RAW rendering in Picasa and Lightroom

Hi I have some questions regarding camera RAW rendering in Lightroom.
When I opened my RAW image with Picasa, Picasa initially shows the embedded JPG preview and then it shows the RAW color of my image (which the color is true to reality). However when I imported my RAW file to lightroom, my lightroom shows me the embedded JPG preview (magneta) even in the develop module. Can anyone tell me does this happen? I tried to open my RAW file in Photoshop elements and DXO Optic Pro 9 too and both of them render my RAW file as how Lightroom renders (magneta)
On the left - how Picasa renders my RAW file (the color is true to reality) ; on the right - how Lightroom renders my RAW file (magneta)

When I opened my RAW image with Picasa, Picasa initially shows the embedded JPG preview and then it shows the RAW color of my image (which the color is true to reality).
I disagree with that statement, Picasa does not provide "color is true to reality". It provides one of an infinite number of appearances, as decided by the manufacturer of the software. You may like it better, but it is not "true to reality".
Both RAW editors make decisions about how to display a RAW, and both RAW editors use a certain algorithm to make those decisions. The algorithms will not match, and will not produce the same results. One is not superior to the other. If the appearance of the RAW in Lightroom is not pleasing to you, then you have a huge number of tools to modify the appearance to get it to something you like. In particular, Lightroom offers camera profiles for many cameras that can automatically modify the appearance of a RAW photo to much closer match what the camera maker wants.

Similar Messages

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    Here is a screen dump from PS, showing quite a lot of Highlight clipping.
    http://picasaweb.google.dk/taasti/PSVsLG/photo?authkey=1J4sXZ_SvZw#5191662550019326466
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    ACR will show clipping relative to the chosen color space, while (correct me if I'm wrong) Lr will always show clipping relative to ProProtoRGB.
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    What's your OS platform, and with what method have you calibrated your display? Are you using dual monitors? (none of these ?s will affect the degree of clipping, but might affect the brightness)
    It's a fetch, but is there any chance the clipping level can be set as a preference? (ie, '252') Or is clipping simply defined to be off the histogram. (ie, '255')

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    I've not found a post on point. If I've missed one, sorry.
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    Tropes
    antithesis
    opposition, or contrast of ideas or words in a parallel construction
    Human life is everywhere a state in which much is to be endured, and little to be enjoyed. (Samuel Johnson)
    Not that I loved Caesar less, but that I loved Rome more. (Shakespeare, Julius Caesar)
    apostrophe
    addressing an absent person, a god or a personified abstraction
    Judge, O you gods, how dearly Caesar loved him. (Shakespeare, Julius Caesar)
    euphemism
    substitution of an agreeable or at least non-offensive expression for one whose plainer meaning might be harsh or unpleasant
    [] one particular lady, whose lord is more than suspected of laying his umbrella on her as an instrument of correction, [...] (Dickens, Bleak House)
    hyperbole
    obvious exaggeration for emphasis or for rhetorical effect
    [] he couldnt, however sanguine his disposition, hope to offer a remark that would be a greater outrage on human nature in general [] (Mrs Chicks response to her husbands suggestion that the starving baby should be fed with the teapot since there was no nurse. Dickens, Dombey and Son)
    irony
    expression of something which is contrary to the intended meaning; the words say one thing but mean another
    Well! said Mrs Chick, with a sweet smile, after this, I forgive Fanny everything! It was a declaration in a Christian spirit, and Mrs Chick felt that it did her good. Not that she had anything particular to forgive in her sister-in-law, not indeed anything at all, except her having married her brother in itself a species of audacity and her having, in the course of events, given birth to a girl instead of a boy []. (Dickens, Dombey and Son)
    In addition [...] you are liable to get tide-trapped away in the swamps, [...] Of course if you really want a truly safe investment in Fame, and really care about Posterity, and Posterity's Science, you will jump over into the black batter-like, stinking slime cheered by the thought of the terrific sensation you will produce in 20,000 years hence, and the care you will be taken of then by your fellow-creatures, in a museum (Mary Kingsley, Travels in West Africa)
    metaphor
    a figure of similarity, a word or phrase is replaced by an expression denoting an analogous circumstance in a different semantic field. The comparison adds a new dimension of meaning to the original expression. Unlike in simile, the comparison is not made explicit ( like or as are not used, see the longer discussion in Analysing a Metaphor)
    The web of our life is of a mingled yarn, good and ill together.
    (Shakespeare, All's Well that Ends Well)
    That fence about my soul (MacNeice, London Rain)
    metonymy
    a figure of contiguity, one word is substituted for another on the basis of some material, causal, or conceptual relation
    My Head and Heart thus flowing thro my Quill (Pope, Imitations of Horace)
    (i.e. the thoughts produced in my head and the feelings of my heart are expressed in the things I write with my quill)
    oxymoron
    (Greek for sharp-dull) a self-contradictory combination of words or smaller verbal units; usually noun-noun, adjective-adjective, adjective-noun, adverb-adverb, or adverb-verb a paradoxical utterance that conjoins two terms that in ordinary usage are contraries
    bittersweet, pleasing pains, loving hate, etc.
    I will complain, yet praise;
    I will bewail, approve;
    And all my sour-sweet days
    I will lament and love. (George Herbert, Bitter-Sweet)
    paradox
    a daring statement which unites seemingly contradictory words but which on closer examination proves to have unexpected meaning and truth
    Snail-paced in a hurry (Christina Rossetti, Goblin Market)
    Dark with excessive bright thy skirts appear. (Milton, Paradise Lost)
    paronomasia / pun
    wordplay, using words that are written similarly or identically, but have different meanings
    [] he
    Who lied in the chapel
    Now lies in the Abbey. (Byron, Epitaph for William Pitt)
    Holland [...] lies so low they're only saved by being dammed.
    (Thomas Hood, Up the Rhine)
    Some folk are wise, and some are otherwise.
    (Smollett, Roderick Random)
    I always say beauty is only sin deep.
    (Saki, Reginald's Choir Treat)
    pejorative
    the use of words with disparaging connotations
    [] the nurse, a simpering piece of faded gentility (Dickens, Dombey and Son)
    periphrasis
    a descriptive word or phrase is used instead of a proper name
    finny race (for fish)
    The Swan of Avon (for Shakespeare)
    On one occasion [...] a mighty Silurian [...] chose to get his front paws over the stern of my canoe, and endeavoured to improve our aquaintance. I had to retire to the bows, to keep the balance right, and fetch him a clip on the snout with a paddle, when he withdrew [...] I should think that crocodile was eight feet long. (Mary Kingsley, Travels in West Africa)
    [...] the Fans round Talagouga wouldn't go at any price above Njole, because they were certain they would be killed and eaten by the up-river Fans. Internally consigning the entire tribe to regions where they will get a rise in temperature, even in this climate, I went with Mme Forget to M. Gacon [...]. (Mary Kingsley, Travels in West Africa)
    personification / prosopoeia
    animals, ideas, abstractions or inanimate objects are endowed with human characteristics
    And moody Madness laughing wild
    Amid severest woe
    (Gray, Ode on a Distant Prospect of Eton College)
    On the brow of Dombey, Time and his brother Care had set some mark.
    (Dickens, Dombey and Son)
    simile
    two things are openly compared with each other, introduced by like or as
    My heart is like a singing bird. (Christina Rossetti, A Birthday)
    Youth like summer morn, age like winter weather.
    (Shakespeare, The Passionate Pilgrim)
    synaesthesia
    the description of one kind of sensation in terms of another (description of sound in terms of colour: blue note; description of colour in terms of sound: loud shirt; etc.)
    The eye of man hath not heard, the ear of man hath
    Not seen, mans hand is not able to taste, his tongue
    To conceive, nor his heart to report, what my dream was.
    (Shakespeare, Midsummer Nights Dream)
    If music be the food of love, play on [] (Shakespeare, Twelfth Night)
    synecdoche
    A figure of contiguity (form of metonymy), the use of a part for the whole, or the whole for the part: pars pro toto or totum pro parte
    I went into a public-ouse to get a pint obeer
    The publican e up an sez, We serve no red-coats here. (Kipling, Tommy)
    (instead of a soldier, who wears a red coat)
    understatement (meiosis)
    an idea is deliberately expressed as less important than it actually is; a special case of understatement is litotes, which denies the opposite of the thing that is being affirmed (sometimes used synonymously with meiosis)
    Last week I saw a woman flayed, and you will hardly believe how much it altered her appearance for the worse. (Swift, Tale of a Tub)
    This is not unexciting. (litotes)

