Right settings for HDV and PAL editing

I will be editing a HDV piece and I want to use the Apple Intermediate codec. What are the precise settings when capturing? is the pixel aspect ratio square or PAL and do I need to set the Field Dominance to lower like with DV. Please any advice. Thanks

I just noticed that you're cutting on a PowerBook, so that totally makes sense. I'm working on an HDV project where I'm capturing in HDV then recompressing to DVCPRO HD, then doing a final output to DigiBeta. I have a Decklink card so I can convert HD to SD for output.
Cutting in DVCPRO HD is basically the same as cutting in the Apple Intermediate Codec. All the effects and playback work in real time, all the frames are complete, etc.

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Correct settings for HDV capture

Hi. I'm using Premiere CS5.5. I went on a few forums to get the correct settings for HDV capture.
I can record the footage fine. However I saw a few things which didn't seem right.
After capturing the HDV footage, the file was a .mpeg file. Secondly, the clip was 1 hour and 10 minutes and
it was only 11.3 GB. Does this sound right? A 55 minute .avi file is 11.6GB. I thought a HDV clip would be quite a large size file.
If this dosen't sound right, is there somewhere I could go to, to check that my settings are correct? By the way I'm filming and capturing with a Canon XHA1.
The footage is 1080i. HDV. I've exported it and it looks fine. Just want to make sure I've captured it correctly and to the best quality.
Thanks for your help.

The HDV format was advanced by Sony and others to use the same miniDV tapes used for SD. In fact, your Canon XHAI can record and play either without changing the tape transport speed.
Your observation in relative file sizes is due to the fact that HDV is highly compressed (MPEG), whereas, SD (AVI) is not as highly compressed. This is one of the reasons folks (such as Harm) don't consider HDV to be an edit format, but just a delivery format.
Note that what Harm was saying is symantics--you capture an analog source through a capture card that digitizes it. When you transfer a image file from HDV or SD, it is already digitized, so a bit-to-bit transfer occurs.

What are the settings for datasource and infopackage for flat file loading

hI
Im trying to load the data from flat file to DSO . can anyone tel me what are the settings for datasource and infopackage for flat file loading .
pls let me know
regards
kumar

