Rendering Animation In photoshop cs3

I dont know how to render my animation as quicktime export, Help??

Hi,
If you have photoshop cs3 extended, then File>Export>Render Video
Photoshop cs3 standard doesn't render quicktime.
Which operating system are you using?

Similar Messages

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    Does anyone know a way to control the display rendering intent in Photoshop CS3 runing on XP?
    The consensus seems to be that Relative Colormetric is always used.  If I am using a large working space such as ProPhotoRGB, I would like to be able to switch between Perceptual and Relative Colormetric.
    Here is some info I think may be relevant:
    http://www.color.org/advantagesv4.pdf says one of the advantages of v4 over v2 is to "permit profiles containing multiple rendering intents to be specified for input and display devices as they currently are for output profiles".
    Using http://www.color.org/version4ready.xalter I see that my system is not v4 compatible, but Photoshop CS3 does correctly render images with v4 profiles on my computer.
    When I look at the profile that came with my monitor, using ICC_Inspector from http://www.color.org/profileinspector.xalter,  I see it is ICC version 2, and the rendering intent is listed as Perceptual.
    If use Monitor_RGB as my working space, and do edit > convert_to_profile, converting from ProPhotoRGB to MonitorRGB:
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    Using engine:Adobe(ACE), I get the same results for all intents, and they all look very close to Microsoft_ICM Perceptual.
    However the original image in the ProPhotoRGB space is apparently rendered to my display space using Relative Colormetric because it looks like the image produce using convert_to_profile: Microsoft_ICM Relative Colormetric.
    Thanks.

    Let me think about this.
    Looking at my monitor profile with the Color Sync Utility (I’m on a mac), the rendering of the profile is Perceptual.
    With Photoshop, I open a saturated Pro Photo image. View: Proof Setup: Custom. Device to Simulate, Monitor Profile.
    This is supposed to show me a file conversion to my monitor color space. I see no change in color (as long as preserve numbers is disabled). It makes sense, because the conversion is something that happens anyway. I can never truly see a Pro Photo image. It must be translated to my monitor profile before I see anything.
    I can change the rendering and black comp all day long and it does not affect the color I see. I have to assume that what I see is actually a Perceptual rendering, not Relative Colorimetric,  because Perceptual is the intent embedded in the Monitor ICC profile.
    CMYK is a little different. With the same image open, View:  Proof Setup: Custom. US Web Coated SWOP v2. Relative Colorimetric, Black Point checked. Simulate Paper White.
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    So at this point I have to conclude that Photoshop can control the display rendering for a CMYK image. But with RGB, it’s locked in somehow. I would imagine it defaults to Perceptual, not Relative Colorimetric. Can you open your monitor profile and check the rendering?
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    Zeno
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    I typically import my images into Lightroom, then make adjustments there, export to CS3 as 16-bit tiffs in ProPhoto RGB Colorspace, then make further color and contrast adjustments in Photoshop. My monitor is calibrated using a Colorvision Spyder2. Color management settings in Photoshop are as follows: ProPhoto RGB Colorspace, US Web Coated (SWOP) v 2, Gray Dot Gain 20%, Spot Dot Gain 20%, Color Management Policies are to preserve embedded profiles for RGB, CMYK, and Gray, profile mismatches are to ask when opening and when pasting, and to ask when opening images with missing profiles; Conversion options are Engine Adobe (ACE), Intent Relative Colormetric, Use Black Point Compensation checked, Use Dither (8-bit/channel images). There are no items checked under advanced controls.
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    I understand that Lightroom Develop Module is using a Perceptual intent and that the default option in Photoshop is absolute colormetric, but I still do not think this completely explains the problem, especially since I have the soft proofing set up to use perceptual intent most often. By the way, I never check the box for preserve RGB numbers.
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    Please note that I ultimately export the final images as jpegs (8-bit) in srgb colorspace before posting on the web. These photos are ultimately ordered from an online printer (usually from Mpix).
    Thanks for any help you can give me. Best wishes.
    Bob

    Hi,
    Thanks for your responses. In answer to Jao's questions:
    Yes, I turn on the clipping warnings in Lighroom (shortcut j). I am viewing a 16-bit tiff in ProPhoto RGB (that has made the "round trip" from Lightroom to Photoshop CS3 and back again to Lightroom) in Lightroom using the clipping warnings. The clipping shown in CS3 using the adjustment, curves, show clippings are much less than what is shown using the clipping warnings of the same 16-bit tiff in Lightroom.
    My workflow is to import Canon Raw (using sRGB, rather than Adobe RGB) into Lightroom. Make color, sharpening, tone, ect. adjustments in Lightroom, then export to Photoshop CS3 as a 16-bit tiff in ProPhoto RGB colorspace. I make additional adjustments to color, tone, skin tones, noise, touchup, sharpening, ect. and then save the file. It reappears again in Lightroom. When I have the clipping warnings on (shortcut j), this tiff appears to have considerably more clipping than on a curves layer showing clipping in Photoshop. Ultimately, I then export these same photos as jpeg (8-bit)in srgb and post to the web where they can be ordered from an online printing service such as Mpix.
    Thanks for any help you can give me.
    Bob

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    hello my friends
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    luuk makharoblishvili
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    Bill,
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    Step 5 - This brings you to the Epson Printer Dialogue box. I selected the Print Settings section and selected Premium Glossy Photo paper as the Media Type. In colour settings I selected Epson Standard (sRGB). and selected the Advanced radar button below and best photo as the print quality. When I pressed print I got a good quality print....and it seems to work every time now!
    I have also tried this with my Epson 950 and it also works. In fact I am getting better prints with this one than I was before Leopard!
    Don't ask my why it is working this way. I don't know. I used to let Photoshop CS3 manage the colour using my profiles, but this will not work now. I suspect that as my profiles were done in tiger they are Tiger dependent. I will contact my supplier next week and discuss this with him. I am still disappointed that I seem to have lost complete control over my printing and blame Apple and Epson in equal measure. From my "discussions" with Epson support it is clear that their "fix" is aimed at the amateur user and not those requiring control over the production phase!
    I hope this helps.
    David

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