Red frames when exporting mfx from new media encoder

I edit TV programs each week that are mastered as MXF comps. Updated to premiere pro 8.2 (MacPro Late 2013) yesterday. Now when I export a program using the updated Media Encoder que, I'm getting full page red frames intermittently. How can I go back to the previous release? I can't wait for the bugs to be worked out.

This should guide you through rolling back: Install a previous version of any Creative Cloud application

Similar Messages

Getting red frames when export from cc 2014.2 codec used panasonic mxf format long GOP 50p. If any solution please help on that

getting red frames when export from cc 2014.2 codec used panasonic mxf format long GOP 50p. If any solution please help on that

i solve my red frame problem. originally my project was done in premiere pro cc 2014.2 & i render in Encoder cc 2014. in newer version i get lots of red frames. i complain a lot to adobe customer support . they said they know the issues but they couldn't solve. I was so tired from adobe customer support. one of the worse customer services i had. My friend got the mac pro & e got premiere pro cc 7.2 version. i convert all my footage mxf to mp4 in encoder cc 7.2 version and i succeed. i don't get any red frames.
So i think the problem is in adobe encoder cc 2014.2 version. newer version.

Export AVI from Adobe Media Encoder Mac

I would like to export AVI files from Adobe Media Encoder (CS5 or later) on a Mac running 10.6.8 or later. Am I able to buy the codecs for Mac to do so?

[email protected]
VLC player does get the job done, but I have found it to be glitchy in the past.
I would recommend MPEG Streamclip much more strongly.
I trust it much more.
And free download, for Mac or PC. Just google it. (Though I have only ever used the Mac versions.)
Though, I don't understand what you mean by saying that the .avi extention seem contrary to what was said above.
Whatever "container" you use for your video file is what the extension will be. i.e. "video_file.avi"
Within that container, there will be a compression codec (of which there are numerous options) that the container used to compress the video.
That codec will not be displayed in the extension.
MknzBrkr
I know you posted over a month ago...but maybe it will still be helpful!
I do not remember the video codecs available within VLC player. Sorry.
But if you decide to follow my advice to Timoyer and use MPEG Streamclip (which I highly recommend that you do!)...
Then you can use File > Export to AVI... > and then select "Apple Component Video - YUV422".
That is an uncompressed format.
While it will be quite large, hopefully that will be what your client is looking for.
Good luck to you all!
And have a great week!

Red frames when exported to encore

Not sure if this is an encore or a premiere pro problem
I am trying to create a blu ray disc from a video shot in HDV.
I have captured and edited my video in premiere pro and it looks great but I am having problems getting it on to a blu ray disc. I am using premiere pro CS3.
If I export to encore or use the adobe media encoder I end up with a few clips being affected by being replaced with bright red frames.
Now I have tried this on two projects and its always the same clips which are affected
so I have started a new project gone back to the source footage and captured just a clip which was affected and tried to encode that single clip with the same results it gets corrupted into red frames.
The clip plays perfectly well in premiere pro and can be exported back to tape without any problems ...so what is going on

Thanks for responding Jeff.
Its hard to know what has corrupted the frames as sometimes after encoding i get some completely red frames and some whith a little of what should be there showing through.
It happens consistantly on two clips that I have been using in different projects.
so as I said before I have created a new project gone back to the original and recaptured those two clips into my new project and tried to encode them in several different ways but all fail to encode properly.
This is a Pal Project recorded captured and edited in HDV
I used the MPEG2 settings and frame size of 1440X1080.
I first used the default setting for 1440x1080 quality high, with a default qualty of 4 and then increased the quality to 5 without improving things.
Ive tried reducing the target bit rate from the default to 20, still the same.
Ive tried using CBR instead of VBR 2 pass. still no difference.
My machine is a Dual Quadcore Xeon processors. with 4 GB of ram and a Matrox RTX2 card. both my video hard discs have around 50% free.
I really am struggling to know what is wrong.

