Replacing FCE-4 with FCP-5

What issues should I consider as I replace FCE-4 with FCP-5? Will FCE projects play in FCP?
Thanks.

As Zak Ray says,once you open an FCE project in FCP you can no longer use it in FCE.
Should you wish to do so, simply copy the project file before you open it in FCP.
The copy can then be used to open it in FCE.
Project files are very small . . . . only a few megabytes . . . . so storage is no problem.

Similar Messages

  • Using FCE files with FCP?

    Hello - does anyone know if I can open FC Express files in FC Pro, and vice versa (with appropriate "save as")? I'm not an experienced user of these programs, but I think I will be soon. My collaborator on a video project uses Final Cut Pro, but I want to be able to make some edits, and can only afford (and probably only need) Express. Will we be able to exchange files in any way?
    iMac G5 2.1 ghz   Mac OS X (10.4.1)  

    In most cases FCE will not open an FCP project, unless the project is very simple. FCP will open an FCE project, if the version is new enough. It depends which versions of FCE and FCP you're working with. Once the FCE project is opened in FCP and updated it will most likely no longer open in FCE.

  • Open FCExpress projects with FCP

    Hi Mac friends,
    I once had FCExpress. Not any more.
    I´ve all FCExpress projects and all the media stored on an external FW hard drive.
    Can I open this projects now with FCP and save them as new FCP Projects in order to use and preserve this works?
    If so, what´s the proper way to do it?
    Thank you very much.
    L.

    You can open FCE projects with FCP. You will not be able to open the updated projects from FCP on FCE.
    Just do a "Save As..." to make a copy.

  • FCE file sharing with FCP...?

    I am considering purchasing FCE (and a macbook pro), but need to know a few things from users who have experience with it. First, is FCE totally compatible in terms of file sharing with FCP? I'm a beginer and need to learn editing. I just completed production on a film. My editor, who is also my filmmaking partner has FCP with all the bells and whistles. I live in California, he lives in Georgia. I'm hoping to supplement the editing process as we begin putting the film together from opposite sides of the country. Will I be able to do so with FCE, or will there be a problem opening certain filters and plugins from FCP?
    Also I was wondering, if I do purchase FCE will I get an upgrade price break when and if I move up to FCP?
    Any help and advice would be mucho appreciated. Thanks

    Hi
    Exactly as Tom writes.
    But there are some tools in FCP that are that great that they could justify for
    taking the full step.
    Colorcorrecting - three ways (not to mention the extra program Color™)
    MultiCamera editing - This to be able to edit as real life all Cameras at once
    and You even don't need to be anything like precise - only adjust a second or two
    afterwards.
    A two Camera one hour documentation used to take about 10 to edit in FCE FOR ME
    and I've done same in FCP in about 1 hour 20 minutes.
    It was mind blowing.
    But there is a price-tag I know it hurts and an upgrade program would benefit
    the Apple brand (as they usually does)
    Yours Bengt W

  • Editing FCE audio with Garage Band?

    I've never tried to edit FCE audio with anything except FCE itself and SoundSoap. Can Garage Band edit FCE audio without messing up the video? I seem to recall trying to edit FCE audio with Audacity once, but lost the video information when I saved the edit. I never tried it again. It would be nice to be able to cut and past a bit of ambient room noise to cover some unwanted audio.
    Ross Hunter
    Orange, VA

    Martin,
    I thought I'd tried that before and was not successful. I'll try again. And I'll resolve to be more persistent and not give up at the first obstacle.
    I recall seeing a tutorial of SoundTrack Pro where you could copy and replace a bit of audio. I suppose that's too much to ask of FCE or the now departed SoundTrack?
    Ross Hunter
    Orange, VA

  • FCE to FCP? Can I transfer an unfinished FCE file into FCP?

    Hi all,
    I would like to know if i can transfer a FCE file into FCP and continue editing from there?
    I started my first project in FCE, after many months of learning the basics the hard way.
    Having now read about the features of FCP, I am considering upgrading as I am led to believe that a lot of issues that are consuming my time editing, (e.g. eliminating unwanted audio ticks, image stabilisation etc.) are far easier/quicker in FCP.
    I realise that you can not make something out of what you don't have, but FCE just doesn't cut it when you start off with less than perfect material and are looking to smooth things out in general.
    So if i buy FCP can i finsh my project?
    Will my macbook pro handle it for now?
    2.4Ghz Intel Core Duo Processor,
    2GB 1067 Mhz DDR3 Memory,
    Thanks for any information.

