Roxio Game Capture HD Pro, editing, Adobe premiere CC, M2TS, Audio wave form,

Hello, fellows. So im having a bit of a problem, basically i cannot see the audio wave format when i edit my Roxio Game Capture Hd pro recordings, I've already tried converting the file to another format through the included video wave editor, but that still doesnt do the trick. I dont want to download any kind of converter. If anyone knows how to solve this problem please respond. Thanks.

Report back with the codec details of your file, use the programs below... A screen shot works well to SHOW people what you are doing
http://forums.adobe.com/thread/592070?tstart=30 for screen shot instructions
Free programs to get file information for PC/Mac http://mediaarea.net/en/MediaInfo/Download

Similar Messages

Roxio Game Capture HD PRO

BB already stocks the previous game capture device, this new one was just released, is there an ETA on when it will be in stock? It's not listed on the website yet, thanks.

DO NOT WASTE YOUR MONEY ON THE ROXIO! Honestly man I would advise you to put and extra 70 to 80 dollars in and get a hd pvr2 for around 170 but I also heard the elgato game cap is amazing which is used by big clans like soar and faze on youtube. Go check them out but the quality on the roxio is disappointing and you will get a lot of hate from the community.

Your experince with final cut pro vs adobe premiere?

I am just wondering about your experience with final cut pro and adobe premiere and which you like better and why. Thank you.

dorian86 wrote:
I am just wondering about your experience with final cut pro and adobe premiere and which you like better and why.
I've posted this in other threads here: I've tried the Final Cut Pro X 30 day trial on my old Mac Pro 5,1 (heavily modified) and my new Mac Pro 6,1 (8-core, D700s). I have a specific benchmark that I run on an NLE when I'm testing it: how long does it take to export one of my movies to a 720p h.264 MP4?
If we assume the length of the movie is represented by 't' (for time) -
The old Mac Pro and Final Cut Pro X 10.0: 2t
The new Mac Pro and new Final Cut Pro X 10.1: 1/2t + epsilon
The old Mac Pro and Premiere Pro CC: 1/2t + epsilon
The new Mac Pro and Premiere Pro CC: 1/2t - epsilon
The newer version of Final Cut Pro X is substantially faster at exporting my movie than the older version. But Premiere is still faster than it is. Also, Apple still can't get the whole "edit the source footage raw" bit right; my source footage is all spanned-clip AVCHD, with files that are over 4G a piece. FCPX can't just open those raw, it insists on putting a MOV wrapper around the footage. There's no transcoding happening, but the file I/O for those massive files slows the whole process down significantly.
Because I don't have years of experience editing with NLEs, I'm not married to any particular UI. FCPX's UI is ... strange, but I didn't find it too difficult to become used to it. If it were faster and more efficient for what I do, I'd reconsider it. But for now, it's all Premiere.

Switching from Final Cut Pro to Adobe Premiere

Hi everyone,
Hopefully there are others here who have made this switch and can offer me thoughts and advice. I have for the past few years used the Final Cut Pro suite as my video authoring media. It's done a great job editing and compressing my videos, so I could burn them to DVD, but the time has come for me to start burning to blu-ray. The problem is, DVD Studio Pro does not support blu-ray (something I discovered after buying the burner, etc).
After some research, it seems that Adobe Encore is the only software I've found that people recommend for blu-ray authoring on the iMac. Is this true? If I buy Adobe Premiere, will it edit, compress, does it have a color program - basically, will it do everything I've been using Final Cut for, or will I need to move files between the two programs (if they even support this?)
Anyone with experience in using both programs or just making the switch, please comment with any advice. I'd appreciate it before I take the plunge on another expensive suite of software.

You can download a trial version. I tried it some time ago and I can only use one word "boring" sorry I can not explain this feeling in a more concrete way.

Final Cut Express Vs. Final Cut Pro Vs. Adobe Premiere

Hey all,
I just bought my first Apple computer and I'm loving it. I have worked with Final Cut Pro in the past and I really enjoy working with it. However, $1000 is a bit steep. I would like to ask what your opinions are on maybe getting Final Cut Express or Adobe Premiere Pro.
I have the trial of Adobe Premiere right now, but whenever I place a clip into the timeline, it needs to be rendered. This was never an issue with Final Cut on the computers at my school. I was wondering if you knew if Final Cut Express would have better rendering times and wouldnt need as much rendering. Also, it may be the graphics card in my computer. If you think this is the problem, can you provide me with a solid video/graphics card that I should look into?
Thanks all,
Kevin

