Ragged Paper Effect or Similar

I'm trying to create an effect that looks as if a font was written on paper.  Where the ink is not perfect and parts of the paper show through.  Almost like a dingy effect as a mask.
I have a font I'm using, but the effect I'm trying to acheive is not built into the font.  Perhaps this is a Photoshop requirment but I'm working in Illustrator and my font is converted to an outline.  So I figured I would start here first.
Thanks in advance for any help that can be provided.
William-01

Read up on opacity masks, particularly applying textures and irregular patterns to them. This is what you want.

Similar Messages

  • TRYING TO GET A WATERCOLOR PAPER EFFECT USING PHOTSHOP 6.0

    I use Photoshop 6.0 and just created the outhouse image. The top image was created SEVERAL years ago but cannot recall the steps I took to achieve that watercolor paper, or "natty" looking paper effect. I must have visited a link and never saved it. But my question is in regards how to apply that same look to the outhouse image. Is there a site, or page you could direct me to, that offers step by step visuals to attain that look?

    Phenomenal! I really appreciate it Mark....this
    is it! Yes! Btw, is there a good site with picture pictorial step by step methods to achieve certain
    effects in Photoshop6? Curious! Here is a visual tutorial I put together for others....after I got frustrated with tr
    ying to learning "halftoning" techniques! Here is link:
    http://www.danscartoons.com/photoshop_halftone_tutorial.htm
    Let me know what you think and if there are sites similar to this, that offer step-by-step click / here+click ? there types of tutorials. Thanks!
    Dan

  • Problem with Aged paper effect

    I have a clip that Has veen trimmed, cropped, and Ken Burnsed.
    When I added the Aged Paper effect, the clip looked great except for a white stripe on one edge.
    I have tried changing all kinds of parameters but I still get the white edge on the right.

    I've just tried it and found no problem.
    Are you using it on the complete frame or doing something peculiar?
    You could try shutting down FCP X and trashing the preferences.
    Many weird things happen as a result of corrupt preferences which can create a vast range of different symptoms, so whenever FCP X stops working properly in any way, trashing the preferences should be the first thing you do using this free app.
    http://www.digitalrebellion.com/prefman/
    Shut down FCP X, open PreferenceManager and in the window that appears:-
    1. Ensure that only  FCP X  is selected.
    2. Click Trash
    The job is done instantly and you can re-open FCP X.
    There is absolutely no danger in trashing preferences and you can do it as often as you like.
    The preferences are kept separately from FCP X and if there aren't any when FCP X opens it automatically creates new ones  .  .  .  instantly.

  • Canon MP980 Printer Settings - Photo Rag Paper

    Not sure that this is an Aperture problem as such but, using Aperture 2.1.4, I am having difficulty with Canon MP980 printer settings to print on Canon 'Photo Rag' paper. Printer driver gives me a code 88 error re margins.
    Has anyone any ideas?

    In case anyone sees this, the problem seems to have been solved - but I have no idea how this happened. Suddenly Quality and Media, Colour options, etc became available, but no idea what I did to produce this. As a PC user of 20 years experience, I thought this only happened with Microsoft, clearly I was wrong.

  • Old Paper Effects in After Effects (or Digieffects)?

    Hi! Is there an easy way to simulate an "older paper" look in After Effects, or possibly with any of the Digieffects plugins? (I have many of their products, including Delirium, Berserk, and Aurorix, a few others.)
    Thanks!

    What do you understand as "old paper"? Unless the paper itself needs to fold and bend, you can find enough textures/ photos on the internet that serve this purpose. CGTextures and similar sites surely offer enough of them, you may just need to combine different ones, e.g. dirty concrete with some ink splats, then adjust the colors to look like paper. Absolutely possible. Failing that, you can easily create some effects of your own and scan the resulting sheet. in any case, it's usually a lot easier to base such work on real sources than trying to create it artificially...
    Mylenium

  • How to add an effect again (or effects with similar outcome) or "merge effects"?

    Hi,
    May I bother you with a question?
    Can I add the same effect twice? OR can I "merge layers", similar to PS, then add a new batch of effects?
    I have experienced the same problem a couple of times, here is an example:
    1. I stabilize my clip (by motion tracking including rotation. dozens of keyframes are added to the transformation->rotation of the layer)
    2. The result is crooked and I want to rotate it.
    3. The only (very bad) options I see: edit each keyframe, by adding my -5°; or rendering it and editing it again
    I had the same problem with plug-ins that have effect e.g. on transformation. Once I use it, the former settings are overwritten.
    I guess there is a simple answer I should be able to find in the FAQ's or tutorials, but after 2 hours I'm either blind or a fool. Could you please help me?
    greez
    magnesiumpulver
    I'm relatively new to AE but have PS experience. Win7, CS5, 1080p, 8GB, i5,