Loading of transaction data in BI 7.0:step by step guide on how to load data from a flatfile into the BI 7 system
Uploading of Transaction data
Log on to your SAP
Transaction code RSA1LEAD YOU TO MODELLING
1. Creation of Info Objects
In left panel select info object
Create info area
Create info object catalog ( characteristics & Key figures ) by right clicking the created info area
Create new characteristics and key figures under respective catalogs according to the project requirement
Create required info objects and Activate.
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In the left panel select data sources
Create application component(AC)
Right click AC and create datasource
Specify data source name, source system, and data type ( Transaction data )
In general tab give short, medium, and long description.
In extraction tab specify file path, header rows to be ignored, data format(csv) and data separator( , )
In proposal tab load example data and verify it.
In field tab you can you can give the technical name of info objects in the template and you not have to map during the transformation the server will automatically map accordingly. If you are not mapping in this field tab you have to manually map during the transformation in Info providers.
Activate data source and read preview data under preview tab.
Create info package by right clicking data source and in schedule tab click star to load data to PSA.( make sure to close the flat file during loading )
3. Creation of data targets
In left panel select info provider
Select created info area and right click to create ODS( Data store object ) or Cube.
Specify name fro the ODS or cube and click create
From the template window select the required characteristics and key figures and drag and drop it into the DATA FIELD and KEY FIELDS
Click Activate.
Right click on ODS or Cube and select create transformation.
In source of transformation , select object type( data source) and specify its name and source system Note: Source system will be a temporary folder or package into which data is getting stored
Activate created transformation
Create Data transfer process (DTP) by right clicking the master data attributes
In extraction tab specify extraction mode ( full)
In update tab specify error handling ( request green)
Activate DTP and in execute tab click execute button to load data in data targets.
4. Monitor
Right Click data targets and select manage and in contents tab select contents to view the loaded data. There are two tables in ODS new table and active table to load data from new table to active table you have to activate after selecting the loaded data . Alternatively monitor icon can be used.
Loading of master data in BI 7.0:
For Uploading of master data in BI 7.0
Log on to your SAP
Transaction code RSA1LEAD YOU TO MODELLING
1. Creation of Info Objects
In left panel select info object
Create info area
Create info object catalog ( characteristics & Key figures ) by right clicking the created info area
Create new characteristics and key figures under respective catalogs according to the project requirement
Create required info objects and Activate.
2. Creation of Data Source
In the left panel select data sources
Create application component(AC)
Right click AC and create datasource
Specify data source name, source system, and data type ( master data attributes, text, hierarchies)
In general tab give short, medium, and long description.
In extraction tab specify file path, header rows to be ignored, data format(csv) and data separator( , )
In proposal tab load example data and verify it.
In field tab you can you can give the technical name of info objects in the template and you not have to map during the transformation the server will automatically map accordingly. If you are not mapping in this field tab you have to manually map during the transformation in Info providers.
Activate data source and read preview data under preview tab.
Create info package by right clicking data source and in schedule tab click star to load data to PSA.( make sure to close the flat file during loading )
3. Creation of data targets
In left panel select info provider
Select created info area and right click to select Insert Characteristics as info provider
Select required info object ( Ex : Employee ID)
Under that info object select attributes
Right click on attributes and select create transformation.
In source of transformation , select object type( data source) and specify its name and source system Note: Source system will be a temporary folder or package into which data is getting stored
Activate created transformation
Create Data transfer process (DTP) by right clicking the master data attributes
In extraction tab specify extraction mode ( full)
In update tab specify error handling ( request green)
Activate DTP and in execute tab click execute button to load data in data targets.

Exporting 14:9 video for NTSC and PAL

Hello,
I'm working on 1080p video that will need to have a few output format, namely HD and SD 14:9 for NTSC and PAL.
At the moment I have no issue with getting the 14:9 video inside SD format, but my question is more of, should I turn my aspect ratio to PAL, NTSC, or should I keep it as square pixel? Viewing from inside a computer, the ones that has aspect ratio looked a bit squashed or stretched, and that worries my producer. I'm not technically savvy enough in broadcast knowledge to ensure her that everything is going to be fine once the video goes into broadcast, hence I'm posting the question here. I did my search on the web, but nothing seemed to help. Or maybe I'm just a big doofus that missed the very big hint in front of me. If anyone could help me figure this out, or point me in the right direction, I would really really appreciate it.
Regards,
Deo

Hey guys. Thank you for your input.
I think I may have overcomplicated the question in my state of panic with the 14:9 thing. Yes, the client did ask for 14:9 video, which to my knowledge is a scaled down HD video in SD sequence. A bit bigger than 16:9 in SD sequence, with smaller letterbox and cropped sides. From what I've read (in wikipedia), it's used in UK, Irish, French, Spain, and Australia. So the PAR should still follow SD PAL and NTSC PAR.
I've been barking the wrong tree, and after reading this, it seemed clear that I should be using PAR as TVs pixel is not square. And it's fine to have squashed and stretched picture of these outputs because computer's pixel is square. Right?
I'm not really in a position to ask the station, as this is a regional job with a few countries involved, so I'm not directly in contact with the stations themselves. But hypothetically, if I can ask, will they give me a set of guidelines to follow?
Regards,
Deo

Need advice on computer for photo and video editing

I do mostly routine stuff on my home computer (word processing, e-mails, internet, etc), except for photo and video editing (hobby, not professional)
I'm upgrading my 4 year old set up, as it has 2 GB ram, dual core vs quad core, 256mb video card, etc, etc. Better to buy a new rig than upgrade several different components.
Costco has a pretty nice set up in the store (HPE 257 c-b), but for an extra $200, I can order online and get the HPE 170t, which is essentially the same except for 2 upgrades:
-Radeon HD 5770 video card vs Radeon HD 5570
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My question is this.....is it worth the extra $200 to get the better graphics card and the dual hard drive set up? Will it really make that much of a difference in the performance? I'm thinking it will, especially the ability to set up the 2nd hard drive as my scratch disk.
For what it's worth, both systems have the i7 860, 8 GB ram, and Windows Home Premium 64 bit.
Thanks.

