Reconnecting Audio/Video clips

If I have removed the audio or video portion of the clip...is there a way to recconnect (or add back together) them?
Thanks!

If the audio or video portion removed is from a clip in the timeline, just drag over the clip from the browser and reinsert it.
Unselect (using the little connection thingies on the left side of the timeline) the portion of the clip you do not need.
x

Similar Messages

Breaking Link Between Audio/Video Clips

Although this question I'm sure is simple, i'm not finding it in any of the documentation.
I need ONLY the Audio portion of some of my Audio/Video Clips. I can't break the link, so that I can slide the Audio Clip around on the time line. Thanks for any info you can provide.

Either hold down the OPTION key before you click on the audio, or look on the button bar above the timeline on the right. There are two default buttons, one being LINKED SELECTION. Turn that one off and audio and video will disconnect.
Shane

Where can I find the folders that hold the audio & video clips of a project

Unlike weapons of mass destruction, I know individual clips exists and that there is a folder somewhere on my harddrive that holds the audio and video clips of each iMovie project. Where can I find them?

They are inside the Project that was made when you first created and named it.
Right-click (Control click) and choose Show Package Contents. Navigate through these folders.
Do not add or remove items as you may ruin the Project.

Merge Audio & Video Clips.

Okay i have 2 clips.
One is the Camera video + Audio
the other is the Audio from a boom microphone.
I have them both in a bin, but because they started at different times they are out of sync. I can place the video clip into the sequence, and then replace the audio of that with the audio from the boom mic. But then i want to edit them, and cut them up. Is there any way to 'merge' the boom mics audio with the video clip, all fully synced and place it back into a bin as a 3rd clip?
Adam.

Maybe I am missing something here, but would not plugging the boom
into the XLR on the camera and disconnecting any other mic have been
the better approach?
Back
in the cine days, we recorded all Audio with a separate Nagra, that was
synced to the cameras, and then transfered to 16mm or 35mm tape, that
was locked in sync, and cut with the film. Slates were not yet digital,
but worked perfectly.
I
will assume that with a "feature film," you slated every take, right?
You'll have no issues with the syning, as you have the slate to cue you.
If I have missed something very important, then pardon my interruption,
Hunt
I assume the first sentence was for the creator of the thread, but I'll address it in regard to our project. We didn't use this method for several reasons, the biggest being that we were running several audio sources (wireless lavs on the actors and two booms in the room) and ran them to a multitrack recorder. I would also site wanting to minimize cables running to the camera (more mobility, less cable wrangling) as another major reason to not use the camera for the audio capture.
In regard to the slate, of course we slated every take (digital slate).
The issue isn't that we don't have something to "visually" cue us. The issue (and it's a major one), is that Premiere doesn't allow you to sync video with audio using time code (which both Final Cut and AVID do)... In Premiere you have to do it manually by eye (syncing wav forms to video). On top of that, the only way to save linked audio and video is in a timeline or nested clips (ridiculously ineffiecient when syncing thousands of files).
You have to either export each linked clip as a new clip with audio and video, or create a nested clip with audio and video.
You SHOULD (as all other professional video programs do) be able to sync audio and video using the time code, and then have the program "remember" where they are synced (the video would simply have the audio locked to it at that point).
Having to lay out every clip in a tineline and either access it from said timeline (rather than a bin file) or create new nested clips for each and every clip (thus cluttering your bins and workspace) is incredibly ineffecient and time consuming.
Again, Adobe REALLY needs to address this issue.

How to edit a multiple audio video clip on Premiere

Hello everybody
Maybe this is a dumb question, I'm sorry if I'm asking what is obvious for you, but I swear I tried to find on the web and on this forum, but I couldn't find anything.
Well, I made a video using a screen capture software called Dxtory, that provides me the ability to record my PC screen, with multiple audio tracks.
Ok, now I have a 15gb avi file. When I open this file in the Media Player Classic, I can play one or both channels. The first channel is the original audio captured from my PC. Every audio generated by my PC is in this track. The second track is my voice, with my commentaries. I have all of this in one single file. They are not splited. It's just one file.
Then when I import into Premiere, the software just recognize the video track and the first audio track. I can't find the second, with my voice.
I know I can split the clip into 3 files (1 video and 2 audios) but it would take longer. I just want to drop the file on Premiere and edit the audio volumes quickly, because when I talk I would like to low the volume of the PC audio.
Now, the question: Is there a way to Premiere recognize both tracks in this single file? How?
Thanks in advance for any help.

