Question about countdown timer for final cut 5.1

I know someone just asked for one in fce but is there one for 5.1. I need to count down 30 mins. for one thing and 30 sec for another. is there a good template? thanks in advance.

Seems to me you could put a timecode generator filter in a slug over your video, then use a luma key to super it... then run it backwards ie.. -100% speed. You can crop it too so you don't have to see the frames go by, just seconds and minutes...
Jerry

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Just a few questions about DVD Ripping and Final Cut 6

Ok,
Here is my first major concern. I have a wedding that I cut on the Final Cut Studio. After I burnt it to a DVD, I erased the main footage. However, the groom wanted to add something so I went into my backup files to get the information but just so happens that my backup hard drive crashed and it will not recognize on any Mac. (Tried 3 different Macs including 2 PowerMac G5’S and a Power Mac G4) Anyway all I have no is the DVD. I was wondering if anyone knew any good ripping software that I can rip this DVD back to a QuickTime. I have tried a few programs but the quality is just horrible.
My next question is does anyone know when Final Cut Pro 6 is shipping?

Did you lose your autosave vault with the crash? You could open your autosave and grab the last cut and do a media manager capture so you wouldn't have to re-edit or capture all of the media again.
Also, there are people who can get the info off the drive for a modest fee. If this was a paying gig, consider it part of the cost of having done the project. If the groom was satisfied and the project was complete, I guess you could argue that an extra fee is in order if he wants a different version after the final version was already delivered and agreed upon. Otherwise you kind of owe it to him to do whatever it takes to give him a final output.
Make a backup tape as well next time. That way you can recapture and add, then re-backup and re-compress. Lots of re-ings.

While downloading the free trial for Final Cut Pro X my internet has dropped out many times. It does however seem to continue ok each time it reconnects. Will this affect the software when it finishes? Is this a problem? Any advice please?

While downloading the free trial for Final Cut Pro X my internet has dropped out many times. It does however seem to continue ok each time it reconnects. Will this affect the software when it finishes? Is this a problem? Any advice please?

This has happened to me with a few downloads without any upsets.
You should be OK.
As I recall the download is around 1.2 gig so it takes a bit of time and effort to get it to your system.
Al

Where can I find a good, free effect for Final Cut Pro of electrocution?

Where can I find a good, free effect for Final Cut Pro of electrocution? I'm using it for a taser sequence.
Thanks!
Matthew

Open Motion, look for lightningin the generators. From there, it's a question of figuring out how it works and what you need to do to make it work for your sequence. That's about as free as it gets and it will ony be as good--even if someone else did the work for you--as the amount of time you're willing to invest.
bogiesan

Which firewire interface for Final Cut Pro on MacPro?

I currently own a Presonus Firepod, and it seems to work pretty well, but may sell this when I upgrade from a MacMini to a MacPro. I use my Mac for Logic Pro currently.
I anticipate running Final Cut Pro in the near future, so I'm wondering about the ability to read/generate SMPTE time code that the MOTU traveller supplies?
There will be no external mixer, so this interface will connect directly to speakers & headphones. (would be nice to be able to mute speakers and control headphone mix using just the firewire interface).
I don't anticipate needing more than 2 Mic inputs - and my current mike is a Rode NT1. (As the NT1 is not a top-of-the-line mic, unsure if I should place a lot of emphasis on worrying about the pre-ams?)
I would like decent mic preamps, and ability to graphically monitor input and output levels (is this graphic monitoring necessary, or is just the single overload indicator sufficient?).
Which interfaces in $600-$1500 range would work best with Final Cut Pro - and Logic Pro?

