Render to transparent issue

Hi,
Could someone please advise on this issue:
I have rendered off a set of PNG files with Alpha from 3DS Max with a view to creating a transparent background video. When I import into AE the background is transparent (toggle transparency grid works). I have also created a heat haze effect in the AE file using an adjustment layer and red/green particle layers (if you are familiar with the tutorial).
If I play in AE or scrub the timeslider the chequered background is there and the heat haze is there.
I used the following settings to render from AE:
Quick Time video
PNG Codec
RGB + Alpha
Millions of colours
Straight
The resulting QuickTime mov file has a black background and also shows the red particles layer from the heat haze (behind the main scene objects).
Q. I am sort of guessing that it is the haze/particle layers that are producing the black background in the final video. Is there some setting for the haze/particle layers somewhere that I am missing? Or is there another reason?
I am not particularly experienced in AE so don't be afraid to state the obvious!
Many thanks,
T

I am having a similar issue, however the difference is I have a layer to replace the transparency in AE. It works in the sequence and with RAM preview, however when I render to Animation with RGB Millions +, I get a black hole.
I am positive I am rendering without Alpha.
Thanks for any advice!
- Ryan

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Indesign CS4 to PDF 1.3 transparency issue

We submitted an ad to the local newspaper that we created in Indesign CS4 and Acrobat 9. The ad was exported as a press-quality Acrobat 4 PDF.
It is a fairly simple layout, with type and a logo.
The headline and logo have a drop shadow applied with multiply blend mode. All colors are CMYK.
When the ad prints, the headline and logo have 1% black-filled boxes around them.
I know this is a transparency issue. However, we've done the same ad in Indesign CS3 and Acrobat 8 with no problems as long as we were CMYK and Acrobat 4.
Has something changed in CS4 that I don't know about? Could it be the multiply blend mode rather than normal?
Problem is, the newspaper can't give me a proof -- we have to wait and see what happens when they print. I can't simulate the problem on my end. The ad prints perfectly on my HP5000N in b/w and on my Phaser 8560 in color.
One workaround suggested was to export the file as a JPG or EPS and save as a Photoshop PDF. We did that on one ad that will run Monday, so we'll see. However, that makes the files with photos enormous -- like from 4 mb to 26 mb.
Any ideas would be greatly appreciated. We're in the middle of an ad campaign and we're resorted to the old-fashioned manual drop shadow out of desperation!
mev

Has something changed in CS4 that I don't know about? Could it be the multiply blend mode rather than normal?
Something did change. In some cases (maybe all), the flattener in CS4 will put the shadow behind the background rather than in front. In both cases, though, using a RIP and/or viewer which is set to honor overprints will avoid the problem, and allow the artwork to render correctly.
You say that all colors are CMYK. Are you absolutely certain that the background (whatever the rectangular shadow-containing "boxes" knock out) is not a spot color? Your problem description would be more easily explicable if it were.
One workaround suggested was to export the file as a JPG or EPS and save as a Photoshop PDF. We did that on one ad that will run Monday, so we'll see. However, that makes the files with photos enormous -- like from 4 mb to 26 mb
This in itself suggests that these folks do not know what they are doing (though I know that's not terribly helpful to you if you need to advertise with them). I must say that given current economic realities in the newspaper business, it's hard to image a paper refusing to cooperate with a paying advertiser - especially one who has been previously bitten - if not by the newspaper's own incompetence, at least by their unwillingness/inability to provide a proof.

Transparency Issues with PSD files in FCP 7

I'm having some weird file layer transparency issues with FCP 7. I'm working on a project that's made up entirely of graphics drawn in Photoshop CS5. They Photoshop settings were done to match an HDTV 1080i (16:9) sequence in FCP. In FCP, the pixels were set to square, field dominance to none, frame rate to 29.97 and compressor is Apple ProRes 422.
I exported my PSD files out of Photoshop, with each layer being exported to its own file. In general, things were fine, but there were a few files where you could see the outline of the character against the background, but mind you that this is only visible once the video is rendered out in the FCP timeline. Nothing is visible in Photoshop, nor is it visible while viewing from the Browser in FCP. I told this to the artist and he went back and made corrections, making sure everything was on a transparent background, but the result was still the same - once I rendered the graphics out in FCP, these edge lines were visible.
I then went back into Photoshop, opened all the files that were giving me trouble, clicked on the "foreground color" and changed it to a color other than white, then back to white and hit ok. That seemed to work - even when rendered out, I was getting no artifacts, until I tried enlarging the graphics over 100%.
Also, with some of the same graphics, I was trying to layer them so that a guy was in the foreground with other people and a van behind him in the background. Once again, no problem in Photoshop, but once brought into FCP, the background people were actually being displayed over the main foreground character.
I'm pretty baffled - what to do? I'll attach a photo of the weird lines around the characters. It might be hard to see at this size, but if you download and enlarge it to 300% or so, you'll see what I mean.

