Rounding to the next 0.5

I need to round a figure say 3.2 up to the nearest 0.5 so it will become 3.5 but i do not know how to do so as it always round to the nearest integer, from 3.2 to 4.
Need to know how to do round to 0.5
Pls help.
Ty

This will roundup anything above 3 but below 3.5 to 3.5. From 3.5 to 4, it rounds up to 4.0. However, due to representation errors, sometimes a .5 rounds up to the next integer, sometimes it doesn't. For example, 10.5 will remain 10.5, but 9.5 will round up to 10. At least that is how it does on my system.
- tbob
Inventor of the WORM Global

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I need to round to the next hundred, for example if I have 154 the result should be 200, or 1301should be 1400.
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This is not what I need. For example:
33 should be 100
321 should be 400
1001 should be 1100
and so on.Then you didn't implement it just like jschell said. Because if you had, you would have seen that those inputs would have produced the outputs you want.

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Hi,
I am using numbers
A1 x A2 = A3 A4 is A3 divided by 2.88. Indeed to round up the answer in A4 to the next whole number
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CATS Rounding up the Total Hours to next 1/10th hour.

Hi Everyone,
Is there any user exit or standard configuration which can be used to round up the total hours in CAT2 to the next 1/10th hour.
Eg : If the employee enters start time and End time as 08:00 and 08:06 then total hours is .1 ( 6/60 = .1)
But if the employee enters Start time and End time as 08:00 and 08:02 then the total hours should also give as .1 instead of .03 which is ( 2/60 = .03 ). That means it should round up to every next 6th Increment.
Kindly suggest,
Regards,
SAP HCM

you can round it in Time eval through PCR quering time pairs . ROUND operation can be helpful.

The Next Version of Premiere Pro CC - Warp Stabilizer

With the recent post of what's coming in the next version of PPro CC, I was sad to see no mention of Warp Stabilizer. As amazing of an effect as it is, it needs a bit of help. I know there are improvements and fixes that probably weren't mentioned in the post so I'm still holding out hope. We use Warp Stabilizer more than anyone I know. Several hundred times per week. Yes, per week, no exaggeration. Over the last few years, we've built an entire style of shooting around the strengths of this awesome effect that emulates the use of a slider, steadicam and crane all without having to have them. So we've become really familiar with its PROS and CONS.
Here is a short list of SEVEN things that should be addressed with regards to warp stabilizer within Premiere Pro CC to maximize its effectiveness (and yes we did submit multiple Feature Requests for these so far to no avail):
FIrst and foremost and by far MOST IMPORTANT to us - Allow users to create a CUSTOM PRESET with any altered settings that will engage (or begin Analyzing/Stabilizing) automatically when added to a clip!! This is huge. If you double click on Warp Stabilizer with a clip selected, it is applied to that clip and begins the process of stabilizing that clip. However, the vast majority of the time we need to alter the settings of the effect. If we create a custom preset, that's all fine and good, but when we add that to a clip, it does NOT begin stabilizing. Instead you have to manually go into the Effect Controls for each clip and select ANALYZE. Huge waste of time when adding this effect to hundreds of clips. PLEASE FIX!
BUG when saving projects!!! - If this is not a bug, it needs to be fixed because it's awful. - If you have more than one sequence with multiple warp stabilizations added and GPU ACCELERATION IS ENABLED, then after you SAVE a project (or if it auto-saves) when you toggle between the two sequences you are hit with a delay or freeze while the render bar goes from Yellow to Red...and finally back to yellow again. No work can be done during this delay/freeze. The more stabilized clips, the longer the delay. For us, on our larger projects this delay is sometimes 30 seconds to almost a full minute! Once it turns back to yellow, you can toggle between sequences without the delay...but as soon as it saves again...and you toggle between sequences, the delay hits again. If this is a bug, or somehow a result of Premiere Pro's way of CACHING projects after it's saved, then I sincerely hope it's fixed asap. It's awful!
The third is more of a feature request than a fix - Add the ability to set the maximum scale to work WITH the smoothness control so that if you never want your clips to scale more than say 105%, you can set that and have Warp Stabilizer stabilize the clip and adjust the "smoothness" percentage from the default "50%" down to whatever it needs to be in order for that clip to be fully stabilized and scaled to no more than 105%. Correct me if I'm wrong, but this is not possible currently. Right now we have to manually adjust each clip if it is initially scaled too much by dropping down the Smoothness %.
Another great feature would be the ability to manually keyframe the scaling so that if you have a longer clip that starts fairly steady, then needs to be smoothed out a bit more in the middle, before it ends relatively steady again, you can slowly and seamlessly ramp up the stabilization/scaling so that the whole clip doesn't have to be scaled to make up for the misgivings of one portion of the clip.
Minor bug - sometimes when you have extended the length of a clip, the clip needs to be re-analyzed again. However, the "analyze" button is often greyed out. You need to click away from the clip and then click on the clip again to make that button appear again. Nothing big, but still, a small bug.
After Effects Warp Stablizer VFX feature carried over - It would be nice to carry over to Premiere the ability to isolate what in frame is supposed to be stable (sometimes someone nodding their head can trick the effect into thinking that it's the camera shaking). Great to have it in AE, but would be nice to carry over to Premiere Pro CC.
Finally, I've always believed that no matter how cool "Subspace Warp" sounds, it is not as effective as "Position, Scale & Rotation". This SHOULD be the deafult "method" within the Warp's settings. I'd say 95% of the thousands and thousands of clips we've stabilized we ended up switching the "Method" within the settings to "Position, Scale & Rotation" because it either scaled the shot less or created less "wobble" in the resulting stabilized clip. I know everyone shoots differently, and sometimes Subspace Warp is the way to go, but we have stabilized all sorts of shots with great success by simply switching this setting. Granted...if #1 on this list was taken care of we could then easily have this set as our default setting.
Hopefully this list either reaches someone within Adobe that can do something about them or at the very least inspires others to write feature requests and bug fixes as we have. Even resolving #1, #2 and #3 would be HUGE and would save our editors probably 10 hours per week. It's an awesome effect, far better than "smoothcam" on FCP7, it just needs a little love.

