Save in different Folders RAW/JPEG

Hello,
is there any possibility to save the raws and jpegs in different folders ?
(in one step, after connecting the camera)
My workflow is as follow:
Connect the camera
Save the jpegs in a folder (for example: April 2007)
Save the raws in a folder (for example: RAWS 2007)
Thank you very much for your help
Sorry, for my english :-)
Marco

Make playlists on your computer, then sync them to the ipod.
You do not have axxess to the folder system on the ipod at all.

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Import RAW+JPEG to different folders

I have been playing around and can't find the answer I need, please help...
I shoot photos in RAW+JPEG and, therefore, have two files for each image in folders on my memory cards. I now have AutoImporter set to automatically import all files form the card to a subfolder within Pictures called Auto Import. I would like to add a folder action or script of some sort on Auto Import that would take the JPEGs and move them to a different folder automatically after import (addition to this folder.
My goal here is to split the RAW from JPEG into separate folders so that I can have Time Machine and iDisk back up just the JPEGs, leaving the RAW only for editing in Aperture.
I am pretty new to Mac and not very familiar with scripts or folder actions but I can muddle through. I looked around Automator but could not see any action that might work.
Thanks for any help.

Hopefully, I'm not hijacking this thread but I've been asking friends who use Aperture this question and not getting answers.
I shoot the NEF (RAW) + JPEG option on my Nikon D300. I used to shoot straight RAW for years but my wife, who is a scrapbooker, was getting annoyed at how difficult it was for her to get JPEG versions of the pictures she wants to print for her projects. I also like to put photo-intensive trip reports up on my blog about our trips to Disney theme parks (my hobby is shooting pictures at Disney Theme parks). I found it a nice side benefit to be able to just grab the JPEG and upload since the quality wasn't as important since it was a small picture anyway.
Well, after shooting a few TB of pictures, it has gotten IMPOSSIBLE to keep track of my photos using a file structure as my organizational method.
So, a few of my friends convinced me to go Mac and go Aperture. I haven't installed Aperture yet not imported any photos yet using iPhoto and went straight to the Nikon Transfer software as I tried to determine whether to go Aperture of some other package.
I've now decided to use Aperture, but I still have the overall problem of what to do with my JPEG + RAW. I want to keep both but with them both imported into the current folder with Nikon Transfer and possibly the same behavior with Aperture doing the importing, that won't work with all those duplicates.
I know you all were asking the original poster WHY they were wanting both when it's so easy to get a JPEG out of Aperture. So, for me it's just simply because it's easier for my wife to get her pictures if I don't have to teach her how to use the software or I have to stop what I'm doing to export them out for her.
What suggestions do the experts on here have for the scenerio I face. I really am a clean slate except for the few hundred pictures I imported to free up card space on my last trip in May. But, I now have a stack of card needing importing and need guidance on methodology

Saving jpeg and html file into different folders

Hi, all.
I developed a VI that generates, on a timely basis, reports (HTML format) that contain some text, numerical values and graph images (jpeg). The problem is that when it saves a HTML file to a folder, JPEG files are also saved into the same folder.
Is there any way I can save these html and jpeg into different folders?
Or is it even possible to generate html report with some graph images without having to have save jpeg files? (this would be even better).
I included a screen shot of the VI.
Thanks in advance for your help.
Attachments:
screen shot.doc ‏184 KB

There is currently no way, with the Report Generation VIs, to save the image files for an HTML report to a separate folder. If you think this would be a helpful feature, please submit your request to the Product Suggestion Center, and we will look into possibly including this feature in a future release. For now, the only workaround I can think of would be for you to use the File I/O VIs to manually create another folder and move the image files to it, then use the string manipulation functions to edit the contents of the HTML file to point all image file references to the new location.
As for not generating images, I don't know of an easy way to have an HTML page with images where there are not corresponding image files.
Good luck,
-D
Darren Nattinger, CLA
LabVIEW Artisan and Nugget Penman

Different colors from RAW+JPEG mode of my camera

The same issue of always... color profile.
I shot my entire trip thru Europe using RAW + JPEG Basic mode of my Nikon D40 digital camera. Oddly, the JPEG files are looking MUCH MUCH better, because iPhoto assigned the correct color profile to the files, instead of signing all RAW files as Adobe RGB. (I have Adobe RGB option on my camera, but I shot as sRGB).
I tried installing Aperture trial to reprocess all RAW files and no success. Looking RAW and JPEG side by side makes me sad.
What should I do to make iPhoto recognize my RAW files as sRGB?
Sorry for posting this again... I read more than 20 threads about color issues and I didnt managed how to fix my problem.

