Quicktimes from AVID into FCP

I exported a final piece from AVID Adrenaline as an uncompressed Quicktime. I took that QT to my Mac (G5, OS 10.4.1, FCP 5.1.4), and imported it into FCP. The resulting clip has audio, but the video is completely white. The QT also does not play on Quicktime 7.1.2, though it did play on the Mac Quicktime 7.1.2 on the Adrenaline system.
I dug around, and it appears that the problem might be related to the AVID codec for QT exports (which I don't quite understand why there would be a particular AVID codec if it's uncompressed). I went to the AVID sight and downloaded the codec they have for Intel macs and installed it. That did not have any effect. I gather from the posts I see on the internet that this is a problem that can have many unrelated reasons... any ideas? Or is there an AVID export codec that I should use on Adrenaline that is more consistent with FCP?
Thanks again in advance for your wisdom,
Andrew

I don't know your timeline codec in Avid, but I had the same problem. The thing is that avid codecs are "special", so special that avid is the only one that can read them. I was working with dvcpro timeline and if the "use avid codecs" was checked in the export settings it wouldn't play in fcp. So don't check the "use avid codecs" if you plan to export to fcp. One workaround I found few years back was to install avid free dv and then I got the avid codecs to work but it seems that avid has stopped the avid free dv project Hope this helps.

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When i try to import from itunes into FCP 7 i get error, file error; 39 files recognized,0 access denied 243 unknown

When i try to import from itunes into FCP 7 i get error, file error; 39 files recognized,0 access denied 243 unknown

Be careful, FCP is an open system which is great, but it allows you to work with formats that are not completely compatible with fcp and can cause serious problems down the road. You can check the formats of all audio files brought into fcp by selecting them in the browser and hitting command-9, Use compressor to convert all audio files to 48k 16 bit aiffs before importing to fcp. There's a preset for this format in the apple presets. You mention video files. The same thing holds. In particular, avoid bringing in h264 quicktime movies. Convert to an fcp friendly format like prores using compressor.

Trouble exporting Quicktimes from Avid Express Pro?

Hello! I'm operating Avid Express Pro version 4.3.0 on a G5 Mac OS 10.3.9 and I recently upgraded to QuickTime 7.1.5. I can no longer export quicktimes from Avid Express Pro because it is not compatible with this version of Quicktime. It's only compatible with QT 6.5.2. I've tried to use the reinstaller 6.5.2 and it doesn't work as it cannot seem to find 6.5.2 on my system. I now can't load 6.5.2 as I already have a higher version of quicktime on my system. I've tried deleting QuickTime files and starting from scratch and did delete a few items, but dragged the majority back into my computer from the trash as I realized I didn't know what I was doing and which 3rd party programs also utilized QuickTime.
If I wish to reinstall QuickTime 6.5.2 but the reinstaller won't work, what would you recommend?
HUGE thanks!
Mac G5 Mac OS X (10.3.9) Avid Express Pro 4.3.0

Not sure that anyone in the iPod Nano forum can help you. You might try searching/posting in the Quicktime Forum
http://discussions.apple.com/category.jspa?categoryID=122

Any success or regret stories about a total switch from Avid to FCP?

Any success or regret stories about a total switch from Avid to FCP?
Mac Pro Mac OS X (10.4.8) Final Cut Studio 5.1

I'm currently working on a job in a facility that has 3 FCP systems and uses Terrablock networked storage. I was 3 months here so I saw a lot of the good and bad with this system. It's Fiber channel so quite fast but there were a lot of issues with the compability of the OS. When working it worked well. The Avid Unity systems are very solid and proven.
The biggiest issue I have with FCP in this enviroment is it's great if you keep a project on the same system but when you start moving edits around then you get into the media managment limitations of FCP. A large project with lots of media, audio, gfx of different types, lots of renders, can be a pain when moving and reconnect on a different system. In theory it should be flawless as you point back to the proper folders and drives but it rarely is. It can be done is just takes time. And the better the editor is with his/her media managment then the easier it is. Avid's media managment works much different so by nature it's a bit easier in the networked world. We'll see what FCP has at NAB to make this better.
Bottom line, FCP vs. Avid is a debate that will rage. I use and enjoy them both on an almost weekly basis so I can argue the + an - of both. They are both tools, same buttons, different places.

Transferring from AVID TO FCP

A fellow editor would like to transfer his project from AVID MEDIA COMPOSER to FCP (Windows to Apple).
I have absolutely no experience in this and don't even know where to start or what to ask. Does anyone have any thoughts? Advice? Links? Support?
Is it even possible?
Thanks so much.

