SAP 3.1H com kernel and export for DB2

Hi all
Please let me know if any one have SAP 3.1H com kernel and export cd for DB2 as i am stuck with SAP migration MSSQL to DB2 .i am unable to download from SMP since this is older version.
Thanks in advance
Soumya

As to your other question about IDocs and ALE. We did a lot of IDoc and ALE development on 3.1H before upgrading to 46C 5 years ago. I don't remember major differences in the transactions. Obviously you have fewer IDocs with less capabilities to work with. If I remember right, SD was really limited on 3.1H. That was the area that gave use the most pain compaired to 46C.

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HT5858 I can't update apps on my iphone 5. theirs an old apple ID. That I don't have the pass word. I've created a new apple ID. but the old one keeps popping up. I have it on the Itunes on the phone but the old one keeps comming up and asking for a pass

I can't update apps on my iphone 5. theirs an old apple ID. That I don't have the pass word. I've created a new apple ID. but the old one keeps popping up. I have it on the Itunes on the phone but the old one keeps comming up and asking for a pass word.

Apps are permanently tied to the Apple ID used to purchase them. You will have to delete the apps from the phone and re-purchase them using your Apple ID.

HT201270 i have just updated my old 3GS and now when i am on restore the window is comming up and asking for a password. i have not set up a password for restore, please help how i can restore my date???

i have just updated my old 3GS and now when i am on restore the window is comming up and asking for a password. i have not set up a password for restore, please help how i can restore my date???

capriz wrote:
i have just updated my old 3GS ...
To what... iOS 7 is Not supported on the 3 GS

In material master two countries are comming Hu and De for tax classificati

Hi All,
In material master two countries are comming Hungary and germany for tax classification ,can anybody tell why .
Thanks

Hello,
Please check the Tax Determination Rules & Tax Relevancy of Master Records in the link below:
IMG - Sales and Distribution - Basic Functions - Taxes
1. Define Tax Determination Rules
2. Define Tax Relevancy Of Master Records - Materiall Master.
It is from the above links the Countries & Tax Categories are proposed in Material Master / Customer Master.
Hope this helps,
Thanks,
Jignesh Mehta

Query to do import and Export for Oracle 10g

For MYSQL we have queries available for import and export
import:-LOAD DATA INFILE 'filename' INTO TABLE tablename FIELDS TERMINATED BY ','
export:-SELECT * into OUTFILE 'file name' FIELDS TERMINATED BY ',' FROM tablename
Do we have similar query in Oracle which can be executed on SQL * Plus

Is it a feedback opinion you want to get/put ?
If not, then use a proper forum, which you can find somewhere here below :
http://forums.oracle.com/forums/category.jspa?categoryID=18
Maybe Database General is the one for your question.
By the way, explain where you get the data from (flat file -sqlldr - or dump file -imp -?), and where you want to put the data (flat file - select - or dump file -exp - ?), be sure you know the format of file of your output.
Nicolas.

OSX Lion and exporting for iPhone

There was a thread about how when trying to set and/or publish for iPhone or edit its settings, Flash CS5 immediately crashes. The problem has been experienced by many Mac OSX Lion users and they talked about it in this unresolved thread: http://forums.adobe.com/thread/888198#3851750 but still no updates from Adobe. Adobe sent me a response to my Support ticket that "it's an Actionscript 3 coding issue" then closed it so I couldn't reply. Ummmm, NO it isn't a coding issue, I tried to export an FLA file with no code in it. That's a really bad way to do business, Adobe. But since they're not going to be helpful (and probably lose me as a customer) has anyone else found a workaround for this?

ccroo wrote:
The aspect ratio of the iphone screen is 480 x 320, but that size is not an option when exporting for iPhone using Compressor. You have to use a custom setting.
Why is this the case?
You have to understand that the Apple-provided presets are good launching points, not end-all, be-all settings.
And iPhones do support material encoded as 640 pixels wide so the preset for VGA (up to 640x480) works fine for most people. I personally rarely use anything smaller than the VGA setting for Apple Devices as I find that's the perfect middle ground for iPods, iPhones and AppleTV.
If you (understandably) need to limit your file and frame sizes, adjusting the device setting in Compressor to iPhone (Local/WiFi) does the trick - fitting your movie into a 480 pixel-wide frame size and capping the video data rate at 1000 Kbps.
Letterboxing - as in hard mattes - is not needed when encoding for Apple Devices. In fact, if you have letterboxing in your source media, use the Geometry pane to crop out the Letterbox Area of Source. That will provide you with a better quality encode and the preset will know to adjust your output frame size, so you need not worry about distorting your movie.

