RECORD DIRECTLY INTO AUDITION?

I can't find
a way to record sound (coming through sound
card) directly onto the timeline. If I hear it, how do I capture it without making a wav or mp3 file?
Also I would like to use a USB mic and record directly to audition. Thanks [email protected]

It's obvious you don't know much about Audition or recording music generally, but let's start at the beginning. What's the source of the sound you're trying to record? Is it a mic, or something else?

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Record directly into iMovie?

I was wondering if I could set up a camera, and record directly into iMovie. I have a long program I need record, and would love to record (import) directly into iMovie.

Yes you can. But there may be occasional short pauses while your Mac "takes a breath" and indexes what it's storing on your hard disc, etc.
Remember that DV video takes up about 13 gigabytes of space per hour, so you'll need that much free space on your disc per hour of recording, and keep about 10% of your total hard disc space free, so that your Mac can still do its internal housekeeping.
You'll need, of course a camcorder with a FireWire/DV/i.Link connection (..all the same thing; just different names for it!..) which generally means a tape-based miniDV camcorder.
(..Although hi-def HDV camcorders have the same FireWire connection, and record onto the same miniDV tape, there's quite an 'overhead' of processing power which your Mac requires in order to convert the incoming hi-def video into the 'Apple Intermediate Codec' format which lets iMovie edit hi-def, so I'd stick with standard-definition DV if I were you!..)*
Depending on the make and model of camera, you may need to put a tape in the camera - or not - and switch it to either Record or VCR mode. (..In a quick test here I've just turned on my Sony camera in 'Camera' mode with a FireWire cable connected, and iMovie is displaying the picture from the camera, and imports it when I click iMovie's "Import" button..)
"..I have a long program I need record.." ..erm, if you're pointing it at a TV screen to record that, you'd want the camera on some sort of support, and - if you have Manual Focus - you may want to de-focus slightly to avoid the moiré pattern which you might get from tightly focused dots (pixels) on the screen. You'd also want to adjust the camera's White Balance so that the screen looks the right colour!
*P.S: hi-def HDV takes up more than 13GB per hour, so if you were to use hi-def HDV you'd need to allow much more (..up to 4x more..) hard disc space per hour of recording!

Recording directly into imovie from Camcorder

Does anyone know if you can record directly into imovie from your camcorder without using the small cassette tapes?

Without information on the make and model of the camcorder, it's difficult to provide a specific answer.

Video recorded directly into iMovie 11 is out of sync

I opened iMovie 11 on my brand new Lion MacBook Pro and recorded a video directly into the built in camera. As the video was recording I could see it starting to delay the video and image. As the video went on it continued to get further and further out of sync. Replaying the clips in iMovie showed that the out of sync issue was still present. But if I play the recorded clips through QuickTime the clips are in sync.
I continued to edit the piece hoping that it was just a preview issue. But after optimizing clips and exporting to Quicktime the out of sync issue is still there.
In summary - the raw clips are in sync in QuickTime. Anything viewed or output from iMovie 11 is out of sync.
I've been reading through the forums and tried some suggestions such as detaching the audio. This does not work. I "Optimized the Clip" (which was a direction in official Apple Support) and this did nothing.
Any help would be appreciated.

Exactly the same here. It starts fine for about a minute and a half, but then it slips and gets progressively worse.
It's making me really mad too, because I can no longer just turn on iSight and record. I have all the latest updates, in fact I just did the main system update today as well.

How can I import bookmark HTML records directly into pre-defined (but empty) Folders?

Firefox is my default browser. I am in the process of replacing an old computer with a new one. I've converted into HTML files the Bookmark content of all of the Folders appearing within the Bookmarks section of Firefox on my old computer. I then uploaded this into the cloud, and downloaded it to my new computer. I've loaded Firefox afresh on the new computer. Now . . .
Ideally, I would like to be able to import these saved/HTML bookmarks (now on my new computer) directly into the new Firefox, keeping the Folder structure maintained in saving them from the old computer; less ideally, but still acceptable, would be to simply re-create as empty Folders each Folder from the old computer's Firefox setup and then do a 'Select All' copy/paste from each of these Folders as saved in my downloaded HTML bookmarks into these initially empty Folders created in the new computer's Firefox Bookmarks section. Is either of these currently possible? In short, this is a quite distinct scenario from importing bookmarks from other browsers on the same computer.
I have tried, but it seems that neither of these functions is currently viable. As common as replacing one computer with another is, I find this a pretty significant oversight which will require a very time consuming conversion process if such functions are not currently available; i.e., I'll have to open each saved HTML Folder and manually activate each individual html bookmark, go to that website, and individually re-bookmark each of these one by one within the Bookmarks section of Firefox on my new computer as if I were bookmarking this site for the very first time. With hundreds and hundreds of bookmarks segregated into about 30 Folders, I think you can see what a productivity drain this will be.
While there appear to be some quite interesting and potentially useful FireFox Addons - e.g., Categorize - none of these seems to address/resolve this problem. Can you advise? Thank you.