What do you mean by bringing over the sequence, but not full projects with all the media? Media referring to what?
Meaning the CAPTURED FOOTAGE. Avid captures as MXF files...FCP as Quicktimes. MXF files aren't readable by FCP without third party apps. So, what I mean by this is that with Automatic Duck you can export an AAF from Avid...of the sequence. An EDL of sorts, that links to the media used in the sequence. Then Automatic Duck makes QT files that references that media, and translates the AAF to make the sequence appear in FCP. But that's as far as it goes...the sequence and media referenced by that sequence. None of the other footage, none of the bins...none of the project structure.
Let's say the project is simple NTSC footage that only has straight cuts. No titles, no effects, no transitions, nothing - just video.
OK...Good. That makes things easier. But again, you only get the sequence and the media referenced by that sequence...
I'm assuming it would be easier then to do everything?
What do you mean by that? "Do everything?" Do what? You CAN'T do everything...sequence only. You can get MXF4Mac and that will see the media. But then you need to import it all and reorganize everything into bins, and STILL use Automatic Duck to bring over the sequence. That right there is $1300 in software to get the media over.
You'd just use Automatic Duck and then the .mov files would reference back to the sequence and everything would stay in order?
Yes, Automatic Duck will make QT files that are reference files that link to the MXF files. But again, only the footage used in the sequence...none of the rest of it.
If you have time, and money, this is doable. But really, it would be best to finish this project with Avid, and then move to the new NLE after that.
Shane

HD ANIMATION FROM AVID TO FCP AND BACK

Hey,
I have a client who needs me to edit Avid HD sequences into a short promo in FCP. I want to do an offline edit and then reconnect the sequence to full HD quality and export the promos back to Avid. Has anyone had to do this? Would I loose HD quality going from Quicktime to Avid Media? Would my G5 Dual 1.8 with FCP 5 HD be able to handle import, edit and export of full quality HD media?
I hope this is enough info. Thanks

you will be much happier and much better off if you stay in Avid world and make those corrections there. Avid uses its own propritery media format that can't be easily transfered to FCP. You could use something like Automatic Duck to generate a list and then recapture in FCP but other than that, stay in Avid. In other words, it is not absolutely simple to move the MXF files.

Transferring clips from avid to fcp via firewire

a bit off the wall question ... but is it possible to transfer clips from my avid media composer adrenaline (pc) to my fcp via firewire using the capture tool. the clips are dvcpro hd on the avid. it is easy to output the clips or sequences to tape (panasonic aj-hd1200 or 1400) via firewire so my plan is to "simply" substitute fcp for a deck and capture the clips free running into fcp. theoretically it seems to me that it should work. i set the device to non-controllable and capture settings to dvcpro hd 720p 60 to match the output from the avid. one problem is that when i connect the firewire cable from the pc to the mac, on the pc new hardware found message pops up and i have no way of telling windows what the device is. anyway have any experience or any ideas. thanks.

I doubt very much that your plan will work.
Why not just set up file sharing on the PC and pull the files onto the Mac using Finder?
That way you will retain the embedded data in the files.
Then you will probably need the QuickTime codecs from Avid too. (I don't have a link, maybe someone else will post it)
All in all, it might be better just to recapture directly into FCP from the original tapes.

Recording from webcam into fcp

Can you record video from a web cam directly into FCP?

Final Cut doesn't capture from USB sources. If you're referring to a built-in iSight, then it's a USB camera. Quicktime Player can record video from it, though.

Moved from AVID to FCP...viewing on NTSC monitor question

I am in the process of migrating to FCP studio from AVID with mojo. With the mojo I used a S-video out to my NTSC monitor. Now with my FCP system, I have to always have my DSR-25 on and use the composite out to the monitor. Is there a better way? I am using FW and only editing in DV for the time being. A AJA IO would give me an S out but I do not have RS-422 control with my deck. Plus, that is a lot of bucks to pay just to get a clean video out to my monitor.
Any ideas? This switch to FCP is somewhat painful...but in the long run I feel it will be worth it.
Thomas