    I found another great way to make it work (even though I'll just use it, when the null-object ect. won't work):
    It's called "precomposed layers" and works really well, especially because it allows you to edit compositions that have "time distortion" and "time stretching" enabled. once you have a layer that has some time-relevant effects and want to add another effect (e.g. tracking, or twixtor...), select the layer (or several), use "Ctrl + shift + C" and select the second option.  the layer is then replaced by a new untouched layer of the clip. that clip links to the edited original clip (which kind of hides under it).
    In PS speech: you merge the layers, but have access to the unmerged layers
    I needed it to use tracking on time stretched clips and also in combination with twixtor

  • Torn paper effect

    Hi there, folks
    I'm working on a video that exists within the pages of a book.  We won't be doing page turns, but at one point I've been asked to have the movie get torn off the screen. 
    What I was thinking of trying was to pre-tear a piece of paper.   Position it over some green screen paper.  Create careful marks in the corners of each side of the torn page (4 in total, two per torn side).  Shoot the paper being pulled away frame by frame in highest resolution on my 5D, so it will be huge.  This way the camera can still follow the marks when they will be off screen after resizing in AE.  Then I'd import the stills as a movie sequence and track both side separately.  I would then attach the movie to both sides separately, using the tracking data, and finally key out the green. 
    Does this sound like a silly way to do it?  Any better suggestions?

    This is a good starting point:
    http://aeportal.blogspot.com/2010/05/paper-rip-free-after-effects-project.html

  • Best way to make a "shredded paper" effect?

    Hey guys, I'm a bit of a novice... but not Illustrator-illiterate either
    I need to take a logo I made, and make it seem like it's been put through a paper shredder. My first thought was to use Pathfinder, but then I thought "there MUST be an easier way to do this!"
    And, as I've found with the rest of CS4, there usually is "a better way to do" whatever it is!
    Thanks in advance!
    e

    Ed,
    1) Should the shreds be a bit apart?
    2) Should they match when (put) together (again) (as opposed to having slices missing)?
    If 1) and 2), Pathfinder>Divide using evenly spaced vertical paths followed by a simple repeated Object>Transform>Move would be simple.
    If 1) and not 2) (not quite like shredding), Pathfinder>Minus Front (Subtract from shape area) using evenly spaced narrow rectangles would be simple.
    If 2) and not 1), just Pathfinder>Divide using evenly spaced vertical paths would be simple.

  • Sheet of paper effect for page design

    How do I make it appear as though my images are on a sheet of
    paper on a surface? For example I want my images to look like they
    are on a white sheet of paper on a table. Is there a download for
    this? Or is it a matter of making an image and then putting a layer
    over the top. Here is an example of what I'm talking about:
    http://www.janaleon.com/detected.php?page=&pass=
    I'd be gratefull for the help.
    Thanks
    LA Girl

    You could do with the images, but the site you sent us to is
    in Flash. There
    is no download for it. Simply create the image trim the top
    and bottom into
    2 graphics. Trim a cross section of the middle and set it as
    the background
    of the area that you want your images over so it continues
    forever to cover
    your page no matter how long it is.
    That is the easiest way of doing it.

  • Photo stroke effects in InDesign?

    I'm creating an annual report in InDesign and I'm placing a photo on a page. I'd like the photo to have a ragged edge effect, like you could achieve in Illustrator with a box that has a torn edge brush stroke.
    However, there seems to be no brush effects in InDesign, and I'm not able to add that brush stroke in Illustrator either, for whatever reason.
    Any tips?

    Thanks for your contribution.
    You technique is quiet simple and less nefarious than mine ;-), but the pros of my technique are that you can use any image (you can scan a torn piece of black paper or use anything "real") in order to produce a more realistic ragged frame, and, in addition it will look less "mechanical".
    here's the result:
    A detail:
    Just in case, I got the ripped paper image there : http://pandoraicons.deviantart.com/art/1314x2212-Ripped-Paper-Texture-72053408
    I just select the white backgroud, invert the selection - convert to path (1.0 tolerance) - save as a psd file

  • Watercolor paper texture, Deckle Edge

    Way back when I used to be able to use Photoshop to create a watercolor paper effect.  I believe it was the 'sandstone' filter.  I can't find it in CS5 or CS3 Extended, the only two Photoshop programs I have installed currently.  Does anyone know if this effect is now listed under a different name?
    If not, any ideas on how far back it might have been, and is there a way I can add that filter effect from an old version to my current version of PS?
    thanks,
    Paz
    A forum search turned up a tutorial on creating a deckle edge using the Ocean Ripple filter.  I'll give it a try.