In very general terms, the requirements for Video will exceed those for Photoshop (PS). If you are looking at PrPro CS5, then the video card WILL make a difference, and PS CS5 now takes advantage of the video card, than before.
For PS, the minimum HDD setup would be a 2x system with physical (not partitions) HDD's. Video has more requirements in this area, and I would say that a 3x setup is the minimum. Do read Harm's linked article, as it is the best that I have ever run across.
For the PS setup, just locate the Scratch Disks for PS on your extra HDD's, the ones with your Project and PrPro Scratch Disks.
Enjoy the new computer, and welcome to the forum,
Hunt

Make Flash Plug-In for Firefox Remember Privacy Settings for Camera and Mic Access on Local File

My company is using Flash Player to develop some kiosk-style applications to run on a standalone computer (no network connection). This computer will contain web pages containing Flash content. They will be opened from the local HD with Firefox with the Adobe Flash plug-in (v11.7.700.224). One of the applications accesses the microphone hooked up to the computer. When this application is started, it always asks for permission for "local" to access the microphone and camera. In previous versions of our system, we could click "Remember" if we did it once and that would make it so it wouldn't ask for permissions again (in this case, the Remember option isn't available, and the site settings don't even offer the Privace tab). However, in the previous case, we were running IE with a previous ActiveX Flash version (unfortunately, this approach is no longer available as we have had to switch to Windows 8 and that changes the game with IE and Flash entirely).
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Chris,
We learned that the Privacy tab (in Settings) can be found under the Flash plug-in for Firefox, but only if Firefox is running under an administrator.
Unfortunately, we haven't had much luck with the mms.cfg file. The following was used in the mms.cfg file (placed in both the %WINDIR%\SysWow64\Macromed\Flash and %WINDIR%\System32\Macromed\Flash” directories):
AVHardwareDisable = 0
AVHardwareEnabledDomain = local
AVHardwareEnabledDomain = 127.0.0.1
AVHardwareEnabledDomain = localhost
AutoUpdateDisable = 1
The AVHardwareEnabledDomain settings seem to be getting ignored regardless of whether the user is a standard user or an administrator. I also checked to make sure it wasn't just a local problem by going to a website that uses a microphone (http://www.testden.com/accent-reduction/systemcheck.htm). Adding the requested domain to the list (AVHardwareEnabledDomain = train.act360.com) still didn't bypass the allow/deny dialog box.
We know that the mms.cfg file is being read because setting "AVHardwareDisable = 1" will result in no prompt and that section being greyed out in Global Settings. I saw a post that suggested this setting was required to even make the AVHardwareEnabledDomain work, but it seems to block the local entirely and still brings up the dialog query on the internet site.
Thanks,
Torrey

How to know the right value for SHMMAX and SHMALL for ia64 memory 32Gb

Dear all,
I want to install Oracle database 10g R2 on RHEL 5 ia64.
Here the server specification :
Proc : itanium64 ( montecito )
Mem : 32Gb
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Metalink says, that SHMMAX should be half of physical memory and SHMALL = SHMMAX / PAGE_SIZE.
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Hi boags2014,
Please refer this link and know the work-arounds for the same:
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What is the best All in One program for picture and video editing?

