Questions re: Switching to Premiere Pro

I have always been so happy to say to anyone:  "I am a Final Cut Pro Editor".
I have been, professionally, since verion 1. Since then, I have used every version up until now. I LOVE THE FCP SUITE!
However - I recently installed FCP X, and have spent the last week doing every single tutorial I can get my hands on.
Needless to say...I am beyond frustrated...this is like a nightmare.
I honestly hadnt paid to much attention to the hype....I wanted to see for myself.
And its unny - in all my years I have never used Premiere Pro....(I have used AVID, Media 100, etc) until this morning. I downloaded a demo, because I am hearing of the great sale Adobe is having for people that want (need)  to switch. I cannot tell you how unbelievably relieved I am. It isnt FCP7, but it will do! Actually in many ways its better. Thae way it handles H264...wow! I am really excited about working with it, and having such a fluid relationship with the rest of the Adobe suite. After Effects rocks...it KILLS Motion, but I never wanted to learn it because Motion worked so well with FCP. Now I can!
I have maybe 250 or more FCP projects that I work on, and update, all of the time for my clients. FCP X just cant open those projects. I mean, wha??
But wow - Premiere can!
The timeline in FCPX is what bugs me most - I edit a lot of musc videos, etc and the magenetic timeline is horrific. Its TERRIBLE! Its truly terrible.
I could go on and on...and many have.
I have about 25 different hard drives of stuff, that I change oyt all of the time....I cant relink in FCPX without some very weird, time consuming, ghetto  workarounds.
At the end of the day, I really, really, really wanted FCPX to work. I identify myself with FCP - I use it, am very, very fast on it, and have defended it for the last 10 years.
But I cant anymore. This is a sad time for professional FCP editors. I am also a bit furious about the thousands of dollars of plugins I have JUST bought for FCP7 this year. Down the drain, it is. Thanks Apple.
Anyway - just curious how others are getting along who have switched to Premiere Pro. Any concerns, any tips, tricks, etc that makes this switch easiest?

Since you're looking for replies from Premiere users, maybe you should be posting in the Premiere forums. People here are FCPX users.

Similar Messages

  • Switched from Premiere Pro 2.0 to FCP studio 2

    and I couldn't be happier!
    No crashes
    fantastic rendering times
    simple work flow
    no glitches with Boris continuum
    the list goes on....
    PLUS
    the advantage of working on a mac- which I'd never done before
    I have to say it was the best thing I could have done-
    this software kicks ***!
    I use to be a PC only only guy
    editing long form and promos on Premiere Pro, and I got use to the crashes,
    the reboots,
    the glitches, etc etc\
    one day I got ****** and dropped $$$ on a top of the line Intel Mac and its been glorious ever since!
    I wanted to write this in the premiere forums but I would **** all those guys off big time.

    Here's a big question, and I've been scouring the net for almost 2 months trying to find an answer.
    Is it possible to export meta-data Premiere Pro 2.0 timeline sequences to Final Cut 6?
    I've recently switched to Mac and with many years of cutting on Premiere Pro I have several projects that are still online that i CAN NOT bear to go back on the PC to finish. Is there anyone else with a solution that will allow me to preserve my edits and work on them in FCP 6.0.2? I've heard of a few rumors for being able to transfer edit information from Avid to FCP.
    I do definitely realize the native DV file format (AVI/MOV) and I already have a solution for a large batch conversion.
    I realize this may be something that "the management" might not want us to know, but I thought it was worth a try.
    Thanks

  • Newbie question re: upgrading to Premiere Pro CC 2014.1

    Apologies in advance for having to ask such a basic question... I have recently upgraded my edit suites to PP CC 7.2.1 (4) from Apple FCP. The suite is connected to the Internet, yet when I open the Adobe Application Manager, and open the Premiere Pro drop down it doesn't mention 2014.1 ?, How/where do I upgrade?
    Thanks in advance

    You may need to "force" the updater by...
    Log out of your Cloud account... Restart your computer... Log in to your paid Cloud account
    -Sign in help http://helpx.adobe.com/x-productkb/policy-pricing/account-password-sign-faq.html