To start out with, Firefox hasn't used the HTML format for storing bookmarks for a few years now; you can still import and export bookmarks in HTML format, as you can with just about any other browser out there as an interchange format. Firefox 3.0+ versions use an SQLite database for storing bookmarks and browsing history in the place.sqlite file. Firefox 3.0+ versions do automatic backups of your bookmarks in the JSON format; that file includes "Tags" data but not the web site Favicon data. Restoring a backup from an old PC to the new PC is how Mozilla handles replacing an old computer - or you can "backup" the entire old Profile and transfer that data to the new PC manually. A user could also use Firefox Sync to "sync" their personal data onto the new PC. IMO, you're over-thinking this using dated information (talking about HTML files) without knowing about what options you currently have with Firefox and Mozilla.
Is that a genuine Netscape-1 bookmarks.html file? ''Look at the first line of code in that HTML file to see.'' <br />
Or is it a standard HTML file?
If you have a genuine bookmarks.html file, you can '''Import''' that file thru Organize Bookmarks > Import and Backup > Import HTML... > From an HTML file.
Doing it that way you will be appending the bookmarks & folders that are in the '''Bookmarks Menu''' folder right now. The ordering of the folders and bookmarks in the "imported" file is identical, the "imported" data is added below the existing data. That said, the '''''Bookmarks Toolbar''''' folder and the '''''Unsorted Bookmarks''''' folder from the "imported" data will be in the Bookmarks Menu folder at the bottom; you'll have to move the bookmarks that are in that folder to their respective folders, above and below the Bookmarks Menu folder.

Recording into Audition 3.0 via Behringer UFO202 USB audio device

I am running Audition 3.0 on a PC with Windows 7 Home Premium. This may not be the proper place for this question, but I was not able to put it on the Adobe Audition 3.0 and earlier forum.
I am trying to record cassettes into Audition via a Behringer UFO202 USB device. I plug in the USB and my computer sees it and I can hear via the headphone output that it is playing. I go to the Windows Recording Mixer and it indicates that a USB audio device is working. However, I cannot get the sound into Audition. It doesn't show up when I record to the edit window or click on the meters to monitor.
I am also using a HT Omega Sound Card, but their support said that it shouldn't interfere.
Any help would be greatly appreciated.
thank you,
New Orleans Audition User

Unfortunately you cannot reduce the levels of audio on it's way into Audition. Audition just records whatever the audio interface sends it. If the levels are that high when recorded into Audition then it is likely that you could be overloading the input to the Behringer interface. You need to somehow reduce the level at source in the analogue domain. Once it is in the audio interface at too high a level then any distortion caused will be burnt into the digital audio file and you won't be able to get rid of it.

Record video into finalcut and audio multitrack into logic in sync

Hi,
I'm an experienced logic user but new to video.
What is the best way to record video and audio multitrack!! synchronously?
Can I record video direct to my harddisc and synchronously record audio into logic or soundtrack pro? We have two separate macs available.
-Can I connect finalcut with logic via rewire or do I need additional sync hardware?
-How can I start record simultaneously for finalcut and logic?
-Do I need finalcut pro?
-Can I record video and audio directly and simultaneously into soundtrack pro or finalcut?
I currently work with a cutter who uses canopus but assign each video take to each audio take is so time consuming. There must be a better solution for video production.
Any feedback appreciated,
Thanks Eddie

I may be wrong about this, but AFAIK…
Can I record video direct to my harddisc and synchronously record audio into logic or soundtrack pro?
No.
-Can I connect finalcut with logic via rewire or do I need additional sync hardware?
FCP is not ReWire compatible.
-How can I start record simultaneously for finalcut and logic?
You can not.
-Do I need finalcut pro?
Maybe, but I can't say one way or the other. What is your goal with video?
-Can I record video and audio directly and simultaneously into soundtrack pro or finalcut?
You can record directly into FCP, either via FW or SDI (if you have supporting hardware)
I currently work with a cutter who uses canopus but assign each video take to each audio take is so time consuming. There must be a better solution for video production.
Not familiar with Canopus, so I can't comment.
Any feedback appreciated,
Some editors find the term "cutter" to be an unfair characterization of what they do. We do waaaaay more than just cut out the bad takes!

