QOS For the Voice System

Dear ..
I have been asked from the network team to implement a Mark for QOS in the Unifiued Comeunication System .. thay asked me to make
- The Voice signaling mark with  dscp  CS3
- The Voice media mark with dscp ef
is there any document about this configratoin ?
Regards .

Just go through this, this might help you
http://www.dslreports.com/faq/13324
Sent from Cisco Technical Support iPhone App

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    Hi
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  • AAT Apple Advanced Typography for the writing systems of world scripts

    Thomas Gewecke writes:
    If I had to choose one problem which does exist and causes considerable practical difficulties for a lot of people, it would be that lack of full OpenType support in OS X (and the resulting requirement for rare AAT fonts) makes it impossible for Mac users to do everything they might want in a number of important scripts, or to do anything at all in quite a few others.
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    Hope this helps,
    Henrik
    References :
    http://www.mail-archive.com/[email protected]/msg13047.html
    http://lists.apple.com/archives/carbon-dev/2006/Nov/msg00579.html
    http://www.xenotypetech.com/
    http://www.diwan.com/mishafi/main.htm
    http://www.typophile.com/node/16858
    http://www.typophile.com/node/18098

    Please pardon any speedwriting in the following - it's off the cuff :
    From the little I understand about the technical details of the differences between AAT and OpenType, I'd guess AAT to be the superior system, from the user's (or font designer's) point of view.
    The issue is the business model. Apple TrueType 2 and Apple ColorSync 2 were developed to provide very, very, very highend character:glyph transforms and colour:colourant transforms in an application-independent manner.
    The application model was Java and OpenDoc and while OpenDoc is defunct, as is Taligent, Java within which AAT is embedded is alive and kicking. In the application model the idea was that the small developer did not have to independently do elements outside the scope of the application.
    Similarly, a graphics library was available to avoid the problem that PostScript is inherently unreliable as it is a programming model that can be used to extend the PostScript graphics model, causing PostScript programs to crash at critical times.
    Software publishers in the nineteen-nineties published software for the standalone personal computer with its suite of standalone software. And the standalone software had its own Application Programming Interface that locked XTensions, Plug-ins and more into one and only one suite.
    Adobe did NOT want QuickDraw GX and Adobe still has a 'white' paper in which the company states that the idea of the SFNT Spline Font file format as an application-independent product that takes over large parts of line layout is objectionable.
    The pendulum does not stand still, however. In the 1970s there were terminals for time-shared centralised computing. In the 1980s and 1990s there were decentralised 'personal' computers in local area networks with their own storage and with graphic displays and printers.
    The growth of instructure, both in terms of distributed networking and in terms of an international character set, permits a blend of time-shared computing and 'personal' graphics computing which was intended e.g. with the Apple MessagePad and with Java (Amelio married the ideas).
    Apple bled external and internal developers with the late lamented GX and the application model was ten years ahead of its time. Modern imaging models are founded on the ideas implemented in GX and absolutely NOT on the ideas implemented in PostScript and PDF.
    Jonathan Seybold told Apple to do an application for pagination, since an application for pagination is the sine qua non for a composition model, a separation model, and a document model (the Apple Portable Digital Document model).
    Apple did not do that as it would have caused increased commercial conflict with Adobe, Quark and Macromedia at a time when hardcopy production was still the high end of the Apple product portfolio, and so while ColorSync survived TrueType as prosumer and pro solution suffered.
    Ironically, XTT's developer did manage at one time to make his primary Tibetan font usable in both Mac and Windows environments -- by somehow combining AAT and OpenType elements within it -- but his considerable effort was then torpedoed, I gather, by some (unannounced, as usual) changes Apple made in font implementation in 10.4.
    Deborah Goldsmith gave bad advice on the Unicode mailing list, I'm sorry but it was not sound technically. Dov Isaacs, Adobe's technical quality manager, gave sound advice in saying that Type 1 splines and TrueType splines should not be housed in the selfsame SFNT Spline Font file. I read what the Xenotype developer posted, and Apple bungled as Apple has bungled other important things like supporting a decent international default separation for ColorSync. There is no excuse whatsoever - if Apple cannot use Apple software with Apple defaults to do a decent job then Apple needs to find out whether it is working for Apple customers or is working for itself.
    I don't know what might be necessary to make it possible for Mac users to employ OpenType fonts for complex scripts, but I can't believe that this goal is simply beyond the capabilities of Apple's engineers. Nor do I understand why Apple seems to keep, well, stalling on this issue.
    The answer lies in the document model, not in the internationalisation model or in the SFNT imaging model. I am not an expert on Indic scripts (I don't speak or write any of them), but as I understand the matter Indic calligraphic scripts are simulated typographically using a feature called insertion that splits one character code into two glyph codes for vowels.
    This type of typographic simulation does not pose problems if you are authoring with the aim of archiving and accessing hardcopy, since your audience is not interacting with the character string, but if you are authoring, archiving, and accessing softcopy then simulation methods such as insertion and bidirectionality may pose problems.
    Specifically, if in the process of producing your softcopy pagination you loose the source character stream and the mapping of said character stream to the reshaped and reordered glyph stream, then you have to try to synthesise the character stream. And the more complex the reshaping and reordering, the less likely you are to get a successful simulation.
    This is the issue between Adobe PDF produced from PostScript and Microsoft XPS which retains as well the source character stream as the mapping of the character stream to the glyph stream. Adobe PDF, by contrast, is basically a viewable graphic of the glyph stream - Adobe PDF does not even retain semantics for reshaping of formal Danish typography.
    Hope this helps,
    Henrik
    References:
    http://www.freepatentsonline.com/y2007/0136660.html

  • ABAPER for the project system

    Dear Friends  ,
    i am ABAPER having 3 years of experience . Major developments are related to the MM SD  HCM PP etc . Module
    i am working in the user company  .
    Now there is a offer from another user company  who is offering me a job of ABAPER specifically for the Project SYSTEM  , plus onsite (Germeny ) for interaction with the Functional Consultant .
    Now dear Gurus please suggest , Is is rite to shift myself specifically for the PS System  or shall i go for other company like HCL , IBM who is offering me less pacakage as compare to above user company .
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    Hi Sharma,
    adding to Vetri,
    I hope so this is not right place to discuss about careers.
    And one more thing try to avoid Company names
    Coming to your career path as you have good exposure with various modules, deffinetly it will be good if you work with PS Consultant.
    Packages is totally personal.
    Try to post same thread in
    SAP Community Network Forums » Community Discussions » Career Center
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