Questions About CS5 Premiere, Media Encoder, and Encore

I've just started using Adobe CS5 and have noticed several issues that preplex
me:
1. I edit a video clip in Premiere and put it into the que for Adobe Media Encoder to convert. The input file in Premiere is an HD MPG2 file. I've set the file output to be Blu-ray AVCHD with AC-3. After Adobe Media Encoder finishes converting the file, the time lengts of the video (M4V) and audio (AC3) do not match. They usually differ by 2 to 6 seconds. This causes video/audio sync problems when brought into Encore.
2. Some files that I que into Media Encoder from Premiere state that "Rendering media." I proceed with the conversion and every thing seems OK except it's not. When these files are brought into Encore, the first part of the files produce the same message. It seems that this part of the file is never rendered.
3. I had 250 gb available on my system drive before I started using Adobe CS5 but that free space quickly disappeared. I did learn how to clean up the cache mannually. It would seem that Adobe could do this automatically.
Any suggestions?

Please repost in the Premiere forum. This forum is for general suite-wide issues, generally relating to installation.

Similar Messages

Adobe Media Encoder and Encore CS5 Vs. CS5.5

Hii,
I have a Tennis project that has both DSLR 720P (60) footage and HDV footage 1080 (60i) footage. I have tried making a Bluy-ray disc in Encore 5.0 and it looks good. I tried encoding Blu-ray H.264 footage from PP CS5 and Importing this footage into Encore CS5 in a Blu-ray project. Then Transcoding to DVD format. The resulting Jaggies/Saw Tooth lines of the Tennis court are terrible looking. Looks good in Blu-ray format. I have made DVDs from straight HDV footage and those come out looking great. It is something to do with the combining the different footages.
My questiuon is did Adobe redesign the Media encoder or Encore in version 5.5. If so I would upgrade just to fix this problem. If not is there any good external Transcoding program that I can try? I have tried just about every known setting/Encode type in Media Encoder but non do a good job.
Thanks,
John Gerard

I think part of the problem is mixing 720p60 with 1080i60 for DVD production. Different steps have to be taken to change HD to SD when encoding to DVD. See: http://www.bellunevideo.com/tutdetail.php?tutid=10

Premiere CC 7.2.2 crashes when trying to export via Media Encoder and Encore crashes while DVD build

Hello,
My computer is a:
2x Intel Xeon Processor E5-2650 (2000 MHz, 20MB);
16x Kingston DIMM 8 GB PC3-8500 ECC Reg.;
PNY Quadro 4000 with 2048 MB GDDR5-RAM;
PNY Tesla C 2075
2x 2000 GB Western Digital RE4 (7200 UPM/S-ATA II) as a RAID I
1x 120 GB OCZ Vertex 3 SSD
1x 240 GB OCZ Vertex 3 SSD (system disk)
Tyan S7050GM4NR motherboard
Windows 7
I freshly installed Windows 7 and the CC-Apps PremierePro, After Effects, Media Encoder, Photoshop and Speedgrade.
When I try to export any video from premiere to the media encoder premiere crashes without any error message. The problem is not the project: I created several new projects and even if I only have one Graphic-File/Bars/h264-video in the timeline that I try to export: premiere crashes. When I export directly from premiere it works, but there is no chance to go via media encoder. The strange thing is that I can export from after effects to the media encoder without any problem...
Second Problem: Encore crashes also. Everytime I try to build a DVD => Encore crashes
Does anybody have an idea?
Here is what I already tried:
Yesterday it worked fine today it crashes when I export from premiere via media encoder.
1. Bars+Tone => export => crash
2. Video Project with 2 short h264-files => export => crash
3. I used Software only renderer => crash
This is the Windows log that I found:
Ereignis-ID 1000
EventXML
param1
WmiApRpl
param2
WmiApRpl
binaryDataSize
16
binaryData
38270000DE27000039270000DF270000
So it would be great if you have any idea what to do...
System
Provider
[ Name]
Microsoft-Windows-LoadPerf
[ Guid]
{122EE297-BB47-41AE-B265-1CA8D1886D40}
EventID
1000
Version
0
Level
4
Task
0
Opcode
0
Keywords
0x8000000000000000
TimeCreated
[ SystemTime]
2014-04-16T08:25:51.922502600Z
EventRecordID
3402
Correlation
Execution
[ ProcessID]
19984
[ ThreadID]
24964
Channel
Application
Computer
Schnittplatz
Security
[ UserID]
S-1-5-18
UserData
Die Leistungsindikatoren für den Dienst WmiApRpl (WmiApRpl) wurden erfolgreich geladen. Die Eintragsdaten im Datenbereich enthalten die neuen Indexwerte, die diesem Dienst zugeordnet sind.