    You can open FCE projects in Final Cut Pro.
    Work on a copy of your project file -there's no going back.
    Your MacBook Pro will handle Final Cut Studio fine.

  • Best Macbook Pro for use with FCP X for the money?

    I am on a budget, but don't want to be frustrated with FCP X being slow or crashing. What Macbook pro configuration would you recommend? I'm currently considering 4 15" configurations that are below, but am open to any suggestions. I figure I can always get an external drive to upgrade the RAM, so I'm keeping that low to save. What processors, HD and video cards does everyone recommend? Thank you!
    #1
    2.2GHz Quad-core Intel Core i7
    4G
    500GB Serial ATA Drive @ 5400 rpm
    AMD Radeon HD 6750M with 512MB GDDR5
    #2
    2.2GHz Quad-core Intel Core i7
    4G
    750GB Serial ATA Drive @ 7200 rpm
    AMD Radeon HD 6750M with 512MB GDDR5
    #3
    2.4GHz Quad-core Intel Core i7
    4G
    750GB Serial ATA Drive @ 7200 rpm
    AMD Radeon HD 6770M with 1GB GDDR5
    #4
    2.4GHz Quad-core Intel Core i7
    4G
    500GB Serial ATA Drive @ 5400 rpm
    AMD Radeon HD 6770M with 1GB GDDR5

    Don't skimp on memory.
    I personally use OWC for almost all of my Mac upgrades, especially memory and SSDs.
    I'd highly recomend getting 16GB. You only have two slots, so it's not like you can add memory, you have to replace memory. I've seen many users post issues with FCP X who simply don't have enough memory.
    http://eshop.macsales.com/item/Other%20World%20Computing/1333DDR3S16P/

  • Export from FCE 4 to FCP 5

    I have a Final cut express 4 project, and I am transferring it to a computer with Final Cut pro 5, however final cut pro says the file is too new. is there any way, or any application, to convert it? Anything would be useful.

    Not unless you know someone with FCP 6.5 or later who can open the FCE project and export it to an early version of XML which can be imported into FCP5.

  • Main Limitations of FCE4 & Differences with FCP

    What are the main limitations of FCE4 and what are the main differences it has with FCP?
    One thing that I don't like is that iMovie '08 can import and use 1920 x 1080 clips without extra rendering, but FCE4 (a clearly superior program) can't! How did this get past Apple? I know that FCP can take it (but I don't have $1200!).
    I have a Canon HF10 and I don't like the fact that I am basically forced to work in 1440 x 1080 when I have a 1920 x 1080 capable camera.
    Is there an easy way to record in 1920 x 1080 and then still be able to use it in FCE4? Maybe by way of iMovie '08? How much time would this add to the process (as it is already pretty deplorable, using AVCHD and all)...
    Any thoughts, ideas?
    Thanks all!

    I don't know whether you wanted to know the general differences, but your first sentence (originally) seemed to suggest it ?
    The 2 apps work the same and FCE has exactly the same effects and transitions except for the Smoothcam filter and the 3 way color corrector (FCE has a 2 way one).
    FCE can only edit DV, HDV and AVCHD.
    There are numerous other (minor) differences but they are unlikely to be of any importance to anyone other than a studio of top pro editors using specialised cameras and techniques.
    Message was edited by: Ian

  • Sony DSR-25 not found with FCP 5.1.2

    Hi @ all,
    I updated to FCP 5.1.2 to fix a dublicate bug with a Sony XDCam HD in 5.1.1 (http://discussions.apple.com/message.jspa?messageID=3269745#3269745)
    This Problem was solved, but now i can't connect my Sony DSR-25 with Firewire to Mac. I have only one Firewire Onboard Slot and in 5.1.1 the DSR-25 worked fine. FCP doesn't finde the Deck
    So did anyone have an intention or an idea what the problem could be with 5.1.2 ? Or did anyone has used a DSR-25 with FCP 5.1.2 already?
    TOM

