Question about defining [bit] attribute for products in MXI file ( bug ? )

Hi,
When I define the [bit] attribute for a product element in xmi file (set to 64) and create the package, Adobe extension manager CS6 denies to install it on a 64-bit system (by saying:) because it is a 64-bit extension!!
I tried it in two different environments (Vista and 8 - 64 / CS6) with same result!
Is it a bug (known?) or am I doing something wrong?!
<product version="8" maxversion="8" primary="true" name="InDesign" platform="win" bit="64"/>
Any idea would be appreciated, thx, mim

The bit attribute means the Win32 or Win64 version of the product for which this extension can be installed. It has nothing to do with the Windows OS architecture. Since InDesign CS6 has noly 32 bit version, you don't have to specify bit as "64", even if you are using Windows 64 bit.
Starting from CC, InDesign has both 32 bit and 64 bit version on Windows. But they have different product name, "InDesign" and "InDesign64" respectively. So if you only want to create the extension for 64 bit InDesign CC, you can specify:
<product version="9" name="InDesign64" />
The "primary" attribute is no longer used on CC. The product name of InDesign on Mac is still "InDesign", so "platofrm" and "bit" attributes are unnecessary to be specified in this case.

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Question about lead in music for podcasting.

Question about lead in music for podcasting.
I listen to many other podcasts and there are those which play lead in music with bit of music inside their podcast. The music are songs we all know and enjoy. I have notice that they only play short small clips of these songs and are not royalty free songs.
My Question would be is there a limit of time which you can play any song with out paying for it and use it in a podcast legally.
Thanks Mike

Legally you cannot use copyright music without written permission or a licence from a recognized authority, no matter how short the clip. Many people do this and get away with it (and for full tracks too) and it's debatable how much notice anyone is likely to take, or whether they would be bothered about a short clip. But the legal position is, it's not legal.

Question about the Filter type for the trace provide "Microsoft-Windows-Kernel-File"

Hello all,
I have moved this question from the Windows
Server General Forum accorfing to the suggestion from Mr. Justin Gu
I have a question about the Filter function for the trace provider "Microsoft-Windows-Kernel-File".
I can find the Filter function with the following operation.
Mr. Justin Gu wrote:
> You create a Data Collector Set for the trace provider "Microsoft-Windows-Kernel-File" and finish completely, then you > can right click it and select Properties.
In the Properties dialog box, click Filter and
then select ‘Edit…’. You will be> able
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What
Kind of Filter can
I use in this Filter dialog box?
And, how can I set to exclude the some kind of datas?
Could you give me your suggestion?
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What
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Question about 64 bit

I was thinking about reloading my Arch system and was thinking about 64 bit. Just wonder if its mature enough for me to use it on a day to day basis. Such as, full web access to software such as Flash 9, mplayer plugins for media, music plugins for Amarok, Cedega use and other games like Quake 2, 4, RTCW, Enemy Territory, and such.
Is it recommended, or should I stick with 32 bit for a time?
Thanks!!!
Joe

i installed it yesterday and have only been using it since then, so take these comments with a grain of salt. but it does seem relatively mature, actually. flash 9 was easy to set up using the wiki, it took under 5 minutes. the only things i've noticed so far (only less than a day of use, remember) is that .mov content in mplayer is really slow and choppy for some reason. there have been a few minor non-issue things, but nothing worth mentioning. so far everything's working. no experience with the gaming stuff, though.
i would recommend doing what i did and installing it on a spare partition. that way you can check it out to see if it does what you need, and if anything's not working or missing, you can boot back into 32 until you get it sorted.
>> one other thing to mention is that unless i'm doing something wrong, java doesn't seem to work. i also haven't gotten my palm working yet, but that might just be a configuration thing, udev rules i have to copy over, etc.
Last edited by slackhack (2007-05-21 16:38:15)

Question about required workshop classes for OCP

Im working on finishing up my OCP in a few months. Quick question about the workshop class. Is there a test at the end of the week?
Also how do most people pay for these classes? They are pretty steep and my company doesnt pay for stuff like this for me. Im paying totally out of my own pocket. Also why is the online class the same amount as the instructor lead class? Its not like im in a room at some building that Oracle has to lease for use or something.