The Error is back!!!
Yesterday it worked today it crashes when I export from premiere via media encoder. I tried it with all the things you told me:
1. Bars+Tone => export => crash
2. Video Project with 2 short h264-files => export => crash
3. Software only renderer => crash
These are the two logs that I found:
Ereignis-ID 1000
Die Leistungsindikatoren für den Dienst WmiApRpl (WmiApRpl) wurden erfolgreich geladen. Die Eintragsdaten im Datenbereich enthalten die neuen Indexwerte, die diesem Dienst zugeordnet sind.
System
Provider
[ Name]
Microsoft-Windows-LoadPerf
[ Guid]
{122EE297-BB47-41AE-B265-1CA8D1886D40}
EventID
1000
Version
0
Level
4
Task
0
Opcode
0
Keywords
0x8000000000000000
TimeCreated
[ SystemTime]
2014-04-16T08:25:51.922502600Z
EventRecordID
3402
Correlation
Execution
[ ProcessID]
19984
[ ThreadID]
24964
Channel
Application
Computer
Schnittplatz
Security
[ UserID]
S-1-5-18
UserData
EventXML
param1
WmiApRpl
param2
WmiApRpl
binaryDataSize
16
binaryData
38270000DE27000039270000DF270000
So it would be great if you have any idea what to do...

When or is it possible that Media Encoder and Encore will get GTX 680 CUDA support?

...and will it really make a difference?
Ive got the Creative Cloud deal, so my software is up to date (CS6) as of 8/16/12, and after installing my new GTX 680 4GB card and enabling it in Premiere and After Effects, I see a nice performance gain over my older GTX 550 ti 1.5GB.
When I drop a finished H.264 Blu-ray file into a sequence and export it from Premiere into AME, my graphics card shows about 40-60% regular usage throughout the encoding, no matter what format I am exporting to. But if I just drop the same original H.264 file into AME and set it to the exact same encode output preset, then the graphics card is not used at all.
Also, when you run GPUSniffer in the Encore program folder, you can see that it will not accept this card for GPU utilization. Ive looked all around for the Encore list of cards database it is pulling from, and Ive concluded that it must be in a compiled DLL file, so unlike Premiere, you cant modify it to detect the GPU. AME does not have either the list of supported cards or the GPUSniffer program in its program folder, so both of these programs will need the GTX 680 added to its list of supported cards by Adobe directly with an update, like they did with After Effects CS6.
I can only imagine that transcoding in either programs would benefit from CUDA accelleration, like a few other transcoding apps out there already use.
If Adobe is listening, the #1 thing I (all of us?) want in CS6 is for all transcoding products (Premiere direct export & projects, After Effects, Media Encoder direct file import, Encore) to utilize GTX 670 680 and 690 cards for accelleration out of the box. I dont want to use some 3rd party transcoder to get GPU aided transcoding, I want my CS6 Master Collection to be able to do it. Not too much to ask right?