I own all three programs actually - here's my advice.
Stay the heck away from Adobe Premiere. It is no where nearly as Mac friendly and for the price, just isn't worth it. I purchased it for the Blu-ray authoring capabilities of Encore, so that's all I use it for. The plus to Premiere is that it can edit some native formats that Final Cut Pro cannot. For example, native AVCHD as well as MPEG-2 in program streams. That being said, Encore is the best option for Blu-ray authoring at a reasonable cost that gives you the ability to modify menus, etc.
Final Cut Express is a great application - my only reason for having final cut pro was my need to edit footage at 23.98, 29.97, and 59.94 fps. FCE only handles 29.97 (and 25 fps). Final Cut Pro also gives you the ability to edit more footage natively. FCE only supports DV, HDV, and AVCHD, with the latter two being transcoded into Apple Intermediate Codec for editing. FCP supports a myriad of formats and allows native editing in HDV - although it still transcodes AVCHD. FCP also gives you access to the ProRes set of codecs which are significant improvements on Apple Intermediate Codec that offer high quality in transcoding and editing.
So the real question is, what are you going to be doing?

Final Cut Pro Vs. Adobe Premiere Elements 9 output quality.

Hey Group.
I am trying to edit some Sony 1920X1080 30i AVCHD footage and have had some quality problems while exporting FCP footage with QT exports (all footage logged and transferred into FCE with the proper setting that match the footage, etc as chronicled in other entries I have already discussed in other entries within this forum). My final footage was always coming out jittery and motion was never smooth and the "HD video" it produced looked amateurish and very computer generated looking. As a last ditch experiment, I decided to give a trial to Adobe Premiere Elements 9, which edits native AVCHD footage. When I exported a trial test, I was amazed to see this program exported the footage with a look that was exactly the same as the source HD footage from the camera, when played back on my WD HDTV Plus. My question is: what am I doing wrong in FCP? Is it because Premiere edits the footage natively rather than the conversion codecs FCP uses? Just seeing if anyone has any clues to this strange phenomenon. I certainly know for sure I like the workflow in FCP way better than in Adobe....Any ideas would be great. Thanks
Marshall

Okay, so here's my settings for my project...
To begin with, my output is to a WD HDTV Plus which needs a H.264 1920X1080i30 file.
The source footage is SONY AVCHD 1080i60.
My Import Prefs:
AVCHD: Apple ProRes422
AC-3 Audio: Plain Stereo
RT:
Both Dynamic Playbacks
Unlimited RT
Exported using QuickTime Conversion:
Compression: H.264
Frames:
Current
Key Frames:
Every 24
Compressor Quality: Best
Data Rate: Automatic
When it gets played back, still elements look "HD" but moving objects are jittered....HELP!
thanks
Marshall

Final Cut Pro or Adobe Premiere?

Can comment which is better? Tks!

While Premiere Pro and Final Cut Pro might be similar in their feature sets, one thing that sets them apart is native codecs. While I've never personally used a Premiere PC, my workplace is a split-platform house, utilizing both PPro and FCP.
So another question to ask yourself prior to purchasing either platform is, "what format do I plan on editing?". For example, my production facility is incorporating XDCAM HD as our primary field acquisition format. Thanks to Sony's free PDZK-P1 Transfer App written specifically for FCP, XDCAM HD can be edited natively. On the other hand, Adobe currently offers no native support for XDCAM HD, and has no plans to offer native support in the near future. They are relying strictly on 3rd party solutions, which can get really costly. Matrox Axio is a $4000 hardware-based solution for PPro. Quite a steep price to pay for "native editing".
Just make sure you do your homework prior to any purchase.

How to disable Cool N Quiet driver when it isnt in the bios or registry for Roxio game capture?

1. HP G60-120 US Notebook PC
2. Windows 7 32-bit
3. No error messages
4. No changes before issue occured.
I was told by Roxio (company of the capture card I bought to record gameplay on my Xbox) to call HP and get my Cool N Quiet driver disabled after I updated my other drivers and still had problems with my capture card. Can somebody tell me where to find it other than in the registry and bios because it is NOT in there and I have looked already more than 5 times or if you know where I can get it remotely disabled. HP cannot remotely disable it because I just talked to them and they don't have the power to do that.

Quote
Originally posted by kensterman
Does Cool n' Quiet need any software for it to work, or does the CPU/Fan slow down automatically? I notice that I have to use MSI's Core Center to activiate Cool n' Quiet. Anyone??
No, Corecenter is almost useless and is NOT needed to "activate" Cool n Quiet. The best it can do is tell you fan speed and temps, and even that is questionable. It will also tell you clock speed but you can get that from right clicking "My Computer" choose Properties, go to General tab, note mhz displayed there. If it is about half of full clock speed for your CPU, then CnQ is working right. If it shows full clock speed, then CoolnQuiet is NOT working and you need to re-read Mr. Woo's original post which gives details about how to enable it.
Next, about fan speed. You have to understand that CnQ does not have anything to do with fan speed directly. Unless you have fan speed control disabled in BIOS, then your fan is going to control as you described whether you have CnQ enabled or not. In BIOS, in the H/W Monitor section, there is a place to enable or disable fan speed control - it's called CPU Smart Temperature Monitor or something like that.
As long as it is enabled and your fan is compatible and hooked up right, the fan will ramp up and down to control temperature. This is independent of CnQ. And it is independent of Corecenter. Disable CnQ and shutdown CoreCenter, the mobo still controls fan speed.