If you have a deck you don't need the Canopus....if it is a firewire deck all you have to do is connect it to a monitor and you are good to go.
#8 External Monitor Viewing.
Shane's Stock Answer #8:
A simple path is mac > firewire > camera or deck > rca cables > tv
Then start up your camera and tv, then open fcp.
Then go View > External video > all frames
Video playback should be Apple firewire NTSC (If you are using an NTSC set)
Audio playback should be Audio follows Video
Techinially, this should send synched video to your TV
If for some reason you can't view your timeline on your external monitor, there are a few things to try:
1) Make sure that the camera/deck is connected and powered on BEFORE you open FCP.
2) In the Final Cut Pro menu select AUDIO/VIDEO Preferences and make sure your signal is being sent out thru Firewire DV.
3) Go to the menu and select VIEW>EXTERNAL>ALL FRAMES.
4) Click in the % box above the image and select FIT TO WINDOW.
5) Go to VIEW->refresh A/V devices
6) Make sure the Log & Capture window is closed
If you want it to play in both the canvas and the external monitor you need to go to the FINAL CUT PRO menu and select AUDIO/VIDIO settings and make sure MIRROR ON DESKTOP is selected under the PLAYBACK OUTPUT section
Shane

How to import audio/video from DVD into FCP

Hi, I need to import/capture into FCP from a dvd. When dvd files are open on my Mac it show VOB fotmat for video. I imported those files but they don't have audio, also the total time is 20 minutes but when imported into FCP it shows only bout 25 seconds. can someone help on this matter?
Thanks in advance

Cinematize works great. You can select portions or the entire DVD. It will not read encrypted DVD's so assuming you are using media that you have rights to it will do fine.
You can import in several compressions. If you like you can import only the audio, only the video, etc. It will give you a QT file at the end.
http://www.miraizon.com/products/products.html

I can't import from Itunes into FCP HD

got the capture done with bears hand NOW i can't get audio tune from Itunes to import it says can't recognize file or something like that.
I have a powerbook G4 10.4.9 FCP HD 4.5
is this another case of the 10.4.9 and 4.5 being incompatable (the reason i can't capture from DVCPro)
If my motorcycles ran like this tuff I'd never get out of the garage! thanks for your help in advance. bRAD

It is songs purchased from iTunes that you cannot convert...and that we cannot explain how to convert. Even though YOU might use it for legal purposes, such as temp music or demo reels, we still cannot explain how to bypass DRM on Apple's own site. Doing so would violate their rules.
BUT...if you have a CD of the music, getting songs is much easier:
#5 Imported music from CD or iTunes
Shane's Stock Answer #5:
To get music into FCP, it needs to be an AIFF file at 48khz, 16 bit stereo. So if you want a song from a CD, you go into the iTunes Preferences and set this up under the IMPORTING tab:
File > preferences > importing > import using - AIFF encoder > Setting - Custom
Sample Rate - 48.000 kHz
Sample size - 16 bit
Channels - Stereo
If you have an mp3 that you want to use, then you can convert it thru iTunes as well.
If the piece of music you want to use is something you purchased thru iTunes, I'm afraid I can't help you there. There are copywrite issues that prevent files from being converted into the format that FCP can recognize.
Shane

Maybe making the switch from AVID to FCP, would like some input please.

Happy T-Day to all. Would really appreciate any thoughts on this. I have many questions and need some answers from folks who are not always pushing AVID ( my vendor) I am a one man shop and use all Apple apps (LiveType, Motion, etc.) but have always stayed in my comfort zone with AVID Xpro and MOJO. Am thinking of going to Media Composer but after a few days of consideration and a trip to an Apple store, I may do a complete turn around and commot to FCP. Recently made the move to HD with the Sony XDCAM HD system. Here are my questions...plese be patient, this is a major move for me.
1. If I purchase a new Intel G-5, will the internal SATA drives be OK for 35MPS HD?
2. What AJA card or product should I buy so I can view HD SDI on a client monitor and output HD to a Sony XDCAM HD F-70 Deck?
3. What graphics card should I order on the new machine?
4. Can I use the FAM ( File Access Mode) to tranfer content?
5. Any other considerations when ordering the new Intel machine?
I know I have many questions, but I really believe it is time for me to make the move. Any help would be really appreciated. Thanks again.
Tdub

