Saving links... not what you're thinking

Here's what i want to do. I have a site similar to something like http://www.apple.com/pro/tips/ I want to save the contents of every link on this page to either a number of pdfs, or a single pdf so that i can view offline and potentially print. The information must be independent of an Internet connection. is there an app or a way to do this without opening every stupid link???

No, there is no such application to do that. The only way to accomplish this is to visit every link and save it as a PDF file to your system.
Mulder

Similar Messages

Hi everyone, I got my iphone 5 already, and was comming lined, what you guys think I have to do? Im from central america.

Hi everyone, I got my iphone 5 already, and it was comming lined, what you guys think I have to do? Im from central america.

"comming lined" does not make any sense in English. "comming" isn't even a word.
Please rephrase the question or post in your native laguage.

Smartforms - What you see is not what you get ?

I create a delivery note by smartforms.
Print Preview in the PC, the position of data is correct.
But printed on the paper, what you see in the PC is not what you get? The page format is custom, not standard.
Is there somebody know reason?
Thanks!!

I all really depends on the printer, the print drivers, and how the printer is setup on the basis side.
I have seen the same thing when printing one layout from two different printers. They didn't look the same.
Regards,
Rich Heilman

Inactive pixels, but its not what you think.......

Just purchased a 5800 Xpress direct from nokia a week ago and have now discovered 3 clusters of inactive pixels comprising of 6, 8, and 10 groups. They are all on the number 1, when in text mode. Now most people, including myself would automatically think hardware fault, however, if I turn to landscape mode the faulty pixels remain on the number 1 position, even though the 1 is at the other side of the screen therefore, in my humble opinion this would point towards a software problem. Has anyone else encountered this strange situation?

dawndriver wrote:
There's a chance I could qualify for a wally of the year award. Having looked closely at these pixels perhaps they are meant to be there as symbols. Perhaps someone could clarify this. When you are about to write a new text message using predictive text, are there 3 marks to the right of the number one?
Why don´t you take a screenshot? Then you can compare the image with what you are actually seeing on the screen and you can post it here so that we can find out if your qualified for the wally of the year award...
http://www.allaboutsymbian.com/How_to_take_screenshots
Message Edited by illinjah on 30-Nov-2009 06:52 PM
Message Edited by illinjah on 30-Nov-2009 06:53 PM
By clicking the "Kudos!" or the "Solution?" button on the right you can say "Thank You" and you´ll show the author and others that the post is useful.
The day we stop improving is the day we stop being good.

Photo booth mirror-not what you think

when i use the mirror effect on photo booth, it mirrors the left side of the view (you have two left hands) is there anyway to get it to mirror your right side?

Hello again, mr.merino
Another idea that may be of interest to you...
If you are only trying to make one (or a few) of the reverse mirror images you post about, and if you are not interested in learning and writing Quartz compositions, you can take the "easy" approach and use a mirror.
Here is how I did what you ask about in Photo Booth without programming. No "Edit > Flip Photo" menu item was applied in any of the following images.
(1) As a reference, I show this normal Photo Booth image of a left hand pointing left.
(2) This image uses the "Mirror" effect on the same hand pointing the same way.
(3) To mirror the right side instead of the left side, I selected the Photo Booth "Mirror" effect to make another mirror image. However, this time, I placed a mirror in front of the iSight and positioned the hand behind the iSight. By adjusting the positions of the mirror and the subject (hand) while I watched in the Photo Booth viewing window, I was able to obtain this image.
We await your response. Please confirm that the kind of left/right reversal between items (2) and (3) is what you are trying to accomplish.
EZ Jim
Mac Pro Quad Core (Early 2009) 2.93Ghz w/Mac OS X (10.6.4) MacBook Pro (13 inch, Mid 2009) 2.26GHz (10.6.4)
LED Cinema Display G4 PowerBook 1.67GHz (10.4.11) iBookSE 366MHz (10.3.9) External iSight

I'm not gonna do what you all think I'm gonna do, which is just FLIP OUT!