Hi, I have written a 'proof-of-concept' (i.e. unsupported beta) NVidia H264-encoder plugin for Adobe Premeire Pro CS6. If you are interested in trying it, go the following forum-post:http://forums.adobe.com/message/5458381
Couple of notes:
(0) GPU requirement: NVidia "Kepler" GPU or later (desktop GTX650 or higher, laptop GT650M or higher.) The plugin uses the new dedicated hardware-encoder (NVENC) introduced with the 2012 Kepler GPU.
(1) the "ideal" best-case speedup (over Mainconcept H264) is roughly 4-5x on a consumer desktop PC (single-socket PC, Intel i5-3570K). Naturally actual results vary on the source-video/render.
(2) Interlaced video encoding is NOT supported. (I couldn't get this to work; I think it's a GPU-driver issue.)
(3) Only uncompressed PCM-audio is supported (no AAC/AC-3 audio.) Also, multiplexing is limited to MPEG-2 TS. If you want to generate *.MP4 files, you'll need to do your own offline postprocessing outside of Adobe.
(4) In terms of picture-quality (artifacts, compression efficiency), NVidia hardware (GPU) encoding is still inferior to software-only solutions (such as Mainconcept or x264.)
In short, don't expect the NVENC-plugin to replace software-encoding any time soon. It's not a production-quality product. And even if it were, software-encoding still has a place in a real workflow; until consumer hardware-GPU encoding can match the video-quality of the Mainconcept encoder, you'll still be using Mainconcept to do your final production video renders.
cuda is meant for general computing including encoding.
if you performe h246 encoding using cuda on gtx680 it can be done 1 minutes for a video that takes 90 minutes on i7 cpu.
At that speed, the output of the hardware-encoder would be so poor, the video may as well be disposable. NVENC is NOT faster than Intel Quicksync; actually Quicksync can be substantially faster. But NVENC (currently) holds the slight edge in compression-quality.
Off on a tangent, CUDA in MPE acceleration offers both speed-advantage and quality-advantage, because the CUDA video-frame processing is highly parallelizable, and can exploit the GPU's numerous floating-point computational-arrays to speed-up processing and do more complex processing. That's a double-win. So what does this have to do with encoding? Right now, hardware video-encoding (which comes after the video-rendering step) only offers improved speed. My experience with NVENC has shown me it does not improved video-quality. At best, it is comparable to good (and slower) software-encoding when allowed high video-bitrates. At lower video-bitrates (such as Youtube streaming), software-encoding is still A LOT better.

CS5 Premiere, After Effects, and Encore hang on splash screen - Solution

I just installed Production Premium CS5 on a Windows 7 64 bit system. The install went without a hitch, but when I attempted to start Premiere, After Effects or Encore, they would all hang at some place with the splash screen showing. I spent 2 hours on the phone with Adobe and they never solved the problem. They had me uninstall iTunes and Quicktime, upgrade my nVidea driver and upgrade to a newer version of Quicktime. None of this made a difference and at that point I realized they were not going to fix my problem. The first woman was an idiot and the guy I spoke to next was a lot better, but no solution. Premiere was hanging when loading the Quicktime plug-ins.
Then I had an Aha! moment. I shut off User Account Control, rebooted and then everything worked. I could also get the programs to work with UAC on if I changed the shortcut to "Run as Administrator" but then there would be a UAC prompt. By the way, I was running as a user with full administrator privileges.
I am astounded that Adobe has never encountered this problem before and did not have an immediate solution. Once again, Adobe Tech Support has continued to provide pathetic tech support.
Steve

The plug-ins that were involved in the hang on the splash screen were:
ExporterQuickTimeHost.prm
ImporterQuickTime.prm
The splash screen would hang for 5 minutes on each of these and then if PPro started it would only be a plain white window with the Menu Bar and then there would be no further response.

Premiere, Media Encoder and Flash Cue Points - bug?

I've been encoding a number of FLV On2 VP6 videos recently and using the new Media Encoder. For this project we need flash cue points (nav and event). I've discovered some weird things in Media Encoder - it's been duplicating cue points (or maybe the export from Premiere is buggy with cue points?).
I've seen the first couple of cue points getting duplicated with the first letter of the name capitalised and moved a frame on in time - very weird.
Anyone else seen this behaviour?
Paul.

OK, I think I've found out why - not a bug - user misunderstanding!!! (although tricky to find!)
Some of my source footage was created in After Effects. It turns out that there were a couple of cue points in the AE comp that had similar names to the cue points in Premiere - the AE comp was saved out to an AVI (with metadata enabled I think).
Premiere wasn't seeing this metadata and the cue points, but Media Encoder was (and it couldn't be deleted in ME - just kept coming back).
So - moral of the story - be careful with metadata!!!
I guess that Premiere should really show this embedded data though?
Paul.