Using Color profiles and exporting for web browsers

I've been trying to figure out the answer to this question. As I'm sure you're aware Safari supports color profiles while other web browsers like Firefox do not. I would like to setup Aperture so that it displays and exports images for the widest audience possible. Unfortunately it embeds a color profile and my images on the web only display correctly in Safari. I've tried changing the proofing profiles and export settings to no avail. I didn't seem to have this problem in iPhoto, a picture there looked the same on screen as it did in Safari and Firefox but I can't achieve the same with Aperture...

Thanks for that information, unfortunately I'm not really any closer to solving the issue since I've already tried that. 1) by default, doesn't Aperture automatically embed the sRGB color profile? 2) if I set view>proofing mode to sRGB shouldn't what I see on screen match what a "dumb" application such as Firefox does when it ignores the embedded profile and display sRGB? I've tried going into the preferences>export settings and changed everything to sRGB IEC61966-2.1 but I see no difference in the final image between that and the default setting.
I guess my question is more specific to Aperture since I don't have this problem with other applications. For example, in photoshop if I do Export for Web it strips out any embedded profile and when I open that image in Firefox and Safari side-by-side they are exactly the same. But not so when I export an image from Aperture, when opened in Firefox it is desaturated and flat and of course in Safari it honors the embedded profile and looks fine.

Find import and export for method

Hi,
i wont to use method in se24 , how i now the import and export and ... for Method?
Regards

Hi,
for an easy use of methods i recommend using the button "pattern" in SE80. If you choose "ABAP Objects Patterns" the source of a method call is generated and all existing Parameters are listed.
You can display the parameters also within SE24. Call the Class of the Method. Then click on "Methods". Set the mouse focus on the method you are interested in and click the button "Parameters".
Hope this helps!
Regards
Mark-André

HDV Aspect Ratio and Exporting For the Web

INTRODUCTION
I am trying to export an HDV video for the first time and have managed to confuse myself. I want to upload it to blip.tv and they transcoded videos into Flash with 4:3 aspect ratio. But more than that, I want to understand how this all works so I don't have to guess about the settings that will give me what I want.
BACKGROUND DATA
4/3 is 1.333...
16/9 is 1.777...
1440/1080 is 1.333... (if the pixels are square)
1920/1080 is 1.777... (if the pixels are square)
In FCP my clip format says:
Frame Size: 1440 x 1080
Pixel Aspect: HD (1440 x 1080) (Does this mean the pixels are 1.333... times wider than it is high?)
EXPORT USING QUICKTIME CONVERSION
When I go to export this clip using Quicktime Conversion under the Options... Size... dialog and look at the Dimensions dropdown, (I assume this is the dimensions of the exported video. Is that correct?)
Some of the settings are (the settings are in quotes, my notes are in parentheses.):
"HD 1440 x 1080 16:9" (if pixels are square this is 4/3)
"HD 1920 X 1080 16:9" (if pixels are square this is 16/9)
So both of these settings claim to be 16:9 but they both can't be true unless they have different pixel aspect ratios (which I find hard to believe). This makes me think I don't really know what they mean when they notate something as 16:9. Can anyone give a definition that will help me here?
EXPORTING FOR THE WEB
Using FCS2, what settings should I use to export this clip undistorted for the web (with letterbox if needed)?
Thanks for the help,
Rob:-]

What I find with HDV 16x9 1440x1080 footage, is that when you output for the web you have to hard code the size you want the result to be. 320x180 or 640x360 for example scale things nicely. If you want bigger, just do the math.
I don't know why but whenever I select a predefined output size, it always screws it up (I don't work with 4:3 ever, so I'm speaking only of 16x9). So I always enter the size I want.
And as far as Compressor 3, I really can't get that to set the size I want correctly either. Mostly its due to me being lazy and not wanting to spend a year reading the Compressor manual. A package that should basically have the easiest interface known to man is now so complicated that unless I have to hand-holding tutorial, or get to drag/drop one of their presets, I end up screwing things up with it. Not to mention that you get to wait for hours just to see how you screwed up the settings of your output.