I saw the Traveller ads in Videography mentioning
time code, so I presumed it had an advantage over
other interfaces.
I found this in some ad copy:
"""The Travler provides on-board SMPTE time code synchronization features that allow you to slave your Traveler system to SMPTE time code without a synchronizer. The Traveler provides a DSP-driven phase-lock engine with sophisticated filtering that provides fast lockup times and sub-frame accuracy. The included MOTU SMPTE Console software provides a complete set of tools to generate SMPTE for striping, regenerating or slaving other devices to the computer."""
So it likely uses an audio port for timecode I/O. However, unless you have external equipment that you want to slave to Logic Pro, (or have Logic slave to) e.g. a timecode DAT, then this really is not necessary. FCP would not see the Travaller as a "controllable" device.
For Final Cut Pro use, I'd probably shoot in HDV.
When shooting a green screen near my computer (or
maybe even on-site), I wondered if there would be an
advantage to recording the audio thru an interface
like the traveller.
The advantage is that you could capture additional mics and audio tracks with your mac while the cameras shoot. Just slate your takes and sync up later.
Do I actually need an interface that provides time
code, or is that only needed for movie work?
I have SMPTE I/O on my Unitor8, directly accessable in Logic Pro. In 8 years I've probably used it twice to capture audio from some modular digital multitracks. So, unless you have some specific need.....
Maybe it is simpler just to connect to the mic
directly to the camera's input?
Indeed. You should always have camera audio available. Anything else is supplemental. Alternatively, you could use the Travaller or RME, etc. as a "live to camera" mixer in a studio situation. Plug your mics into the interface, create a submix and send it to the camera while simultaneously capturing each mic to an individual track in Logic Pro. There are many possibilities.
G5 QuadPPC2.5, Ram:12.5g, Magma PCIe-PCI expansion Mac OS X (10.4.8) 2X Hammerfall DSP Digiface+Multiface, Digi 002r, 4X UAD-1

Does a QMaster Cluster really make sense for Final Cut Server?

Correct me if I'm wrong, and I often am, but my understanding of the difference between setting up a "Cluster" and just using "This Machine" is the cluster allows multiple jobs to be processed simultaneously, while an unmanaged system will only do one job at a time. However, when it does that one job, it uses all the system's processors.
Yesterday I created a cluster consisting of two Quad Core Intel systems, and started Final Cut Server cataloging about a half a TB of data. I noticed that Server submits the Proxy render jobs one at a time, and that the jobs were being submitted to only one processor core, in a rotating fashion. Is there a way to make FCServer submit jobs in "parallel," or am I better off with using just the local system for transcoding?

The default proxy transcode setting seems to be specifically tuned to work at a small scale, which makes sense if you are asking a box to host the database, serve the app, and do all the proxy transcodes. I observed the same phenomenon, so I made my own transcode setting for proxies and I chose to lower the bitrate a bit to help with file size and transfer time. The upside is the floodgates are wide open when my 32 core Xeon cluster (four 8-cores) goes to town on a proxy encoding job.
Your other observation is also right, that only one item is encoded at a time across the cluster rather than working on all of them at once across the cluster. So what you get with a fast cluster is shorter encode time, not parallel encodings that all finish at the same time.
If you have the spare machines to dedicate to cluster work, I strongly endorse setting up that way. I would not recommend Quick Clusters for Final Cut Server encoding duty. Either set up a dedicated Managed Cluster that FCSvr can use or none at all.

Text for Final Cut Express HD 3.5

I'm hoping that Tom Wolsky will answer this question. I purchased the Final Cut Express 2 Editing Workshop, second edition and learn a great deal about FCE HD workflow. Now that I've upgraded to 3.5 I'm wondering if there is enough new to this upgrade to warrant purchasing the FCE HD 3.5 book by Tom Wolsky. Thanks.

The main improvements in FCE 3.5 are the Dynamic RT and Keyframing of Effects.
Dynamic RT involves virtually no learning, Keyframing does.
However, many users don't even know what Keyframing is, let alone how to use it.
Are you likely to need it?
I would suggest you hang on to the book you have and if the time comes that you feel it can't cope, then think about getting the new one.
I have used FCE 1.0.1, FCE 3.0 and FCP 5.1 and to be honest, the differences between all three are so marginal that you can hardly tell which one you are using.
Tom and others may think differently.
Ian.