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    Thank you in advance !

    RicardoAngelo wrote:
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    I take it that the sidecar xmp file is the same whether modified in Lightroom or in Camera Raw.
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  • Lightroom will not import my photos.   It did up to a week ago.   I have changed cards and cameras (both worked two weeks ago).   I can import the photos to Picasa and iPhoto

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    If the Import button is not clickable, that means that Lightroom thinks you have no new photos to import (one possible reason is that they are duplicates)
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    Hi there, I need to be able to read raw files from an Olympus Stylus 1 via CS5 and Lightroom 4.  I have downloaded Raw file plug-in v 6.7.1 but still can't read the files?

    Read this table http://helpx.adobe.com/creative-suite/kb/camera-raw-plug-supported-cameras.html
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  • How do I install the RC updates to my PS CC, camera raw and Lightroom?

    How do I install the RC updates to my PS CC, camera raw and Lightroom? I have downloaded the correct versions from the Lab site but I still can't open my Nikon D-610 RAW files. The site says follow on screen instructions but I have not found any. Help please.

    Please ensure that for CC you have downloaded ACR 8.3 - CC:
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    I have just bought my wife Canon SX60 and loaded pictures into Bridge and saw that Camera Raw does not recognize Canon SX60 CR2s. I checked the supported cameras and saw SX60 is not in the list. I will be purchasing a Canon 7D Mark II on Tuesday and see that it is also not supported. I saw in a forum post that the 7D is not in the current Camera 8.7 but will be part of the Camera Raw 8.7 "production release". I currently have Photoshop CC, Photoshop CS6 and Lightroom 5 will both cameras be supported in the next "production version" of Camera Raw and Lightroom 5 and when is it scheduled for release (I saw some thoughts that it would be by the end of year but was hopefully we can get a more definitive date).
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  • Camera Raw 6.0 (and Lightroom 3) extra slow, what's happening ?

    Hi,
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    Istrasoft wrote:
     Just out of curiosity, what was so awfully penalizing reponsiveness in ACR 6.0 ? 
    And, does Lightroom use the same internal 8bi plugin file to do the processing or do I have tu update Lightroom separately to get the responsiveness back ?
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    Hi,
    Yes, both Camera Raw and Bridge are included. Bridge will need a separate installation, however.
    regards,
    steve

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