Hi Dave,
yes, thats generally what i want to do.
I have the PEF-Files out of my camera and i convert them with the Adobe DNG converter to the DNG format. The old Pentax K100D is using uncompressed PEF, thats why the pictures are twice the size than the converted DNG
If i import these files for further processing into Lightroom, they are looking similar to the originals viewed with another application (e.g. the pentax development tool) for a second, after that Lightroom is changing the preview to the settings of the Adobe Profile. Colors are much more colder and less colorful. If i try to change the profile in the developement tab, there are no visible changes to the picture.
I've downloaded the DNG Converter and Camera RAW. There are several profiles included, but i don't know how to use them with Lightroom or Photoshop CS4 (with installed ACR).
I've created a screenshot of the differencies so you know what i mean.
Screenshot
On the left side you can see the developed JPEG via PEF out of the Pentax-Software (Silkypix), on the right is the developed JPEG out of the DNG via Lightroom. Both files are without any further changes to the development process.
The left picture corresponds to the original conditions.

Import of RAW+JPEG pairs?

Just when I thought I had it all together...I seem to have forgotten where I put it. I need some expert assistance.
Aperture manages my Library which is kept on an external HD.
I shoot RAW+JPEG on my D200--two image files for every shot. To anticipate the question--I'm learning about the D200, and I want to be able to see the IQ differences between an Aperture-adjusted RAW image and a D200-adjusted jpeg.
I understood that when I imported my image files into Aperture, both files of the pair were imported and saved in my Library. I know I was working with the RAW file for all my adjustments and exports, but I believed that if I wanted that camera-adjusted jpeg, it was available from my Library. I'd also understood that I could call up that camera-adjusted jpeg using Option+J while selecting the paired RAW image in the Viewer. I know I can get a jpeg counterpart to the highlighted RAW image using Option+J--but whether it is generated by Aperture or camera is now uncertain.
Can someone who knows answer the following:
(1) Are both images in the shot pair (.nef and .jpg) imported into Aperture?
(2) If the Option+J image is not the downloaded, camera-produced image--then where does the resulting jpeg file which appears come from, and where are the adjustments for it set?
(3) If my original understanding is correct and both images in the pair were loaded into my Library--why can't I find the paired jpeg? It's not listed with the RAW files in my Finder, and my Spotlight doesn't find it either.
(4) Is there a way to get that paired jpeg into my Library along with its RAW counterpart.
One note on backup workflow: If those paired jpegs aren't imported into the Library, I'm fortunate to have followed advice from some of you here in the forum. Thanks to you, I always download my files using a reader and save them to a folder on my desktop. After importing them into Aperture from that folder, I move them to a folder I use to accumulate a batch for burning to a DVD for archiving. Only when burnt, do I erase them from the desktop and reformat my card. If, in fact, I've been wrong about those paired jpegs being in my Library, then I've still got them on my DVDs. Instead of being redundant with my Vaults, the DVDs will be my only source for them. Thanks to those of you who got me to buy into that workflow.
Terry

Thanks. A little Tough Love from the experts sent me back to try one more time to puzzle through the pages of posts on this subject. Sorry, but there's too much noise and contradiction in those pages of posts for me to buy in.
I did what each of us probably should do--an experiment. I noted the "New Version from Master JPEG" aka Option+J was grayed out if only one of the pair (either .nef or .jpg) was imported. Only having the pair imported activated thet Option+J pick. Excellent, and just what I hoped to see.
I also drilled down to the lowest level of the imported image folders in the Library. I'd previously stopped when I saw the image name but for some reason neglected to open the lowest folder to check for file extensions. Careless on my part. I confirmed what everyone here is regularly assured--that all the imported image files are available in the Library (and Vaults) should Aperture fail, or someone decide to leave Aperture for the dark side. Again, just what I hoped to see.