Rough Cut Editor for Final Cut Server

Hi everyone,
we are working on a Rough Cut Editor for Final Cut Server.
I'd like to know what you think about it and put a short video about its usage on my site at
http://www.andre-aulich.de/en/perm/consol-rough-cut-editor-video
Any feedback would be very much appreciated!
Regards,
André

Hi guys,
in addition to getting in touch with you personally, I'd like to answer some questions in public:
LAN vs WAN
==========
The RCE in its current form is primarily built to be used in a LAN.
This is because you need both the Final Cut Server client as well
as the RCE client to connect to a central server using the ports
3000, 80, 8821, and 8891.
In addition, we currently suppose the Edit Proxy folder to be an
edit-in-place device, so you need to open port 548 if you use AFP
for that. We might change that, but you still need the FCSvr client
to connect to your server.
That said, we currently consider the RCE to be run in a local network.
FEATURES
======
We are not planning to build a server ingest app, as there are other guys
building these kinds of apps.
A standalone version of the RCE without Final Cut Server connectivity would
be easy to write, yet, we like to use FCSvr's proxies for preview, as this way
low bandwidth (meaning non-Fibre Channel) to the viewing stations is
sufficient.
So today there's the RCE in its current form...
AVAILABILITY
===========
We are doing our final testing and hope to release the app within
the next two weeks.
As we need to install some tools on a server and have a look at its
environment, we would currently install the RCE ourselves, usually
through a remote connection.
Yet, we already consider having selected partners to implement the
RCE as well.
Currently there's no beta program being planned, as we do our
testing at a customer site, where we hope to evaluate the app
quite comprehensively.
I hope that answers some questions.
For more questions, please feel free to get in touch with me.
André

Some questions about a Time Capsule

Hi!!
I just have a few questions about a Time Capsule, but first let me explain the backgroud to my questions.
I live in a 2 floor house(including a basement) and my bedroom is downstairs. My parents currently have a desktop PC connected to our wireless router and our printer. Me and my step-father both have 13 inch MacBook Pros, and he uses the Mac like a basic computer, so the equipment connected to our PC is good for him. I, on the other hand, use my Mac, iPad and iPhone to their fullest potential. I am a SUPER MEGA NERD when it comes to computers, so I plan on making my bedroom an amazing office at the same time. So I want an AirPrint Enabled printer in my bedroom (Under 100$$) along with a Time Capsule to back up my information, because everyday I look around in the backdoor of my Mac alot, and if I jack anything up (And I cant handle the problem) I would like to restore my Mac to a previous version. So here are my questions:
1) My bedroom is right underneath our router, so i get GREAT Wi-Fi in my room. If I get a Time Capsule, can I use it in my room to extend my Wi-Fi, and how would that work? Will it extend my wifi under the same name, because I would like my own Wi-Fi (Titled to what I want with my own password)
2) If I have to create a NEW Wi-Fi network, how would I do that?
3) Would I need to connect my new printer directly to my ROUTER, or could I connect it to the TIME CAPSULE?
If you don't understand what I'm trying to ask (Even though I feel like it's self-explanatory)
ONE question about the PRINTER: Do any of you have any recommendations for an AirPrint Enabled printer under 100$? Even under-150$ would be okay.
THANKS FOR ANY HELP!!!!