Adobe premiere elements 10 audio sync bug (mpeg2)

Hi
Right im trying out diffrent video editing software and reviewing them. There is an annoying bug or flaw when it comes to importing mpeg2 files. The audio track becomes delayed about 1 sek after a while, its synced in the beginning and the get out of sync at the end of the clip. I tried the same mpeg2-files on other video editors including: Pinnacle studio, Vegas, Corel Studio, Cyberlink Powerdirector and the audio is perfectly synced all the way.
So, obviously its a problem/bug related to Adobe. I remember I had similar problems with Premiere pro and compressed videos, audio tracks dissapearing etc.
Im gonna try the trial for Premiere Pro to see if it has the same problem as elements.
Besides this, I kind of liked the interface and workflow in the program. So its bad that it cant handle a common compressed format such as mpeg2 that all other popular editors out there can.
Kind Regards,
Jonas

Well, with licensed modules, like CODEC's, and plug-ins, it is often just an "activation" issue. Rather than for the NLE company, whether CyberLink, Magix, Adobe, et al, to just give the fee to the licensing agent (say MPEG-LA) for every copy of the program, whether trial, or full-price, they limit the trial versions, and then with their full-paid version, the user will activate that module, and this normally happens transparently. When the module gets activated, the licensing organization gets notice, and then back-charges the NLE software company.
This sort of thing was carried to the extreme with the Pinnacle Studio programs, where "samples" of every conceivable module was included in the program. However, those were just previews, and could not be used, until the user contacted Pinnacle, and then bought an unlock code for each module (often sold in packages). The program cost around US $ 100, but to unlock all modules, it would cost about US $ 500 additional. As there was nothing but unlock keys, the user had to guard those well - no discs, or media. Also, Pinnacle did a fair job of keeping records of users' keys, though some did get lost over time. Also, keys did not always work version to version, so an upgrade could render key purchases useless.
With the DD 5.1 SS Minnetonka Audio SurCode plug-in for PrPro, things are slightly different. Adobe includes a limited version of that encoder plug-in - the user gets three trials of it. To activate the plug-in, beyond those three uses, the user must buy the key from Minnetonka, and it's now about US $ 300. Most of that cost goes to Dolby Labs, and in this case, Minnetonka just sort of is the "banker," sending the $ to Dolby, when they SELL that plug-in key.
Different companies handle "trials" differently. Some, like the Minnetonka SurCode, give limited, unencumbered uses. Some limit by time, and give unencumbered use, during that time. Some use a watermark, or similar, until the user buys it, and then the watermarks are uncoupled. Some just limit the features in the trial, and those limitations are lifted, when one buys. There are pluses and minuses to each scheme. However, each is designed to let a user try something, and no royalties are paid, until they buy it.
Good luck,
Hunt

Acrobat Pro 7, Adobe Reader 8, and Filled out forms

My head is spinning with all the "Acrobat features" that seem to be in Acrobat, but actually aren't. At least not in the version I always seem to have. I wish Adobe would be more diligent in explaining what features are are in which version and what features are in the Windows version that aren't in the Mac version.
I'll do a search for a particular question. Get an answer of Yes, Acrobat can do that. Only to find out (through trial and error and usually not the article I'm reading) that I can't do what I what I want in the version I have.
To my question: We are using Acrobat 7 (CS2) to make forms for people to fill out and return to us. The people filling out the forms will mostly be in Adobe Reader 8.
How can we get those folks to send us the filled out form? I have yet to get that to work. I have Reader 8 on my machine and when I use the Submit Button method, Reader tells me SendMail can't recognize my mail client, but then gives me no way of fixing that? Where are SendMail preferences? SendMail isn't even in the Help menu!
Any insight would be appreciated...

There is a New feature in Acrobat 8, that allows usage rights (you have to choose in tools menu, to allow it.
For small companies and Non-Profits, Adobe threw us a Bone. As long as as you receive no more than 500 respondents you can do this without breaking the EULA. (License agreement).
What you do is create your form make sure you have perfected and needs no changes. then turn on this item in Tools menu to allow Fill out and email. Then post to a website or send individually to no more than 500 people by email. They can fill out the form save the changes then send back.
However when you do this any person using Acrobat Pro 7 or Acrobat 8, or Reader 7 or 8 can do this. doesn't work bellow version 7. But Acrobat 8 is the only one (so far Than can create these.
If you make a mistake in the form and find it after turning usage rights on you have to save a copy with rights turn of and make your changes then go through procedure again.

