Raw file

I am using Oracle on Solaris 8. I want to create a raw file for oracle redo logs.
How do I create a raw file on Solaris?

I believe the 6.7 raw version came with the CS6 version I got a few months
ago. then it came with update that got me to camera raw 7.2 and now just
received an camera raw 8.2 update. the problem is on my file info in help
and on my working screen I see that it is camera raw 8.2 which it should
be but over in metadata block in the raw section it says process in version
6.7. so my question is which is right and if not how do I change it ?

Similar Messages

I am unable to open raw files from my Canon T1i in Adobe Camera Raw of my version CS3 of Photoshop. I have tried to update my ACR by downloading version 4.6 from the Adobe website but I am still unable to open raw files, just JPEG. Is there a way to use

I am unable to open raw files taken on my Canon Rebel T1i in my version of Photoshop CS3. When I import raw files into Bridge they come up as patches with CR2 on them and when clicked on, a notice comes up stating that Photoshop does not recognize these files. I tried to update my Adobe Camera Raw by downloading version 4.6 from the Adobe Website, but when I clicked on the plus-in, I got another message that Photoshop does not recognize this file. I spoke with a representative from Canon who said that I could not update CS3 and that I should subscribe to the Cloud. I would prefer to use my CS3, if possible. Can anyone advise me what to do?

The T1i was first supported by Camera Raw 5.4 which is only compatible with CS4 and later
Camera Raw plug-in | Supported cameras
Camera Raw-compatible Adobe applications
Some options:
Upgrade to CS6
Join the Cloud
Download the free Adobe DNG converter, convert all T1i Raw files to DNGs then edit the DNGs in CS3
Camera raw, DNG | Adobe Photoshop CC

How can I process a linearly converted raw file while preserving color?

Hi,
I want to convert my raw files in a linear format (to preserve all the dynamic range and detail and prevent unnecessary clipping). My question is "how can I modify the brightness or luminance while preserving the hue and saturation of every color?"
As for applying the gamma curve, I guess the best and only way in Photoshop is to create a Levels adjustment and place a 2.2 in the middle (gray) input box. However, I read in http://www.luminous-landscape.com/tutorials/hybrid-conversion.shtml that a 4.75 value should be used... Why? Is the number placed there not correspond to the gamma being applied?
Thanks in advance.
Juan Dent
P.S.: getting colorimetrically accurate color from the camera, through all the manipulations in Photoshop is for me crucial. Any pointers as to what to do and what to avoid?

First of all, you should have used the Adobe DNG Converter 8.6, not an old, obsolete version. Always use the very latest version. 8.3 was simply the first ACR version to support your camera model, that's all.
Note that the DNG Converter works only on folders, not on individual raw files. Put all your Sony raw files in a folder and run the Converter on that folder containing the raw files.
I have absolutely no clue as to what on Earth you mean by : "upon reading the memory chip from Photoshop CS5".
You also need to make sure that CS5 is fully updated. You cannot rely on the highly and notoriously unreliable Adobe auto updater to tell whether you have the latest update installed or not.
I still have no idea what platform you are on, Mac or Windows. Please read the following for next time:
BOILERPLATE TEXT:
If you give complete and detailed information about your setup and the issue at hand,
such as your platform (Mac or Win),
exact versions of your OS, of Photoshop (not just "CS6", but something like CS6v.13.0.6) and of Bridge,
machine specs, such as total installed RAM, scratch file HDs, total available HD space, video card specs, including total VRAM installed,
what troubleshooting steps you have taken so far,
what error message(s) you receive,
if having issues opening raw files also the exact camera make and model that generated them, etc.,
someone may be able to help you (not necessarily this poster).
A screen shot could be very helpful too.
Please read this FAQ for advice on how to ask your questions correctly for quicker and better answers:
http://forums.adobe.com/thread/419981?tstart=0
Thanks!

Is there a way to edit raw files from the Canon 5DMkIII in Lightroom 2?