  • A Very Green Question: Which Desktop for Premiere Pro

    Hi guys,
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    I've been looking at the desktops from Dell (since mine has served me well over the years). I was recommended by one of their reps  to look into XPS 8300. I also looked at the 7100. I have also read recommendations on different sites for the HP options.
    My Question: Based on my intended use, is the XPS 7100 a viable option, or do I need to step up to the 8300 (or even a full blown workstation like the T1100)? And if either of these works, am I better suited with the comparitively priced HP's (HPE-510t/HPE h8z)?
    I appreciate any advice you can give to point me in the right direction. I don't feel comfortable building my own system ( I've read that most of you recommend that). I just want to make sure I don't buy a desktop and find it crashing on me because it can't handle what I'm asking it to do. I figure anything is really going to be an improvement over what I've been using.
    Thanks again for your help,
    -Scott

    XPS 7100: Wrong CPU (AMD is too slow), wrong video card (ATI), only 2 HDD's (too few), mini tower (too small), insufficient PSU, Dell (crippled BIOS and no overclocking), extravagant price. Those are the first minuses I can see on this system and no positives.
    XPS 8300: same limitations as the 7100.
    Look for a big tower, Intel i7-9xx or i7-2600K CPU, 16+ GB memory, nVidia GTX 460+ video card, Win7 64 Pro, room for at least three HDD's.
    Avoid Dell and HP, unless they have a system with all the components in a single system as the base system. If you need to configure a system, they steal you blind on the add-ons. Where you can buy a HDD on every street corner for $ 80, Dell or HP charge you around triple that amount, around $ 240, where you can add memory for $ 40 per stick on every street corner, Dell and HP charge you far more.
    If you don't want to build yourself, look at ADK for a custom build machine.

  • Question about benchmarking with Premiere Pro

    Hi all:
    I am a writer for a website that focuses a lot on benchmarking PC hardware and am in the process of refreshing our CPU test suite. I'd like to implement Premiere Pro into our testing, but as a new architecture launch is due in a couple of weeks, I am working on this with some haste. I'm a novice with this tool, so it's my hope that I can get the "a-OK" from experienced users who know whether we're testing with the tool in a reasonable way. This is important because we implement real-world benchmarks for the sake of showing users of such tools how one CPU can compare to another in terms of raw performance. Other tools we benchmark with include 3ds Max, Maya, Handbrake and Lightroom (which I desperately wish supported more than a couple of threads).
    That all said, the project I've created is not conventional, as it's more of a worst-case scenario. I recorded about 18 minutes from a new PC game using Fraps, resulting in 35GB worth of source files. These are not "lossless", but are close to it (300~370Mbit/s). I take these files, crop most of them, add in cross dissolves and then encode it to MPEG 2 Blu-ray using almost default settings. In order to stress the CPU better, I enable the "Use Maximum Render Quality" (is that often used in production encodes?) option, and also change to a VBR 2-pass.
    Here are some quick results from the benchmarking I did this afternoon:
    Intel Core i7-975 (4 core, 8 thread, 3.33GHz) - 46m 40s
    Intel Core i7-975 (4 core, 8 thread, 4.00GHz) - 38m 45s
    Intel Core i7-980 (6 core, 12 thread, 3.33GHz) - 30m 36s
    As seen there, in an equal-clock 4 core vs 6 core battle, we saw the latter encode finish about 50% faster (the scaling is rather amazing). But the question remains - can I feel confident in benchmarking this as a project? Would it ultimately prove useful to you guys?
    Thanks much for any help!
    PS: As an added question, does Premiere Pro take advantage of SSE4 (or beyond) instructions, and will it support AVX in the future?

    Hi Jim:
    Thanks for the response!
    I don't own a video camera (boy, do I ever feel like a reject, now). Would it be an inaccurate way of doing things if I took the same project I have as mentioned above, export it to AVCHD 1080p/24 and then use that as the source file to encode to MPEG-DVD? It'd still be game footage, but essentially the codec is what really matters (I could be wrong; perhaps the codec would work better with real images).
    Sorry if that comes off as a ridiculous question. If that's not a good solution I will see about getting such a source from somewhere.
    Thanks a ton!
    Edit: Would it be sufficient to use a Blu-ray .m2ts file specced at 1080p/24 AVC MPEG-4 as a source? I assume it's AVCHD given it's 1080p.