I'm actually surprised that Pr can import this at all--the video is Xvid. Maybe it's some variant that Pr's importers can handle, as Jeff suggested. I dunno--it doesn't play well for me, regardless, and I'm not going to install the Dxtory codec to find out.
Anyway, to the matter at hand: while AVIs can, apparently, contain multiple audio tracks, Pr's importers are limited to a single track. However, Pr has other importers than can handle multiple audio tracks. QuickTime--which is a wholly different process--supports multiple audio tracks, as does MXF (some flavors). However, Xvid in QuickTime (which is feasible) won't import in Pr (at least on a PC), and Xvid won't go into an MXF file at all; that means you'd have to transcode. Personally, this would be my choice--but I found that the original clip played back pretty terribly, so that would be why I'd go that route.
Additionally, you could extract the second audio track to a separate WAV file, import both the AVI and WAV, and then use the Merge Clips feature to marry them together as one pseudo-clip. Not perfect, but it would work. The benefit is that you don't re-encode anything.
So, I've got solutions for both the re-encode/MXF option (my preference) and the AVI/WAV option. Here's proof of the MXF (transcoded video to XDCAMHD422 50Mbps) with four audio channels (stereo must be split to dual mono):
At the end of the day, these (or a variation of them) are your only options. Pr simply won't import multiple audio tracks (even dual mono) in an AVI container. Let me know if you're interested in either of the solutions.

Grouping synced audio + video clips into one clip?

I've been asked to edit some footage together that was shot by some other people. They recorded the audio separate from the video on a Marantz device, but they used a clapboard to mark everything so it shouldn't be too much of a problem to sync the audio files with the video files.
I can do that in the timeline, but I'd like to know if I can take multiple audio files and sync them with the one large video stream and have them treated as one single clip so I can easily cut them and put them in the timeline as usual?

Just put them all in to a timeline and when you have them synced properly export the timeline as a reference or self-contained quicktime and re-import that file.
Caleb

Aperture does not allow me to reconnect to video clips

Hi
After a clean install of Mavericks, I copied (Time macine does not work - shows only black windows) my aperture library directly from my backup to the pictures folder.
When I launched Aperture, all photos and videos were offline.
The photos were easily reconnected, but I cannot reconnect videos as the 'Reconnect' buttons are disabled.
If I re-import the clips, they will loose their time stamp, which is not desireable.
Any ideas would be welcome.
Thank you.
Pierre Scerri

This document lists the MacOS X versions and Aperture versions required for the RAW Support:
Apple - Aperture - Technical Specifications - RAW Support http://www.apple.com/aperture/specs/raw.html
See the footnote:
D610*** *** Requires Aperture 3.4 or later
To get your camera supported, you need to update at least to Aperture 3.4 (http://support.apple.com/kb/DL1588) and at least MacOS 10.7.5 or MacOS 10.8.2 and later.
None of the versions are the current version, so going all the way and upgrading to Mavericks would be the easiest solution.

Can PP make a video clip find its matching audio and pull it.

I have a SEQ that i created. I made 2 copies of the same seq.
Then i used the copy to ad the razamataz.
Then i unlinked the audio and exported that to an aiff.
I opened the aiff in soundtrack. Doctered it a bit and exported an aiff file from there.
I reimported that aiff and put it back on the TL .It matched flawlessly.
Then the client all of a sudden wants me to add another clip.
When i open up PP the original seq was no where to be found.
So is it possible to use the clip on the TL to pull the audio back to at least 1 clip at a time?
Can premier ad that audio clip back to the TL (w/ handles) or am i just simply facing a replace clip and re-edit the video situation?

Its not a large project. 38 clips, 9 SEQs, 14 composition elements, 4 audio elements
I am gonna chalk it up to operator error why the original is gone.
I think this is a straight up 'replace clips' and copy grade situation. Then i gotta reclean the audio.
I did figure out that the fastest way to replace the audio clip was to 'reveal in 'project' , load to source monitor and pull the audio stream.
Maybe CS6 will have the ability to "replace audio/video clip with original source" comand or something to that effect.
Thanks for your responses.