I rented a Canon 5DMkIII this past weekend and shot in RAW. I'm running Lightroom 2.7 on my laptop because I have a pre-Intel dual-G5 tower at home and can't run LR3 or LR4 on a pre-Intel chip machine and I tend to share my libraries across my laptop to my tower and back (so I need to be able to open the LR files on both machines, which is why I'm still using LR2 ... I know, I know, I need to upgrade but that's going to be a hefty investment!)... In the meantime, I'm wondering if there's a way to view/edit the raw files in Lightroom? They won't even import (I get the message upon import attempt: "Some import operations were not performed. (97)")... I know the information is there, though, because I used PhotoMechanic to do the initial sort of my images that I wanted to keep/edit. I see there's ACR (Adobe Camera Raw) 6.7 (I think it is) that supports the 5DMkIII, but I'd prefer to edit across the board in Lightroom, it's so much faster. Is there something I can download to still edit my raw files in LR2? Or, do I have to buy the update and get LR4 if I want to edit my 5DMkIII RAW files? Thanks in advance for your help!!

Support for the canon 5d Mk111 was introduced in LR 4, ACR 6.7 so you will have to use the Adobe DNG Converter 6.7 or later to convert the raw files to dng format before you can import and work with the files in LR 2. The converter is a free download from Adobe and is available at this link.
Mac http://www.adobe.com/support/downloads/detail.jsp?ftpID=5485
Win http://www.adobe.com/support/downloads/detail.jsp?ftpID=5486

Problems with Viewing Canon EOS Rebel t1i Raw Files in Adobe PS and Bridge CS 4

I am unable to preview the thumnails of my raw files from my Canon EOS Rebel T1i camera in Adobe Photoshop or Bridge (CS4)? I've looked everywhere for a plugin? Am I unable to view these files in these programs. Please help. Thanks!

You prolly need to update the installed Camera Raw plug-in...See the Camera Raw product page for more info on downloading and installing an update.

How to open Raw files from Canon 1100D and 650D in CS5?

I need assistance please. I have a Canon 1100D and 650D. On Photoshop CS5 it does not recognise the 2 Cameras Raw files. What is my course of action. Help will be highly appreciated

evjems, As per the below article, Canon EOS 1100D needs minimum Adobe Camera Raw(ACR) version 6.4 and Canon EOS 650D needs minimum ACR version 7.1
Camera Raw plug-in | Supported cameras
So, you should be able to open raw files of 1100D, if you upgrade your PS ( Help > Updates), but not of 650D as it needs PS CS6 and above.
Let me know in case you still have any doubts.
Hope that Helps!
~ Arpit

New update 8.7.1 CS6 ACR not working---(I own hard copy not a Trial or part of CC), I purged cache in bridge, and photoshop. NO photos will open when I double clik, or will not open again in ACR alone. When I double clik on raw file I get Sign In requir

I purged cache in bridge, and photoshop. NO photos will open when I double clik, or will not open again in ACR alone. When I double clik on raw file I get Sign In required Notice--We will now register your TRIAL to your Adobe ID-------I am alread a SUBSCRIBER-------------Yes I get this same issue in Creative Cloud and same issue. error: Camera Raw editing is not enabled-----Camera Raw editing requires that a qualifying product has been launched at least once to enable this feature. These errors are happening inside both CS6 Bridge and CCphotoshop Bridge------NOTE----I am ALREADY signed into Creative Cloud and still get those message errors.........Need to fix ASAP.

When you sign in to Adobe.com with the user ID and Password your using in the Creative Cloud and Photoshop does this link https://www.adobe.com/account/my-products-services.html show that the account has a subscription?
Also this is a user forum not a Adobe Customer Services web site.

CAN NOT OPEN CANON EOS20D RAW FILE IN PHOTOSHOP CS2

I had Photoshop CS2 installed on my PC some years ago and could open my raw files from my canon eos 20d. I changed the hard drives in my pc to solid state drives and had to reinstall photoshop cs2. I could not activate photoshop as it was too old a version so I had to download from adobe website with their activation code. Now, I can not open any of my canon eos 20d files. I have taken some now photos just a few days ago and the problem still arises. I get the message that it does not recognise this type of file. Any ideas?