    Noel Carboni wrote:
    _Paz_ wrote:
    my only sore point, a wide gamut monitor.  I wish it had a regular monitor, but since I can't change it, I'm trying to figure out how to live with it.
    Just wanted to chime in here on this particular point and let you know I understand EXACTLY what you're feeling.   I have two sRGB monitors that are getting a bit long in the tooth, and I am not looking forward to having to replace them when one day they just don't come on...
    -Noel
    Noel,
    Sorry it's taken me so long to get back here.  (migraine - then it slipped what mind I have left!)
    The recommended resolution on this monitor is 1920 x 1200.  I decided to give it a lengthy trial and now that I have, I'm about ready to resort to something more reasonable.  At the recommended resolution, a 1000 pixel wide image is quite small.   Editing is in the details, of course,  and I need a magnifying glass to see 'em!  I know I could zoom in, but going past 100% hasn't worked well - for sharpening in particular.  Having given it a a truly good try, I'm going to opt for lower resolution in increments until I find my sweet spot.
    Color is another problem.  This laptop has a built in colorimeter, with three options for saturation levels, but in my opinion, all the calibration choices are  oversaturated.  I tried my old(er) GretagMacBeth Eye One and it won't run on Win7, 64 bit.  So I tried turning OFF the built in color, used a Windows calibration setup very similar to the old Adobe Gamma and liked what I got pretty well.  At least whites on web pages weren't pink.
    Unfortunately,  I discovered the laptop would revert to the built in calibrator's color space without letting me know and I messed up several images that will have to be done over.  Now I've completely disabled it, removed the built in calibration program. Obvioulsly, I'll need yet another, expensive calibration tool to get truly accurate color.  I'm still researching.
    Oh, and yes, I know Firefox can be set up to read embedded color profiles, and that's what I use. Still, even with the basic color calibration, reds are quite saturated.  More than they are to the human eye.  Well, my human eye, anyway.  (I believe Macs have always been able to read embedded color profiles, if you're a Mac user.)  With the Windows calibration, using Firefox set up to read color profiles, I do NOT see differences in the first two images on this page:  http://www.gballard.net/photoshop/srgb_wide_gamut.html
    The third does change.
    One wonderful thing is the brightness of this screen.  I'm sitting in the cockpit of my boat, under an awning, and reading this screen is no problem.  My former laptop's screen was a black hole out here.  Of course, setting brightness, when it can be so very bright, is a challenge in itself.  Especially since the angle of the screen needs to be perfectly balanced so what you see is the true image.  This viewing angle gauge video explains it very well.  http://www.youtube.com/watch?v=lbXnT82hdH0
    So, good luck to you when that dreadful day comes.  If the internet ran on AdobeRGB, all would be fine.  And like I said, for printing, it appears what I see on screen will be closer than ever to my prints, especially with a 'vivid color' inkjet printer. (Epson.)
    Paz

  • I am new to After Effects and Motion 5 and I have a question

    Hello there,
    I am currently working on a personal side project for a family member. She would like me to make a video with recorded audio and pictures from the 1920’s for my grandmother. I would like to give the parallax and 2.5D effect a try but as I never used After Effects or Motion before I am a little overwhelmed.
    I have about 80 images to animate. Right now I am in the ‘Photoshop phase’. I am going through each image and separating the foreground, mid-ground, and background, into separate layers and saving the .psd files to eventually bring into Motion 5 (or After Effects) and animate.
    After seeing this video:
    https://www.youtube.com/watch?v=ZVrYyX3bHI8
    I really wanted to animate the images I had in a similar fashion. I really loved how they seemed to move and know that I can accomplish this appearance with the pin tool in After Effects. After seeing this video however, I continued looking into the 2.5d effect and found this movie for Motion 5:
    https://www.youtube.com/watch?v=gmxlm2nkVLA
    I bought Motion 5 because I thought the interface seemed more user friendly to newcomers (like myself), the effects were similar, and because I couldn’t afford to pay for After Effects every month.
    But now I am kicking myself. Motion 5 is lovely and I do like the camera effects but I don’t think I can accomplish the ‘puppet’ effect with it like I can in After Effects. Does anyone know if it is possible? Is there a plugin for Motion 5? Can I send my .psd files into Motion 5, set up the timeline and cameras, save it, and then move it into After Effects and then use the pin tool to manipulate the images and layers?
    I have read that some say it is hard to move Motion files into After Effects? If this is the case, could I save the Motion file, open it in Adobe Premiere, and THEN open it in After Effects and play around with it?
    Any help is appreciated. Thank you so much in advanced.