Switch and watch them beg you to come back, see you all on the other side.
Logic 7.2 ...LOL
But if anybody else wants to come with me, this moment will be the ground floor of something real and fun and inspiring and true in this godforsaken business and we will do it together! Who's coming with me besides... "Flipper" here?
MOTU says:Show me the money!
DIGITAL PERFORMER 5 ANYONE?

What you really need to do is sit back and take stock of all of the product development Apple has done since taking over Logic. Just let the images wash over you as you wait for that mythical Logic update; dual-cores, quad cores, intel's, tiny ipods, smaller ipods, teenie video ipod's, itune's updates, podcasts, Final Cut Studio Pack, etc, etc.
You now have permission to flip out

Merge to HDR Pro: What you see is not what you get?

I am using PSCC on an iMac (Mavericks). When I bring bracketed shots into PSCC's Merge to HDR Pro, I can work the settings and/or presets to get an image that looks OK. However, when I exit from HDR Pro by clicking OK, the image displayed in PSCC is very different from what I was just looking at in HDR Pro. The screenshots here show just one example, working in 16-bit mode. Other images show even greater differences. Working in 32-bit mode makes it even worse. This did not use to happen in my earlier versions of PS (perpetual license). Am I missing something or doing something wrong?
Image in HDR Pro:
Image in PSCC after clicking OK:

Trevor.Dennis wrote:
Yes I realised that. There are now quite a few applications for processing HDR, and IMO Photomatix has always been the best of them, and certainly did a better job than Photoshop. My point was that the old 'Merge to HDR Pro' workflow is now redundant if you have Photoshop CC, and that using Camera RAW as outlined by Julianne Kost, has suddenly leapfrogged all the competition by an order of magnitude.
So I strongly urge you to take Mr Prengel's advice. Output the image in 32bit, and use ACR to process it. Did you watch the video tutorial I linked to?
You certainly shouldn't get all pixel-peeper about how the 32bit image looks on your screen. It is not possible to show the tonal width of a 32 bit image on a computer screen, so you are seeing a 'representation' of how it might look after processing.
FWIIW I have taught HDR (and Photoshop) to some of the best photographers in the world at two PSNZ National Conventions back in 2010 and 2011, so I kind of have strong opinions about it. Not that I use it excessively, but it is a very handy tool to keep in your photographic skills repertoire.
Trevor,
I am sorry if I misunderstood your post. I am actually using the same workflow as Julianne Kost in her video (which I had watched prior to posting here). And, as I posted above, I do agree with Mr. Prengel that I should just take the 32 bit image into Camera Raw and do the toning there. As a matter of fact, that is what I have been doing in Photoshop CC (sending the pictures from Lightroom, same as Julianne Kosts does), and I can do a very good job, if I say so myself.
So the question I had was merely one of puzzlement at seeing the difference between the image just before exiting HDR Pro and what shows up in Camera Raw. In the examples I provided, and in many other cases, it clearly went beyond pixel-peeping: they were two very different images. But I think I understand now why this is, which you kindly pointed out: it is not possible to show the tonal width of a 32 bit image on a computer monitor. I had not considered that and I thank you for mentioning it.
It may be that in some cases (as in Julianne Kosts's video) the representation in HDR Pro is actually pretty close to the initial view in Camera Raw, but in other cases (my examples) it is not. Not really an issue, I agree.

AUDIO: What You Hear Is NOT What You Get

hi guys. i have seen this problem being reported on numerous occasions on this forum, but can't remember if it's really been tackled and solved.
It may seem the question audio-related and should have been posted in another thread, but i do tend to think it's macbook-related for some reason.
you see i've worked for ages on ibooks and powerbooks and whatever sound i'd hear through my headphones in any audio-production programme, exactly the same sound would be exported as mixdown.
now that i've added a macbook to my gear, what i hear during mix, mastering, etc. is NOT what i get on export! my exported material is full of clipping and distortion.
yes, i know that those "reds" on mixer channels are supposed to mean peaking and that should be avoided. but why is it that i don't hear distortion through headphones/monitors when i see red while my exported audio is distorted?
as opposed to that, when working on my powerbook g4:
red = clipping and distortion in any DAW = clipping and distortion in exported audio
whereas, once again, on a macbook:
red = most clear sound in any DAW = clipping and distortion in exported audio.
any thoughts? please! could this be a common macbook / onboard soundcard problem?