You downloaded, extracted (unzipped) the Camera_Raw_3_7.zip and copied/moved the Camera Raw.8bi to
C:\Program Files (x86)\Common Files\Adobe\Plug-Ins\CS2 (windows 64 bit system)
or
C:\Program Files\Common Files\Adobe\Plug-Ins\CS2 (windows 32 bit system)
Camera Raw 3.7 update for photoshop cs2 Windows
Adobe - Photoshop : For Windows : Camera Raw 3.7 update
other cs2 updates
Adobe - Photoshop : For Windows
Adobe - Bridge : For Windows
Adobe - Creative Suite : For Windows

Can't open Raw files in Photoshop CS6 using Nikon D7100?

I have a Nikon D7100 and recently did a photoshoot where I shot in Raw. Upon uploading my images and then attempting to open them in Photoshop it came up with a pop up saying that photoshop is unable to open that camera raw file. I have downloaded the adobe recommended converters but those don't seem to work either. Help?

The Nikon D7100 didn't get support until Camera Raw version 7.4; CS6 shipped with 7.0 (and is compatible up until 8.3). Did you go through Help > Updates?
Also, versions of Camera Raw above version 8.3 won't work on anything below Windows 7 or Mac 10.7. You'll have to "upgrade" to at most 8.3 to continue using it on the other operating systems.

Photoshop CS4 smart object template just overwrote a raw file - HELP

So. I've been working in Photoshop extensively for about 6 years now and I am well aware that nothing we do in Photoshop or Lightroom is supposed to overwrite a raw file. I'm not talking about changing it to something a little lighter or darker, I'm talking about replacing a picture of one baseball player with another one - and the original? Gone.
Here's what happened: I have a poster template that contains several layers, 7 of which are smart objects. I change the pictures in the template by right-clicking the smart object layer and selecting "replace smart object," browsing to the new image, selecting, and here is what SHOULD happen: the target picture opens in Adobe camera raw, I make some small edits, click done or okay or something similar, and that new image has replaced the old one in the template. What DID happen was this: I followed the procedure above and selected my target raw file, the picture that was already in the template (the one I was trying to replace with my target file) opened in Adobe camera raw. I thought - Hey, that's wierd! Closed the ACR dialog and tried again. Same thing happened. I opened lightroom and saw - to my HORROR - that the target file had been changed to the same image that was in the template.
If it clarifies: pictures of player A (who played in 2009) is in all of the smart object layers in my template. I want to make that poster be of player B (who played in 2012) so I begin replacing all the smart objects. When I get to the 3rd image in the poster template, Photoshop overwrites my raw file of player B with the smart object photo of Player A. There were no photos of player A on the network drive that the picture of Player B was on. But there's one now. My raw file shows that it was modified about 10 minutes ago.
We tried undoing in Photoshop. That did nothing. We tried deleting the xmp file. That did nothing. We removed it from the lightroom catalog and reimported it. It is now a picture of Player A from 2009 and my picture of Player B from 2012 is just gone.
Anybody have any idea what this could be and how we could avoid it in the future?
Best,
Jamey

mojoimagery wrote:
Now - JJ - when you say "overlay files" - what do you mean? Because that feels like a good description for what happened.
We performed no save operation at any point during the sequence of events that ended with the image in one raw file being replaced by the image in the smart object.
As I wrote Smart Object layers embedded object is a copy of the original and if you replace it you replace it with a copy of some other object. Embedded object are copies and independent from the original. If after creating a smart Object layer who's embedded object is a copy of a raw file and its conversion settings. You change the original RAW files RAW conversion settings the smart object layer raw conversion setting are not changes for its a copy with independent raw conversion settings. When you replace a smart object layers contents you will replace the embedded object and you should replace it with an object the has the same pixel size and orientation. Because there is an associated transform for the object in the layer that is not replaced. The replacement is also a copy. If the original smart object was created using File Open where you choose a RAW file ACR would open with the RAW files current conversion settings. In ACR you can changes the setting then hold down the shift key to change the open image button to an Open Object button. Using that button ACR will open a smart object layer in Photoshop the contents of the embedded object is a copy of the RAW file and the current ACR settings. No File is written Photoshop is not a File Editor its a Document editor that has many data structures for different layer types. When you replace the contents of a smart object you will be put into a "Place" file selection dialog if you choose a raw file it should have the same orientation as the image being replaced because of the associated transform. When you choose a RAW file ACR will open and you can change the conversion settings however there will be no Open Image button instead there will be an OK button. There is also a save image button and you can save a RAW file that is a DNG file not a CR2 file. Like the DNG converter. If you click the OK button the embedded object in the smart object layer will be replaced with a copy of the selected RAW file and the current ACR settings. Again there is no file written Photoshop is not a File editor just the embedded smart object data is replaced in Photoshop smart object layer's data structure.
I do not think the use of smart objects in you process caused what you are experiencing and because it only happens once an a while I feel its more likely caused by some human error made during the processing in those cases. I would look elsewhere for what causing the overlay. In the place file selection dialog it is possible to rename files perhaps even by accident. Programs like LR and Bridge can rename and copy files perhaps overlay other files.