Nightmare recording audio into premiere pro with Mbox 2 Mini Mac OSX

I've adjusted buffer settings, power settings, and so on, not to mention watched two Premiere Pro tutorials on recording audio directly into Premiere that barely still apply, but adobe finds relevant enough to suggest. I am using a Digidesign Mbox 2 Mini and an ElectroVoice RE20 Microphone. If I'm lucky I get a clean track of audio for about 45 seconds before the audio begins to pop and crack. In reading on Avid's forums this is due to a buffer issue, but I've since changed my buffer to every setting and still keep wasting time. Does anyone have any experience recording directly into premiere pro cc 2014?, Anyone with an Mbox 2 Mini?, Do you have an audio box that seems to work perfectly with CC 2014? If you have any insight on any of those questions, please comment below.
I've tried everything I could find and read about online, but at this point I have to give up before I waste anymore time. I've switched usb ports, maybe is a USB 3.0 with 2.0 device?, I switched power locations, plugs, protectors, and so on, even USB cables.... blahhh
Specs:
Premiere Pro CC 2014 8.1
2012 Macbook Pro (Non-Retina), 16GB of Ram, dual internal SSD, 2.7 GHz Intel Core i7
OSX 10.8.5
Mbox 2 Mini, Firmware 1.4, latest drivers.

Hi AbzZilla,
I was looking up this post and found you've a similar problem...
I was having the non-responsiveness with the above configurations in 'LE 7.4 & 7.4.2c (Mac-only), but I have now installed Pro Tools LE 8.
Unfortunately I still can't get the MBOX2 to work with the Mac mini 2, but the MBOX2 USB status alights now [i.e. it's very bright and now works] on the MBP 17" ...all with Mac OS X 10.5.6! In all previous Pro Tools versions it confirms support for Pro Tools and the MBox, with the Mac mini:
http://archive.digidesign.com/compato/osx/os.cfm
So I too am 'stumped' as this is the brand new computer that I wanted the software to be operable on. I've swapped the USB cables (to check if it was a failed cable) and it looks like either a firmware clash or a USB-port power issue? I've also tried non-powered USB hubs... as it could be the later issue? So when I find my powered USB hub I'll let you know, ...if there's a change?
Until then... I Iook forward to further posts in this thread!
Thanks for kicking-off the discussion.
'Regards, ;-R

I have Audition CS6 & want to record my keyboard directly to Audition. How do I do so?

I have Audition CS6 & want to record my keyboard directly to Audition. How do I do so?

Mylenium wrote:
... and study the online help on keyboard shortcuts.

Recording Streaming Audio Directly into Logic 8?

Is it possible to record streaming audio directly into Logic 8. I would like to grab some sound bites from web sites and various other places and lay them down as Audio tracks in Logic 8.
I know WireTap Pro will do it for $30 but I wonder if I could just do it in Logic.
Again, thank you for your time.

Bee Jay wrote:
Or you could also use the loopback trick and just plug your interface's outputs >into it's inputs - be careful of your routing to avoid feedback though...
Hi Bee Jay .. I wonder if you would mind advising on this setup:
Normally I hear everything that comes out of the computer via the following route:
Out of computer via Firewire and into Motu828
Then out of Motu 828 and into Mixer channels 1 & 2 which are set to Monitor only. ie I hear all audio ( including streaming audio from computer) through my monitor speakers and the signal does not go back into Logic.
All the other mixer channels (3 - 16) I use for recording. Mics and line inputs routing these back into the MOTU (and then the computer) by buttons on the individual channel of the mixer. ie If the button is up on a particular mixer channel it comes out the speakers and does not record in Logic. If the button is down then that channel records into Logic (via a loom into the MOTU).
I was warned on no account to press the buttons down on channels 1 & 2 ( because those were the main outs to monitor Logic's signal ) ...
But that if I *switched off the channel output in Logic channel strip* - then I could press down those buttons on Channel 1 and 2 and route whatever audio was coming out of the computer ( iTunes, You Tube etc) back into Logic to record.
I did this some time ago and it worked ... but for some reason, now even though I have the Logic Channel outputs switched off, I still get the most horrendous howling feedback if I try to record Streaming Audio or iTunes.
If you or anyone else has advice on what would be causing this, I would be most grateful
ms

Advice for recording spoken word directly into FCP?

