailed example of how you did it.

I sent a JPG with colorspace AdobeRGB1998 to myself via an email and it came back looking the same!

What happened? I was taught that the internet uses sRGB and so my returned JPG should have had the muted colors, same as Assigning a JPG to sRGB has. What am i missing?

Color-management is all about getting the most accurate view of the colors that you can so that you're viewing them as intended.
In an ideal world with ideal computers, every image would contain all the information needed to fully describe the colors in it, and every system would display those colors accurately in every application.
We're still kind of a long way off from that utopia, though every day things get a little better.
There are two schools of thought:
1. Casual users can be perfectly happy when red things look red and blue things look blue, but the colors may not be accurate at a subtle level. In this case, it can be possible to get many applications to match one another in the appearance of the images displayed on the same system, so things seem more consistent.
2. Professional or picky users may prefer to take the time to fully understand color-management, and calibrate and profile their systems, so that they can be sure what they're seeing is more accurate.
In practical terms, it can actually seem counter-intuitive to the first group that after having spent money on devices to calibrate and profile a system, that Photoshop now displays things differently than other applications, which may display things differently than one another.
Here are two possible scenarios, to illustrate this further:
1. A typical user has a monitor with a more or less standard color gamut and not hugely different from sRGB. So if this user both edits images in the sRGB profile, and has the sRGB profile associated with (and thus describing the characteristics of) the monitor, which is the Windows default, the following plays out... When the user displays an sRGB image:
A color transform by Photoshop from the image color space to the monitor color space does nothing (as both are identical), and the R,G,B pixel values from the image are sent to the monitor as is. The monitor does a passable, though possibly inaccurate, job of displaying the image.
Internet Explorer 9, which always does transforms from image color space to sRGB (regardless of monitor profile), also does nothing, so the image looks the same as in Photoshop.
A non-color-managed application (e.g., IrfanView with Color Management turned off for speed) does no color management transforms by definition, so R,G,B values are just sent to the monitor and the image looks the same as above. Earlier versions of IE and other earlier browsers do no color management and fall into this category as well.
An application that's supposed to be fully color-managed, but which has bugs (e.g., some versions of Firefox) or may not understand all variants of color profiles, very likely DOES work properly with the sRGB profile, since it's the default on Windows and is well formed, and thus displays an sRGB image with no transform, and it looks the same as in all the above cases.
An image expressed in a color space OTHER THAN sRGB will be inaccurately displayed by a non-color-managed application, but the color will only be as inaccurate as in all the above cases (because the monitor does not perfectly display sRGB) in properly functioning color-managed applications.
See the pattern in the above? Consistency.
2. Users seeking the most accurate possible color in their color-managed applications might choose high-end wide-gamut monitors (though even cheap monitors nowadays are starting to have wide gamuts), and might also purchase devices for calibrating and profiling their display(s) and printer(s). What they then experience is this:
Photoshop and other fully color-managed applications will display their images, regardless of color space, accurately. A particular tone of red will be just that tone, and this will be true no matter what color space the image uses.
Internet Explorer 9 will transform images from whatever color space to sRGB, so it will ALWAYS be inaccurate. How inaccurate depends on how different the actual monitor characteristics are from sRGB.
Non-color-managed applications will just display images without transform, so they'll be inaccurate depending on how different the image color profile is from the monitor's characteristics. Images could end up looking oversaturated on a wide-gamut monitor.
The color profile produced by the profiling software may not be perfectly well understood by all color-managed applications, leading to very strange displays.
Folks in this category understand when to expect differences, and are ready to work out problems so that they get accurate color from the applications they expect to be fully color-managed. They may avoid Internet Explorer and use Firefox or Safari instead so that they see accurate color from their browsers as well. Given all this, in the applications (like Photoshop) that matter to them, they can make use of the entire color gamut of their monitors and printers, and can convert to sRGB for web publishing as needed.
There is no easy answer as to which group is "better" to be in. It depends on your needs and expectations, and it's actually even possible to try to straddle the fence some, with a compromise between the above extremes.
I realize this may have raised more questions than it answered, but that is the nature of color-management. I encourage you to read all you can until it finally starts to click. Then you can make intelligent choices about which paths to take.
-Noel

How do I make my animation look the same in different browsers?

Hi!
When I play my animation in different browsers it don't look the same as in the preview. In IE some of the parts of the animation have disappeared and in Chrome the pats are no longer in their right places. See picture below.
How do I do to make the animations look the same in different browsers?
(In the end I want to use the animations in my captivate 8 project. )
BR,
M

Ah, found the issue, the problem is with the name of the two images,
genomförande (instead you can use genomforande)
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Seems like IE is having issue with those special characters.
hth,
Vivekuma

Why do vector lines appear different in my Photoshop document compared to the PDF that was created using "Scripts Layer Comps to PDF"? And how do I get them to look the same?

Why do vector lines appear different in my Photoshop document compared to the PDF that was created using "Scripts > Layer Comps to PDF"? And how do I get them to look the same?

BOILERPLATE TEXT:
If you give complete and detailed information about your setup and the issue at hand, such as your platform (Mac or Win), exact versions of your OS, of Photoshop and of Bridge, machine specs, what troubleshooting steps you have taken so far, what error message(s) you receive, if having issues opening raw files also the exact camera make and model that generated them, etc., someone may be able to help you.
Please read this FAQ for advice on how to ask your questions correctly for quicker and better answers:
http://forums.adobe.com/thread/419981?tstart=0
Thanks!

How can I get Lightroom to export my edit to a jpeg that looks the same ?

Hi everyone,
I can't get my jpeg export to look the same as it looks in lightroom after edit.
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What infos can I give you all to help me sort this problem out ?
export : quality 100%
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Conversion does not look the same?

I converted a pdf file to a word document last night and the page does not look the same. It is a weekly time log and the lines are messed up and the font is not placed correctly. Is there any way to fix this?

Good day,
What you described is fairly common for conversions where the PDF file that's being converted to Word wasn't originally created from Word. The service does the best it can to interpret the font data as well as the formatting, but as that information is often not present within the code of the PDF file, sometimes the resulting Word document does not exactly resemble the PDF file.
Kind regards,
David
Acrobat Community Manager
Adobe Systems

I applied a Photoshop effect to some outlined text - but the outlines still look the same?

1. I typed out the word
2. I created an outline of the word
3. I went to Effect>Photoshop Effects>Texture>Stained Glass and applied
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Is this effect just an overlay? I ask this because this design is for a t-shirt and I want it to look the same as it appears on my screen.
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How do I get the converted PDF file to look the same in Word as it did in PDF?

How do I get the converted PDF file to look the same in Word as it did in PDF?

uscmagz wrote:
> I took the High Speed Data Reader.VI and added the Write to
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a division of Test & Measurement Solutions

How do you make multi cameras look the same?

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Ideally you start with this:
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FileSystemTree and "ordinary" Tree - make them look the same?

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* http://dmcritchie.mvps.org/firefox/firefox-problems.htm#fx4interface
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*How do I customize the toolbars? | How to | Firefox Help
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PhotoShop Elements 11 stopped importing Adobe PDF files recently. Everything looks the same until the file opens and is just a transparent background.

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Publish site looks doesn't look the same on a PC

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