Opening RAW files in Bridge - not recognized as "Camera RAW files"

I would appreciate any help with this as I am frustrated after spending hours trying to figure this out:
I use a Mac OS X laptop
I have a Panasonic (DMC FZ8) camera that I've been taking RAW pictures with. I plug my camera into my computer and try and open the RAW files directly from the camera using Bridge (I have Photoshop CS2)..I have also tried copying the files to a folder on my desktop and opening from there. The problem is that Bridge doesn't recognize my .RAW files as actual "Camera RAW" files and the icons remain as the Preview icon and not actually a preview of the image. If I click on it to open it in Photoshop the "Photoshop RAW Options" come up set on 8 bits and when I open it, it's just a gray screen. I have checked the settings for RAW Camera and the Panasonic RAW files .raw is selected. I have also tried selecting "show only camera raw files" in my window that is open and my .RAW files that are there gray out - so the program isn't recognizing them.
I just downloaded the Plug-in 3.7 Camera Raw and had to create folders for it in Application Support/Adobe/Plug-Ins/CS2/File Formats. the only folder I had was Application Support/Adobe so the rest I created.
I'm now lost as to what I should do next. Nothing I try seems to be working.
PLEASE HELP!

>I plug my camera into my computer and try and open the RAW files directly from the camera
Ouch! Ouch! Ouch!
That is a monumentally bad idea. Transfer the closed files to your local hard drive first.
This excerpt is from a long-gone post by the late, lamented author Bruce Fraser:
Bruce Fraser - 4:17pm Jun 14, 04 PST (#5 of 21)
Opening files directly from the camera is a bad idea for a variety of reasons*, and it most certainly isn't faster than using a FireWire or USB2 card reader.
         Drains the camera battery
         Runs the risk of the software you're using to open the images writing to the card and destroying the format
         Runs a small but significant risk of USB power frying the camera
         Slowest method known to mankind of getting images off a CF or SD card

When I try to open an image by double clicking on it in Bridge, I get a message telling me to log in to Creative Cloud. I am running CS6, and the default should be to open files in Photoshop 6 or in Adobe Raw (if it's a Raw file). I don't want to log in

When I try to open an image by double clicking on it in Bridge, I get a message telling me to log in to Creative Cloud. I am running CS6, and the default should be to open files in Photoshop 6 or in Adobe Raw (if it's a Raw file). I don't want to log into CC since I am not a subscriber, and this means that I have to work around, and go back to Bridge, and tell it to open the file in Adobe RAW. However, this does not work for older psd files which for some reason cannot be opened in RAW. How do I return to the process of simply allowing RAW files to open automatically in Adobe RAW, and simply right clicking on the image in Bridge to bring up the option of opening it in Photoshop?

<moved from Adobe Creative Cloud to Bridge General Discussion>

Unable to open Raw files from Nikon D800 in Photoshop CC [was:raw updates with creative cloud?]

i have a d800, bridge or photoshop do not seem to support the raw files, i am using CC and bridge will not bring up the thumbnails and photoshop will not open the files at all, can anyone help?

[Moved from Cloud forum to Camera Raw forum]
ACR = Adobe Camera Raw.
ACR is the plugin used by Photoshop to read and process Raw files from cameras. It must be updated every time a new camera comes on to the market.
The Nikon D800 has been fully supported since ACR7.1
http://helpx.adobe.com/creative-suite/kb/camera-raw-plug-supported-cameras.html
ACR7.1 is compatible with Photoshop CS6 and later
http://helpx.adobe.com/x-productkb/global/camera-raw-compatible-applications.html
So, if you are in fact using Photoshop CC, there should be no reason that Raw files cannot be opened.
In Photoshop, click:
Windows: Help > About Plug-In > Camera Raw
Mac: Photoshop > About Plug-In > Camera Raw
Which version number is shown?
Are you using Nikon transfer software to get the Raw files from your camera to your computer?