FCE and Export for Apple TV

I want to be able to use FCE to edit my HD footage from my Sony HD7 camcorder then display results through Apple TV. I know I will lose resolution, but am having one particular problem. After importing clips to FCE I exported to Quicktime movie, then opened the file in Quicktime and exported to Apple TV. The resulting video seems "jerky" at least to my eyes. Almost like every other frame was cut out. Do I need to export from FCE at a different resolution or frame rate to get the export to Apple TV looking better?
Thanks all for the help.

Thanks Tom. Could be just my eyes seeing the difference in the results, but here are the details.
Original File from Sony HDR-HC7
Video Tracks:
Apple Intermediate Codec, 1440 x 1080, 29.97 fps, 98.77 Mbps
Audio Tracks:
16-bit Big Endian stereo, 48 kHz, 1.54 Mbps
Export direct as QuickTime movie and conversion to Apple TV seems to show some jagged sharp motion to my eyes, so I tried the steps below and got a more fluid result.
The exported from FCE to 1280 x 720 with these settings:
Compression: H.264
Quality: High
Key Frame Rate: 24
Frame Rendering: Yes
Encoding Mode” multi-pass
Dimensions: 1280 x 720
Results of export from Final Cut
H.264, 1280 x 720, 29.97 fps, 17.48 Mbps
16-bit Big Endian stereo, 48 kHz, 1.54 Mbps
Then converting that to Apple TV file (opened in QuickTime and used export for Apple TV):
Video Tracks:
H.264, 960 x 540, 29.97 fps, 3.81 Mbps
Could be that Export to QuickTime Movie makes an Apple Intermediate Codec file and the export using QT conversion made an H264 codec. Perhaps there is a difference in the way the QT function "export to Apple TV" handles those two codecs???

SAP SCript (FINANCE)(MR90) Help and Procedure for creating Invoices

Hi,
   I have configured an new output type for ( Finance ) Redemption Claim Invoice SAP Script in SPRO.
   But in the MR90. for executing the new layout with output type i am not able to create the data.
   In MIRO I tried creating the INVOICE but i could not create the invoice to the new output message type.
   Can anyone please guide me how to proceed with.
THANKS IN ADVANCE.
GUHAPRIYAN SUBRAHMANYAM.

hi Hari,
there are user exits for extraction, reporting, ...
check the links in
https://wiki.sdn.sap.com/wiki/display/BI/ABAPinBW
Customer Enhancements and Userexits in BW
https://www.sdn.sap.com/irj/sdn/go/portal/prtroot/docs/library/uuid/59069d90-0201-0010-fd81-d5e11994d8b5
extraction exit steps can be found
'How to ... Extend Master Data to incl. Social Security Number ' ?
https://websmp201.sap-ag.de/~form/sapnet?_FRAME=CONTAINER&_OBJECT=011000358700004516062001E
for reporting example
https://www.sdn.sap.com/irj/sdn/go/portal/prtroot/docs/library/uuid/f1a7e790-0201-0010-0a8d-f08a4662562d
hope this helps.

Need help creating custom .swf skin and exporting for use

Please, can anyone help...
I am currently working on a projects that needs to have a custom flash skin player.
I have tried copying and editing excisting skins, but when I export the swf and fla into the crrect folders, I am able to select it from the skin list- however it doesn;t show in the player.
Am I exporting/publishing this in the correct way and to the right folders?
If anyone can give me a tip of how to achieve this that would be great, or a link to somewhere that may have the infor I'd be happy,
Cheers
Cliff

Hi,
Do you mean skinning FLVPlayback palyer?
Warm Regards
Deepanjan Das
http://deepanjandas.wordpress.com/

When I push to installl plugins Adobe Flash Player 10.3 comes on and runs for up to 3 hours without stopping. I cannot acces my classroom witout the plugin window popping up.