pardon,I'm a little confused... Scenario:Not using cycle record. One track for a lead vocal.I puch in vocal phrases.Is there a technique for going back to earlier pass takes and lock a take in the arrange window if I want to ?Why create duplicate tracks?I do not want to create extra tracks,want the lead vocal to be on it's own single track that has punches.I usually only want the most recent punch as I move on after a good take.In this current song I rewind happy to hear my performance but I end up seeing it(the punch)but hearing and underlying take ??? Why. PLease elaborate. Thanks ~
G5 Dual 2.7 Mac OS X (10.4.3)

What You Hear Is NOT What You Get

(previously posted on another thread. never got an answer to this, though.)
hi guys. i have seen this problem being reported on numerous occasions on this forum, but can't remember if it's really been tackled and solved.
It may seem the question audio-related and should have been posted in another thread, but i do tend to think it's macbook-related for some reason.
you see i've worked for ages on ibooks and powerbooks and whatever sound i'd hear through my headphones in any audio-production programme, exactly the same sound would be exported as mixdown.
now that i've added a macbook to my gear, what i hear during mix, mastering, etc. is NOT what i get on export! my exported material is full of clipping and distortion.
yes, i know that those "reds" on mixer channels are supposed to mean peaking and that should be avoided. but why is it that i don't hear distortion through headphones when i see red while my exported audio is distorted?
as opposed to that, when working on my powerbook:
red = clipping and distortion in any DAW = clipping and distortion in exported audio
whereas, once again, on a macbook:
red = most clear sound in any DAW = clipping and distortion in exported audio.
any thoughts? please! could this be a common mabook / onboard soundcard problem?

Whatever answer will be given: Use a Limiter when doing a mixdown and exporting. Going over 0db is never a good idea with digital equipment.
Fox

LR4.2 printing multiple cell with overlap - What you see IS NOT what you get ?

Hi,
I am using LR4.2 and PS-elements. Epson 3800 for printing
PS - never an isue.
user is admin ..
I get a strange phenomena in LR4.2 when doing multiple cells on same print - with overlapping: At time what you see is not what's going to be printed! at times you will get the printout with some of the cells mising photos (even printing them to file will result in the same way..). Post the printing (ouch wasting of paper...) if I select the cell, I can "send it to the front, ad now it will be printed ok/.
Please advice - did you see this before >?
Ami

I have never tried printing overlapping photos. Can you describe how to a simple photo layout that demonstrates the problem so others can try? Or at least include a screen-capture of the layout that is showing the issue. It may have something to do with your particular printer driver even if you print to a JPG, but if others, with other printers have the same issue, then it is likely something within LR, only.

Links and rollover question - not what you think

A little glitch in iWeb: I have a web page that is all white with black text. When I create a link with one of the words it turns white, but by page is white and the the linked word appears to be gone, only reapears when the mouse pointer hovers over it. Is there a way to change the colors of a link.
Magma

I have an article on my site outlining modifications you can make to the CSS file that iWeb generates, so that you can have whatever colours you want (Articles > Hyperlinks and CSS in iWeb)
The other option is to choose a different template, or have a different background of course!
Michael
iMac Intel Core Duo 2GHz www.rowan-cottage.co.uk
As there is advertising on my site, I am required under Apple Discussions Terms of Use to state that I may receive some form of compensation, financial or otherwise, from my recommendation or link

Footer Issue (not what you think)

I've spent over an hour now watching video turotirals and reading common issues regarding footers in Adobe Muse.
My issue is that after I create text, check the footer box as well as the sticky footer box in preferences, and place it below the footer line -- it still doesn't act as a footer. It will remain in the same place despite everything and stay at the bottom of the page. I don't want it be pinned either so it's not an issue there. I'm fairly literate when it comes to adobe software but I can't figure this out. Could it be a weird bug or something on adobe's end? Can anyone help here? Am I doing something totally wrong? Thanks

On this first screen shot, you can see the text I have set as my footer. You can see that the footer box is checked and it's below the content area.
This next screen shot is what happens when I drag content down. The text footer doesn't move.