    This is a good workaround for curing your camera recognition problem with FCP (if that's what it is):
    First, check that your Easy Setup / Timeline / Camera or Deck Settings are all exactly the same, then making sure your camera or deck is in VTR mode, try to capture again.
    FCP uses a different form of QT than iMovie for capturing, so if the camera works in iMovie (or if it's listed in System Profiler) but not FCP, it obviously means your Mac can see the VTR but FCP can't, so you need to do this QuickTime fix.
    http://docs.info.apple.com/article.html?artnum=301852
    Follow the instructions carefully and you should have things running in no time - it's quite safe but you must Trash the Receipts AND re-install QT from the link provided.
    If the Camera / Deck isn't recognised by iMovie or System Profiler, try resetting the Firewire Bus . . . Turn off the Mac and disconnect the power and all Firewire cables. Leave it for 30 mins then connect back up.
    Still not working? Try a different Firewire cable.
    Failing all this, try resetting the PMU (Power Management Unit). The method varies from machine to machine, so visit the Apple site and search for it in support.
    Don't use iMovie for capturing - it doesn't give you a timecode and that's very important.
    Let us know how you get on!
    Andy
    Quad 8GB. 250+500 HDs. G-Raid 1TB. NORTON. FCP 5.1.2. Shake 4.1. Sony HVR Z1E   Mac OS X (10.4.7)  
    "I've taught you all I know, and still you know nothing".

  • Non-functioning cross-dissolves with FCP 5.1 on intel

    I am having trouble with FCP 5.1 running on my macbook. My cross dissolves work when used between two clips but as a fade to black, it doesn't work, or rarely does. I have 8 hours to finish this project to be showed at a wedding reception tomorrow. I've tried trashing the prefs and it did nothing, i emptied all my render files, checked for updates and nothing makes a difference. Please help, I'm runnng out of time.
    Patrick

    Thanks for trying...
    Very strange...and not discounting your proficiency with FCP.
    When you place the dissolve end on edit, the dissolve shows up on the end of the clip? but then the clip never dissolves to black?
    Yes, the dissolve will show up on the end of the clip, but it plays back as if it is not there. This happens whether it is rendered or not. If I use a cross dissolve between two clips, it plays back perfectly. 'Some' of the clips will dissolve to black but the majority play back as though the transition is not there.
    Any chance you're working with a 'favorite' dissolve that may have it's begin/end parameters adjusted?
    Tried that and went back and got the original transition and made sure everything was set how it should be. I thought for sure it owuld be the prefs, but no such luck.
    Any chance you've got your video layers scrolled downwards and there's a clip on a lower track?
    No, I have made sure there is only one track with nothing underneath.
    Are any of these clips nested?
    Nope.
    Thanks for trying though.

  • IMac which one with FCP 5.1.4 ?

    Hello, I have been using a Powerboog G4 with my FCP no problem so anything would be better!!
    Now that I have FCP Studio with Motion and would like to to upgrade. Can't afford a tower... So I'm getting an iMac but I'm stock with which modeel and graphics card is best.
    The 20" it comes with 2 400firewires, the 24" with one 400 and one 800 firewire. Save the money or spent an extra $500??
    I edit DV from a Panasonic DVX100. Except for Motion I have no other need for a super duper video.
    Three options ( withstudent discount)
    $1,900:
    iMac-20", 2.33GHz, 2GB SDRAM, ATI Radeom x1600/256MB-VRAM
    $2,336:
    iMac-24", 2.33GHz, 2GB SDRAM, NAVIDIA GeForce7300 GTO/128MB-SDRAM
    $2,449:
    same as aboe 24" but w/NVIDIA GeForce 7600 GT 256MB SDRAM
    To the above I have to add Apple care plan. If I get the more affordable option I can also buy an exteranl drive. with the other option, I'll wait.
    Thank you in advance for your feedback.
    iMac Mac OS X (10.4.8)

    It's always advisable to get the best that you can afford, but if you're going for the imac, you need an external drive so I'd recommend going for the middle option with a decent external HD.
    Have you absolutely checked that you can't source maybe one of the earlier Mac Pro models via an authorized reseller or maybe the apple refurb store (the refurb store currently has one at $2199, I'm sure you could find one cheaper).
    The imac is compromised in terms of expandability - do a search on this forum for more details.
    Having said that, I coped for a couple of years with FCP 4.5 and a G4 imac and an external HD with no probs, so if you can cope without the expandability and you'll be sticking with SD you'll be OK - don't forget FCP 6 is just around the corner and you'll have to check the system requirements carefully to see if it'll run on an imac should you decide to take this route.