Question about the HDV 1080p30 preset and Encore.

I shot video on a Canon H1 set to HD 30p and recorded it onto DVC tape. I then captured the taped footage off the Canon H1 and into Premiere CS3 using the HDV 1080p30 preset. I believe that the HDV 1080p30 shot from the Canon is 1440x1080 when compressed onto tape.
I want to export to Encore CS3 to encode the video and create a Blu-Ray disc of the 1440x1080p30 video i just edited in premiere. The problem is that Encore CS3 has no 1440x1080p 30 preset. Encore CS3 has 1440x1080p 23.976 and 1440x1080p 24. The closest preset is 1440x1080i 29.97 but thats interlaced. I was hoping to keep the video in progressive mode but you have to convert it to 23.976 or 24 fps.
According to the specs, High-definition video may be stored on Blu-ray ROM discs with up to 1920x1080 pixel resolution at up to 60 frames per second interlaced or 24 frames per second progressive.
What's the point of being able to shoot and edit in p30 just to have the encoder force you to convert back to p23.976, p24, i29.97 or i59.94 fps?
Or is i29.97 the same as p30 when the video is originally shot in 30p?
Is this just an oversite?
Do i just select the 1440x1080i 29.97?

Yes, shooting 30p with 1/60 shutter speed would require more light but would give you less motion blur. But you'd have the same issue even if you shoot in 60i since the default shutter speed for 60i is 1/60.
The canon H1 can record HD in 60i, 30f, and 24f but converts the output to 60i except when the HDV/DV terminal is set to HDV in 24f mode, then the signal is output in 24fps progressive.
So in my case, whether i shoot in 60i or 30p, the playback signal is converted and output at 1440x1080i 60i.
The dilemma is that LCD, DLP and Plasma HDTV's are all progressive. So whatever you feed it, i or p, it gets converted to p for viewing. The problem is feeding an LCD, DLP or Plasma HDTV a true interlaced signal (A frame = AB fields) won't look as good as feeding it progressive signal (A frame = AA fields). Lines and edges appear stepped or jaggy.
So the issue is whether to shoot 1440x1080 in 30p with a shutter speed of 1/60 or 60i with a shutter speed of 1/60. Either way, it gets output via the HDV terminal (IEEE 1394) into premiere as 1440x1080 60i.
With consideration to the final display device, i.e. LCD, DLP and Plasma HDTV's and monitors, the only option would be to record in 30p with shutter speed of 1/60 if your shooting lots of movement like a dance recital to reduce the motion blur and 1/30 for normal shoots. Recording in 60i for output to a progressive HDTV or monitor would, i my opinion, produce somewhat blotchy jaggy video frames because the frames are averaged from two fields with slightly different images.
Also, since the H1 playback signal is output as 1440x1080 60i, does it matter whether i choose HDV 1080i30 (60i) or 1080p30 for a new project preset in Premiere CS3 prior to capturing the footage? If you shot in 30p, probably not, since the Premiere CS3 capture would still result in A frame = AA fields anyway. But since Encore nor the Blu-Ray standard support 1080p 30 (29.97fps), the choice is made for you - 1080i30 (60i) for the Premiere preset and 1080i 29.97 for Encore preset. You could select the HDTV 1080i 29.97 Encore preset if you want to upscale the 1440x1080 to 1920x1080.
Either way, the end result is that shooting in 30p and capturing, editing and encoding in 1080i 29.97 will still deliver A frame = AA fields and a better progressive image on a progressive LCD, DLP or Plasma HDTV or monitor without the conversion or stepped and jaggy lines that a true interlaced image would show.
So, the bottom line, in my opinion, is... If your shooting with a Canon H1 and will be showing you work on an LCD, DLP or Plasma HDTV or monitor, shoot in 30p at either 1/30 or 1/60 shutter speed then edit in Premiere, encode in Encore and produce your Blu-Ray dvd in 1080i 30 (29.97).
Obviously, if you shooting a film or want your work to look like film, shoot in 24p by all means.
Also... Let me know if you disagree on any points.