Red frames popping up after upgrade to media encoder cc

I'm having some issues with Media Encoder CC. My workflow is AMA SxS card (footage is in XDCAM HD 1080/50i) into Avid Media Composer 6, edit, and export as XDCAM HD 1080/50i mxf file into a watch folder that Media Encoder picks up and converts to SD mpeg2 (its the way the TV stations want it) that file is then ftp'd using Media Encoder. It used to work fine with Media Encoder CS6, but since I upgraded it keeps giving me red frames (cant read frame errors) usually just before or after there is a cut in the footage. I've resorted to transcoding the footage in Avid to DNxHD 120 after editing and that seems to resolve the issue, but it's just an extra step that adds loads of time to my workflow.
Avid Media Composer 6
Adobe CC
HP EliteBook 8760w
Windows 7 64bit

The whole point is that I dont want to transcode into DNxHD at all, DNxHD is the extra step. The can't read frame errors are also very inconsistent in Media Encoder CC. I might export a file and it gives me a few red frames (can't read frame errors) but if I then take the same file and rename it they sometimes work. I've tried uninstalling and reinstalling but that hasnt helped...

Red Frames in export to h.264 original files XDCAM MXF

We still find red frames in exports to H264
original files in this codec:
Format XDCAM HD 422
Codec MPEG2
4:2:2 Profile (422P) @ High Level (HL)
Bitrate 50 Mbps
Constant Bit Rate (CBR)
Display aspect ratio 16:9
1080i/25 1920 x 1080 25, 50 fields Interlaced
adobe premiere pro cc 2014.2 release 8.20.0 (65) build
Mac Pro Mid 2012 Yosemite
24 GB RAM
Nvidia Quadro K5000
No problem until last update...
Any solution or update in future?
Hope to hear from Adobe.
Bart

We are having the same issue at our shop. We have 8 suites, all are experiencing red flashes ever since we upgraded to 7.2.1.
All the systems are Win7, and we've encountered red flashes with XDCam 35, XDCam 422 and Mpeg4 clips. We haven't been to develop a workaround as the flashes occur in very inconsistent patterns.
For example, just a moment ago an editor called me in because he was getting red flashes on his exports. We went to his timeline, and the timeline was showing red flashes as well. We deleted the clip (an XDCam 422 clip) from the bin, and re-imported it. It played in the viewer fine with no flashes. We put it on the timeline and again it played fine. We exported the sequence directly out of Premiere as an XDCam 422 clip (delivery format needed for the client) and the exported file contained red flashes. We went back to the timeline and it had red flashes, and the clip in question had red flashes when viewed directly! WTF?!
So we deleted the clip again, and re-imported it. Played fine with no red flashes. Put it on the timeline - no red flashes. This time we exported the timeline as an AVC-I 100, and the exported file had no flashes. As a test we went back and exported the timeline again as XDCam 422...and red flashes on the exported file, AND the timeline and original clip had red-flashes as well.
Could it be something with XDCam and/or MPEG compressed clips in general? We've only done one more test with AVC-I (which was successful) but I'm not confident enough yet to say that exporting as AVC-I is a consistent workaround.

How can you keep the highest iphone 4s Video quality the same when exporting it from iMovie.

How can you keep the highest iphone 4s Video quality the same when exporting it from iMovie.

InDesign's PDF export engine does not transcode your videos, they are embedded exactly as they were in the original file. The Flash Player runtime which displays video inside PDF files may not show a perfect match to Quicktime etc. because most video playback tools aren't designed for a color-calibrated workflow, but they should be close.
The playback quality (blocking and aliasing) will be affected if the clip is not playing at 100% (screen pixels != video pixels) and in PDFs with the standard video player widget, that will only ever happen when you use 'floating window' mode. PDF pages have physical dimensions, so viewing them at "100%" does not make them match screen pixels.
If you don't mind the video clip being smaller than the media annotation in which it's playing, then use my free upgrade to the Acrobat playback widget - VideoPlayerX - which maintains 1:1 pixel scale until the page is zoomed out too far for it to fit. You can install the widget into InDesign so it's used by default when exporting.

IPhone 5 skips the wifi set up when setting up from new

My iPhone 5 skips setting up WiFi when setting up from new. I restored my iPhone because since I have owned it WiFi has not worked so I decided to do a restore to get it to go through the setup process but it skips it. Does this mean that the WiFi chip is faulty?