everyday I look around in the backdoor of my Mac alot, and if I jack anything up (And I cant handle the problem) I would like to restore my Mac to a previous version. So here are my questions:
Don't just depend on TM.. use a disk image type utility.. either one of the Mac tools, SuperDuper, CCC, Chronosync or even a linux boot cd (if you have a cd/dvd drive still or via usb can boot) a great tool is Clonezilla.. it will do basically any computer, Mac, Linux, Windows.. and since it boots into its own OS can restore a computer in a flash. Then you can add the incremental changes from TM.
1) My bedroom is right underneath our router, so i get GREAT Wi-Fi in my room. If I get a Time Capsule, can I use it in my room to extend my Wi-Fi, and how would that work? Will it extend my wifi under the same name, because I would like my own Wi-Fi (Titled to what I want with my own password)
Actually I am surprised you get good wireless as usually directly above or below a router is often the worst spot. Time Capsule cannot extend the wireless of any other router than Apple.. it is a special system and only Apple can join the club. It has bad effect though, if you set the TC to extend wireless it turns off ethernet ports.. which is hugely dumb.
The best arrangement is ethernet to the upstairs.. or EOP adapters. If not then a wireless router that matches the existing unit will generally be better than mixing apple and non-apple.
2) If I have to create a NEW Wi-Fi network, how would I do that?
3) Would I need to connect my new printer directly to my ROUTER, or could I connect it to the TIME CAPSULE?
You create a new wireless network by selecting manually the wireless channel and use different wireless name, ssid and security. There are 3 available channels on 2.4ghz.. your existing router will use one or two.. depending on if the setting is 20mhz or 40mhz.. so you need to manually set everything and not use auto.
TC is slow on 2.4ghz cf 5ghz and there are many more channels at 5ghz but not everything can use it.. iphone for instance is 2.4ghz only . whereas ipad can use 5ghz.. most full computers now can use 5ghz.
Buy a wireless network printer. Or alternatively an ethernet network would be also ok but now are more expensive than wireless ones. Network printers are not much more than straight USB and work much better.
I do not use airprint so have nothing to offer.. find the best HP model in your budget.. but others may have had more experience.. I use ethernet connected b/w laser business type HP.. they work great.. but airprint is too recent an innovation for me.

Where can I find a full manual for final cut pro 6?

I'm trying to learn final cut because I haver an amature film making contest I'd like to enter and that would give me quite an edge, considering most of the intries will be using movie Could someone help me find a full manual or something that would assist in this indevor? I do only have final cut 6 because I am using my schools imac and that is ther vertion they have. so, can anyone help?

You should ask your question in the Final Cut Studio forum.
This forum is for Final Cut Pro X.

Can I add a secondary location for Final Cut Pro Documents?

Hi Guys,
I'm working on a large project which has taken up most of my 2tb hard drive which I use for my final cut pro documents (capture scratch, render files etc). Is it possible if I plug in another hard drive to use that as a secondary location for final cut pro documents as I have other (smaller) projects which I could be uploading and working on in the mean time? If so, how is this achieved and what are the pros / cons?

Sure -- go to Final Cut Pro menu on your menu bar and select System Settings.
The first tab is SCRATCH DISKS -- that's the term too -- not secondary folder for FCP Documents.
Change it there.
Drawbacks...
It has been a while since I've had to deal with this, but FCP used to not remember (feature or bug??) a project's original scratch disk location and if you change it for ONE project it will be changed for ALL future AND past projects... until you change it back.
Now, that in itself isn't a BAD thing. All that that means is that if you continue to capture material into that old project it will now put it over here instead of over there. Also, other things like render files and such which won't really matter much unless they do... and now you've got stuff spread over a coupla drives.
FCP's projects don't care. They've already mapped where they need to go to get the video and render files it needs. Move your Scratch Disk 33 times... won't make a difference to the browser and timeline. -- UNTIL you remove one of the important drives. THEN red lines galore! Un renders, missing files... messy messy messy!
Much better to start and finish a project in scratch disk. Makes for easy cleanup. Kinda like cooking thanksgiving dinner (American??) in 5 houses at once.
Good luck,
CaptM

Canon EOS MOVIE Plugin-E1 for Final Cut Pro Now Available...

There's been so much talk about the 5D, 7D, 550D on this board that I'm going to point to the EOS MOVIE Plugin-E1 for Final Cut Pro. This is supposed to speed to transcode of Canon Camera H.264 to FCP-friendly formats and let you add more metadata along the way.
Enjoy!
Canon webpage. Under Drivers & Downloads. Once you select your OS, "Mac OS X", the download should appear near the top of the "Software" list.
Note: (from Quickstart Guide)
This plug-in software allows you to convert MOV movies shot with an EOS Digital camera into ProRes files at high speed in the (Log & Transfer) window of Apple's Final Cut Pro.
FWIW: The quick start guide says cameras involved are 7D, 5D, 1D, no mention of 550D. Sort of odd.