  • Switching to premiere pro

    Hi,
      This is panna from Hyderabad(india),i am a film director,i am completing my production work,working with red epic,now looking to edit my film in premeire,i looked out many post-production studios but all of the studios are working with fcp n avid,i dissapointed very much and i am not understanding why the people are not working with premiere,Finally i decided to build a pc n start working with my own setup- can i get help and support to my whole project from adobe?, because it challanges me a lot to edit my entire film in premiere pro,aftereffects etc....,this is the prestigious project to me and my whole team,i am the only one who working with adobe premiere here,now this is the begining and i am confident about my project and adobe tools that's why i decided to go with adobe.i am sure about that if u concentrate here adobe also get good market here with my project because this film is releasing in 3500 theatres in india
    i want to write a letter to adobe ceo,how to contact them,plz give me the mail id of adobe ceo,thanks

    Adobe contact information - http://helpx.adobe.com/contact.html

  • Question, how to reactivate Premiere Pro 2.0

    I had to replace my hard drive and cannot reactivate Premiere Pro 2.0. How do I reactivate?

    CS2 Activation Server http://helpx.adobe.com/x-productkb/policy-pricing/creative-suite-2-activation-end-life.htm l
    From that link...
    Adobe has disabled the activation server for CS2 products, including Acrobat 7, because of a technical issue. These products were released more than seven years ago, do not run on many modern operating systems, and are no longer supported. Adobe strongly advises against running unsupported and outdated software. The serial numbers provided as a part of the download may only be used by customers who legitimately purchased CS2 or Acrobat 7 and need to maintain their current use of these products

  • Question: Exporting .aaf from Premiere Pro CC v8

    I want to export an aaf from Premiere to be color corrected in Davinci Resolve. My export fails because some of the clips in my timeline have effects (horizontal flip, gaussian blur, volume). I get a pop-up saying "Translation Issue". What am I doing wrong?

    I mean a .aaf file. I've read that it is compatible with Davinci Resolve, and I can round trip my sequence from Premiere to Resolve using .aaf. I've tried exporting it a Final Cut Pro xml as well. Both times almost immediately the export stops and a warning pops up listing all of the issues:
    Translation issue:
      Sequence <Feature_Color> at 00:02:38:07, video track 7: Effect <Horizontal Flip> on Clip <JT_20131128_INTSmallMnt03.MOV> not translated.
    Translation issue:
      Sequence <Feature_Color> at 00:08:57:04, video track 6: Effect <Track Matte Key> on Clip <DG_06_06_2014_Radio_CU_06.MOV> not translated.
    Translation issue:
      Sequence <Feature_9> at 00:00:00:00, audio track 8: Effect <Internal Channel Volume Stereo> on Clip <ATF soundtrack_2.aif> not translated.