RedDeuce wrote:
Im working on finishing up my OCP in a few months.What Certificate exactly are you working towards?
Also how do most people pay for these classes? They are pretty steep and my company doesnt pay for stuff like this for me. Im paying totally out of my own pocket.Then talk to your employer again or maybe look for other jobs that support your plan better.
Also why is the online class the same amount as the instructor lead class? Its not like im in a room at some building that Oracle has to lease for use or something.They know that you might save on expenses for travel and hotel etc.

Question about source system copy for BW

Dear all,
I have a quick question about copying a source system for BW.
We have two clients in the source ERP:
100 Customizing
200 Testing
Our BW is only linked to client 200, so when we now delete client 200 and make a copy from 100 to 200, are we then still able to restore the source system connection so that our extraction will work, or will it fail, as in client 100 I have no BW related (except the cross-client-objects like datasource) information, that can be used for a possible restore of this connection.
What is the procedure in this case?
Thanks,
Andreas

Unfortunately, you will lose your source connection and need to create a new one in R/3. You can use the same source system name in BW, but check the source system connection after the copy (SM59). Also, I would "Restore" the source system (in BW, right-click on Source system in RSA1, and click "Restore") to insure the datasources get replicated from R/3 to BW.
Depending on how much you want your BW and R/3 systems to be in synch, you will need to rebuild all your data providers (cubes/ODS's) from your R/3 system. This means deleting all the data and running the initializations from scratch. At the very least, you will need to rebuild the delta queues.
Curious, if 100 is just for customizing, is there any data in it? Are you just creating a new blank client 200?

Some question about Toshiab reocvery disk for Satellite P300-133

Hello guys ,
I got some questions about unpleasant recovery surprises :
*1)* I just made recovery DVD using Toshiba Recovery Disk Creator and it initially asked for 2 DVDs - but when the first one was done it didn`t require a second blanc DVD . Is it possible all system files of Windows Vista to be written on 1 DVD ?
*2)* Could I reinstall Windows Vista using the HDD Recovery option ( by pressing F8 ) without using recovery DVD ?
*3)* Which HDD partitions`ll be formatted ( just system C: or both C: and E: ) using HDD recovery ?
*4)* What is recovery DVD - Image of the hard drives or Vista installation files ?
Its pretty bad idea not to include OS on DVD when I have paid for it.
Thanks for all the problems to Toshiba :(

1. I think the recovery disk creator means 2 CDs. I have a Portege M700 with Windows Vista and one DVD too. I recovered it and after this I have a clean Vista installation with all drivers and tools from Toshiba. Nothing is missing.
2. Yes, you can reinstall Vista using the HDD Recovery option when you press F8 at startup. You dont need the recovery DVD but you should create one when your HDD get some errors or something else. If you need a new Recovery DVD, you have pay for one.
3. The complete HDD and partitions will be formatted, so backup your data first on a DVD, external HDD, USB stick or something else.
After the reinstallation you have the factory settings.
4. The recovery DVD is an image of the HDD about the factory settings. If you make a recovery, there are all drivers and tools already installed. Of course on the disk are the installations files of Vista, but you can only use this DVD on your Satellite P300. The disk can not be used on an other Satellite or on a PC.
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Questions about the content of download meeting recording .zip file

I tried posting this on the resurrected Connect forum, but my Adobe ID wasn't recognized there....
Concerning the files that are included in the .zip file of the meeting recording that can be downloaded:
1) Is there any documentation describing the files and their contents (i.e. what each file represents, what each XML element and attribute in those files represent)
2) Are there any files that capture mouse movement on a shared desktop?
Thank you!