I want to teach some kids to record spoken word directly into FCP with most likely a USB mic. I know that this is not the best way to do this, and a mixer would help greatly. With that said, can anyone provide any suggestions for getting the best quality out of a basic mic and a Mac with FCP?
Thanks.

I'm with David on this. My sweet spot for peaks is in the -6 to -3 range as well. I'm talking about ideal for "recording" your VO, not necessarily for delivering a final mix to the client as already mentioned.
When you record anything through a microphone, there will be a noise floor to contend with. Even the quietest recording studios with the best isolation and the quietest mic preamps have noise and hum at some level. So it's critical for us without ideal recording environments to keep our recording levels as hot as possible without clipping in order to achieve the best signal-to-noise ratio. If you record something too low, and bring it up in post, you will be bringing up the noise floor along with the signal.
Eddie

Audioselection from file directly into multitrack

Hi there,
would you be so kind to give me some advice on these 2 questions I have.
1. how can you put a selection (and not the whole file) of an audio file directly into the multitrack. Under the windows version this was control + M. But I can't find this in the C5.5. Although copiing small parts and putting them afterwards into multitrack is an option I would prefer putting it directly into multitrack. (and continue working on the audiofile-screen)
2. as a fresh Mac-user I can't find the option where to put audio from the web directly into the audiofile. I can only record from my internal mic. This could be a question for a Mac-forum but you guys are pretty smart so I've heard.
Thank you so much. Derk.

To insert a selection into multitrack, right-click the selection and choose Insert into Multitrack and select the destination session. On Mac, the shortcut key for this operation is SHIFT+CMD+I though you can modify it as you like under Edit > Keyboard Shortcuts.
To record streaming audio to a virtual input (in order to record it to a file) you'll want to install an application such as SoundFlower which allows you to create a virtual audio device and route outputs and from various devices to these virtual input channel. Audition can then be configured to use this as its default input and capture those streams. (Note: This is becoming more and more difficult on all platforms as content providers pressure Microsoft and Apple to remove these features in an attempt to protect their content. The "What you Hear" or "Wave Mix" option that's been available in Windows audio mixer for so long can really depend on the version of Windows and the manufacturer of your audio device anymore.)

Questions on sending audio tracks from a short film into Audition for mastering

Ok so basically I have a 4 minute film in which i need to master the audio. I have a few quesions as to how to best go about this.
1: Some of the clips came with 2 tracks off the camera yet they are both labeled channel 1 on the beginning of the clip on the timeline. Their properties are listed as follows:
Type: Windows WAVE audio file
File Size: 16.0 MB
Source Audio Format: 48000 Hz - 24 bit - Stereo
Project Audio Format: 48000 Hz - 32 bit floating point - Stereo
Total Duration: 00:00:58:09344
Why are there 2 tracks?
2: Some other audio tracks are just labeled on the timeline as L and R. Both these and the other ones labeled Ch 1 are synced with Pluraleyes from an H4N Zoom recorder so i have no clue why they are labeled different. These one have properties labeled as such:
Type: MPEG Movie
File Size: 69.5 MB
Image Size: 1920 x 1080
Frame Rate: 23.976
Source Audio Format: 48000 Hz - 16 bit - Stereo
Project Audio Format: 48000 Hz - 32 bit floating point - Stereo
Total Duration: 00:00:14:20
Pixel Aspect Ratio: 1.0 (1.0)
Yes those are audio files on the timeline.
3: What is the general scoops with these multi track audio files? Do I need both tracks?
4: What would be the best workflow to export all the audio clips into Audition and get them back in the timeline? I heard about importing then in Premiere clicking Undo so you don't have the audio track clips as "Audio Extracted" and you retain the originals, but then just replace them with the Audition audio.
Working with sound is not yet a strong point of mine, i am just a video editor but need to get a grasp on properly handling this.

Cameras although they can record stereo audio often only use a small mono gun mic mounted on the camera. The audio menus on the camera give you the option to record either the mono mic to both tracks (ie. Ch1 input to the camrea is fed to both) or as stereo tracks from a stereo mic or as split tracks with onboard mic via Ch1 to track 1 and, say, a radio mic fed via Ch2 to track 2.
Your first files sound as if they came from the first of those options from an onboard mono mic. You don't necessarily need both trakc as they are identical mono tracks in this case.
The second set of tracks were recorded as a stereo pair on the Zoom, hence L and R. They could be stereo or more likely again are double mono tracks where you will only need one of them.
However, depending on the project, it may be more convenient to keep both tracks if any stereo music or effects are going to be mixed in on the multitrack. The final edited video will probably have two tracks on it anyway even if all the audio content is mono.