CoSA_DaveS wrote:
All good points, thanks for posting.
For #1, you can make this work in AE at least. This tip is from my colleague DanW:
If you make a preset by only selecting the values you change (and not a preset for the whole effect) then it will auto-analyze on apply.
Simplest way: apply WS, make edits, hit UU to reveal changed params, select all "i-beams" in the Timeline, drag them to the Effects & Presets panel.
For #4, you can get manual control over the scaling by setting Framing to Stabilize Only, and then keyframe Additional Scale to taste. At one point we were going to try to automate this, but found automatic scaling to be very subjective as to the best way to handle it.
For #6, Warp Stabilizer will not track areas with zero alpha channel. So you can pre-mask the input to reveal just the parts you want to stabilize. Do this inside a nested sequence, with Warp Stabilizer applied downstream (in the outer sequence). The just-announced masking & tracking capabilities of the next CC version should be handy for this.
-DaveS, Adobe Dynamic Media, Advanced Product Development
Hi DaveS!
Great to hear that you guys are taking a look at this list. Hope it helps make it better. #1, #2, and #3 are by far the biggest time killers for us so hopefully they'll be able to be fixed/resolved within Premiere soon.
Regarding your note about #1: Allowing this functionality within Premiere specifically would be very helpful. Would it be possible to eventually allow Premiere to auto-analyze when a saved custom preset is applied to a clip? I tried it in AE as you suggested, and couldn't figure it out. But realistically we use Warp Stabilizer on so many clips that round tripping literally hundreds of short clips to AE would be just as time consuming as going into the settings in premiere for each one and adjusting the parameters. We usually adjust the method and then adjust the smoothness scale so that it doesn't "Auto-Scale" more than 104%. That's where our #3 suggestion would help. I didn't quite understand how to make a preset of specific changed values. I tried, but couldn't follow DanW's suggestion. Granted, I'm not that great with AE. I really just use it for the Warp VFX's ability to isolate what in frame is stabilized (hope that comes to Premiere one day) and that's about it. And I really only have to do that a couple times per project. Anyway, I'm sure I'm doing DanW's suggestions wrong but regardless, I'm not sure it would save us much time when we have several hundred individual little clips that would all need to be sent to AE. Any hope for adding this auto-analyze functionality (hopefully allowing a custom preset on the whole effect and all it's adjusted parameters) in Premiere CC?
Regarding your note about #4: That is a valid work around for now. I appreciate that thought. Thanks!
Regarding your note about #6: I think I half understand what you described. I'd have to try it. Although, as I said before, the AE way of doing it is ideal and I just hoped that ability to show the tracking points and delete them over time would come to Premiere CC one day. When the next CC comes out I'd love to try this masking method although I think I'll have to claify exactly what you want me to do just to be safe. Is there no hope to port this added functionality that's in AE's Warp VFX over to Premiere's Warp Stabilizer? Again, not the end of the world for us. I'd rather #1, #2 and #3 be addressed inside Premiere Pro CC for now.
Fixing the first 3 on this list would be HUGE time saver for us.
Thanks again DaveS to you and the rest of the Adobe team for looking into this list. Very much appreciated.