When I log onto PMI for my classroom the install plugins window comes up, I press install and the Adobe Flash Player 10.3 pops up and it has been running now for 3 hours, is this normal? I have shut it down but had the same problem when I again tried to access my online classroom. What do I do?

Hi, Sometimes users with understanding of what Adobe programs you are using will post. It doesn't happen very often.
If you had a personal computer and had problems with Flash Player then of course this Forum would be where it would be addressed.
Flash Player is used with all of the Adobe programs and when those programs are involved, then those Forums relate to Flash Player from those perspectives. Flash Player is not a standalone, that would be the Projector. Neither is Flash Player unrelated to the Adobe programs you use.
These terms: fast switching the slides, the player crashes in cases, when a progressive videostream is canceled, Tweener, the gui for the volume control before the gui is initialized, so the player try to access a null reference. It is for me impossible to develope content
told me clearly that your issue involves much more than Flash Player, debug or not.
If you can see the animation at this site and the correct version of Flash Player is displayed, then Flash Player is Installed correctly and should be working. If not, then since I'm not versed in the programs you are using and possible conflicts, I would not be the one to assist you. So your choice is to wait here on this Forum for someone that can, or take my advice and start a thread on one of the other applicable Forums.
Also you have a Mac. We have more threads that the Mac users put up than Mac helpers:-)
http://www.adobe.com/software/flash/about/
Thanks,
eidnolb

Mixing and exporting for more than 8 channels and non-standard multichannel setups

I am trying to do something kind of unconventional, although I have seen people on the forums trying to do similar things. Unfortunately, it's unclear if they succeeded or not, and if they did, how.
I'm trying to figure out how to mix sound for an environment that has many (somewhere between 8 and 16) independent speakers, all connected to an audio interface. I know that WAV, AAC, and other audio file formats can carry that many channels and I can map them to the individual speakers. My question is how to edit/mix. Specifically,
Is this possible in Audition? It seems like it might be in CC, but not previous? (I have CS6.)
How do you set up the project file. When I create a new multitrack project, I can choose mono, stereo, or 5.1. The 5.1 option allows me to assign sounds to the five speakers in a standard 5.1 setup and the LFE. Is it possible mix for an environment with more than that? Or with a different configuration of speakers? In Audio MIDI Setup (for Windows people, that's where in OSX you set the more advanced audio preferences) I can configure up to 7.1 as well as geometric arrangements like quadrophonic, hexagonal, and octagonal. Is it possible in Audition to mix for anything like these?
There have been some threads where people talk about using 16 discrete outputs in Audition. How is this possible? Is each track able to be routed to a different output? If so, is it possible to write a file that has all of these tracks assigned to their discrete output channels?
Is it possible to nest audio sessions like you can nest Premiere sequences? For example, can I create a multitrack project with mono output and have that session be embedded into another multitrack session or do I have to finish editing the first one and write a file from it to use it in another project? Can buses be used to do this? What I'm wondering is if what I describe in #3 above IS possible, then how to have more than just a single pre-made audio file going to each of the outputs, to allow me to mix each channel with various sounds.
Sorry that's a few questions, but they all revolve around how to work with multi-channel sound that isn't stereo or 5.1.
Thanks!