How can I get my (vinyl) record music into iTunes Match?

I have a rather large collection of music on CDs, Tapes, and records.
Now that iTunes Match exists I would like to include all of my music into my iTunes library.
There is no easy way (that I know of) to load anything except CDs into iTunes. So for the rest of the library one must either buy all the music again or buy equipment to play the music one time and convert it to a newer format.
My CD collection is mostly loaded and since 99.999% (virtually all) of that music is already in iTunes Match it is not uploaded to iTunes again, but it quickly becomes available to play on all my iTunes Authorized Devices.
With the exception of that 1 in ten thousand songs that I may have that iTunes does not have in the Match library there is no reason to import the music at all - other than to prove I have the actual CD's. (In any case I suppose I could have borrowed them for that anyway.)
However for CDs at least they can be imported - but for tapes and records I know of no direct way.
With something state-of-the-art like iTunes Match and my PC(s), iPhone(s) and iPad, why use stone-age-like means to prove ownership of outside-of-iTunes music?
Why not provide some other information to identify albums owned and have them available in iTunes Match without the 99.999% useless step of loading them?
In fact for most tape music it is no longer playable (to convert) as the rollers in the tape devices deteriorate and they no longer play.
Vinyl records play just fine, just not easily into a PC without purchase of expensive equipment that would be used only for the one-time load (which is really just for proof-of-ownership).
What a ridiculous waste of time, energy and funds for that 1 in 10,000 songs that may not yet exist in the iTunes Match library. Okay, as the music gets older it may even be 2 in 10,000 - but I doubt it.
I remember that each album (and 45 rpm single) has identifying information scratched into it (around the inside of the innermost track) - can that (or something else) suffice as proof of ownership to get the music into iTunes Match?
Please respond with ideas to quickly and easily get already-owned vinyl record music into an iTunes Match library.
I personally do not care if 1 (or 2) out of 10,000 of my songs gets lost because it is not in the iTunes Match library - couldn't be that good in that case anyway.
Thanks!!

I too have not figured out how to convert my vinyl collection to iTunes match. Here is what I have tried:
I record my vinyl records onto CD using a Sony RCD-W500C which makes a very high quality recording. I make sure the song lengths are the same as those from the same album at the iTunes store.
Then I import the CD into my iTunes music library. I have to enter the names of the tracks manually because Gracenote cannot identify the names of the songs. I do this while the music is in my iTunes music library and the CD has been ejected from my PC.
Then I try to get the iTunes Match, but it never works. I do, however, get the artwork from iTunes. iTunes then uploads my songs into the iCloud. When I download them back onto my PC and iPhone 4s, I get the identicle recording that I imported onto iTunes. I know this because I can hear the static and crackling of the vinyl. I don't necessarily mind that noise, but I figured if I paid for the iTunes Match I should get the AAC 256 bps music. After all it doesn't cost iTunes anything to give it to me. And there's no way I'm going to purchase all my vinyl records again. I have about 500 albums.
I do buy all my new music from iTunes because I think it is the best system available. I just think it could be so much better if they would let me download the highest quality recording of the music I own from them.
I have also tried the Sony Sound Forge Audio Studio which records my vinyl records into a music file on my PC. But that doesn't get the match either.
THERE HAS TO BE SOMEBODY OUT THERE THAT CAN TELL US WHAT ITUNES MATCH LOOKS AT IN OUR MUSIC UPLOADS THAT DETERMINES WHETHER THEY GIVE US THE MATCH!!!!!!
When you download a CD, there is some information embedded in the CD that iTunes matches. I don't believe there is any information embeded in the vinyl albums, but when I burn them onto a CD-maybe I could add the info onto the CD before trying to match it if I just knew what they looked for.
I would appreciate any help anyone can give me on this.

I cant get a signal from my line in when I connect my guitar directly into the input jack

I have several electric guitars. I set the GarageBand (and system preference) settings to the "line-in input" in garage band and have plugged my guitar directly into my MacBook Pro using a regular guitar cable and a reducer to fit the laptop input. I have had no luck getting any sort of signal out of this. When I spoke with the guys at the Genius Bar they said I should be able to plug right in. I think I may need an amplifier or something because I don't think any juice is getting to my pickups. Is there something I am missing?

Your pickups don't need any "juice" to work, but still your signal might be too low for a decent recording. Apple keeps advertising that you could just plug your guitar into the computer, but it doesn't work for most people. Try to run your guitar through anything that amplifies it - a pre-amp, for example, or your stereo.

RECORD DIRECTLY INTO AUDITION?

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