  • XL H1 24F with FCP 5.1.4

    hallo dear FCP users,
    I will be shooting a dokumentary in Berlin in the next couple weeks using 2 Canon XL h1 and will be editing the material on my Macpro 2,6 with FCP 5.1.4. I do not have an Aja Kona or anything like that and would like to edit the material at home, then when finished, take my projekt to a Post house where I can reonline the material uncompressed. I do have a few questions being that this is my first HD projekt...
    I would like to use this 1080 24F setting on the Canon, are there any drawbacks to this. Would I be able to capture the material using my fire wire to Macpro? In my "Device Control" flip down tab I have only 2 HD settings DVCPRO HD 1080i 50 and DVCPRO HD Fireweire. Which shoudl I use?
    I also have a slew of settings in the "Capture/Input" tab, I would imagen that I should use DVCPRO HD 100pA24 48kHz? is that correct?
    If all this is possible how fat would the data be? I have some 400 GB free on my second drive. I am expecting a good 6 hours of material, 3 from each Camera, with 4 audo tracks. Would I have enough disk space for that, or should i run out and buy me another 500gb and set up a RAID?
    If I were to set up a RAID are their any problems, is it very difficult? I have my normal mac drive 250 gb in slot 1 and a Maxtor 7H500F0 in slot 2. I have heard that there have been some issues with the 3rd harddrive slot? Should i avoind this? is it even necessary?
    Ok thanks sorry to send so many questions at once. I would appreciate any help...
    thanks a million,
    Aaron
    ps- i will also be doing some rather simple compositing with Shake. Would there be problems with this if i wold the re online my projekt?
    mac g4, macpro 2,6   Mac OS X (10.4.9)  
    mac g4   Mac OS X (10.3)  

    I would like to use this 1080 24F setting on the
    Canon, are there any drawbacks to this?
    You should read and understand what 24f really is on your own
    Would I be able to capture the material using my fire wire to
    Macpro?
    Yes as long as you have FC 5.1.2 or newer.
    In my "Device Control" flip down tab I have
    only 2 HD settings DVCPRO HD 1080i 50 and DVCPRO HD
    Firewire. Which shoudl I use?
    Well you can't use either of those listed because Cannon is HDV and if you use 108024p while shooting then that is what your capture should be.
    I also have a slew of settings in the "Capture/Input"
    tab, I would imagen that I should use DVCPRO HD
    100pA24 48kHz? is that correct?
    NO, follow the easy setup setting for HDV, 1440x1080 and read the manual of these Cannon H1's to know the edit time base for the camera record mode you chose.
    If all this is possible how fat would the data be? \
    Only 13 gi's per hour
    I have some 400 GB free on my second drive. I am
    expecting a good 6 hours of material, 3 from each
    Camera, with 4 audo tracks. Would I have enough disk
    space for that, or should i run out and buy me
    another 500gb and set up a RAID?
    NO you will be good to go.
    If I were to set up a RAID are their any problems, is
    it very difficult? I have my normal mac drive 250 gb
    in slot 1 and a Maxtor 7H500F0 in slot 2. I have
    heard that there have been some issues with the 3rd
    harddrive slot? Should i avoind this? is it even
    necessary?
    No not necessary just make sure your capture drive is separate from the boot drive.
    Good Luck
    Z1&V1user