July 17 Doc icon - No. It's not what you think...

I know that you suppose to open iCal for the Doc icon to change to today's date. Everything used to work just fine even after I quitted iCal.
Now, when I fire iCal the Doc icon changes, but when I quit it goes back to "July 17" instead of keeping todays date. Any ideas?
TIA

L i o r,
Dancin' Brook provides links to explain this frequently observed/maligned iCal behavior in Tiger.
ese,
Welcome to Apple Discussions.
iCal registration is not required.

Switch on Strings - It's not what you think (Don't Shoot Me!)

I recently decided to undertake an FAQ on the switch statement - how it works, why it works the way it works, when to use it, when not to, how to work without it, and ... here's the kicker ... WHY the rules are so restrictive.
So, I've been doing some research, and seen some very good reasons provided by developers on why only integers and variants of integers (auto-unboxable versions, or widenning conversions), plus enums, are allowed.
I've search this forum, and I've seen the topic beaten to death MANY MANY times. I've search other forums, however, and I've been apalled to see so much support for actually changing the specification for switch.
I've search google, and not found much useful.
I've search the bug database, and found several bug submissions that are really feature requests. Each has been denied, but with no explanation, nor even the name or initials of the engineer who evaluated the bug.
I've looked for ANY sort of FORMAL discussion or debate that included sun, java.net, or the JCP, but not found any.
There are people who have said that with the introduction of linguistic support for Enums in Switches, Strings could have been done at the same time. While I'm glad that they were NOT, I thought I might be able to find something on-line that explained the reasons why not. I expected to find either a dialog or technical paper covering the topic. But I found nothing.
Does anybody know of any formal discussion that occured on the topic?
Also, if anybody cares to suppliment my list of reasons, that would be great. Or if anybody thinks there is a logical flaw with one of my reasons, and thinks I should omit or revise it, please also tell me. Thanks! Here's what i have so far:
- C++ didn't
- should use .equals or .equalsIgnoreCase?
- underlying mechanism in byte code is an integer look up table (should language be based on byte code, or vice-versa? not very strong argument)
- some have suggest hashCode -> but not set in stone (in fact, it changed in version 1.2), and not necessarily unique
- virtual machine would need to be aware of .equals function (is it already?)
- switch is not good OO, but is substitute, for use with primitives.
- switch is meant for enumerable types (loose definition -- all integers could be listed, it would just take a while), and String is not an enumable type.
- Adam

Ada couldn't use Strings, but did allow ranges in the cases, as well as "or". (These examples are from the web, but I used to program in Ada.)
     case Today is
          when Mon        => Compute_Initial_Balance;
          when Fri        => Compute_Closing_Balance;
          when Tue .. Thu => Generate_Report(Today);
          when Sat .. Sun => null;
       end case;
      case Bin_Number(Count) is
          when 1      => Update_Bin(1);
          when 2      => Update_Bin(2);
          when 3 | 4 =>
             Empty_Bin(1);
             Empty_Bin(2);
          when others => raise Error;
       end case;
case A is                      -- Execute something depending on A's value:
    when 1          => Fly;      -- if A=1, execute Fly.
    when 3 .. 10    => Put(A);   -- if A is 3 through 10, put it to the screen.
    when 11 | 14    => null;     -- if A is 11 or 14, do nothing.
    when 2 | 20..30 => Swim;     -- if A is 2 or 20 through 30, execute Swim.
    when others     => Complain; -- if A is anything else, execute Complain.
end case;

Volume level not what you think

So I don't have any volume problems when it comes to hearing someone when i'm talking to them on the phone. Or when it comes to listening to music via the speaks or through headphones. What does give me problems is when I'm playing a movie that was purchased from itunes.
The sound from that movie is pitifully low. I can max out the volume slider and volume button but it's still low as ****. So I don't know if it's a movie issue or a phone issue

The movie is easy to fix.
In iTunes, highlight the movie, click Get Info(apple-I), click options, and use the volume adjustment slider. That will change the tag, and give you higher volume. Hope that helps you.

Saving links... not what you're thinking

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