Importing files of the same name in *different* folders?

Yes, yes, we all know about the RAW+JPEG and whatever else argument.
But why should I be prevented from importing identical files that are stored in different folders? Who cares if they are in the library twice?
I haven't figured out if it's just a name issue (don't think so) or if the files have to be truly identical.
I *think*, but am not sure, that you can import separate files of the same name but that are actually different images. Can anyone verify?
Lee Jay

Bob,
It appears that you can import duplicate named files by unchecking the "ignore Duplicates' box--the first time you import files (or a file) from a folder. But, if you go back to that folder to use 'import' to update, then the import takes place immediately bypassing the screen with the "ignore Dulicates' box on it--I presume it assumes that you would not want to change any of the original settings for an import from a given folder.
The point is you had better leave it unchecked always if you want duplicates ingested intially or later on reimport.

Having problems with Canon Raw / Jpeg with Canon 5D

I have been noticing every time I open up a Raw file in CS2 the colors seem to be off and when I open up the Jpeg pic. they are compleatley different. The Jpeg files colors really pop, where the Raw files look blowen out and take a lot of work in editing.
What am I doing wrong? Do I need to upgrade to the CS4 package? Or is it a camera setting that I am missing?
When I was shooting a Canon 10D both Raw and Jpeg were the same and the colors were good. Thanks Keig

What you are seeing is the difference between how Canon develops the images and how Adobe develops the image (in CS2). Your options are somewhat limited in CS2 but you can try the following:
Open up a 5D image in Camera Raw.
Make adjustments to make the image look as close to the Jpeg as you can. This will probably mean adding some contrast, upping the shadows/blacks clipping point, and adding some saturation.
Save those settings as a new Camera Raw default. I don't remember if that is in the same place it is now ("Save new camera raw default" from the fly-out menu on the tab bar) but look around and you should find it.
The hardest part will be trying to get a good match on the color. An upgrade to CS4 would give you many enhancements to Camera Raw, including new Canon-like profiles that will give you 5D color similar to what you get in-camera or from Canon's Digital Photo Professional software.
Hope that helps.

Importing raw + jpeg

I've never shot/saved in raw format but am going to give it a try. My camera allows me to save in both raw +jpeg. When I view this in Aperture I see a single image and that I can set either the raw or jpeg version as the master. What does this really mean? If I want to edit the raw file I set the raw as the master, and the same if I want to edit the jpeg - I set that as the master. Is that all it really means?

You can even hit Apple-A (select all) and then 'New Version from Master JPEG' to extract all the JPEGs and have them placed in stacks next to the RAW equivalents.
This is good for lots of my projects which were created before Aperture, where I've manipulated a RAW and saved as a JPEG and I now want to import that folder into Aperture. Of course, if I were processing that with Aperture, most of the JPEGS wouldn't exist as they are mostly crops, levels etc. so they'd just be Aperture versions.
What I would like to be able to do now, is to perform something similar when I have created the JPEG with a different name to the original RAW, by dragging the JPEG over the RAW or something, so that it recognises that the JPEG is also a version of a particular RAW, despite them having different names.

How do I delete the jpeg from raw+jpeg imported images?

Hi,
Back in the day, I shot lots of images using raw+jpeg and imported them into Lightroom. Now I realize those jpegs add no value and I'd like to recover the disk space that they're collectively occupying.
Is there a good way to:
1. Identify all images in a catalog which have raw+jpeg?
2. Remove just the jpeg for these images?
Thanks!