Nikon D300 Raw files for 64bit windows vista machine not appearing in Photoshop CS3 raw

I purchased a new 64bit computer running Vista. I have installed Photoshop CS3 including the latest updates and the 4.6 (Camera Raw.8bi) raw update file. I included the raw file in C:\Program Files (x86)\Common Files\Adobe\Plug-Ins\CS3\File Formats. I have purged cache in Bridge and I still cannot view the raw files in Bridge. I only see a gray square with a Blue NEF. I can open the files in Photoshop however. What can I do to see the files in Bridge?

Nikon encrypts RAW file data
ByMichael R. Tomkins, The Imaging Resource
(Wednesday, April 20, 2005 - 02:16 EDT)
A news item posted on Sunday by PhotoshopNews.com reports on comments from Thomas Knoll, one of the original authors of Adobe Photoshop, relating to the RAW file format used in Nikon's D2X and D2Hs digital SLRs.
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Thomas Knoll is currently the chief engineer for Adobe Camera Raw, the company's RAW file conversion software. The PhotoshopNews item references a forum thread started by Mr. Knoll in Adobe's official user forums, where he reveals that .NEF RAW files from the latest Nikon digital SLRs encrypt data relating to the white balance setting the photo was shot with.
RAW file formats vary significantly between digital camera manufacturers (and often, between different models in a manufacturer's lineup), and the manufacturers generally won't publicly disclose the specification for the RAW file format(s) they use. Some will offer plugins or software development kits (SDKs) that enable their RAW files to be opened in third-party applications, but these generally have some limitations attached to their use.
In addition, the companies generally offer RAW file conversion software of their own, either as part of their camera bundles or as an added-cost option. Nikon offer their pro SLRs with PictureProject software that includes limited control over the RAW file conversion process, and then offer the more feature-rich Nikon Capture conversion software for an added cost. In a recent publication on the company's Nikon Pro website, it suggested that it feels Nikon Capture is better-suited to photographers, while Adobe's Photoshop is more suited to graphic artists. Still, different photographers have different workflow preferences, and for this reason third parties such as Adobe often reverse engineer the RAW file formats, allowing them to be opened in their own software - sometimes with even better image quality than the original manufacturer's software.
In a way, it is understandable that companies would want to encrypt RAW file data from their products - it allows them to pick and choose which competitors are able to open RAW files shot with their products, and allows them to generate new revenue streams from the sale of their own RAW file conversion software (or, if they choose, the sale of licenses allowing competitor programs to access their RAW file data). Nikon is not the first company we're aware of to encrypt data in RAW files; Sony's Cyber-shot DSC-F828 RAW files contain encrypted data. In that instance, however, Sony granted permission for Adobe to decrypt the data in their software. At the current time, Mr. Knoll states that while Adobe has signed a non-disclosure agreement that grants them access to use Nikon's SDK, they have not received any response to requests from Adobe that the company be allowed to decrypt the white balance data, which would allow closer integration with their software than is possible with the SDK.
The fact that Nikon has chosen to encrypt a portion of the RAW file data would not be particularly problematic for third parties to overcome, were it not for certain laws enacted around the world in recent years. One such law is the United States' "Digital Millennium Copyright Act", often referred to as the DMCA, which makes it illegal to produce technology that can circumvent measures designed to protect copyright. One could argue that Nikon's encryption of the white balance data is just such a measure - which would make it an offense for a third party without permission to make software that could decrypt the original white balance setting used by the camera when the photo was shot. One could equally argue, however, that the copyright over the RAW file belongs to the photographer who captured the image - and hence the choice over what is done with that copyrighted work is entirely up to the photographer.
Unfortunately, there's no clear-cut answer, and short of a company or programmer finding themselves in court for having cracked the encryption, there isn't likely to be such an answer any time soon. This presents a problem for third parties attempting to make their own RAW file conversion routines for the D2X and D2Hs, as if they don't want to risk opening themselves up to legal action, they aren't able to determine the original white balance setting. Hence, they must either request the white balance setting from the user as the RAW file is converted, or attempt to determine an appropriate white balance setting automatically (which would not necessarily be the same as that determined by the camera itself).
Nikon hasn't communicated their reasons for encrypting the white balance information in their latest NEF formats, but we have to say it doesn't sound like a very good idea. While Nikon Capture does indeed offer excellent capabilities for people to manipulate images saved in NEF formats, many photographers and organizations have already established workflows based on Adobe's RAW plugin for Photoshop and other image-processing tools. The biggest consequence of this move on Nikon's part seems likely to be to push more photographers onto other camera platforms. It's hard to imagine that increased sales of Nikon Capture will make up the revenue lost from camera and lens sales going forward.