Just saw that Adam's original post was an older one. Will keep this here anyway to maybe help the most recent poster.
Sharon
Adam, did you try what David said about pointing to the root folder? Did that work?
When I copy the SD card, I name a new folder on my hard drive something specific, like Smith Wedding. Then I copy everything inside the SD card to that new folder. The first level inside my new folder now has folders for
AVF_INFO
PRIVATE
and on down from there. When you open Log and Transfer, point it to the Smith Wedding folder (of course whatever you have named yours).
ClipWrap2 also works great to convert the files beforehand if you want.
What camera are you using? I have the Sony NX30 and it was giving me fits because the .mts files don't ingest if the clips are longer than 11 min. My problem is that I'm still on FCP 6.0.6. I think 7.0.3 fixed that. But I did find enough work-arounds to keep the camera.
This is a link to the full discussion if you are interested.
https://discussions.apple.com/message/19085158#19085158
Sharon
Message was edited by: SSteele

InDesign CS2-generated PDF & feather effect/transparency issues

I am at my wit's end. I received a client's PDF file created to my specs (same ones we've used for 5 years). I am having massive flattened transparency issues. I am currently using Trueflow version 3, a rip which does not support live transparency; therefore, my distiller settings require that transparency be flattened. There are some horrible results that I can't rectify on my end. There is stitching showing (and outputting to the plate!) where she has placed .psd files on some pages. There is also a problem with feathered objects (which are linked photos) - they look just fine in the document but when exported and flattened, there is a white box behind the pictures instead of the soft feathered look.
When I exported her CS2 file using Acrobat 5 instead of 4, the effect is fine, but - my rip kicks it out. When I export to my specs, the PDF has the above print issues --
I want to clarify that I always view print ready PDF files using output and overprint preview -- this is not a preview issue -- it is a definite file & export & resulting print issue.
I would love to be able to assist my client -- this is a rush job. If anyone has encountered this and has a feeling what may be causing it, please let me know -
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Peter -- I am looking over those articles now. Here is the problem -- we do not print from the application
File > Print, and under Output, choose Composite CMYK, and CHECK the “Simulate Overprint” checkbox. Under Advanced, select your all-raster flattener.
I do not have her entire document -- only a couple of the problem children.
I suppose a workaround would be to (if I had her files) see if I could print as a postscript and distill it to a PDF -- or print to a postscript and send that into Trueflow to see if it will accept it --
However, I did receive a warning that by creating that high res setting with the slider all the way to the left, it would rasterize the whole page --
Now, I can already do that in just one step by opening the PDF in photoshop at a very high resolution and flattening it --
I simply hate having to go that route when we have type on the page too -- I think my issue is a lack of proper equipment -- we don't like to rasterize if we can help it -
Since this job is a rush, I may have no choice but to do that on those pages -
That info is helpful but in reality is a longer way of accomplishing the same thing --

Can Anyone help with an Illustrator transparency issue?

I created a logo in Illustrator which includes an imported Photoshop psd file with a transparent background. The transparency behaves properly in Illustrator, but as soon as I place it in In Design or open it in photoshop the graphic shows up on a white box/background (the rest of the elements in the logo remain transparent, as they should be). And btw-the greyscale version of this same logo has no transparency issues.

function(){return A.apply(null,[this].concat($A(arguments)))}
it is part of an entire suite of logos that are all vector based Illustrator files
No, it is not. It contains a raster image, so it is not "all vector" regardless of its being assembled in Illustrator.
function(){return A.apply(null,[this].concat($A(arguments)))}
The EPS file will not handle transparency.
EPS supports "transparency" in 1-bit raster objects. It also supports clipping paths, which is how this particular logo would have been handled in earlier times (assuming one insists on the simple grads being raster).
function(){return A.apply(null,[this].concat($A(arguments)))}
What kind of file do you save and place in ID - should be an AI - is it?
InD doesn't really import AI content. It only imports PDF content of an .ai file (if any).
function(){return A.apply(null,[this].concat($A(arguments)))}
I'm on a time crunch
Take Scott's earlier advice. Especially given that you are compiling a collection of (presumably) reuseable logo files, this should be re-created as entirely vector content. That mark should take no more than a few minutes to redraw. Simply by including the raster element (which is primary element, by the way), you are obviating the core advantage of vector artwork (resolution independence) to begin with. So if you insist on that element being raster, then the whole thing might as well be, and your workflow is needlessly convoluted.
JET

Transparency issues with INDCS3 and Pantone color

Running Windows XP, Serv Pk 2, Creative Suite CS3, All updates.
Heres the deal: We are having problems with PDFs printing and Ripping when using transparencies and drop shadows.
Issue 1: INDD CS3 file with transparent PDF placed as image. Separate frame filled with paper, stroke and drop shadow placed under trans PDF file. Filled frame areas of percentage tint using a PANTONE color used on same page. File re-PDFed (compat to v6) and file printed correctly to XEROX 7760 and HP color. PDF views correctly. Recommended ordering policy applied to all layers as to keep drop shadow below text. PROBLEM: User running Acro 7 to printing to same color printers, receives copy with color tint areas missing.
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Could this also be the "known issue" of transparencies and PANTONE colors? We are testing out converting all the colors to CMYK.
Please respond at your earliest.
KEN PANTHEN, Albany, NY