Encore.Prelude.After Effects.Premiere.Media Encoder CS6 立ち上がらない

Encore、Prelude、After Effects、Premiere、Media Encoder　CS6 が立ち上がりません。
PCのOSはこの通りです。
Dreamweaver、Flash、Illustrator、Photoshop、Fireworks、Auditionは立ち上がります。
普通に使えます。
立ち上がらないソフトは、起動しようとアイコンをクリックして、モニタ中央に起動している最中のグラフィックスが
現れると、そのままの状態になってしまいます。
（応答なし）になるので、毎回強制終了しています。
今まで１年以上普通に使ってきて突然こうなりました。
原因が分かりません。
こちらで行った解決策は以下の通りです
①
アンインストーラーを使用して、アンインストールし、そのごすべてのアプリを戻しましたが
アンインストール以前と同じ状態です。
②
macOS再インストール
ローカルのデータをすべて削除して再びインストールしました
しかし、同じくたちあがるソフトとそうではないソフトがあります
どこに問題があるのか、わからない状態で困っています。
なにとぞご回答よろしくおねがいいたします。

再度の再インストールが必要になりますが、Cleaner Toolを使ってみては如何でしょうか。
CC Cleaner Tool を使用してインストールに関する問題を解決 | CC、CS3-CS6

Cs5.5 media encoder

I see that the media encoder for CS5.5 advertises as being faster. I am wondering if this is a repeat of the original advertisement for CS5.0 or is it really faster? The CS5.0 media encoder can take 36 hours to encode my blu ray media out of Premiere before doing an import into Encore; I would like to know if CS5.5 would give me any time savings.

It just came out today. Download the trial and give it a whirl. (The trial now includes full codec functionality.)

Exporting to Media Encoder and file locating issue

Ok, Now I've read a LOT of threads trying to find a solution to this but none of them have answered my problem exactly, so here's what I have:
Running a New computer with a clean install of Windows 7 64 bit and Adobe CS4 Master Suite
Hardware:
Dell Precision M6400
Intel(R) Core(TM)2 Duo CPU T9900 @ 3.06 Ghz, 3.07 Ghz
12.0 GB Ram
Premiere ran fine for a while, but soon I've run into a problem where I try to export to the Media Encoder and I keep getting the error:
"Could not read from the source. Please check if it has moved or been deleted" over and over
I have deleted recently imported media one at a time to try and locate what's causing it since it wasn't doing this before, but no luck. So I restarted the program but now the Premiere project won't open. The task bar loads until about 2/3 in and stops there indefinitely, I've left and came back to it 2 hours later and it hadn't moved. I back tracked and found a previous save that will open, but it still will not export, it still says "Could not read from the source. Please check if it has moved or been deleted". And as soon as I update anything and save a new file that one will not open either.
I've tried recompressing each video file into a format I know works well with Premiere but still no difference.
This problem has plagued my workflow for a while now and I can't take it anymore. I've had to restart clean project files to try to work around it but I lose so much progress, and the work around by rendering the premiere file through After effects hasn't worked either. The error I get there says "Dynamic link server is busy".
Here's what the problem is not: It is not because I uninstalled CS3 or any other previous version, I've never had it on this computer. It's not a plugin problem, I don't have any plugins on this install except for the default ones that Came with Adobe Master Suite for Premiere Pro.
Someone please help me, this is ridiculous that I have had to trouble shoot the program this much. Both CS4 and Windows 7 have been around for over a year now and neither are in Beta Editions