How merge audio/video for easy cropping and editing

I'm trying to build a movie by importing my audio and video clips separately from Cinematize. (This is the only solution because Imovie has a bug and shows the movie file as distorted widescreen - and transitions don't work with a .dv file) I have about 5 different extracted imports - or 5 clips. That means 5 video.mov files and 5 .aiff files
The problem is this - I want to lock/merge the audio to the video FOR EACH CLIP - not to the play head. I want to end up with several merged audio/video clips for easy cropping. Is this possible? Otherwise how do I crop the video clips and keep the audio clips exactly in sync?

Hi:
You can make your movie and export back to tape and then reimport to imovie, Then the audio will be on the actual video clips.
Sue

Re-importing synched audio to video clips in the timeline

Hello, i have edited together a project with a whole bunch of clips and i unlinked the audio and deleted it to replace it with music but now my client wants the original audio back.
Is there any way of automatically reconnecting the audio to the selected video files in the time line?

Welcome to the forum robz85!
Fastest way to do this:
1. put the playhead over any video clip you need to add the audio to in the timeline. Doesn't matter where within the clip you set the playhead... just don't move it after step 2 nor move it in the Viewer after step 2)
2. With the Canvas active, type f.
3. connect the audio to the tracks you want to add it to in the timeline window on the left (connect the track buttons) then type F11 to perform a replace edit.
4. If you have filters on those clips, copy the video only clip in the timeline first (cmd+c)... then after you perform the edit, right click on the new clip that includes the audio, and select "paste attributes" from the contextual menu that will show up... add the filter(s) back... or motion attributes if you've changed those).
Jerry

How can I display & split the audio & video from the same digitized clip?

I digitized a scene into iMovie that I edited on a professional system which I don't have access to anymore. The whole scene is 1 clip. Now I see a few tweaks that I want to make, so I was hoping to do them in iMovie.
I want to "pull up" the audio in one section - meaning I want to take cut about 20 frames of audio from the end of a shot, and then move all the other audio up to fill the hole. To compensate for the missing 20 frames, I'll cut video off the head of the next shot. Some call this prelapping. Some call it an L-cut. Some call it asymmetrical trimming. Either way, I can't figure out how to do it in iMovie.
My clip appears in the timeline as one track - a single track that contains the video and 2 audio tracks. How can I display the audio that's tied to the video on its own track? Then I think I could split audio & video wherever I wanted and trim things up - but I can't figure out how to do it.
Am I asking too much of this software?
BTW, I never see the option to "Split audio clip at playhead". I'm not displaying clip volume or waveforms. Choosing to display waveforms doesn't show me anything. Maybe iMovie thinks I'd only want to see waveforms of audio that isn't tied to my video-and-audio clips?
Thanks in advance for any help...

Jordon,
"Am I asking too much of this software?"
No, you're not.
You first want to select your clip(s) and choose Advanced>Extract Audio.
This will copy the audio from the video clip and place it on one of the two separate audio tracks while lowering the audio level to zero in the original video track.
You can now edit and move the audio independently of the video.
With the audio clip selected, you'll find you now have access to Edit>Split Selected Audio Clip at Playhead.
Matt

How do I sync multiple audio clips to one video clip?

I have video (with stereo audio from a camera mic), and for each take, there are also four additional mono audio tracks that line up with it. It was footage shot outdoors in the city, so I guess the filmmakers just wanted to have as many options for sound mixing as possible given how much background noise there would be. I have tried selecting the video clip and the four audio clips at once and selecting "synchronize clips," but it doesn't work. It spits out a synchronized clip that seems to have converted two of the mono tracks into one stereo track... and then disregarded the remaining two mono tracks. It's a mess. It's likely someone else will fine tune the audio once I'm done cutting the video together... but I'd like to get all the audio tracks properly synced from the start. Thanks for any help you can offer.