    2.5D is fairly easy to do in Motion... that's the good news. The bad news is: if you don't know what you need to do to accomplish it, it's practically impossible to do easily or well.
    The first problem to overcome is perspective, and the other problem is parallax.
    These two tutorials (by Mark Spencer) will give you all the information you need dealing with moving Photoshop Layers in Z-space. Even though the point of the tutorials is a "fly through", the same information applies to creating 2.5D. Just animate the camera laterally (sweep) instead of dolly.
    http://vimeo.com/1344282
    http://vimeo.com/1695145  (updated tips)

  • New to After Effects - need help with text manipulation!

    Hi all, I'm new to AE and this forum and I'm looking for some advice. I've been asked by the boss at work to create a short video clip, around 10-15 seconds, where text is displayed on the screen (3 words), after the few seconds, I want a 'forging' noise to happen and the final word in the text to be changed to another word and have a metallic effect applied, similar to the effect in this tutorial:
    Create Hot Metallic Text in After Effects - After Effects - macProVideo.com Hub
    Will this be difficult to do and do you guys think a complete beginner like myself can do it? I've got a lot of experience with the likes of PS, so I'm not too shy with Adobe software.
    Thanks,
    John

    johnster1991 wrote:
    Thanks for the advice, I appreciate it. So will it be difficult to have one word of text come onto the screen and overlay on top of the existing text, as if it's crashing over it? Any ideas on the steps I would use to do this? Thanks
    As you begin your career of using AE, you will change your vocabulary. Overlay will be replaced with spatial references like in front or behind.
    Designing text with surface styles like chrome or metal is not difficult. You can even import them from Photoshop if you have some PS chops or friends who can do it quickly.
    TEXT ONE can be easily replaced with TEXT TWO in any of dozens of different ways but to drop TWO in front of ONE is easy, you're just setting position keyframes. The finesse of animation, though, lies in the illusion of motion, exaggeration, overshooting and recoil. Your TWO could fall and squish and rebound and bounce or it could raise a dust cloud as it hits or it could make the camera wiggle. These are the things that separate simple key framing from animation and motion graphics.

  • Pixma Pro 9000 printer: correct settings to use Epson Ultra Premium Presentation Paper Matte?

    Epson Ultra Premium Presentation Paper Matte formerly known as Enhanced Matte paper; Epson instructions advise setting for "Enhanced matte paper, "Matte paper Heavyweight" or :Archival Matte paper". What setting should I use for my Pro 9000?
    Thanks!

    Welcome Texcollins!
    Not a great answer, I know, but I think you might have to try some trial-and-error with the different matte options.  Its hard to say for all the different paper out there which one will be the best.
    I don't have the options for the Pixma Pro9000 in front of me right now, but a few weeks ago I had to try some matte 3M photo paper and there wasn't an exact setting for it, so I tried the ones that sounded the closest and and to judge by eye (and touch) which one was most accurate and dried correctly.  Your Epson paper could be similar or completely different; its a toss-up.

  • How to continue double sided scan if paper feed error.

    I was scanning a double sided 100+ page document in a paper feed single side scanner. Upon completed scan of the first side, adobe acrobat prompted to turn over the stack and begin scan of the reverse side of the last page. After doing this the paper went into my scanner crooked somehow (feeder errror perhaps) and caused a paper jam. After fixing the paper jam and pressing continue on the popup... Adobe Acrobat canceled the rest of the scan instead of prompting to continue the scan after the error. This is extraordinarily aggravating. How to I go about continuing the scan process so that the pdf document is made in proper order??? I Googled "How to continue Adobe Acrobat pdf scan of reverse side if paper jam" and similar search phrases and found NO relevant results explaining how to do this.

    Which scanner, OS platform and acrobat version are you using?

Maybe you are looking for

  • Frequent freeze on my MacBook pro 15" mid 2010

    A sum up of my computer configuration : Informations matériel :   Nom du modèle :          MacBook Pro   Identifiant du modèle :          MacBookPro6,2   Nom du processeur :          Intel Core i7   Vitesse du processeur :          2,66 GHz   Nombre

  • Sync iPod 2G notes with mac?

    I have a new Macbook, and I often take notes on my old iPod 2G. So I tried to find a way to sync my iPod notes with my Mac notes application. But there is no function for this in iTunes and I heard that you can only sync with the Mac notes app with i

  • How to 'client-side include for secondary menu on page'

    Hi there. The following page refers: test page for early draft The linked page is in fact a DW CS3 tmp preview file, for that reason the CSS has been pulled into the html file by DW, it won't look that way in the eventual page file. After lengthy bat

  • Masking P-Card Number

    Hi All, I need to  mask the first 12 characters with *'s and the last 4 numbers as it for a procurement card. The transactions where we would like the masking to occur would be: 1) Create/Change/Display Requisition 2) Create/Change/Display Purchase O

  • I need ECC 6.0 installation steps with screenshots

    please send me the ECC 6.0 installation guide.I need ECC 6.0 installation steps with screenshots. my mail id is <removed by moderator>.thanks in advance.