What's new in the next version of Premiere Pro? Check it out!

Here's some of what's coming up in the next version of Premiere Pro and AE. Can't want to play with this!
http://wwwimages.adobe.com/www.adobe.com/content/dam/Adobe/en/products/creativecloud/cc/pd fs/nab2014-reveal-whats-new-for-pre-release-20140321.pdf?sdid=KLBWR
Preview videos here: http://tv.adobe.com/watch/adobe-at-nab-2014/whats-new-in-premiere-pro-cc-nab-2014/
Some awesome new stuff coming our way!
Fingers crossed they also fixed Multicam editing (i.e. intelligent separate window UI). I'll find out soon enough at NAB.

Lots of great new things coming our way!
However its seems that many basic improvements are still missing. Here's the list of items I'll be going over with the Adobe reps at NAB. See something missing in my list? Feel free to share!
Disappearing markers when track below a certain height (http://forums.adobe.com/message/6205015#6205015)
all effects on/off toggle, especially to disable transitions while working with keyframes in the ECW (http://forums.adobe.com/message/6210552#6210552)
'Source Clip: Next/Previous' not working in full screen mode (http://forums.adobe.com/message/6140378#6140378)
Effect presets too easy to rename by mistake
Auto color coding of clips with Warp stabilizer applied (http://forums.adobe.com/message/5946227#5946227)
Project window tab name: just 'Project', nothing else (http://forums.adobe.com/message/5935706#5935706)
Multicam angles in separate, full screen viewable window (http://forums.adobe.com/message/5934039#5934039 and http://forums.adobe.com/message/5931933#5931933)
Pasting at cursor position instead of lowest active track (http://forums.adobe.com/message/5934219#5934219)
Remove gaps function (http://forums.adobe.com/message/5946226#5946226)
Intelligent tooltips that report info on individual clip or selection, depending on what's selected (http://forums.adobe.com/message/5934215#5934215)
Constant rasterization of titles and Illustrator files (http://forums.adobe.com/message/5934211#5934211)
Multiple Effects windows (http://forums.adobe.com/message/5929261#5929261)
Default to first clip loaded in Source Monitor (http://forums.adobe.com/message/5909239#5909239)
Sticky solo settings in Audio Meters window (http://forums.adobe.com/message/5908879#5908879)
Smooth fades (http://forums.adobe.com/message/5901648#5901648)
Prevent off screen changes (http://forums.adobe.com/message/5792648#5792648)
Keep focus on Timeline when tilde toggling out of full screen mode (http://forums.adobe.com/message/5777794#5777794)
Intelligent 'Nudge Clip Selection Down/Up' (http://forums.adobe.com/thread/1267353?start=0&tstart=0)
Keyboard shortcuts to apply transitions to CTI only (http://forums.adobe.com/message/5542185#5542185 and http://forums.adobe.com/message/5544651#5544651)
PP windows wirelessly sent to tablet/smartphone (http://forums.adobe.com/message/5538217#5538217
Drag/drop modified clips from Timeline to Project window (http://forums.adobe.com/message/5300065#5300065)
Shift-toggle to restrict movement to up/down or left/right in Program monitor (http://forums.adobe.com/message/5293341#5293341)
Smart Bins that auto collect certain asset types, such as titles
Ability to move entire motion path as in AE (http://forums.adobe.com/message/5292523#5292523)
Non-slipping keyframes in ECW (http://forums.adobe.com/message/5284322#5284322)
Aesthetically correct rounded/clipped corners in Titler
'Zoom to Keyframes' shortcut in ECW (http://forums.adobe.com/message/5192692#5192692)
Consistently intelligent font lists across all CC programs (http://forums.adobe.com/message/4955178#4955178)
Offscreen media overwrite warnings when moving a clip would overwrite content outside the viewable bounds of the Timeline (this would be an NLE first afaik)