Do you mean manual syncing? I've been reading this thread about workaround, which aren't working for me: http://forums.creativecow.net/thread/344/21236
But the question they are asking is the same one I am asking. Isn't this a typical situation, having multiple mics for one camera? For example, if someone filmed a concert with one camera but used both the camera audio, and ambient mic, and a mix from the board, then that would be 3 audio tracks with 1 video track. I'm in a similar situation, and I'm finding it hard to believe that FCPX isn't equipped to edit this way. There must be some way to get one video clip (with reference audio) to sync with four audio tracks.

Sony DCR-DVD505 Handycam: Unable to get video clips, audio

Evaluating Adobe Premier. Hopefully helpful for other Sony DCR-DVD505 users.
Objectives:
1) Get videos from Sony DCR-DVD505 handycam into Premier Elements
2) Drag and drop various clips into Sceneline
3) Insert menu markers
4) Burn DVD
Stuck in Step 1, getting video from handycam, unable to get video clips (with audio)
First Try: NO AUDIO.
The Sony DCR-DVD505 burns a mini-DVD (1.4 GB) while recording. After "finalizing" the disk, the media may be imported into the computer. Streaming was supported by Windows XP driver but is no longer supported in Windows Vista. In fact, Vista Service Pack 2 (SP2) does not even recognize the camera as a DVD drive! So downgraded to Vista SP1 and used the Sony Picture Motion Browser to import media into computer as MPG files. Each MPG file is a clip (corresponding exactly to camera record on-off sequence while shooting). Then opened up Adobe Premier Elements 8. Used get media to import all the MPG clips into "Organize". Dragged and dropped various clips...inserted a menu or two and...burned the DVD. PROBLEM: VIDEO OK, BUT NO AUDIO(?!). The MPG files on computer play fine (with audio) inside Windows Media Players. Read all sorts of nonsense about why Adobe Premier (probably old versions) cannot work with "low-quality/compressed" MPG and needs to be a particular type AVI soo....
Second Try: Capture VOB directly
Forget the camera. Insert the mini-DVD directly into computer DVD drive, create a new project and followed directions from "Lowdown on VOB" http://forums.adobe.com/message/2117743 and "tools to convert to DVI" http://forums.adobe.com/thread/415317. I loaded the VOB directly and dropped them into Timeline as advised by the second post (only hitch being the first VOB pertaining to the DVD menu is not recognized and is neither needed).
However, File > Export is always GREYED out (unusable). And the status at bottom right seems to be looping on "Background Rendering". DO I WAIT? In any case, the whole video is showing up as a single continuous stream and what I want are the clips from the camera?!
Then I tried Prism (again as per the second forum post mentioned above). It simply did something to process 30 minutes of video and crashed in the end without explanation - saying there was an error in conversion.
Is this AVI conversion even a good idea? How would I get my clips back??
Bottomline. My mini-DVD and imported MPGs plays fine in Windows Media Player. However unable to extract the camera clips (with audio).

Dawg, I have the Sony DCR-DVD305, and have been using it successfully for quite a while with PE7, with few issues, once I had a workflow nailed down.
I believe the 505 is basically the same camera, with some additional features.
This workflow worked for me in the past so I'll pass that along:
Sony Browser to PC as Mpeg.
Mpeg to Windows Movie Maker, output to DV-AVI, taking default settings.
DV-AVI imported into PE7.
This should also work for PE8.
Upon getting Cyberlinks PowerDirector v7, my new workflow changed to this:
I take the min-DVD directly from camcorder to my PC, and capture the disk via Power Director.
PD will convert the VOB's directly to DV-AVI Type 2 on one pass.
I then load this DV-AVI into PE7.
(PD v7 was pre-installed on my new PC from HP, or it can be purchased from Cyberlink).
Other options to try:
Copy the VOB's directly from the mini-DVD to your PC and use Prism to convert these to AVI.
Or load the VOB or Mpeg into PE, then use that to convert to AVI.
(Export to DV-AVI with PE8 is done with SHARE/PC, not Export under the File Menu, which is greyed out).
I've had many issues trying to work with Mpeg's and VOB's when loaded directly to PE with limited success.
So if you can get it converted successfully to AVI outside of PE, I've found this to be a better approach.
Post results, if any of this works for you...
Note: One other thing, if you are working directly with VOB's to PE, especially multiple VOB's from a single DVD, you can encounter out-of-sync issues between video and audio. If this occurs, review this link from Muvipix:
http://muvipix.com/phpBB3/viewtopic.php?f=38&t=2469:

How can I match sound quality between video clips and audio clips?