$$PhotoHobby wrote:
I'm very hesistant to take the chance on any 3rd party script.
Just so ya know, what the deletion feature in RawPlusJpeg does is ultra simple:
1. Identifies extraneous jpeg files.
2. Presents them for you to review.
3. Deletes the extraneous jpeg files, if you approve. (puts them in the recycle bin if possible).
It does nothing to the database nor anything else.
You sync folders with 'Treat JPEG files next to raw files separately' afterward, which is what sets the database right.
The only potential for trouble is the criteria for determining which jpegs are extraneous.
It has no direct access to the database, so what it does is check for jpegs with same base name as raw (which *must* be present in catalog, and on disk), that aren't in the catalog, which includes the jpegs associated with RAW+JPEG (imported as a unit), *and* any jpegs that were imported separately, but subsequently removed from the catalog, or had never been imported.
So, what it does will be the perfect thing to do, *if* you first synchronize folders (with 'Treat JPEG files next to raw files separately' checked) to pull any jpegs in to the catalog that were previously imported separately, but may have been inadvertently removed from the catalog (or had never been imported), before invoking the delete feature of the plugin.
Note: You must do that for any manual procedure too, or you will have the same problem, except in the manual case, you won't have the benefit of the plugin checking your work, and presenting the files to be deleted, before you commit.
It's your call, obviously, and to save Geoff the Kiwi from pointing this out: the plugin comes with no guarantee, warranty, or any other kind of tea.
Consider backing up catalog and photo files before doing this maintenance, whether manual, or plugin-assisted.
In my opinion, the plugin-assisted method is much safer than the manual method, which is the only reason it was written, *not* to save steps, although it does that too. For example, you can not, with the plugin, delete any jpegs that do not have a corresponding RAW in the catalog and on disk, period. - unless there is a bug of course, but there probably isn't , at least not one that would change the aforementioned assertion... - it wouldn't take much of a bug to cause it to barf, but it would take a big bug to cause it to delete files that weren't on the list, etc...
Seriously, I don't think you have to wait for Adobe on this one. I wouldn't (I didn't - my catalog is all clean now!...).
PS - there is *very* little recorded in the database about the jpeg sidecar - it's existence upon import (when "as a unit") - that's about it. Most of the funny business about updating that we were fumbling with above, stems from the software (and the person at the keyboard), *not* the database. Syncing folders with 'Treat JPEG files next to raw files separately' checked, once the jpeg sidecars have been cleaned up, *will* set the database straight!
Cheers,
Rob.

Viewing raw + jpeg problem

I shoot raw + jpeg. When I import from camera or from folders on my hard drive, both the raw and jpeg versions are transferred, but I only see the raw. There is no extension, but I can tell it is the raw because of the info in the metadata. I know the jpeg transferred, because it is in the packet, and I can make it appear by using the "copy from master jpeg" feature. But that duplicates the image in the packet.
The real problem is that I have thousands of processed jpeg images that share the same filename as the raw, except for the extension (.cr2 for raw and .jpg for jpeg). But when I import, I only see the raw version and not all the cropped, color corrected one. And when I shoot raw + jpeg, I don't see the jpeg. I want to view both, because sometimes the camera jpeg version is sufficient, and then I don't need to post process the raw.
How can we view both the raw and jpeg when shooting raw + jpeg and when importing images that have the same name for both (such as 051204photo01.cr2 and 051204photo01.jpg)? Until I can figure this out, I've had to stop importing all photos and using Aperture, because I am unable to easily view the thousands of processed photos I've created (only the raw version is displayed, though both are in the packet)
Paul

Sam:
It works like a charm. Here's how I tested. I shot 2 photos as Raw+Jpeg. I then put the CompactFlash card in my reader and confirmed there were 4 pics (2 raw, 2 jpeg, with the versions sharing the same name but different extension). First I imported the normal way by dragging the folder into Aperture. I end up seeing only 2 photos. Next I copied from the flash card to my hard drive and added a folder called JPEG Folder inside the folder (at the same level as the photos). I moved the jpeg pics into it and left the raw outside. This gave me an outer folder that contained 2 raw pics and a folder (containing the 2 jpegs). I dragged that into Aperture, and I now see all 4 photos. I used smart stack to separate them into 2 pairs. Unfortunately the thumbnails don't include extensions (we should have the option to turn them on). But using the inspector, I found that the raw was the first one, with the jpeg to its right. I can now compare them and delete one or the other. As a test I did just that, trashing the raw version of one pic and the jpeg of the other.
You mentioned that the project needs to contain all files. I noticed when I first stumbled on this problem that both versions are indeed in the packet. We just aren't able to see the jpeg version on import if it's in the same folder as the raw. By moving it into a separate album, Aperture then "sees" the jpeg version that is there all the time. This seems the only sensible way to deal with the files when shooting raw+jpeg.
Paul

