Rotoscoping With Pen Tool

Hello Everyone.
I am using the Rotoscoping using the Pen Tool.
I have used the Pen Tool for many years with Photoshop, Inside Photoshop when I Draw a path over a Selection, I use the Alt-key at the end of each path, to Draw more Paths.
I have noticed, when I use the Pen Tool In After Effects, for example If I am Drawing a path over an object and If I Alt Key on the point of path It works different than Photoshop.
It Breaks the Path , rather than continuing the path.
Here Is the Screen-shot.
One Again Thank you very much..

I think Now I know how the pen Tool works In After Effects:
AS I explained In my Original Discussion. Inside the Photoshop, every time you Alt Click on the path, you can continue Drawing more Path.
In After Effects you don't Alt Click, You Alt Drag the Handle back to the point and continue Drawing more path.
Once you hold the Alt Key and Drag the Handel back to the original point of the Path. your Path dose not move ,which Is good.
Also, It looks like the Pen Tool gives you a very Close Path over your object, which Is good for a photograph still Image, But for Video It may be be better to use the RotoBezier tool, to get the smooth look.
Again, I am very new to Rotoscoping so I cant not say with one Is better.
Also, this Video Tutorial that was posted, by Mr. Rick Gerard, was Awesome.
Thanks.

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The feature that i need most...do not activate paths with pen tool

If you have to add one thing in illustrator...
Make optional NOT to add new paths to an unselected anchor point with the pen tool.
I never want to activate paths with the pen tool
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Pen tool= add new points
If i want to add new segments to a path, i'd select it first a selection tool.
To my knowledge, Illustrator is the only vector application that doesn't follow this convention
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I have mentioned this feature before, but every time i face a project with a mix of open and closed paths, is a major problem
Please change this behaviour or at least, make it optional.

Yes, it has to be removed in two places and someone who has the authority might take action upon my mentioning it again.
Here is a link on syncing - http://support.apple.com/kb/HT1386nHave a read. Someone who uses the Books tab often might give you a step by step guide. Meanwhile, you can email yourself a PDF to keep you going. If it is a one page PDF it will be shown as opened in the email on your iPad. Press on the centre of it to save it to ibooks.If it is more than one page it will be shown as an icon; press on it for the prompt where to open it and choose iBooks, or whatever. I use Goodreader as it has a superior file management system. It costs very little.
Here is the link fo the iPad User Guide should you not already have it. You can download it to iBooks - http://support.apple.com/manuals/#ipad
Finaly, get more help by clicking on iPad Support at the top of the index page on this forum.

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Thanks

Check if you have your fill color set to non-blank. In Properties Panel, under Fill and Stroke.
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Lost bezier handle on closing path with pen tool

Can any of you please instruct me how to avoid losing the first point’s backwards bezier handle when closing a path with the Pen Tool?
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I just did!
See my last post with the picture. I rotated not just the anchor point but the straight line that it was coupled to.
Steve.
Steve, you can rotate anchorPoints and adjacent straight segments all day long, and you will still not be replicating the behavior and intent of FreeHand's Connector Points.
We're not talking about rotating straight segments here. (I would hope that everyone knows you can do that.)
Forget rotating things. Draw a path with a curved segment and an adjacent diagonal straight segment. The straight segment has no extended handles; only the curved segment does. Now adjust the length of the handle of the anchorPoint that joins to the straight segment in such a way that you cannot break tangency of the curve with the straight segment. In other words, the handle is always constrained to the angle of the adjacent straight segment.
Don't bother coming back with the workaround of scaling the handle. That still does not ensure tangency.
Example: This is Fontographer (FreeHand's progenitor). The highlighted point at the bottom of the motorycycle's skid plate is a Corner Point. The segment to the left of it needs to be curved, while maintaining perfect tangency with the straight segment to the right of it. In the inset, the Corner Point has been converted to a Tangent Point, and its handle is being dragged out (all with one selection tool, I might add.) The handle cannot be dragged out at any angle other than that which is tangent to the right segment.
That's just an example of converting a pre-existing Corner Point to a Connector Point. But now consider ensuring tangency fluidly as you draw with the Pen. In Illustrator, click to place a CornerPoint. Click or clickDrag to place a second anchorPoint oriented at any angle from the first point such that you are guaranteed that the first segment is straight, and that the next segment will be curved and tangent to the first segment. Can you do that in Illustrator?
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Rotoscoping With Pen Tool

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