  • Question About Time Remapping - Premiere Pro CC 2014

    I have a question in regards the the Time Remapping feature. When I use it to gradually speed a clip up, the audio obviously doesn't change with the video. I was looking to see if there is a way to do the same change to the audio, within Pr Pro or Audition. I spent some time looking in the programs and also Googling yesterday, but didn't find much. Does anyone know a way to do this? I did try using Audacity (Sliding time Scale/Pitch Shift), but the way Audacity processes the audio is quite a bit different than Pr Pro/Au.
    Thank you,
    Benjamin
    P.S.
    O.S. Windows 7 Professional 64-bit
    Version: 6.1 Service Pack 1
    System architecture: Intel CPU Family:6, Model:10, Stepping:9 with MMX, SSE Integer, SSE FP, SSE2, SSE3, SSE4.1, SSE4.2, AVX, HyperThreading
    Physical processor count: 4
    Logical processor count: 8
    Processor speed: 3492 MHz
    Built-in memory: 32738 MB
    Display: 1
    Display Bounds: top=0, left=0, bottom=1080, right=1920
    OpenGL Drawing: Enabled.
    OpenGL Allow Old GPUs: Not Detected.
    OpenGL Drawing Mode: Advanced
    OpenGL Allow Normal Mode: True.
    OpenGL Allow Advanced Mode: True.
    AIFCoreInitialized=1
    AIFOGLInitialized=1
    OGLContextCreated=1
    NumGLGPUs=1
    NumCLGPUs=1
    glgpu[0].GLVersion="3.0"
    glgpu[0].GLMemoryMB=2048
    glgpu[0].GLName="GeForce GT 640/PCIe/SSE2"
    glgpu[0].GLVendor="NVIDIA Corporation"
    glgpu[0].GLVendorID=4318
    glgpu[0].GLDriverVersion="9.18.13.5012"
    glgpu[0].GLRectTextureSize=16384
    glgpu[0].GLRenderer="GeForce GT 640/PCIe/SSE2"
    glgpu[0].GLRendererID=4033
    glgpu[0].HasGLNPOTSupport=1
    glgpu[0].GLDriver="nvd3dumx.dll,nvwgf2umx.dll,nvwgf2umx.dll,nvd3dum,nvwgf2um,nvwgf2um"
    glgpu[0].GLDriverDate="20150408000000.000000-000"
    glgpu[0].CanCompileProgramGLSL=1
    glgpu[0].GLFrameBufferOK=1
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    glgpu[0].glGetProgramivARB[GL_FRAGMENT_PROGRAM_ARB][GL_MAX_PROGRAM_INSTRUCTIONS_ARB]=[1638 4]
    glgpu[0].glGetIntegerv[GL_MAX_TEXTURE_UNITS]=[4]
    glgpu[0].glGetIntegerv[GL_MAX_COMBINED_TEXTURE_IMAGE_UNITS]=[192]
    glgpu[0].glGetIntegerv[GL_MAX_VERTEX_TEXTURE_IMAGE_UNITS]=[32]
    glgpu[0].glGetIntegerv[GL_MAX_TEXTURE_IMAGE_UNITS]=[32]
    glgpu[0].glGetIntegerv[GL_MAX_DRAW_BUFFERS]=[8]
    glgpu[0].glGetIntegerv[GL_MAX_VERTEX_UNIFORM_COMPONENTS]=[4096]
    glgpu[0].glGetIntegerv[GL_MAX_FRAGMENT_UNIFORM_COMPONENTS]=[2048]
    glgpu[0].glGetIntegerv[GL_MAX_VARYING_FLOATS]=[124]
    glgpu[0].glGetIntegerv[GL_MAX_VERTEX_ATTRIBS]=[16]
    glgpu[0].extension[AIF::OGL::GL_ARB_VERTEX_PROGRAM]=1
    glgpu[0].extension[AIF::OGL::GL_ARB_FRAGMENT_PROGRAM]=1
    glgpu[0].extension[AIF::OGL::GL_ARB_VERTEX_SHADER]=1
    glgpu[0].extension[AIF::OGL::GL_ARB_FRAGMENT_SHADER]=1
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    glgpu[0].extension[AIF::OGL::GL_ARB_VERTEX_BUFFER_OBJECT]=1
    glgpu[0].extension[AIF::OGL::GL_ARB_SHADER_TEXTURE_LOD]=1
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    clgpu[0].CLDeviceVersion="1.2 CUDA"
    clgpu[0].CLMemoryMB=2048
    clgpu[0].CLName="GeForce GT 640"
    clgpu[0].CLVendor="NVIDIA Corporation"
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    clgpu[0].CLDriverVersion="350.12"
    clgpu[0].CUDASupported=1
    clgpu[0].CUDAVersion="7.0.0"
    clgpu[0].CLBandwidth=2.58495e+010
    clgpu[0].CLCompute=181.438
    I'm sure this information is somewhat unnecessary for this question, but thought I'd add it anyway.

    I'm not aware of any way to perform a speed ramp for audio using Adobe software.  Would be a great new feature, though.
    Adobe - Feature Request/Bug Report Form

  • New in Premiere Pro CS5. Questions: markers, shortcuts, keyframes, and more!