Yosemite Photos not importing Nikon D40 RAW+JPEG

I tried to import RAW+JPEG photo sets from an SD card of a Nikon D40 and my first impression was that the photos were imported, they appeared on the Last Import album but then I noticed these issues:
1. I was not able to edit the photo
2. I was not able to select the RAW file to edit it
3. When tried to import from Facebook, the Finder interface was not able to located the imported photo even though it appear on Photos app
I thought that the issue was related to the SD card so I connected the D40 via USB and imported again. Nothing different happen, the same 3 issues.
My workaround was this:
1. Insert the SD Card in the slot
2. Open Finder
3. Navigate through the folders to locate the NEF file (RAW file)
4. Copy the file to the Desktop
4. Open Photos
5. Import the NEF file from the Desktop
Edit was succesful and Facebook was able to upload it.
Equipment:
Nikon D40 + SanDisk 4GB Ultra II
MacBook Pro (13-inch, Early 2011)
     Processor 2.3 GHz Intel Core i5
     Memory 4 GB 1333 MHz DDR3
     Graphics Intel HD Graphics 3000 384 MB
OS X Yosemite 10.10.3

That is what Apple's RAW support page says, so you can do nothing about it:
OS X Yosemite: Supported digital camera RAW formats - Apple Support
See the footnote at
Nikon D4S†
Nikon D810†
Notes
†Nikon RAW L format only.

Canon 5DII RAW+jpeg does not download

When I select RAW+jpeg quality only 2 jpegs download. I am using PhotoShop Elements 7 and there has never been a problem until Canon Irvine updated the firmware. I don't in anyway blame the firmware update but what do I do now to get 1 RAW file and 1 jpeg file?
I have also updated the Adobe RAW plugin software.
Bob AZ

Check what version of ACR you are using. It may no longer be compatible with the latest firmware in the camera.
Element 7 dates from Fall 2008, is based upon Photoshop CS4, and Adobe only updates their older versions to a point. Then you have to upgrade to a newer version.
Elements 7 can use up to ACR 5.6. The current Elements 11 uses ACR 7.2.
According to Adobe, 5DII requires ACR 5.2 or later. However, it's possible the firmware update to the 5DII (2.1.2, released Feb. 2012) made changes that now require something later than ACR 5.6, which would necessitate upgrading your version of Elements.
This happened to me back when I went from 30D to 50D... First I found I needed to update Photoshop. Then I found that I needed to update my computer's operating system in order to use the newer version of Photoshop. In the end, I bought a whole new computer because the newer OS and Photoshop would have seriously bogged down on the old computer! That was one expensive camera upgrade!
You have alternatives.
For one thing, you don't have to download via Elements. You should be able to see the image files on the memory card in Windows Explorer (or the Mac equivalent, if you're not a Win PC user). In Explorer you'll see the file listed, but will not be able to see actual thumbnails of the CR2 files... Unless you install a codec that allows it. If using a 32 bit operating system, there's a free Canon codec. If using a 64 bit OS, you'll need to go with a third party codec that might cost a few dollars (I'm using one that's called FastPictureViewer, which cost me $15 US per computer if memory serves... this has the advantage of allowing me to view not only Canon RAW file previews and thumbnails, but also many other camera manufacturers' proprietary RAW formats). This is just a convenience, really, being able to see the RAW file as a thumbnail and preview it in Windows, prior to converting it.
With or without the codec installed, you can simply use Explorer (or the Mac equiv.) to drag and drop, move or copy the image files to a folder on your computer, bypassing Elements entirely. This is at least as fast, might be even faster.. But doesn't allow you to do some other things with the files during the download, such as renaming or adding copyright info. I do this all the time, since I am often downloading multiple memory cards and busy with my RAW conversion software getting started on editing the images already downloaded.
Once the CR2s are on your computer, you still have the same problem being unable to view and open the CR2 files in your older version of Elements.
You could convert them to DNGs. There's a free DNG converter available for download from Adobe. The DNGs should work fine in Elements 7 (and have an added, modest advantage that they don't need the small "sidecar" file to save conversion data, like other types of RAW files do).
Or, once the CR2s are on your computer, you could use a different program for the conversions. There are several freeware RAW converters available (GIMP, for example). I haven't used any of them recently, so can't really recommend one over the others.
Or just spend around $100 for a new copy of Elements 11 and be fully up to date with that software, able to continue downloading via Elements if you wish, and have some of the newer tools that have been added in more recent versions of the software. I saw a big improvement in noise reduction quality, for example, going from Photoshop CS4 to CS5 (Elements 7 is based upon CS4). I don't use Elements (I use Lightroom and Photoshop), but am sure there are other improvements you might find worthwhile, too.
Alan Myers
San Jose, Calif., USA
"Walk softly and carry a big lens."
GEAR: 5DII, 7D(x2), 50D(x3), some other cameras, various lenses & accessories
FLICKR & PRINTROOM