Why does Bridge open raw files (ndg) in Raw window even though the 'Open in Photoshop' option is...

I don't understand why in Bridge there are 2 choices, -1- Open raw and -2- Open in Photoshop and yet both choices give you the same result--The raw window opens with PS below it. After having worked on my raw NEF files I save it to dng. My thinking behind this, is that I alreay have done what was needed and would now like to start working on it within Photoshop. It seems that the only way to automatically open it directly within PS is if I save it as a tiff, psd or jpg. But since this is not what I want to do then why must I add extra steps as opposed to just opening it hwere I want. I mean the 2 choices are there, so why not do what it is being asked?

If I may step in in this discussion, I always use DNG but never have used ACR to achieve this result.
As Curt stated the changes made in ACR to a Raw file (or for that matter a DNG file) are undoable without problems.
My workflow (using Canon CR2 but that is not important, let's say a dSLR generated Raw File) is to use Photodownloader in Bridge (not perfect by far but still the best and easiest way for me).
I connect my CF card using a card reader and let Adobe Photodownloader do the work.
Inhere I use several options:
- convert the CR2 file to a DNG
- back up the original CR2 on a separate disk
- rename the DNG to yyyymmdd (shot date) and sequence number
- add a metadata template for copyright to all the DNG files.
Sorting out the keepers I open the DNG in ACR and either hit Open (for open directly in PS) or use save as Tiff or PSD depending on next step in development or simply hit Done to apply changes and leave it for later use.
The advantage of having both ACR in PS and Bridge is huge. The only difference between both is that by default PS has the Open Button selected and Bridge (open in Camera Raw) has the Done button selected, thats all.
But here is the good part, you can use both simultaneously! For example have PS in film strip mode with multiple files selected and when changes are ready hit Save as start the process but locks up PS itself. Switch to Bridge and use Open in Camera Raw and start with the next job while ACR PS is still running in the background
When I open a DNG in PS using ACR in either PS or Bridge I continue developing with actions and fine tune with layer mask, brush etc etc.
Sometimes use Save As for PSD with the layers still active (huge files) when needing to revisit or not quite ready. But mostly I use an action to flatten the files and save as PSD.
Both DNG and PSD are ending up in my archive, my clients receive whet they want, PSD, Tiff but mostly jpeg and resized.
When having the job finished and every once in a while I clear out the original CR2 files from Back up because in all the years I use DNG (at least 5 years) I never had to use the original CR2 instead of the DNG that is thoroughly backed up as is the original PSD.
But since disk space is cheap you can choose to keep them.
An other option is to include the original raw file in the DNG but I would not recommend that because the file size is getting almost twice as big.
The biggest plus side for me using DNG is that the xmp data is written directly to the file while original CR2 or NEF needs an xmp side car file next to it with this data.
However saving changes to metadata is taking a bit longer to a DNG then to an XMP side car file, depending on system resources and time this never been a real problem for me

Why can't i open my raw files in photoshop cc i use a canon 450D

I am a photography student and this has been winding me up now for about a month. the thing is its used to open my raw files with no bother and now it won't, I've downloaded plug ins and everything and its still not letting me open my raw files. does anyone know how to fix this because I'm in the middle of my graded unit and i can't meet the deadline with my photoshop like this

I will download them onto bridge as i always do then i will go to open it in photoshop and it will tell me that photoshop cannot open this file.ive updated my plug in and everything and its still not working which i dot understand because it used to work with no problems at all.

Raw file

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