    Hi everyone, this is my first post. I'm an editor from Argentina, with background in Avid media Composer, but I'm switching to premiere pro cs5 for a new job. I was highly and happily surprised with it. But, there's still a couple of things I haven't quite got right, yet.
    So, a couple of newbie questions... you'll save me a lot of time if you can answer some of them.
    Markers
    1a. Can I use markers with different colors?
    1b. Is there a way to select more than one marker and delete them at the same time? Of course, with out deleting all of them, just the ones I need.
    1c. How can I set up a shortcut for going to next\previous clip marker in the timeline? In shortcuts, I go to Marker>Go go Clip marker> and select a shortcut, but in the timeline it goes nowhere. I have made this work for sequence markers in the timeline, and this shortcut also work for going next\previous marker on a clip in the source monitor.
    1d. How can I extend a marker in the timeline? I know I can set the duration of the marker in the pop up menu... but if there a way to do it directly in the timeline?
    Razor Tool
    2. A simple one. After I've used the razor tool on a clip... how can I join the clip again?
    Track Select Tool
    3. Can the Track Select Tool, select all the clips to the LEFT, instead of all the clips to the right? In avid there's a Select Right command, which works as the track selector, but there's also a Select Left command, which does the same, but to the left.
    Audio Master Meters
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    Tab sizes
    5.Can the tab size be modified? I have "Media browser", "Info", "History", "Effects" all docked... but the size of the panel is such that I can never see the four tabs at once, I have to drag the little bar at the top. Can I have the tabs be smaller so that I can see the four of them... as if they said "Media.." "inf.." "hist".."eff"... instead of wasting space with long tab names?
    Keyframes
    6. Is there a shortcut to add one? Where is it in the shorcut configuration? I know I can put them with the Pen Tool, I need a shortcut to replace the "add/remove keyframe" button on the tracks in the timeline.
    6b.How can I snap the current time indicator to a shortcut in the timeline?
    6c. Can I lazo multiple keyframes?
    Audio While Scrubbing
    7. In Preferences>Audio>Play Audio While Scrubbing I can select that on and off. How can I set a shortcut for that?
    Well... that was A LOT! Sorry for so many questions. Hopefully they can help other new users.

    From the top:
    1a. No; but you can set numbered markers, for both clips and the sequence.
    1b. No; you can delete one or all.
    1c. You have to select the clip in order to activate the command.
    1d. You can only do this in the Marker dialog.
    2. No direct way to do this. Delete either the portion before or after the edit, and then extend the clip to fill the gap. Clunky, yes.
    3. No, the Track Select tool only operates to the right.
    4. Audio meters are vertical only.
    5. The tab size matches the title of the tab; no way to change this.
    6a. No keyframe shortcut.
    6b. It doesn't work in the Timeline panel, but in the Effects Controls panel, you can hold down Shift to snap the CTI as you drag.
    6c. You can lasso multiple keyframes in the Effects Controls panel with the standard selection tool, or you can use the Pen tool in the Timeline panel. Just be sure to start within the graphical representation of the clip.
    7. No, it's only a program preference.
    Sorry that so many of them are negative! Be sure to file feature requests for anything that you'd like to see: Adobe Feature Request/Bug Report Form

  • Premiere Pro and Media Encoder CC Crash when exporting to h.264...

    Anybody have any idea why something like this might happen?
    Also, our adobe creative cloud download center that is linked to our desktop doesn't show up anymore. The frame for it initializes but there are no options in it and the settings panel won't even let us log in.
    Very confused.

    Can't help with the Cloud questions... but Premiere Pro has a dedicated forum http://forums.adobe.com/community/premiere?view=discussions
    When you ask your PPro questions there, the information you need to provide when you ask a question... PPro Information FAQ http://forums.adobe.com/message/4200840

  • Premiere Pro/Media Encoder Too Slow with Mavericks

    HELP ME, HELP ME, HELP ME!!!
    I'm still running Mavericks on a late 2013 iMac-- I've got almost 300GB free on hard drive. Configuration is Mavericks/3.5GHz i7/32GB RAM/NVIDIA GeForce GTX 775M 2048MB with CUDA enabled.
    It's taking a half an hour to render 5 minute clips and over an hour to export them...sometimes an hour and a half.
    I'm about to lose my mind, not to mention a client.
    I can upgrade to Yosemite--I figured I'd wait til the bugs were gone--but according to everything I read on the web, that option is no better for creative cloud.
    Despite the fact that Mac is a widely installed system in the creative world, it seems like Adobe has put us on the back shelf, and continues to crank out software that we desperately need but that won't run on a professional level on our systems. I tried to research this problem on the internet--all I could find is desperate creatives looking for solutions that just aren't there. [sorry for the rant]
    I need real help, now. Please advise, and thanks.