Hi Sean,
Regarding your first post:
Thanks Jorma! I don't have access to an FMS build at the moment but I'm quite certain it's there. As for contacting Jaydeep, I am 90% sure he authorized us to broadcast his email on here if folks had questions about the tool, but, in the case that I'm wrong and he didn't - I'm going to double-check first.
Regarding your most recent post..
"To be clear, the most critical goal I'm trying to accomplish is to create an automated process that will download the recording meeting at its highest quality in a consistent and reliable manner".
I personally believe this is possible; unfortunately, I haven't seen it done yet. If your recording contains:
- audio
- a camera feed
- screensharing
Then I think you might be able to get this going. If it contains shared content, like a shared PPT, this gets trickier.
"To do this, of course, I have to reproduce some of the functionality that Connect provides, starting and combining video and audio streams according to the instructions in the control files."
Exactly right. If your recording didn't contain shared content, then all you've got on your hands are a bunch of audio/video files that you could edit together as you wanted with your favourite video editing tool. If it contains shared content, here's (at a high level) what's happening.
For shared PPTs or FTContent files:
First (for version 9 recordings only), Connect reads the information on the Shared Content's location and SCO within mainstream and indexstream and validates it before loading it. I don't recall this happening to the same extent with version 8 or earlier, but maybe it was. Now, if the content is validated (ie. Connect can find it) the share pod will display as black, if it doesn't, you get an empty pod with an message like "No content is being shared" or something like that.
Connect then looks at the actual FTContent file, and loads the content that is to be shared using the file path and sco ID listed in here. It's important to note that the SCO ID and file path in here will likely not be the same as the original file you uploaded to your room, it's a new SCO id (I believe SCOs of this type are called referenced scos) and new path.
Now...if I was going to build some sort of player which would play all these files in one screen to make a recording...I might not want to use Connect's code here. If you know the file path to the shared content (from FTContent), you could easily view it with the content URL (conveniently also in FtContent). I'm not a coder, but I'm envisioning something like Presenter's GUI where you've got the presentation's content in the main area, and a video file (if there is one) playing back on the side.
Anyways, food for thought if you want to try to go about this. Connect recordings are incredibly complex and they come with a big learning curve, but if you can make sense of them the knowledge is quite valuable.

Getting an error message about UID: Unowned UIDs for ImageFrame CANNOT SAVE FILE

Getting an error message about UID: Unowned UIDs for ImageFrame CANNOT SAVE FILE

Hi,
Could you please share your .muse file with us to investigate? Please email it to [email protected] If your file is greater than 20MB you can use something like Adobe SendNow or SendThisFile or Dropbox. Please do not forget to mention the link to this forum thread in your e-mail so that we can identify the file.
Regards
Vivek

Help, question about "select ... for update nowait"

There is a proc code. In the beginning of the code, I used a SQL "select ... for update nowait" in order to prevent from another proc executing at the same time. When the case happens, "-54, ORA-00054: resource busy and acquire with NOWAIT specified" will be printed in the screen.
But there is a question: I need to print sth to indicate "another proc is running". I used "if (sqlca.sqlcode == -54)" as precondition, such as:
if (sqlca.sqlcode == -54) {
printf("There is another proc running.\n");
However, this line will not be printed. I doubt that the code quits directly when using "select ... for update nowait" so as not to set value (-54) to sqlca.sqlcode.
So, could you suggest whether there is another way that I can use to print "There is another proc running" when another proc is running?
Thx a lot for your kindly reply.

Yes, that link. Scroll down a bit and you will see:
The calling application gets a PL/SQL exception, which it can process using the error-reporting functions SQLCODE and SQLERRM in an OTHERS handler. Also, it can use the pragma EXCEPTION_INIT to map specific error numbers returned by raise_application_error to exceptions of its own, as the following Pro*C example shows:
EXEC SQL EXECUTE
/* Execute embedded PL/SQL block using host
variables v_emp_id and v_amount, which were
assigned values in the host environment. */
DECLARE
null_salary EXCEPTION;
/* Map error number returned by raise_application_error
to user-defined exception. */
PRAGMA EXCEPTION_INIT(null_salary, -20101);
BEGIN
raise_salary(:v_emp_id, :v_amount);
EXCEPTION
WHEN null_salary THEN
INSERT INTO emp_audit VALUES (:v_emp_id, ...);
END;
END-EXEC;
This technique allows the calling application to handle error conditions in specific exception handlers.