Ken,
If your final output is to the Xerox, which can't print Spot colors without converting them to CMYK, you should use process colors instead.
Also, read the articles from InDesign Secrets:
http://indesignsecrets.com/eliminating-the-white-box-effect.php
http://indesignsecrets.com/eliminating-ydb-yucky-discolored-box-syndrome.php
Peter

Seriously Apple, why can't Leopard render a transparent menu bar on my Mac?

I have a 2-year-old PowerBook 12" 1.5 GHz running Leopard 10.5.2 freshly updated today. I thought for sure I'd get to see a translucent menu bar but, no, still opaque as ever with no option to change.
Apple, let me tell you some of the things this pretty capable computer can do:
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Please stop telling me my computer is not compatible enough to display a translucent menu bar. Displaying the transparency in the menu bar has got to be one of the least intensive operations Leopard will do. It is a static image (save for seldom changing menu items) that rarely needs to be re-rendered. Terminal windows, however, get resized, dragged around and display their transparency beautifully.
Let's get some straight answers as to why this simple issue of getting a Transparent menu bar consistently displayed (ot not displayed, by choice) across all of your "compatible" hardware is such a confusing mystery.
Thanks for fixing the Stacks, at least.

Thanks for your input. While you may not mind a solid menu bar, I quite like it and would like to have one. My main gripe however, is the fact that this really just seems like some bug that Apple isn't willing to focus on, or admit to.
They say the graphics card can render "most effects" but not the menu bar. But, seriously, as I've mentioned before, why can it render transparent drop-down menus, transparent Terminal windows, transparent/reflective Dock, Dashboard ripple effect but not a simple, basic, transparent menu?
Once I get a decent answer to this, I'll be satisfied. Because right now, telling me my 64MB graphics card can't handle it seems like a load of bulls**t.

Transparency issue within linear wipe effect

Hello,
my client wishes some special linear wipe transitions for his new image movie. Due to the fact, that the transition should have a specified angle i used the "linear wipe" effect to make some presets.
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So i tried to import the whole premiere project file into after effects. unfortunately without success.
My current version of Premiere is "Adobe Premiere Pro CC v7.2.2"
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Feathered Edge: 9px
Feathered Edge: 10px

Hi BB,
Sorry you did not get a response here. Did you ever resolve this issue? There is another user on the Red User forum experiencing the same issue. Here's a link: Linear wipe transparency Bug
Any details on your system and media would be most helpful in trying to resolve this issue.
Thanks,
Kevin

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Render and preview issues with Premiere CC 2014 update

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You really aren't reading what we write.
Let's break it down:
Suitcase isn't working with the new application versions, because Suitcase has bugs in it's code or just doesn't know about the new application versions.
The only way to fix that is to fix the code for Suitcase.
Suitcase is written by Extensis, so only Extensis can fix the code for Suitcase.
So you are waiting on Extensis to fix their code to work correctly with the new applications.
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To get a working version of Suitcase (which requires fixing bugs in Suitcase), you need to talk to Extensis.

InDesign 5.5: Strange Printing Transparency Issues

Hi guys, long time reader, first time poster. This forum has helped with a lot of problems, so thanks, and hopefully you can help with this one.
I'm working on a multiple-spread page for a client that is giving me some strange issues when it's printed. The document has an image as a background for the entire page, and then a black box over the image with some text on top of it. For some reason, the black box with text is letting the image underneath show through, almost as if the box is 99% transparent or something. I've checked each box individually, and there's nothing in the transparency/attributes boxes. I'm not sure how, exactly, to solve this issue -- is there some sort of universal transparent image setting (for instance, set black to 99% opacity always or something similar)?. It's the only thing I can think of.
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No problem, Peter. I've included a few shots from various pages (the problem stems to all black boxes placed over images over the 64 page document) on the links below.
http://img40.imageshack.us/img40/5964/88392023.jpg
http://img94.imageshack.us/img94/9741/93991019.jpg
http://img20.imageshack.us/img20/7883/10837728.jpg
The third one is the page that I took the picture of the printout with my phone.
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Why are my identically coloured opaque images printing different colours? Is it a transparency issue

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More to the point on this, I think, is that both RGB and CMYK values listed for any spot color are "best approximations" (many, perhaps most, spot colors have no good CMYK equivalent, and that would be true as well for some subset using RGB) using Pantone's unknown color space. Even in that space the probability of getting an actual match between the simulation and the true spot ink is close to zero. Using some other space makes things worse, and since there is no way to know the sapce in use at Pantone, you're kind of up the creek.
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