Hi there wairau,
You may find the troubleshooting steps in the article below helpful.
iOS: Wi-Fi settings grayed out or dim
http://support.apple.com/kb/TS1559
Resolution
Follow these steps to resolve the issue:
Restart your iOS device.
Make sure that airplane mode is off by tapping Settings > Airplane Mode.
Reset the network settings by tapping Settings > General > Reset > Reset Network Settings.
This will reset all network settings, including Bluetooth pairing records, Wi-Fi passwords, VPN, and APN settings.
Make sure that your device is using the latest software. To do so, connect your device to your computer and check for updates in iTunes.
If you still can't turn Wi-Fi on, please contact Apple for support and service options. If you can turn Wi-Fi on but are experiencing other issues with Wi-Fi, see how to resolve those Wi-Fi issues.
It sound like you have already tried all of these steps, so you may need to contact Apple for support and service options.
-Griff W.

We have an issue when we send a film to the media encoder it crashes about half of the time for no particular reason. Anyone else got that too with Premiere Pro CC and the new Media encoder? Thanks! bedrijfsfilm Companyfilms

We have an issue when we send a film to the media encoder it crashes about half of the time for no particular reason. Anyone else got that too with Premiere Pro CC and the new Media encoder?

We have an issue when we send a film to the media encoder it crashes about half of the time for no particular reason
Anyone else got that too with Premiere Pro CC and the new Media encoder?
Lack of detailed info makes your question impossible for anyone to answer you!
eg. ...."Doctor it hurts...anyone else got something that hurts?"

Why would I want to change JPEG quality of photos when exporting them from iPhoto?

Why would I want to change JPEG quality of photos when exporting them from iPhoto? Changing the quality of the print changes the size of the saved file and thus impacts the speed at which it is moved on the internet. But other than size of the file, what is the advantage of changing the quality?

I have no idea why you would want to do anything
Some people want lower quality to reduce file size for different reasons
It is an option - if you do pot want to do that do not use that option
LN

CS5: Bug when exporting directly from PPro with hardware MPE?

For the record, I'm using:
A GTX-480 (unsupported)
The hardware MPE-enabling hack (unsupported)
The latest version of the nVidia drivers (257.whatever)
I discovered an issue, of sorts, when exporting directly from Premiere CS5, versus using the "Queue" option to send to AME. I was exporting from an NTSC DV Standard sequence to a 320x240 H.264, in which I had enable cropping and trimmed a bit off the sides and top and bottom of the source; the Output tab was summarily set to "Scale to Fit". With hardware MPE enabled in the Project Settings, the export would be the proper final dimensions (320x240), but any area that was cropped off was instead padded with black. The actual video content was then squeezed and malformed into the area not occupied by the black bars.
I found that, if I disabled hardware MPE or sent the export through AME by use of the Queue button (instead of Export), then the export was performed properly--the video was cropped correctly and then the video stretched to the borders of the exported video, maintaining the desired aspect ratio.
As I mentioned at the outset, I'm breaking a couple rules and perhaps tempting fate with others, but before I go about rolling back my drivers and the like, has anyone noticed a similar issue?
ADDENDUM: By the way, the export doesn't need to come from a sequence. If I load up a source clip into the Source Monitor, and export from there using the process outlined above, I get the same issue. This would seem to indicate, to me, that this is due to some incompatibility with my card, its driver and hardware MPE...

Did he demo renders or exports?
About 11 minutes in, he [Dave] demos accelerated H.264 renders.
Harm Millaard wrote:
AFAIK MPE only works with renders, not with encoding.
Well, he did both, actually--but the quote above is a typo on my part. I meant to say "exports" or "encodes." The last couple minutes of the aforementioned demo video are dedicated to exporting a sequence directly from Premiere, and having the benefit of hardware MPE. That's where I'm getting the issue I've outlined above; with hardware MPE enabled, and using the "Export" versus AME "Queue" button/function, I get the strange black outline. With software MPE or through AME, all is well.

Trouble maintaining original "date taken" info and metadata when exporting TIFFs from original CR2 files.

