Relinking/Changing Media

Quick question on re-linking or changing media in Color.
I've got an FCP sequence that I've "Sent to Color". It has opened fine, and I can color the sequence as normal.
Now, I've taken one of the shots into After Effects and fixed some issues, and saved it back into the same media folder but with a different name (i.e., FileName_ver2.mov).
I tried "relinking" the one clip by right clicking it in the timeline and select "Relink Media". It pulls up the file dialogue box. But, when I select the Version 2 clip, I get the spinning rainbow ball of death. And, Color hangs indefinitely.
So, I tried the super snaeky way, by changing the name of the new clip to the name of the original clip. Still didn't work. Now, when it opens, it just hangs on the "Loading Project" alert.
Not sure what's going on. Am I breaking a Color rule by trying to change the media? If so, then what's the workflow for inserting new clips into the timeline without having to start from scratching FCP?
Thanks in advance for your help.
Russ

JPO,
You're right. Color does not create its own XML, and that's what's hurting me right now.
I've rendered all my clips in the timeline as ProRes422, but when I "Send To FCP", the timline is still based on DVCProHD (codec and pixel ratio). DVCProHD is squished at 960x720. And, ProRes is 1280x720, non-squished. The problem I'm experiencing now is that when I create a new ProRes (1280x720) sequence in FCP, and bring my new color sequences into it, all of the clips are squished back to 960x720, and don't fit my 16x9 frame.
I really don't want to go back to a DVCProHD codec, because then I lose all my color information (from 32 bit floating point coloring). I wish there was a way to tell Color to create a ProRes timeline instead of the DVCProHD timeline.
The only solution I found is that I can create a new sequence in ProRes codec, but use the DVCPro frame size and pixel aspect ratio. But even then, it requires me to render. So, I have a feeling I'm losing some pixel information from the conversion.
I guess the only other option is manually place each rendered clip back into the timline, but that really ***** because this project is a feature film with over 800 clips.
Any ideas?
Russ

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Hi all, thanks for your help but neither of those solutions are working. I have found an autosave in which most of the media is still linked but not all of them and I am still being told that the file dimensions are too large to link, despite being from tapes i captured using premiere pro. While all clips are in the same place as where i edited them, the ones that appear to still be linked are blank and will not play.
Date: Sun, 29 Jan 2012 10:00:12 -0700
From: [email protected]
To: [email protected]
Subject: PP CS4 won't relink offline media
    Re: PP CS4 won't relink offline media
    created by Bill Hunt in Premiere Pro CS4 & Earlier - View the full discussion
Jeff covers two of the biggest reasons that Media is Offline, and why one might not be able to relink to the media. This ARTICLE goes into detail on a few other reasons. The biggest question, and also at least part of the solution, is "why is the media offline?" One of the main causes is that something changed in the Path to the media, which is absolute. Then, when PrPro cannot find that media, it asks "Where is file ____ ?" and the user chooses anything but the Finder to locate that media, then Saves the Project. All media with changed Paths will then show as Offline. However, manually relinking will correct that. In your case, you are failing in that relink operation, so Jeff's suggestions take on even greater importance. Still, by defining WHY the media is showing offline, might be useful in determining how to relink. Good luck, Hunt
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Hi Memalyn
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Hi
Before the update i could add an audiobook to itunes from my laptop, windows 8.1. The audiobook got into musicfiles, then i marked all the files/songs, went to info and changed from music to audiobook. Viola and i could find my audiobook in that categori.
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So I just want to edit the Media Start time as I'm sure this would remedy my timecode error when trying to capture... but I can't edit that field. What am I doing wrong? How do I change the Media Start time?
I could recapture the whole tape independently but I already have sequences edited based on my previously logged clip. Any help would be greatly appreciated. Thanks!

If you are re-capturing then you must have used Capture Now to get the clip first time round or you would have run into the same trouble with pre-roll. You'll have to capture the clip again using the same method. Of course, the chances of getting the same start and end code using Capture Now are slim, but if you can get in earlier and out later then you should be able to manually re-connect the clip.
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Converting to ProRes changes Media Start and End

I have a series of clips that were incorrectly all captured Uncompressed.
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Batch Capture Changes Media Start, End, and Duration

Hello all... For some reason, when I batch capture from an imported batch list in FCP 4.5, the program changes the media start, end, and duration just slightly once the capture has completed. Does anyone know why this might be occurring?