SpdCncpt wrote:
I'm trying to figure out how to mix sound for an environment that has many (somewhere between 8 and 16) independent speakers, all connected to an audio interface. I know that WAV, AAC, and other audio file formats can carry that many channels and I can map them to the individual speakers. My question is how to edit/mix. Specifically,
Is this possible in Audition? It seems like it might be in CC, but not previous? (I have CS6.)
As you have probably gathered, this is effectively a work in progress...
How do you set up the project file. When I create a new multitrack project, I can choose mono, stereo, or 5.1. The 5.1 option allows me to assign sounds to the five speakers in a standard 5.1 setup and the LFE. Is it possible mix for an environment with more than that? Or with a different configuration of speakers? In Audio MIDI Setup (for Windows people, that's where in OSX you set the more advanced audio preferences) I can configure up to 7.1 as well as geometric arrangements like quadrophonic, hexagonal, and octagonal. Is it possible in Audition to mix for anything like these?
At present, this is restricted to what you can see, but there's sort-of a workaround - albeit not an ideal one...
There have been some threads where people talk about using 16 discrete outputs in Audition. How is this possible? Is each track able to be routed to a different output? If so, is it possible to write a file that has all of these tracks assigned to their discrete output channels?
If you have a multichannel sound device, and all the outputs are visible to Audition, then yes, each track can be assigned directly to a different output. And if you set one up, you can do this with buses as well...
Is it possible to nest audio sessions like you can nest Premiere sequences? For example, can I create a multitrack project with mono output and have that session be embedded into another multitrack session or do I have to finish editing the first one and write a file from it to use it in another project? Can buses be used to do this? What I'm wondering is if what I describe in #3 above IS possible, then how to have more than just a single pre-made audio file going to each of the outputs, to allow me to mix each channel with various sounds.
It's not possible to nest sessions at present in any version, and this has been asked about before. There are some significant issues with this, mainly to do with things like sample rates, output formats, etc. Doesn't mean that it won't happen, but don't hold your breath... As I said, there's a workaround, and yes, it's buses. Since you can effectively submix to a bus, and the bus output can go directly to hardware, then you can do what you want. The compromise is that in order to save the overall result, you'll end up with all of your source files, and a session file. And you'll have to play the whole thing back in Audition, rather than export it to a single file and be able to play it on a multichannel player. But yes, it should work.

Not sure about derviatives, file types, and export for lightroom

hello:
I am a new LR user and new to the DAM process. I am confused about something that is probably basic and fundamental to this process. My computer setup is two internal drives (working drive and a photo archive), as well as external backup and burning to dvd. Using LR for both image adjustment and catalog management (not using Photoshop). For raw I will be converting to dng on ingestion. I will add bulk metadata on ingestion and then bring images into LR to rate images and make basic image adjustments. These images will then be archived as originals.
Now, if I perform additional work on any of these archived images (addl. image adjustment or metadata) would these images be considered derviatives? If so, would I then go to export in LR to add to file name (e.g., masterfile, master.dng or .tif) before sending to, for instance, a working derviative folder before sending off to the archive?
Also, if I am sending these images to archive, but not sending out for email or web, do I need to change the dng to another file type (e.g., tif)?
Lastly, I have some old jpegs on media cards that I want to put through this process. Is there anything special that I need to do in handling these images versus dealing with raw?
I have read the DAM book as well as reading through various online resources, but this whole process is quite confusing for a beginner.
Please respond anytime.
Thanks
joe.

Lightroom is a non-destructive editor. This may be different than anything you have used in the past.
With non-destructive editors, there is no concept of original and derivative (unless you choose to use a 2nd program like Photoshop, sounds like you're not planning to do that). With a non-destructive editor, you make your changes in the editor (Develop Module), and these instructions are stored by Lightroom as a "recipe" and not as a distinct file on your hard disk. These instructions about your edits are applied whenever you use Lightroom to view your image (or whenever you choose to print from Lightroom or make a slidesehow from LR or make a web page from LR). The original is completely unchanged, and there is no edited derivative photo exported or saved. Thus, there is no need to segregate original and edited photo, because there is no saved edited photo. Additional edits in Lightroom are handled the same, original is unchanged, your edits are stored, and there is no derivative or saved photo.
The only time you would save a copy of the photo is if you wanted a copy for some non-Lightroom purpose, in which case you use File->Export... to make a file on disk in a "temporary" folder, then you use the file created in whatever non-Lightroom purpose you have, and when completed, you can delete the file in the temporary folder, knowing that LR can re-create it exactly if you ever need it again. If you are going to print from LR, or e-mail from LR, or create a web page from LR, or create a slideshow from LR, you do not need to create an exported photo.
JPGs and RAWs and DNGs are all handled the same by you, the user. Yes, there is internal differences that aren't important to your workflow.

SAP 3.1H com kernel and export for DB2

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