Yet another question about 24-bits

I have just combined an Echo Audio Indigo IO with Adobe Audition 1.5 in hopes to have a reasonably good laptop recorder. That need is met quite well.
There are a number of discussions about bit depth in these forums. The answers become obfuscated by internal conversions done in audio cards, software, and Windows drivers. My current interest is simply how to get 24 bits of unadultered data from a D/A convertor to a data file using Audition. This data will be used to analyze pitch, frequency and intonation and any changes to the data will affect the results.
Both the Indigo IO and Audition claim 24-bit support and I am convinced that both meet these claims fully. In spite of this there is no evidence that the card, Windows, and the software together will actually meet this claim without a 16-bit conversion along the line. What really matters is whether or not 24-bits of audio can travel from the card to the data file without any changes.
Question 1: In Audition 1.5 for Windows under "Options/Device Properties/Wave In/Supported Formats" for the Indigo IO the highest density recording listed is 16-bit stereo at a 96K sample rate. What properties do other users find for their 24-bit cards?
Question 2: The wave programming calls (waveInGetDevCaps) don't include capability definitions for anything beyond 16-bit depth at a 96K sample rate. Where in Windows is there evidence of true support for anything greater than 16-bit Audio?
Question 3: What software is there that will go directly to the sound card or driver and write 24 unadultered bits to a file?

I had trouble setting up my 24bit/96k ADAC to record 24-bit in audition. The best way to be sure audition is getting the 24bit samples as 24 bits is to check the status bar when recording. If it says 'Recording as 24 bit' then it's all setup right. If it says 'Recording as 16 bit' then the 32-bit float driver or the 24-bit driver reported an error and audition tried to fall back on the 16 bit version and succeeded. The problem I had was that the driver didn't handle 32-bit floats so it errored out and audition recorded as 16 bits. The only solution was to select the 24-bit option under "Options/Device Properties/Wave In(or out)".
Just a note. A true 24-bit ADC will send 24 bits to the driver and the driver itself will convert the bits to whatever format it supports. If the driver is instructed to convert to normalized floats the software will simply do something like this:
SampleOut = SampleIn / 8388608.0;
This doesn't add any coloration to the audio because a float is really just a 24 bit integer with 8 bits added to tell the FPU where to put the decimal point. Converting down from 24-bits of course degrades quality and converting from 24 bits up to a true 32 bit integer would NOT add any quality to the audio. When stored in a file, 24 bits is 24 bits whether its a float or an integer.
>Question 2:The wave programming calls (waveInGetDevCaps) don't include capability definitions for anything beyond 16-bit depth at a 96K sample rate. Where in Windows is there evidence of true support for anything greater than 16-bit Audio?
The website showing waveInGetDevCaps function information doesn't show all the possible format tags or even the sample rates. It is only showing the most compatible forms for drivers. The WAVEFORMAT and WAVEFORMATEX structures used for the drivers are also used in the 'fmt ' chunk of RIFF WAVE files. I've written a lot of software for parallel use with audition using wave files and windows and I can say from experience that when recording 24 bits with audition you're getting the full 24 bits. If your driver truly supports 24 bit samples then audition will allow you to select the 24 bit samples option under "Options/Device Properties/Wave In(or out)" and audition will display 'Recording as 24-bits' when recording. Once recorded Audition no doubt converts ALL bit depths to its internal format which I believe is 32 (or 64) bit float, and if you don't process the file and wish to save as 24 bit integers then the samples saved will be exactly what the ADC sent to the driver.

Questions about using Styles Window for formatting a book in Apple Works.