OK... I don't believe it has to do with drop frame or non-drop frame issues, and here's why... I ran a series of tests.
The footage was originally shot with two cameras, an A Cam and a B Cam, which were Jam Synced together. The original A Cam tapes were log and captured normally. But for the B Cam tapes, we exported a batch list to excel, performed a rename function where _B was added to all file names and reel names, and brought the data back into FCP by importing a Batch List at 29.97.
For the tests, I experimented with only one clip. First, I noted the timecode for the media start and media end when the file was uncaptured. Next, I placed the A Cam Tape in the deck and did a batch capture on the one clip. The program changed the media start and end times upon hitting ok. Here were the results of the first test:
LOGGED: MS (05:50:39:26) ME (05:51:41:01)
CAPTURED A CAM: MS (05:50:39:17) ME (05:51:41:07)
Then, I undid the capture so that the timecode would revert back to the precaptured state. I placed the B Cam tape in the deck and ran the capture again, on the same clip, in Batch Capture mode. The program changes the media start and end yet again, but this time, changed it in a different way:
LOGGED: MS (05:50:39:26) ME (05:51:41:01)
CAPTURED B CAM 1st Attempt: MS (05:50:39:16) ME (05:51:41:06)
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LOGGED: MS (05:50:39:26) ME (05:51:41:01)
CAPTURED B CAM 2nd Attempt: MS (05:50:39:26) ME (05:51:41:01)
CAPTURED B CAM 3rd Attempt: MS (05:50:39:26) ME (05:51:41:01)
So I ask again... what is up with FCP 4.5?

How do I change media start timecode?

I'm working on a project that was handed to me after a significant amount of capturing had already been done. Much of the footage (I'm praying that not all of it is like this) was captured using Capture Now, so there is no room left for pre-roll on any of the clips I am now trying to recapture (literally like 2 frames). I searched the forum and the web for a solution, but came up with some solutions that didn't work in my particular case. I have made the clips offline which for other users seems to have solved the problems of not being able to edit the Media Start/Media End timecode, but I still cannot get it to work.
Could it be that since I've used the clip in a sequence, it will not let me edit the timecode? Assuming there is some solution, and I am able to change the timecode, will any clips in sequences be trimmed to match the changes (for example, if I used the beginning of a clip in a sequence, and have now changed that clips beginning timecode, will it automatically trim the clip in the sequence or will it not reconnect at all?)
I'm working in FCP 4.5.
Thanks a bunch

Hey Jack
]Thanks for your continued posts Peter.
Always happy to help out, but thankyou for the acknowledgment! Often busy stressed people on this board forget that essential ingredient of good manners! So thank you!
]Does that really solve it? I'm not sure that it does
Absolutely! I had exactly your situation a couple of years ago, when I took over a job from someone who hadn't left any room on clips. I gave adding extended handles a shot, and it worked.
Once again I am just sorry I did not remember this workaround sooner.
As always, I would do a little test run first. I have mentioned this previously on the board, but I will again because I find it an invaluable tip:
]<small>A good little technique I have gotten into over the years is learning any new functionality in FCP with what I call my dummy project, dummy.fcp.
]This is just a normal FCP file with a couple of dozen clips, a few sequences and so on. Nothing too fancy, but designed to tap into most of the essential features, and broadly represent a typical type of job I do.
]Every time I want to try something new, and am worried I might damage existing work, I close the project I am working on, make a duplicate of dummy.fcp, and experiment on that. And I do it a couple of times, just to make sure for myself that the new functionality is well understood and predictable. I even try and do it wrong a couple of times, just to see what the results of mistakes would be like... Better learning through mistakes on your dummy ...
]If things go crazy, I have lost nothing, my current real-life project file is safe, and one of thee following is true:
] I am doing something wrong -- so I log on here
] I dont understand the functionality - so I log on here
] FCP might have a bug -- so I log on here
] All of the above -- so I log on here</small>
I recommend that you -- and everyone else! -- make one of these dummy projects for yourself, and try this solution out. And keep a copy for later, when you come across that next possible workflow enhancement / project destruction tool.
Regards
Peter

Relinking many media files at once when there is duplicate media?

Has anyone had an issue where they have two sets of the same files (say a folder structure on a network and a folder structure locally on faster drives) and when trying to relink to one or the other set, Premiere defaults to the previous location?
I work with people over a slow network, where they give me files and I update them, etc. I pull media locally to my machine, mimicking the file structure, in order to have realistic playback performance. This requires me to take the media files offline and relink them to my local drive. If I select a group of files (more than two) and choose to link media to my local machine, it will ask me to point to the first file in the list. When I do that, Premiere is SUPPOSED to search that local file structure and find media in a similar location...at least, that's what Final Cut does. However, what it actually does is relink that first clip locally that it asked me for and then relink everything else I had selected back to the original location on the network.
The only solution I found was to dismount the network drive. I shouldn't have to do this.
Is this something others have encountered?

when i had and older pc, i have to always work whit proxies. And I found the same problem you say.
when relinking ppro always try to reconnect to the same location where it was. what I did was,
2 folders.
proxies
orginals
when I do the relink, first I rename the folder proxies. It is not the most elegant way.
But it works !!!

Relinking/Changing Media

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