Question for Tom or someone "Broadcast Smart" - Re: FPS

With all the griping here and other places about playing and editing 50 or 60 FPS and the way I understand it it only shows 25 or 30 FPS on a television anyway, so what's the point? I know my new Samsung HD television supports 1080P but I really thought, being it runs at 120/240 Hz, that it would play p60 footage by doubling or quadrupling the footage.
Could you explain this to me?

There are a lot of others as well at higher resolutions in Blu-ray, but nothing is doing these yet, and may never do them. I don't think anything is encoding it or playing it back at the moment.
Why is everybody worked up about it? No idea. Maybe because it's new, and whatever is new can be used to sell new hardware.
There are completely conflicting views on frame rates. There is a vast school of thought that believes 23.976 or 24 are the ideal frame rates and should always be used. The opposite end of the spectrum says the higher frame rate is always better, i.e. 59.94. Probably the only thing most everyone agrees on is to a drive a spike in the heart of interlacing as soon as the technology is possible. iMovie's solution of dumping one field, while working towards that ideal, is perhaps not the best way to do it. Unfortunately interlaced formats are heavily entrenched and when HDV was developed, an ideal opportunity to do this, Sony developed exclusively interlaced cameras. JVC went with 720p, which I think was a much better solution. Sony of course is the 600lb gorilla and pretty much has its way with whatever format it works with. It's only now as we're getting even more heavily compressed formats like AVCHD that camera manufacturers, Sony included, are finally dumping interlacing. Which is long away around of asking, once you get rid of interlacing what do you do with the frame rate, just keep full fields as in 1080p30, or double up and get 1080p60? Now you've reached the point of aesthetics where you have to decide would looks better to your eye and works with what you're shooting and the way you're shooting, and your choices range from 23.976 to 59.94, with a few stops in between. Whatever you pick currently you're basically being forced to view at 29.97, until the technology catches up and hardware is built that will encode and deliver whatever is within the range of frame rates available in the specification.

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