  • Compressor 2 with FCP 5.1 workflow

    I've been reading about using Compressor 2 with FCP 5.1 and have been a bit surprised by some of the following suggestions:
    These are from Larry Jordan's website:
    "Compressor 2 has problems with both motion estimation and 2-pass VBR. If you are using Compressor 2 make sure to select 1-pass VBR Better and set Motion Estimate to Better. Using Best settings creates very poor video.
    There is a lot of talk on the Apple discussion site that 2 pass VBR gives artifacts, especially on transitions and is generally to be avoided.
    To compress the file in Compressor, DON'T use "Export to Compressor" in FCP -- it doesn't work reliably. Instead, open Compressor, then drag the file into Compressor and adjust settings.
    In their effort to tackle the problem of overshooting data-rates in C1, Apple seems to have ruined the quality of 2-pass VBR encoding to some degree. I've seen quite a few cases now where 2-pass VBR doesn't look as good as the simple 1-pass.
    The new version of Compressor has technology in it that is not duplicated using QuickTime conversion.
    I have never been comfortable with exporting using QuickTime Conversion. For one thing, it automatically down-samples your movie to 8-bit. For another, it will not be as good a quality as Sorenson Squeeze for the web, or Compressor for DVD. Third, Apple removed the MPEG-2 compression option with the release of QuickTime 7. Finally, the codecs it contains, while adequate for home use, are not up to professional standards either in terms of file size or image quality."
    So, from what I gathered from Larry's website...
    Use VBR 1 pass instead of VBR 2 pass for best quality
    Use Motion Estimate Better instead of Best
    Compressor offers better quality compression than Export>Quicktime Conversion
    Don't use Export>For Compressor from FCP, instead export a FCP reference file from Export>Quicktime and use that in Compressor.
    What do you think?
    Thanks,
    Richard
    ref:
    http://www.larryjordan.biz/articles/ljdvdexport.html
    http://www.larryjordan.biz/articles/ljbitrate.html
    DUAL G5 2GHZ   Mac OS X (10.4.6)   2.5 GIGS RAM

    Well, different "experts" with slightly different views.
    This from hanumang's response to Jerry Hofmann over in the FCP discussion forum:
    FCP unrendered to Compressor 2?
    hanumang, have you seen a quality difference using the compressor method?
    Jerry
    In my experience, yes, there is most definitely a difference in quality.
    For sake of completeness, when it comes to exporting for DVDSP, this is how I'd break it down:
    File > Export > Using Compressor on unrendered timelines in FCP. The best way to do things with FCP & Compressor - especially true if (as mentioned) you're working in some compressed format like DV and doing lots of filters, motion effect and compositing within FCP. In my experience, color correction comes out much cleaner on DV-sourced footage.
    On a 1-10 scale, with 10 being the best that Compressor outputs, this method is a 10
    File > Export > Using Compressor on rendered timelines in FCP. While inferior to #1, this tends to work better on high-motion footage that needs to be encoded at a low bit rate (which I'd consider 5 Mbps or lower) than #3 because of the frame-by-frame processing. Also, transitions tend to come out better (again, at lower bit rates).
    I'd rate this method a 7 out of 10
    File > Export > QuickTime Movie with DVD Studio Pro Markers, then import into Compressor 2. While this rates at the bottom, in many cases it's hard to distinguish the output from #2 & #3 unless you're encoding at a 5 Mbps or lower bit rate
    I'd rate this a 6 out of 10
    In terms of encoding times, if #3 is my baseline, #2 takes about 2-3x as long. #1 takes about 4-5x as long as #3 for me (depending on the level of complexity).
    Dual 1.42 G4, 2GB RAM, 9800 Pro, 20" Cinema; Mac OS X (10.4.6) Final Cut Studio 5.1

  • What is the Definative answer to JVC HDV 24p compatibility with FCP 5.1

    I spoke with JVC yesterday and they claim that the 24p HDV codec is now supported with FCP. I am shooting a PBS piece in two weeks and wonder if it is safe to shoot in 24p HDV with the JVC HD100u. Is there a current state of the craft answer?
    Dual G4   Mac OS X (10.3.7)   FYI we are getting new G5 for this project

    http://www.studiodaily.com/main/news/prc/6436.html ...quote from this link...
    Rob Schoeben, Apple's vice president of Applications Product Marketing. "The JVC GY-HD100U works seamlessly with Final Cut Studio today and future 24p support will give independent filmmakers an even more flexible HD workflow"
    The article was written April 24th...note the statement "future 24p support"
    You might check David Harbsmeier's response in this thread and the following link from that thread as a possible solution.
    http://discussions.apple.com/message.jspa?messageID=2307338#2307338
    http://discussions.apple.com/message.jspa?messageID=2307338#2307338
    K

Maybe you are looking for