For users in North America to make the Canon EOS REBEL T2i work (550D for Europe):
1. Install the new Canon EOS MOVIE Plugin-E1 for Final Cut Pro (http://www.usa.canon.com/consumer/co...nloadDetailAct)
2. Go to Library/Application Support/ProApps/MIO/RAD/Plugins/CanonE1.RADPLug/Contents/Resources/
2. Open up cameras.plist
3. After the 7D info add the following lines of code (keeping to the coding structure):
<key>T2i</key>
<array>
<string>Canon EOS REBEL T2i</string>
</array>
4. Save the text file. Close it. Everything should work now.
Cheerz.

Following Media Files Are Not Optimized For Final Cut Pro

I'm sure you've seen this before and I've tried to search for a thread on it here and fell asleep, so sorry if this is a repeat.
I have edited projects in Premiere Pro (on my PC) and I have tried to transfer them in FCP. It worked with the exception of two things:
1. the error message, "Following Media Files Are Not Optimized For Final Cut Pro"
2. the quality *****! watching it on the playback in FCP it looks great, but then when I burn it to Disc it's pixelated in spots and generally has a lower quality picture.
I know that it's Standard Def. and can't expect the best, but I've done it before (once or twice) and it didn't seem this bad.
Can someone suggest anything to help the quality? Should I run my AVIs through MPEG Steamclip to make it a QT file and if so what is the best format in that since there are many to choose from and most I'm not familiar with?
Thank you,
Crayton

I did compress them to DV NTSC then burned it to DVD and the result was no bueno.
I thought what I would do is try compressing them again before I send them on over to DVDSPRO. Here is a simplified break down of the situation:
- I have edited the raw footage in Premiere Pro on my PC. They were recorded and captured as SD.
- I rendered them in Premiere, then transfered the rendered AVI file to FCP.
- When went to place the files in FCP, I received the warning message; "Following Media Files Are Not Optimized For Final Cut Pro" but I went forward anyways and it allowed me to do so.
- Originally I went ahead and compressed them from FCP to QT Movie as a DV NTSC, which ended up poorly.
- Therefore my question is, should I compress them using another file type (other then DV NTSC)? Which leads me to another program that I have called MPEG Streamclip, which offers tons of file types of which I am unfamiliar with most. I want the best quality of course but don't know what file type is the highest going from AVI to a format that can be accepted by FCP and ultimately DVDSPRO. Keeping in mind that I only have FCP5 and do not have Prores.
Did that make sense?
Thank you again,
Crayton

Is the NVIDIA GeForce 8800 GS worth the money for Final Cut Express?

Hi,
I'm considering a new iMac 24, but not sure if the speedier on is worth the money.
Currently I use a MacBook Pro 2.2 for Final Cut Express with a 23" cinema (mostly DV, some HD) and that works okay, but won't play back in real time when I composit video.
Anybody know if the NVIDIA GeForce 8800 GS will help in that area?
Thanks,
KC

The speedier video card is great for 3D stuff, but it won't matter a wink for Final Cut Express, which barely makes use of the video card.
Keep in mind that Final Cut is using the CPU, not video card, to perform the editing, decoding, and encoding of the video. The only time the video card comes into play is during playback of the video, and any of the video options available for iMacs will handle that just fine.
When you composite video, the hard-disk throughput will start to come into play. The dinky 5400 RPM disk in your laptop will adversely affect the performance of that.

HT4589 What are the computer requirements or specs for Final Cut Pro

What are the computer specs required for Final Cut Pro?
Also is anyone operating Avid Media Seven on an OS X Lion 10.

Lynn Kielley wrote:
What are the computer specs required for Final Cut Pro?
http://www.apple.com/finalcutpro/specs/
Even though it says 4 GB RAM recommended, I think most experience users woild say 8 GB and up is the real minimum.
Can't answer the Avid question.
Russ

Question about countdown timer for final cut 5.1

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