    Hello VaughnByrd21,
    It's taking a half an hour to render 5 minute clips and over an hour to export them...sometimes an hour and a half.
    Can you post a screenshot of your export settings dialog box?
    ...it seems like Adobe has put us on the back shelf, and continues to crank out software that we desperately need but that won't run on a professional level on our systems.
    Have you adjusted the permissions of your Adobe folders? Updating OS X can change them randomly: Premiere Pro CC, CC 2014, or 2014.1 freezing on startup or crashing while working (Mac OS X 10.9, and later)
    NVIDIA drivers are not doing very well lately either with CUDA and Mac OS X Yosemite. For sure, switch both Premiere Pro and AME to OpenCL mode until they fix those drivers.
    These issues have more to do with OS X and NVIDIA drivers, nothing to do with Adobe applications—so it's not always our fault when things go wrong.
    You should also try deleting your media cache, which you can find in Preferences > Media (click the Browse button). That fixes a lot of issues.
    Please also consider trashing preferences and repairing disk permissions.
    Thanks,
    Kevin

  • Premiere Pro 8.1 won't play sped-up clip in real-time smoothly

    Just upgraded my computer to an x99 MB, Haswell E process (5820k), GTX 970, and 64 GB of RAM (only using 24 GB due to nvidia issue with 32 GB ram +).
    I have a few clips from a 5D MKII-III (h264 MOV) that I'm speeding up significantly (2500%).
    Premiere doesn't, and has never liked to play sped up clips smoothly for me in real-time. I thought this latest hardware upgrade would help, but same result.
    Has anyone experienced this?
    I can provide my clip offline if anyone wants to test it.
    My CPU util goes up significantly during playback, but doesn't spike on the new system (only 70% ish).

    Luke,
    I ran your .MOV clip in a fresh project, put it on the timeline, and set the speed to 2500%. Observations below were largely the same (most unexpected by the way!) for 3 very different systems (listed below):
    Initial playback was dropping some frames, but didn't really look too bad; CPU is definitely working the hardest for this workflow
    After changing two rather random things, all 3 systems could play this back with zero lost frames. Settings included: Memory: set so 8GB is available outside of Premiere Pro (default is 3GB), Sequence Setting: checked Max Render Quality box (default is off), and performed a "Render Audio" on the sequence (this takes less than one second and seems to help a bit).
    Rather interestingly, this particular workflow actually seemed to work a bit better when MPE was set to software only (GPU off)
    Systems tested included (all running CC 2014):
    3 year old x58 6-cor i7-970 with SSD array, 24GB RAM, GTX 480
    2x Xeon e5-2687w, 128GB RAM, GTX Titan, single Samsung 830 SSD for everything (OS/Programs/media/projects/swap/cache/scratch)
    1x Xeon e5-2687w v2, 64GB RAM, SSD array, GTX Titan
    Questions:
    What version of Premiere Pro are you using?
    How many dropped frames are you getting when you just playback this clip?
    Have you ever tried doing just a small project with just this clip (at 2500%)?
    Regards,
    Jim

  • Coordinating Premiere Pro with Audition

    I have a video I'm editing. I've completely thrown out the camera sound track and I'm creating the audio from scratch from various sound clips. In some cases I want to coordinate the editing of my video clips with the sound track, and in other places I want to coordinate the sound (e.g. foley) with the video. Can anyone suggest a work flow for this?

    A general video on working with PPro and Audition (from CS5.5)
    http://tv.adobe.com/watch/no-stupid-questions-with-colin-smith/premiere-pro-to-audition/
    Another (more recent) video from Niels:
    http://tv.adobe.com/watch/creative-week-how-tos/adobe-audition-cs6-for-audio-sweetening/
    Even though it is called "Speech Alignment," I've successfully used this in foley to match up my foley footsteps (and other sounds) with what was from the on-set sound.
    http://tv.adobe.com/watch/sound-your-best-adobe-audition/how-to-use-auto-speech-alignment- in-audition/

  • Premiere Pro doesn't recognize my monitor resolution.

    My monitor has a 2560 x 1440 Pixel Resolution 27" LCD Display. I just switched from Premiere Pro CS6 to Premiere Pro CC. When I open the program, it says my monitor does not meet the minimum size requirements. It clearly doesn't recognize the high-res display. The video playback looks ragged. How can I fix this?

    Well we need a lot more hardware data.  What GPU? How much VRAM? What driver version?
    What CPU, memory, Mac or PC etc?

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