When exporting TIFFs (from original RAW), I noticed my metadata said the "date created" was the day of export. I want to be able to access the date the original image was taken as opposed to the day I exported it. Is there a way to maintain original date of image taken in my info? I couldn't seem to find it after I exported my TIFFs...

I just tested this with LR 5.5 Mac OS 10.9.3 and it works correctly for me.
To troubleshoot your problem:
1. Which version of LR and which platform (Mac, Windows)?
2. Which tool or command are you using to examine Date Created of the exported TIFF?
3. Upload a sample TIFF showing the problem to Dropbox or similar and post the URL here. This will allow us to take a look in detail.

MPEG-2 option missing from Adobe Media Encoder (ver7.2.0.43)

Hi all,
Having an issue getting the MPEG-2 option for our Creative Cloud installation, specifically in Media Encoder's presets.
The following steps were recommended on another Adobe forum addressing this issue:
1.Uninstall Adobe Premiere Pro or the Creative Suite.
2.Run the cleanup script found here: http://www.adobe.com/support/contact/cscleanertool.html
3.Reinstall Adobe Premiere Pro or the Creative Suite.
4.Launch Adobe Premiere Pro.
5.When prompted for activation during launch, ensure that the computer is online and complete activation.
If the computer cannot be brought online, complete the offline activation during the first launch of the software. Do not choose to activate later.
6.After Activation, close and restart Adobe Premiere Pro.
We have been able to run through steps1 to 4, however the Activation option in #5 does not appear at all (must be activation is included as part of our CC license).
Without the option to deactivate/activate Premiere how can we go about getting the MPEG-2 option to appear?
Thanks again

Hi Jim,
I'm having the same problem of the mpeg 2 codecs missing from adobe media encoder. I have 2 computers and on both of them the mpeg 2 options for encoding have disappeared today. Can you please help?

Can any one tell me when i use adobe flash media encoder how can i see my live vidoes on flash media

can any one tell me when i use adobe flash media encoder how can i see my live vidoes on flash media server . thnx

Flash Player version 10.1.102.64 is the last version available to PPC Mac users. However, this Flash version won't work for many videos on Facebook, YouTube and other sites. Adobe's latest version, 10.2.x or later, is only for Intel Macs. Adobe will not provide a newer Flash version for PPC Macs.
The message requesting that you download Adobe Flash Player takes you to Flash Player requiring an Intel processor. Doesn't work on a PowerPC processor. I found a hack, installed it & it works with Firefox, TenFourFox & Safari.
Download this http://www.steelbin.com/FPforFBPPC.zip to your desktop, unzip it, and replace the current Flash Player plug-in which is in your main/Library/Internet Plug-Ins folder, (not the user Library). Save the old one just in case this one doesn't work.
Hack Allows PowerPC Macs to Access Flash 11 Content
http://lowendmac.com/ed/royal/12sr/flash-11-and-powerpc.html
 Cheers, Tom

I can transcode my AVCHD files to DNxHD in Media Encoder, but when I ingest through Prelude, Media Encoder Fails.

I am instructing students working on longer form projects to transcode their AVCHD material to Quicktime using the DNxHD codec (which is installed, and then preset loaded into Media Encoder).
I am doing this since it is the suggested workflow in this article:
Audio and Video glitches | AVCHD footage
It worked great last year in CS6, but this workflow is not working at all in CC2014.
When I transcode directly through Media Encoder, the process works fine, but if I ingest using Prelude (where students choose which files to transcode, set destination, etc) the transcoding fails and we get an AME error. Not sure why this would be any different than transcoding right into Media Encoder...
We are working on PCs running Windows 7.
Any suggestions?
Thank you!

Sally Powell wrote:
When I transcode directly through Media Encoder, the process works fine, but if I ingest using Prelude (where students choose which files to transcode, set destination, etc) the transcoding fails and we get an AME error.
Hi Sally,
Could you please post a screen shot of the AME error you are getting? And as Michael asked, could you also let us know which preset are you using?
Thanks,
Ramesh.

Red frames when exporting mfx from new media encoder

Similar Messages

Maybe you are looking for