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What is the best All in One program for picture and video editing?
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I am using Acrobat Pro XI 11.0.10 (Windows) and having an issue with visibility settings for layers and backgrounds. I am attempting to get backgrounds to appear while viewing in Adobe Reader and Acrobat Pro but not be printed and so far have had no success.
When using a background the Appearance Options dialogue has "Show when printing" unchecked, but "Show when displaying on screen" is checked. This results in the background not showing on the screen, and the background will only appear once the box for "Show when printing" is checked. It looks like the option for printing is dictating whether or not the background is able to appear.
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Hi setrev2012,
How are you adding the backgroud?
The only way I can think to accomplish this is via a watermark.
The basics...
Open PDF in Acrobat. Choose Pages > Watermark > Add Watermark.
Select a jpg or PDF of your background and adjust scaling options as desired.
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In this image the PDF is a blank page with the word "Test" on it. The watermark is the stamp and impression (a stock photo jpg).
If you want a solid color background, just create a flat image of the background color for use as the watermark.
If you have already followed the steps and still facing the issue then please share the file with me at [email protected] so that i can have a look.
Regards,
Rave

Import settings for HDV for PAL

I film on HDV tapes (1440x1080i) and I have asked both Apple store trainers and a Final Cut pro trainer and I am getting told different things for what settings to chose in easy set-up on Final Cut.
I have chosen what I believed was the right setting to then complete and burn to a Quicktime movie folder to import in DVD Studio Pro, but Studio Pro is telling me it's not compatible as it had been created for NTSC when I want PAL! I can't find where you chose between NTSC and PAL on the HD/HDV settings - can anyone help please as I can only see DV on PAL?

Hello PadProd,
If you want to stay in HD you can capture HDV natively or transcode. Since editing HDV natively is very processor intensive, I'd recommend transcoding to an i-frame format. The two options you have are ProRes or Apple Intermediate Codec.
http://www.kenstone.net/fcphomepage/capture_hdv_prores_fwbalis.html
http://www.kenstone.net/fcphomepage/when_to_staynative.html
+... but Studio Pro is telling me it's not compatible as it had been created for NTSC when I want PAL! I can't find where you chose between NTSC and PAL on the HD/HDV settings+
You'll need to change your project settings in DVDSP from NTSC to PAL (in preferences) not change the Easy Setup in FCP. Note that this setting will only affect new projects.
http://www.peachpit.com/articles/article.aspx?p=454800&seqNum=5
hope this helps
mish

Settings For HDV to Blu-ray and DVD

What is the best strategy for avoiding unnecessary rendering and transcoding issues? I edit HDV or AVCHD (from a DataVideo DN-60) in Premiere Pro CS6. I want to output to multiple formats - DVD, Blu-ray and Flash from the same project. I'd like to maximize quality as well to fit project on disk.
I'd also like to know which format most easily transcodes for my purposes. I typically shoot 23.98 or 29.98 fps 1080p, but sometimes 1080i.
I assume Dynamic Link is the way to go, but it doesn't look like the resulting settings are automatic. For example, if I go into project settings after Dynamic Linking a PPro sequence, and choose Blu-ray, I would expect the transcode settings to match the imported project. If it does not, then what should I change the default settings to?

Let me clarify the intent of my original post. I have read in places that it is best to choose export and DVD project settings that match the original footage whenever possible to avoid rendering problems. So, if I shoot and edit HDV or AVCHD footage say at 29.98 fps progressive, then what corresponding settings should I use for DVD and Blu-ray?
I see that with 29.97 fps the progressive option is not available in the Blu-ray
presets. Should I not shoot progressive then at 29.97?
How do I maximize quality of the video while fitting on a single disk? The only way to do it automatically is to Dynamic link, which you advise against. If I manually set exports, then I must calculate all the sequence outputs from Premiere. What then should my priorities be? For starters, MPEG2 Blu-ray or H.264 Blu-ray? What should take precedence, bitrate settings or number of passes?
I am also considering render/transcode speed. How do the above settings affect speed?

Right settings for HDV and PAL editing

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