Question about family base and 911 notification of both parents

recently,we,had,someone,call,911,on,one,of,our,phones.,,I,am,a,parent,and,was,not,notified,,but,my,wife,who,i,think,is,shown,as,account,owner,on,our,bill,was,notified,on,her,phone.,,We,want,to,be,sure,we,are,both,notified,immediately,on,our,phones.,,How,to,I,change,family,base,to,make,both,parents,get,the,notifications,for,a,911,call,by,someone,in,the,family,base?,I,look,everywhere,I,could,find,but,have,not,figured,it,out.,thanks

There used to be more flexibility for notifications.  I called Verizon and they confirmed we lost some functionality.  I used to have notifications sent to my wife, but now they only go to the primary account holder.  This was changed in the past week.  I used to get the phone number in data usage alerts (phone number ##### reached it's limit), but now it doesn't tell me who reached the limit.  You have to login to the website to find out.  Even more frustrating was the notification that said one of my lines dialed 911.  It didn't tell me who, and I just pictured one of my family members in a terrible accident and the notification wouldn't tell me who it was.  When I called Verizon and said I needed to know, they wanted to teach me how to find it on the website instead if helping me in my emergency.  The bottom line is everyone needs to call Verizon to get this functionality back.  I agree you have at least the option of notifying any/all account owners.

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    I just read a big book about color management and am trying to make it happen but it seems that in real life I can't get good results.
    I have my scanner profiled and it produces aRGB docs.
    All good and fine. The images look good on the monitor (which also is profiled.)
    Now these images I place inside InDesign as aRGB.
    And at some point comes the time for soft proofing.
    So I start experimenting with different CMYK profiles.
    First question: Should I already do a CMYK conversion for my images in Photoshop or is it ok to do it in InDesign when exporting to PDF?
    Coated Fogra27/39, ISO Coated v2 and Euroscale Coated v2 seem to change the colors only slightly.
    But when I turn on "Simulate Paper Color" all hell breaks loose. The paper color seems to be always a cold horrible grey and the image is darkened and dulled. It looks like in need of serious color correction.
    And further how do these generic profiles know about my paper color anyway?
    So maybe this feature should only be used if the profile is custom made for a specific printer and paper.
    Second question: has anyone succesfully used the simulation of paper color with a custom made profile?
    But it seems that custom profiles are something I can only use at home because the printing service providers seem to be quite unaware of profiling their machines for a specific paper (or profiling it at all).
    They tell me to send a "pure" CMYK file without any profiles. But that is impossible because to transform an RGB in CMYK one MUST use a profile.
    Third question: Which kind of profile should I use when I am instructed to provide a profile-less CMYK document?
    And finally what is the purpose of proofing in the first place if I don't know exactly the profile created for the combination of the output machine and output paper? This issue becomes clearer when using (slightly) colored paper.
    - Rami Ojares

    >First question: Should I already do a CMYK conversion for my images in Photoshop or is it ok to do it in InDesign when exporting to PDF?
    You can save the conversion until you make the PDF if you like, especially if you don't know the correct profile in advance, but you lose the ability to fine-tune and individual image.
    >But when I turn on "Simulate Paper Color" all hell breaks loose. The paper color seems to be always a cold horrible grey and the image is darkened and dulled. It looks like in need of serious color correction.
    I think this is mostly a case of your eye accommodating to the brightness of the screen. I'm not sure how to avoid this, and I generally don't use the simulate paper color. Comparing my screen to the real printed output without the simulation seems pretty close. Even a generic profile makes an assumption about the color of the paper stock, but a custom profile would be more accurate.
    >Third question: Which kind of profile should I use when I am instructed to provide a profile-less CMYK document?
    As you already said, you can't do the conversion without knowing the profile. What they are asking is that you don't embed that profile when you do the conversion to PDF. This means they can use a file prepared for the wrong profile and not risk further conversion at the RIP which would create rich blacks from you 100% K elements (type), but the colors wouldn't be 100% correct unless the profile you chose for conversion originally matched the press.
    Generic profiles are a quasi-standard that most presses can match, but may not be able to produce quite as wide a color gamut as a custom profile, but many presses don't have a custom profile available. You should ask for a "contract proof" to check the color before the press runs, and if possible go to the printer for the make-ready and check the color on the press before the whole run is printed. There is a LOT of color control available to a skilled press operator, and expect some variation through the run.
    Peter

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