Wow, sorry, forgive me if I've seen most forums work with a lot less, and your dismissiveness led me to assume you hadn't read my post.
All of this is new and up do date as far as Adobe and Windows updates go, that's Version 4.2.1.
My projects for this are all in NTSC Widescreen DV 24P, the particular sequence that I render from is in that format as well, although regardless of which one I use the problem keeps occurring.
My renders for my recent purposes have been compressed in .h264, IPOD video Large. The codec I'm rendering in also doesn't seem to matter, because I've tried this in .avi., .mov, .h264, .wav, etc. and all with various settings that I thought might help, but the encoder quits encoding 4 seconds in and gives me the error that it can't find the media.
And I didn't mention the media type and what not because it seems irrelevent of what I use this problem keeps happening. I'm pretty sure it's a problem with the project file or perhaps the media encoder or both.
And I don't know what you mean by "disks"
Do I have a Raid set up on my hard disk? No, I have two 0.5 TB hard drives, Programs on one (C:\) Projects on the other (D:\).
What address am I saving the scratch disks to? I use the default of "same as Project". Have I tried Clearing it? Yes.
I don't think I'm getting at what you're asking.
And I don't think I've ever used an .xlsm (which is excel?) file and I've definitely never used a Power point project (PPS?) file in my projects. And they open in their respective programs, although I'm not sure why you asked about that. Again I'm not sure I know what you mean.
The Premiere Project (.prproj) file is what I'm trying to open when the progress bar stops at 2/3 the way through and forces me to terminate the process with the task manager to close it.
It would help to mention that all my projects are animated and I use premiere to cobble them together, so no problems that relate to transferring media from a camera to the computer would apply here. Most of the files I get out of Maya are in Default .avi or .mov files, and I also use a handful of .wav files for the dialogue and .jpgs for cards and placeholders.
I believe that this problem began when I updated a few of the files in my project, but I've been doing that for weeks without incident. I've been updating them by saving over the old media file with the updated one of the same name, length, and type.
I don't work exclusively with Premiere, in fact it's not what I usually use, that would be Final Cut Pro.

24p to 29.97i in Premiere, Media Encoder or After Effects?

Sorry to bring up a much discussed topic, but as I looked on the web and in the Adobe forums I got sort of lost in the tangle of discussion about how to best take a 24p sequence in Premiere and convert it to 29.97i for broadcast. I feel like this is something that Premiere might be able to do? Or maybe Adobe Media Encoder? I generally see from other forums and posts that this is done in After Effects, an app I have never even opened. So if the answer is that I need to use AE, then I'm hoping for some detailed guidance or perhaps a tutorial video? Though as I say that I know that certainly sounds rather demanding
Any comments or assistance would be greatly appreciated!
Thanks much,
Bradley

Hi,
I have been working on a video for awhile now and I've recently noticed that my .flv export format has been removed from my choice of encoders.
Check this for more information: removal of FLV and F4V export features from Adobe Media Encoder, After Effects, and Premiere Pro | After Effects regio…
But now I can't encode from Premiere, Media Encoder, or After Effects.
What exactly happens when you try to export?
Thanks,
Rameez

Premiere & Media Encoder show Quicktime presents but fail on encode

My Premiere & Media Encoder CS6 both show Quicktime presents but fail each time I try to encode directly to Quicktime with .mp4 codec.
Quicktime is installed on my machine, which runs Windows. I'm using Adobe Creative Cloud CS6.
Goal: to use the Quicktime format and sucessfully encode video sequences as .mp4 files at various settings.

BUMP! To this thread as I am still having an issue encoding QuickTime files. Below is a quick recap with some new information.
All testing is done on a system running Windows 7 Professional 64-bit SP1 with Adobe Media Encoder CS6, CC, and CC 2014 (same results across all versions).
The failure occurs after a few seconds of attempted rendering, with only the following message from AME:
"Encoding Failed
Export Error
Error compiling movie. Unknown error."
Important note: This problem DOES NOT exist on a similar system running Windows 7 Ultimate SP1. So it would appear the problem may be OS specific to Windows 7 Professional (although there are a few forum threads with people experiencing the problem on Macs as well).
That said, here's what happens on the Win7 Pro system:
QuickTime movie encoding fails at 1920x1080 both from a dynamically linked Premiere timeline and from a rendered file.
TESTS:
1) H264 video with AAC audio FAILED
2) H264 video with uncompressed audio FAILED
3) Uncompressed video with AAC audio FAILED
4) Sorenson video with uncompressed audio FAILED
5) Uncompressed 10bit YUV .mov with uncompressed audio WORKED!!!!!
Of course, a :30 second television commercial rendered this way is near 5GB and is not the way most broadcast stations want a file delivered.
To sum up: all of the HD presets and custom settings for QuckTime with any sort of compression, fail to render on systems running Windows 7 Professional.
Here is a link to a similar issue, but the solution listed did not work in my case.
Quicktime encoding using x264 encoder failing in AME 6.0.2.81 and Mac OS 10.8.2
Here is a link to the ongoing discussion about this on Creative Cow
PC H.264 Quicktime crash : Adobe Premiere Pro
Any insight is welcome.