Hi guys,
First of all let me say that I enjoy using the latest Media Encoder. However, as a novice, I have two related problems.
1.I am recording video to use with PowerPoint slides in Adobe Captivate. I am encoding the video with best quality FLV. This produces very good video,
      but with a degraded audio track, even though I had filtered the audio in soundbooth. The post encoding sounds like it did before Soundbooth corrections.
2. Some of the video recording has been set cut into audio clips to be used as background narration behind PowerPoint. The logic behind this is: that if both are
      recorded at the same time, the voice quality should match.
This is far from the outcome. I have tried MP3 for the audio which of course produced the best sound- but is entirely unlike the rest of the video. I have also encoded the audio with Windows Waveform preset figuring that since the soundbooth edit was a .wav file, that there should be a reasonable match. Wrong again!
So, the audio quality of all clips is poor, and the difference between the encoded video clips, and the audio encoded clips spoils the otherwise professional result in Captivate.
Please help, all of you experts.

Thank you.
OS Windows 7 x 64; 3.2 MHz; 2 TB; 12 GB Ram-9GB ram allocated to Adobe.
My process is this:
1. The whole video and audio narration material is shot in one continuous video sesseion.
2. The microphone is only mono, but the camera is set to stereo. Noone can work out how to change the camera to mono.
3. In Premiere Pro 5, I select render and replace in SoundBooth.
4. In Soundbooth, I choose Add Multichannels.
5. In Multichannels, I delete the unwanted noisy channel, and any other unused channels.
6. With the remaining mono channel, I then select Export and Save As option, then Stereo.
7. Next I edit the stereo channels as needed.
8. The imported stereo won't automatically update in Premiere Pro, so in PPR I import the new edited stereo track.
9. I test this track in PPR, to check that it is playing R & L channels. It is. OK.
10 On the timeline, I proceed to cut apart this single stereo wavelength .
11.These clips are saved as Video, or Audio subclips.
12 From the video subclips, I export to Media Encoder, and choose either FLV4 match attributes (High Q). This I modify to custom 2 pass (Custom save).
     The summary says that this is saved to MP3 Stereo.
13. I import this into Captivate 5, but the Video outcome is Left channel only. I have tested this on Media Player/Real Player where it is also L channel only.
14. I export my Audio subclips to Media player, and select MP3 option and this summary also reports stereo. The Audio outcome is stereo, when played in any player and in Captivate 5.
I cannot understand how a single, continuous track edited uniformly in Soundbooth to stereo, can produce different outcomes in Media player.
I would so appreciate a solution to this problem, because, in the Captivate 5 e-learning production, the switch between stereo audio (behind PowerPoints), and l. channel video is distracting. Naturally, the l. channel only is a thin sound. It is as if it had never been edited in SoundBooth at all.

How do you link two audio clips to one video clip?

Hi guys,
I want to think multiple audio clips to one video clip and aint know how to do it! I found this page on Adobe knowledge base:-
http://livedocs.adobe.com/en_US/PremierePro/3.0/help.html?content=WS1c9bc5c2e465a58a91cf0b 1038518aef7-7f40.html
It says you can do it but I don't think it explains how? Can anyone provide me with the simple steps required to link two audio clips to one video clip? Many thanks.

Do you mean manual syncing? I've been reading this thread about workaround, which aren't working for me: http://forums.creativecow.net/thread/344/21236
But the question they are asking is the same one I am asking. Isn't this a typical situation, having multiple mics for one camera? For example, if someone filmed a concert with one camera but used both the camera audio, and ambient mic, and a mix from the board, then that would be 3 audio tracks with 1 video track. I'm in a similar situation, and I'm finding it hard to believe that FCPX isn't equipped to edit this way. There must be some way to get one video clip (with reference audio) to sync with four audio tracks.

Reconnecting Audio/Video clips

Similar Messages

Maybe you are looking for