Unit of Measure "Round up to next Integer"

Hi All,
I have a unit of measure BAG, I have defined it with zero decimal places.
When I enter 1.5 it becomes 2 and when 1.49 it becomes 1.
I want to round it up to next integer i.e. 1.2 should become 2 and so on...
Please suggest how it can be a ahieved?
Regards,

Hi
I have maintained said field as Blank.
system is rounding up the value but to the nearest integer whether I want it to be the higher integfer.

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ibosie who posts here says he has been in caontact with Alcatel and that they are working on a Firmware update to get round this.
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Return the beginning of the next year.

I Know that you can return the absolute beginning of a year with:
TRUNC(SYSDATE, 'YYYY')
but, given only sysdate, how can I return the absolute beginning of the NEXT year?
Just adding 365 won't always work.
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Hi,
To explain Hoek's solution:
Prohan wrote:
... Just adding 365 won't always work. Exactly! That's because years aren't always exactly 365 days long.
However, all years are exactly 12 months long.
ADD_MONTHS ( SYSDATE
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Hour rounding for the per diem calculation in Germany

Dear Experts,
In Germany the Law for the calculation of the per diem is as below:-
   00 Euros = less than 8 hours
   06 Euros = greater than or equal to 8 hours and < 14 hours
   12 Euros = greater than or equal to 14 hours and < 24 hours
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I have set up the hour scales in V_T706V as below:-
Hour              Amount
7     = 00.00 EUR
13     = 06.00 EUR
23     = 12.00 EUR
24     = 24.00 EUR
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Howeverwe want that for less then 8 hour it should be 0 Eur.
Please let me know if I am missing any setting, or any other workaround. As this is a legal requirement, we must have to implement it.
Many thanks,
Gaurav
Edited by: gka2707 on Jun 10, 2010 2:28 PM
Edited by: gka2707 on Jun 10, 2010 2:29 PM
Edited by: gka2707 on Jun 10, 2010 2:31 PM

Hi Gaurav,
It depends upon how you write the coding for the calculation.
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Hope this helps.
Regards,
S.Srikanth.

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I have a smartform in which there are 2 tables TABLE 1 and TABLE 2 in the smartform MAIN window. TABLE 1 is for pending PO and TABLE 2 is for future delivery date P O separated by text in between.
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aslo
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Hello,
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I'm no longer with the ISP that provided me with the e-mail address used for my first Apple ID. My only e-mail account is now my me.com address.
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All my iTunes receipts go to my old e-mail address that I no longer have access to. I'd like my receipts to go to my me.com address.
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You need to retain the ID you are currently using for iTunes in order to retain access to your purchases. You should go to http://appleid.apple.com and log in using the iTunes ID, and add a contact address there - you could get a GMail account (free). You may be able to forward mail on from GMail to your @me.com address, I'm not sure about that.
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Rounding to the next 0.5

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