For some reason, I can't compile a video or image sequence anymore with Premiere, Media Encoder, or After Effects... All CC

I have been working on a video for awhile now and I've recently noticed that my .flv export format has been removed from my choice of encoders. I export from Poser Pro Game Dev to Png Image Sequence. I organise a cam angle in After Effects...I re render out to a png image sequence.. continuing to hold quality. Then when a scene is done; I use Premiere to export a 1080 by 720 wmv format 29.97. But now I can't encode from Premere, Media Encoder, or Affter Effects. Please ...Any help would be much appreciated.

Hi,
I have been working on a video for awhile now and I've recently noticed that my .flv export format has been removed from my choice of encoders.
Check this for more information: removal of FLV and F4V export features from Adobe Media Encoder, After Effects, and Premiere Pro | After Effects regio…
But now I can't encode from Premiere, Media Encoder, or After Effects.
What exactly happens when you try to export?
Thanks,
Rameez

Premiere/Media Encoder can't render/export after 10.9.3 update. Any Answers?

My computer ran the OSX 10.9.3 update a couple nights ago, and suddenly Premiere/Media Encoder can not export. It just freezes up the computer until I cold crash it. Same if I try to render a timeline in Premiere. This issue just started yesterday. It still persists after wiping my hard drive and doing a clean install of everything, which of course just put 10.9.3 back on there. This issue does not exist on my laptop that has not been updated yet. However, I have enough work and not enough time to be trying to edit everything on my laptop while this get worked out. Has anyone else got this issue in the past day or two?

Hey Todd,
I had two active projects that suddenly could not render/export. One is quite massive and has RG Colorista quite a bit throughout it, however I could not export a timeline without any plugins on it. The other project is also clean of plugins. Then I started a new project and it went out just fine until I put the RG plugin on it. But here is my newest glitch. I just made a change to an old show and all of my titles done in Title Tool were resized and positioned. Blown up and shifted to the right. If I take the same file and put it on my laptop which still has not got 10.9.3, they are just fine. Scaled properly and centered between title safe. But now on 10.9.3 they are blown up and going off the screen.

Here's a very basic question about 2 TB external drives and Time Machine.

Here's a very basic question about 2 TB external drives and Time Machine.
Ihave a Mac Pro with a .75 TB and 1 TB drive. It also has a 1 TB 2ndinternal drive. My current external drive is too small so I'll begetting a 1.5 TB or 2 TB drive.
Obviouslythe new larger 2 TB drive will backup everything on the Mac Prointernal drive with Time Machine. But there will be 1 TB of space leftover going to waste.
ShouldI partition the external drive so that the TM portion will be 1 TB andthe use the remaining extra partition for additional file backups withCarbon Copy?
Thanks for any insights.
I tried searching around on the new Apple discussion forum, but I find it much harder to use than the old forum I used to use.

The problem with terabyte drives is that that a 3 TB is about as big as you can get without going into RAID territory. Ideally, a Time Machine drive should be 3 times as large as all the drives you are backing up. So, if you have 2.75 TB of internal storage, you should have 8 TB of Time Machine space.
Of course, that is "should". If your TB drives are mostly empty, then you can get away with something 3 times the size of your used disk space. Just remember that you are pushing it. Linc is right about Time Machine needing space to work.
It is unlikely that you have regular churn on 2.75 TB of disk. I suggest identifying which drives and folders have the most activity and excluding those drives and directories that don't change much. It would be better to archive the data that doesn't change often and keep it out of Time Machine. Then you may be able to get away with a 2 TB Time Machine drive.

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