Help says "You can create your own styles in any document type." Not clear on how to do that.
I wish to have one Style or group of Styles associated with one document of say 500 pages for a book. Each chapter Heading. as a single column layout, is separated by Section Breaks from previous and following text in 2 column layout.
Question 1. How do I make Styles window settings (Edit/Done) specific for this entire document? Can I edit settings in Styles window and have them remain specific and locked to this particular document? Or are the Styles window settings constant across all documents?
Question 2. (If Styles window settings are not specific and locked to this document) Do I need to make a NEW Style for each purpose within the document, as in Book Heading, Book Subheading, Book Body, Book special paragraph style, and etc.
Question 3. When importing multiple sections of the work (by copy and paste) from other AW documents how can I have the imported text follow the book’s Style settings (and vice versa how to keep tab settings that are specific in some areas). Sometimes the imported work refuses to conform to the Book document’s style say line spacing for instance.
Thank you
Hilary Fish
iBook G4 Mac OS X (10.4.8) AppleWorks 6.2.9

Hi Hilary,
I haven't used styles enough to give definitive answers to your questions, but I'm sure others will join in and correct any errors in what follows.
A "Style" is essentially a set of paragraph level format settings that can be collectively applied to a paragraph or contiguous set of paragraphs as a set, rather than having to apply each attribute individually. Once a style is applied to various parts of a document, changes made to the style specification will apply to every part of the document to which that style has been applied.
AppleWorks also includes two other types of Styles—Outline styles (Diamond, Harvard and Legal), used to identify hierarchical levels of paragraphs, and Table styles, used to format tables.
Question 1: From the Help article "Using Styles":
You can copy the collection of all the styles available in a document and make them available in another document. This is called exporting and importing a stylesheet.
I read this as saying that styles you create are specific to the document in which they are created, but may be exported to other documents. "Other documents" would includes documents saved as templates, which could be used to create the various sections of a book.
Question 2:
As the set of styles is specific to the document it is created in (or into which it is imported), you can probably leave "Book " off the names of the styles (but may decide that leaving it on makes it easier to know what the styles are for). You will need to use an existing style or create a new one for each purpose within the document.
Question 3:
Copy copies the text AND formatting of the selected material.
Paste pastes the text AND formatting of the selected material.
Paste also inserts the pasted material into the target document at the insertion point. All of the pasted material goes into the same Section. If the pasted material includes a section break, then a new section will be created in the target document.
If you export the set of styles from the master document and apply them to the parts of the source document before transferring the material to the master document, I suspect the formatting will be carried over.
Another possibility is to leave the source document with no formatting at all beyond paragraph breaks, and to apply the formatting (styles) after transferring the text.
Regards,
Barry

Thunderbolt / USB3 questions about external backup drives for my new MacBook Pro

I have a new MacBook Pro retina 13". It has two USB3 and two Thunderbolt2 ports.
Until now on my iMac I've kept two backups on two WD USB2 drives. I have never had any problems with any of my WD Passport drives. One for Time Machine and one for CCC (a complete bootable clone incrementally created at 3:30 am every day).
I'd like to get new portable drives for my MBP for these backups going forward and have a few very basic questions, since this is the first time to have a device with a USB3 port, and the first time I even heard about Thunderbolt.
If I get a USB3 drive and need to use it to restore things on my older iMac, which just has USB2, will it generally connect and run with USB2 at a slower speed? Or would I have to get a drive with both USB2 and USB3 ports?
Is Thunderbolt just an Apple thing? Or is it a new standard widely used by peripherals now? I just never heard of it before. Is it faster than USB3?
Is it common for drives to have both Thunderbolt and USB2 connections?
Are there "hubs" for Thunderbolt like there are for USB? Considering the limited number of ports, I'm wondering the best way to connect 2 external drives. My iMac has 4 USB2 ports on the back, and I connect one drive separate to each of those ports, rather than going through a hub.
Is USB3 like USB2 in that if you have even 1 USB2 device (e.g. my Logitech headset) connected to a USB3 hub it will slow down everything on that hub to USB2?
Any recommendations for good, portable backup drives?
Thanks,
Doug