1. Yes, but just. You'd only get 1 stream. Faster drives would allow you to do more than one layer of real time playback. You could stripe more than one internal sata and get the job done that way.
2. Kona LHe will do this, however you'd gain the ability to upconvert and cross convert the video to just about any format with the Kona 3.
3.The X1900. Motion and some effects in FCP will take advantage of it... down the line FCP is likely to rely more on the GPU is an educated guess of mine. the top of the line card is faster, but not enough to substaniate the price if you're working in Video. If you were working in 3D CAD environments, then the top of the liner would be the best choice.
4.I don't use XDCAM here, so I'm presuming that you're talking about a transfer mode with that. I'm pretty sure FCP 5.1.2 added this capability. Might search the COW on this term in the FCP forum there. http://www.creativecow..net.
5.Working with HD and MPEG streams would leave me wanting the fastest of the three machines. You'll want 4 gigs of RAM, but it's less expensive from other than Apple. I know just how scary it can be to move to a new platform, and did exactly as you are contemplating when FCP 2 arrived. I've never looked back. Hang here once you get started, and we'll help you with the transition. There is a book out there in the pro training series from Apple/Peachpit on ediiting on FCP if you're coming from Avid. I'd recommend you get that book. Will ease the transition no doubt.
Hope you make the jump!
Jerry

Can't transfer/import XDCAM files from harddrive into FCP

hi, i filmed all of my footage using an XDCAM and had to return the cams immediately. so i copied all the clips from the capture media to an external hard drive (everything within the BPAV folder) one to one. i also downloaded and installed the XDCAM EX Clip Browser on my MacBook Pro and can view the clips.
the problem i have is that i can't import the clips into FCP. the "Import> SONY XDCAM..." feature in FCP won't allow me to access these files. the BPAV folder remains greyed out.
what do i need to do to get the clips into FCP? is there a different plugin i need? the clip browser won't let me export the clips to any other format. i'm stumped. i run FCP computer on my G5 PPC Quad core. the file browser only runs on Intel macs. so i use my MBP to view the clips but that's all i can do.
can someone please help me out ?
many thx!
fj

in the spirit of armano'os last post and FYI: i picked up the cams on short notice, never used them before and there were no instructions. the ppl just told me to copy the files over to my HD, since i had to return the cams immediately and had no time to hook up the cams to FCP.
the 'mistake' i seem to have made was that i looked at the data structure and saw that the clips always ended up in the CLPR folder within each BPAV folder - each in its own folder in that fiolder and with XML and data files - so i copied directly to that one BPAV folder i copied from the first capture media i moved to my hard drive instead of copying the entire BPAV folder from each capture media. however i tested the import immediately to see if it actually played back the files in the XDCAM clip browser and they did.
i assumed all was fine with this method and it would save me a lot of duplicate BPAV folders... hopefully though this isn't the end.

Why does my canvas display white after importing sequence from Color into FCP 7

Hi, I have a problem involving the relationship between Color and Fcp 7. When I imported my Color grade back into fcp 7 it permanently changed my fcp working file, even the other ungraded sequences. Now when the cursor is static over a clip all that is diplayed on the canvas is white, but when the film plays it plays normally. This is obviously a problem because it is useful to see individual frames when editing.
Furthermore, when I exported the graded sequence from Fcp 7 as a .mov, certain parts were now blocks of white, the first time it seemed to be the parts where there were green unrendered bars above the clips in the fcp file, but then the second time I rendered it all prior to exporting and there were still two areas where it was white in the export, namely the title credit which I had made against a colour solid Matte, and also a greenscreen clip that I had imported from After effects.
The problem now is that it has permanently changed fcp so that all of the working files for my different projects now display as white when the cursor is static.
Does any one have any ideas?
Thanks alot,
Bill

Ah actually just solved the problem, turns out it has nothing to do with Color after all, just on the Canvas drop down menu to the right it was set to Alpha rather than RGB - very simple really!

Import Clips From DVD into FCP

I am working on a 50th anniversary project for a client. They want to include several "home movie" clips in the project. They provided the home video footage to me on DVD. I am looking for the best way to import the material on the DVD into FCP.
I have used Handbrake to capture the video from the DVD and the file is saved in an MP4 format. But when I try to import that file into my FCP bin, FCP tells me that it does not recognize the file format.
I think that I can connect a DVD player to my system by running the signal from the DVD player into my DV cam, and then into my MAC, so that is a possibility.
I am just wondering if I am overlooking something that is quicker or easier.
Again my goal is to import material from a DVD into FCP so I can use clips on my timelines.
Any hint, tips, advice?
Thanks in advance!
phoenix3505

Forget Handbrake and read my [MPEG Streamclip tutorial|http://discussions.apple.com/thread.jspa?threadID=2059475&tstart=0].

Quicktimes from AVID into FCP

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