HOW CAN I TRANSFER PHOTOS FROM MY IPOD TOUCH TO MY PC BUT THESE PHOTOS ARE NOT IN THE SAVED POTHOS FOLDER. THEY ARE IN SEPARATE AND DIFFERENT FOLDERS THAT MY DAUGTHER SAVED FROM HER PC. IS THERE ANY FREE WAY TO DO IT. PLEASE REPLY TO JUMACAVA07@HOTMAIL.

HOW CAN I TRANSFER PHOTOS FROM MY IPOD TOUCH TO MY PC BUT THESE PHOTOS ARE NOT IN THE SAVED POTHOS FOLDER. THEY ARE IN SEPARATE AND DIFFERENT FOLDERS THAT MY DAUGTHER SAVED FROM HER PC. IS THERE ANY FREE WAY TO DO IT. PLEASE REPLY TO JUMACAVA07@HOTMAIL.
THANKS

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Looking for some RAW + JPEG Workflow suggestions

I'm looking for some suggestions on how best to organize my workflow now that I've started shooting with RAW +JPEG. I previously shot only in RAW, but the time spent in post-production was killing me. I've realized that for 95% of my shots that already have the correct exposure, white balance, etc, a JPEG photo is really all I need and saves me a ton of time. I've become convinced that editing every single photo from a shoot in RAW is overkill. I want to have the RAW versions, however, to rescue that occasional great shot where I unfortunately miffed the settings.
Through reading other posts here and experimenting, I've found that Aperture basically defulats to showing me only the imported RAW photos and that I need to click "New Version from Master JPEG" to see the JPEG version. This seems counterintuitive to the workflow I'd like to establish though. (i.e. I'm thinking it would be nice to see only the JPEG versions, and then only bring up the RAW version when the photo needs some serious correction).
I suppose I could highlight the entire batch of imported photos and select "New Version from Master JPEG" and then sort through each RAW/JPEG stack, but I'm still hoping there's a less cumbersome way. Anyone out there have any good workflow suggestions for this issue? I'm curious how other people out there deal with this issue in their workflow.
Thanks in advance!
Message was edited by: Nate Cannon

Try this - I do this as a matter of course:
-select all of the photos after importing them into a project
-create a new album from selection/call it JPG
-with all of the images still selected create new version from master JPEG. all of these should now be the album pick
-close all stacks, the JPEG will be the one showing up on top for that album.
RB
More here: [Aperture RAW+JPG|http://photo.rwboyer.com/2009/01/14/aperture-2-quick-tip-shooting-rawjp g>

RAW files not showing when I shoot raw + Jpeg!!!

I have a strange issue that has only recently started happening. I have started shooting raw + jpeg to speed up post processing. However, after I import the files into Organizer the raw files will not show. At first I thought it was the camera. So I used a different brand DSLR. I had the same issues with my Sony and my Canon. I have shoot raw with the Sony for years and never had an issue. I have shot raw with the Canon and haven't had an issue. It is only when I shoot raw + jpeg. I formated both cards prior to using them.
The files are there and not damaged. I used the software from Sony and the software from Canon and was able to view the raw files. I wanted to make sure what I put was accurate so I tried viewing the files again. Even with the Canon software when I tried to view some of the raw files full screen it wouldn't let me.

I am using PhotoShop elements 10. My cameras are a Sony a230 and Canon 60d.

Save in different Folders RAW/JPEG

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