Hi Doug,
Lets see if we can address some of these:
If I get a USB3 drive and need to use it to restore things on my older iMac, which just has USB2, will it generally connect and run with USB2 at a slower speed? Or would I have to get a drive with both USB2 and USB3 ports?
USB3 is "backwards compatible" with USB2 so plugging a USB3 drive into a USB2 port should work, but at USB2 speeds.
Is it common for drives to have both Thunderbolt and USB2 connections?
Drives sold as Thunderbolt often (not always) have USB as well, drives sold as USB never (in my experience) have Thunderbolt connections.
Are there "hubs" for Thunderbolt like there are for USB? Considering the limited number of ports, I'm wondering the best way to connect 2 external drives. My iMac has 4 USB2 ports on the back, and I connect one drive separate to each of those ports, rather than going through a hub.
Yes there are (but don't expect them to be comparable in price to a USB hub) e.g. see here: http://www.belkin.com/uk/p/P-F4U055/
Is Thunderbolt just an Apple thing? Or is it a new standard widely used by peripherals now? I just never heard of it before. Is it faster than USB3?
I'ts an Apple technology (like firewire) and is far from widely used on peripherals. There ARE Thunderbolt drives etc by companies such as LaCie, WD etc but they are still very expensive (3 or 4x the price of an equivalent sized USB drive). For some this was a worthwhile expense since Thunderbolt is many times faster than USB2. But the arrival of USB3 has, in my opinion, changed the landscape. Yes, Thunderbolt is theoretically faster than USB3 (up to twice as fast) but benchmark tests have shown that in real world situations, the speed difference varies from no difference to Thunderbolt being 25 or 30% faster. When you take into account that USB3 drives are more common than Thunderbolt and are only a little more expensive than USB2 drives at present, then it's a "no brainer" as far as I am concerned.
Hope this helps.
Jon

Question about using 1 SETID for Vendor Master

Hello everyone,
I work for a large healthcare system and we are currently in the PeopleSoft training classes and are about to move into the design phase. We are a multi hospital system and are moving everyone to PeopleSoft for our ERP system. My questions is for Supply Chain purposes and hope that someone can help clarify. It is our goal to use 1 vendor master SETID for our entire hospital system. Please see my question below.
The customer account # for a vendor is currently at the set id. The customer account # is specific to an entity as it identifies where the vendor should ship. How can we have one vendor master (setid) and still allow the correct customer account # to default on the PO (the buyer needs this when calling in an order)?

On each of these 'dumb terminals' I assume you are looking to access the complete Mac desktop from the central Mac?
Unfortunately, this can't be done.
In the past, the setup you describe first was used on mainframes where each end node was a dumb terminal. But it was just text.
Next came X11 which does mostly what you are asking about, but each end node is basically a full computer in itself. You can remotely log into a central server and get a complete desktop session. This would take using a central computer that is running full X-Windows and then you'd need a PC running Linux, or running Windows and a X-Terminal package like Exceed or a Mac with X11 installed (not sure if you can make the Mac X11 do a full-blown desktop X session.) Note that as the central server, you'd need a computer running an OS with full-blown X-Windows (Linux, Solaris, HP-UX, etc.) -- OS X is UNIX but it doesn't run full X-Windows as its window manager.
Finally, there is what are called 'thin clients' ... a good example is Sun Microsystems' SunRay... it's enough hardware on the client side to provide display, keyboard and mouse. They boot off a central Sun Solaris server and work just like X-Windows clients. The difference here is that the SunRay unit can't work on its own; it has no disk, and has to boot from the SunRay server.
And of course there's Windows Terminal Services, which lets you do the same thing with Windows. I think that takes Windows Server edition software on the central computer, and then a regular PC as a client.
Sounds like your only option is to use Mac minis as you suggest. But then there's no need for a central computer to share, obviously.

Question about defining [bit] attribute for products in MXI file ( bug ? )

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