Adobe Premiere CS6 degrading audio quality

Hello everyone. I am new to video editing but have been learning very fast. However, I am having an issue that I can't seem to find an answer to.
When I import anything into Premiere, the audio quality gets noticably muffled. I have tried exporting at the highest quality settings, but I don't think that's the problem becuase it sounds muffled in the playback in Premiere itself.
Does anyone have a solution?
Thanks so much!

FAQ: What information should I provide when asking a question on this forum?

Adobe Premiere 2.0 Audio Desaparece en Timeline

BUenas a todos, nuevamente.
El siguiente problema, es con el audio.
Al insertar un audio en el timeline, perfecto, se oye estupendamente.
Cierro proyecto, vuelvo abrir el proyecto, y por arte de magia, el audio o no se oye o solo se oye por un canal.
El archivo de audio, por si el mp3 pudiera fallar, es un WAV.
Aun así, sigue igual, y lo mjeor de todo, es que si lo vuelves a reemplazar por el original, entonces, solo se oye por un canal o sigue sin oirse.
Alguien tiene el mismo problema?
Gracias a todos

lazyboredom
I have something for you to try.
What did you use for project preset? I am assuming PAL AVCHD Full HD1080i25 since there is no DSLR 1080p setting in version 8.0/8.0.1.
(Did you say what the recorder is offering in the way of video compression to go along with the .mp4 container format?)
Take that Timeline and export it to a file saved to the computer hard drive.
Share/Mobile Phones and Players/Apple iPd and iPhone/and preset = iPod and iPhone - High Quality.
Under the Advanced Button/Video Tab of that preset, have your Export Settings look as follows:
Then upload that file (H.264.mp4) to You Tube at the YouTube web site. What is the quality of the uploaded video?
We will be watching for the results.
Thanks.
ATR

Can I capture with Final Cut Pro and edit in Premiere Pro?

Since it appears that Premiere has issues with capture - at least for me but as I see it for others as well - and that I can capture with iMovie, can I consider using Final Cut Pro for capture - then cross to Adobe Premiere and the suite for editing, finalizing ? Or is there a problem to copy the shots/files from one program to the other (would they remain identified clearly so I could just import shots into Premiere afterward ?)
Thanks
Rob

Hi Rob,
When you capture HDV in FCP it creates a specific Apple HDV codec. This is a codec that is only available if FCP, Motion or Compressor is installed.
The two workarounds would be to use Premiere Pro on the Mac with one of the above mentioned apps installed on the same system or convert to a codec that can be read in Premiere.
Best,
Peter Garaway
Adobe
Premiere pro

Adobe Premiere Pro CC Crashing Consistently

Above is the crash report and next to it is the system I am using. It's a brand new Mac Pro. Adobe Premiere CC crashes on me constantly with no hope of getting these bugs fixed. Its happened when I'm working on different projects on different drives doing different things. It crashes when I import audio, when I import video, when I export, when I'm editing, when I take a break from editing and go back to Premiere. I can't replicate the problem. It is sporadicd. Is there any fix to this issue? My company gets put hours behind when I have to take 3 hours to talk to Adobe Help and all they tell me to do is delete my preference files.

Hi Helen Mersiowsky,
Welcome to the Adobe forums,
According to the first error screen shot there is a read, write and execution permissions issues (rw- /rwx). The first set of flags specifies the current protection for the region. The second set of values specifies the maximum protection for the region. If an entry contains a dash (-), the process does not have the target permission. You can check the below article regarding this.
https://developer.apple.com/library/mac/documentation/Performance/Conceptual/ManagingMemor y/Articles/VMPages.html
I will suggest you to create a new Admin account and check the Premier Pro performance in it and you can follow the steps provided in the below article. If this works you might need to fix the permission issues on your user account for which you can contact Apple.
http://macs.about.com/od/switchersnewusers/qt/adminuseracct.htm
Hope this helps.
Regards,
Vinay

Creative Cloud - Adobe Premiere Pro CC. Download no.

English is difficult ... I
So I will ever in Korean.
[Please don't. There are translators out there you can use, but to keep the forum searchable, please post in English.]
Seeking to download Adobe Premiere Pro CC
Adobe Premiere Pro Creative CC righteousness is not in the cloud.
[Translated to English for searchability.]
Message was edited by: Jim Simon

You must have a 64bit computer
Adobe's MINimums http://www.adobe.com/products/premiere/tech-specs.html
-Programs won't display if they will not install on your computer
-http://helpx.adobe.com/creative-cloud/kb/all-apps-displayed-aam.html
-https://creative.adobe.com/products/premiere for the trial

Roxio Game Capture HD Pro, editing, Adobe premiere CC, M2TS, Audio wave form,

Similar Messages

Maybe you are looking for