Scaling a clip in FCP x10.0.8 doen't seem to work.

Scaling a clip in FCP x10.0.8 doen't seem to work. The clip I am trying to effect is above the story line. When I try and adjust it notghin happens.

It doesn't look like the clip is selected. Close the retime editor and click on the clip to make sure it's selected.
Russ

Similar Messages

  • "Log clip" doens't seem to work?

    Am I the only person having problems using the Final Cut logging function?
    FCP v4.5
    I am capturing from a Sony DCR 105 camcorder via Firewire. What I want to do is run the tape and find out the start and end of thebits I want. I use the Mark In and Mark out keys, and the correct timecodes seem to appear. As soon as I hit Log, and confirm the clip name, the clip appears in my Project window, however it has forgotten the timecodes I marked and reverted some totally different start and end timecodes.
    So I click on the media start or Media end column to manually change the data. But the thing is FCP won't let me change the numbers. I've tried changin just one digit, retyping the whole timecode as 8 digits, retyping the whole timecode even including the colons. Nothing seems to work. I've often had this problem and I 've always resorted to capturing as the tape plays but now I really want to fix the problem. Asnyone else ever had any problems with this simple task? TIA

    Hi. Q: As you set the capture in/out points for a clip on your tape (in the log and capture window) are the timecodes correct at that point -- before you hit the log button? I wonder if you have taken the next step and captured a clip anyway -- and if so what media start/end info is indicated in the browser after the clip is captured. I guess the main thing is to determine if there is an issue with your camera's communication of timecode with FCP, or if there is something else going on within FCP itself.
    Dual G5/2.5GHz/4.5 GB, internal ATA, G-SATA 500   Mac OS X (10.4.6)   Final Cut Studio

  • Can't open After Effects clips in FCP 7.  Need a fix (and to understand why it happens)

    I filmed some footage for a short film on a Gopro3, at 2k, 24p.  I loaded it into After Effects (mac), removed the fisheye affect and exported it as a 1080p, H264, mov file.  I did this to be able to remove the fisheye affect (caused by the gopro factory lens), yet have enough "information" to not lose quality in the correction.
    Now I am looking to import this clip into FCP 7 to edit but FCP won't open.  I get an error.
    FCP 7 doesn't seem able to open it.  Also, this always happens when the AE file comes out of a PC, and often happens when coming out of a mac AE prog.
    My first question is, why does this incompatability issue come up?  What's going on with the codec or file structure details, what causes this?  I really want to understand the details because I'm always using various cameras, equipment, etc and need to be able to carefully plan equipment choices and workflow.
    My second (just as important) question is how to fix it this.
    Thanks.
    Will.

    FCP doesn't work with H.264 files. It might bring it in, or it might not. It might seem like it's working, but then sync drifts. It might look like it's fine, but when you export different sections jump to other clips. It's unpredictable. 
    FCP 7 and H.264 do not mix.
    If you are exporting files out of AE on a PC, then look at exporting them as DNxHD...the Avid codec. or Cineform. Then the FCP user will need to install the Avid codec or Cineform in order to see the file, but then they should convert it again to ProRes 422...as working with non-FCP codecs in FCP can be problematic.  I recommend those formats over the others, like ANIMATION or UNCOMPRESSED...because of the file size issues. 
    If you are using AE on a Mac, the same computer as FCP...then export as ProRes right away. Done and done.

  • Aspect Ratio HDV clip from FCP to After Effects

    Can someone help me with exporting from FCP an HDV clip to After Effects? What I am doing is trying to export an HDV clip from FCP to AE but when I import it into AE the aspect ratio is all off. I have an HDV 1080i50 easy setup timeline and I am exporting from that as a quicktime movie (not conversion) with the current settings. When I bring that into AE I have a HDV comp set up and I drop the FCP movie into that comp. My FCP movie is 1920 X 1080 and is bigger thant the AE HDV Comp. Why? Shouldn't the sizes be the same since they are HDV? Please help
    Tim

    HDV is 1440 x 1080 native so if you have output from FCP that is 1920 x 1080 it is being misinterpreted by AFX.
    Try creating a new comp in AFX using the HDV easy setup but set the frame size to 1920 x 1080 manually and see what that does.

  • Strange. I can play all my clips in FCP 7, but can not export them via share, nor submit them via Compressor. What happened? Thank yiou for your kind help, I can not continue my work! FCP 7!

    Strange. I can play all my clips in FCP 7, but can not export them via share, nor submit them via Compressor. What happened? Thank yiou for your kind help, I can not continue my work! FCP 7!

    When FCP/FCS begins to act unexpectedly, the usual first step is to trash your preferences:
    https://discussions.apple.com/docs/DOC-2491
    MtD

  • Importing Flip and iPhone clips into FCP

    What is FCP's preferred video format?
    I have a funky project consisting of clips from iPhone and a Flip Mino HD camera. When either of these are imported directly into FCP, they won't play without rendering, and any edit or trim "undoes" the render, forcing them to be rendered again... and again...
    I'm guessing the best strategy is to convert them -- before importing -- to a format that FCP will like better and will play smoothly, without constant re-rendering.
    So: what's the best format to convert them into, and what's the best tool for doing that pre-conversion?
    Or am I wrong, and is there a way to handle these Flip and iPhone clips in FCP without pre-converting them?

    Okay, that seemed to work. Thanks!
    But now there's a new, odd problem: I can't add transitions! After dropping these new clips in the timeline, they play fine without rendering... but whenever I try to add a transition (dissolve, wipe, etc.) between clips, FCP changes the 1 second transition to a 3 frame transition. And there doesn't seem to be any way to change the duration - no matter what I do, it keeps changing back to one frame. Strangely, I can add the normal transition to the end of the sequence, but not between clips.
    Am I missing something? Does the DVCPRO50 progressive format somehow prohibit modifications like transitions?
    (And should I start this as a new topic?)

  • Export 1 clip to FCP bin

    Is it possible to import a clip from the Cinema Tools database into FCP bin? It seems that FCP wants only to import a CT log, not directly from the CT database, so in order to bring in one clip into FCP (a clip which was already in the CT database) I had to manually edit a log so that it only showed the one clip and then use the FCP CT import log feature, which made a second copy of the clip in the CT db log, which seems kind of redundant and wasteful. Why can't I just bring in one clip (CT to FCP) without these complications?

    [Roundtripping is so not on my feature list...]
    Out of FCPX, simply Share > Export Movie as ProRes, any "flavor" (even Proxy should have adequate bandwidth for excellent results.) [Don't confuse proxy media in FCPX with ProRes 422 Proxy which is a full resolution format that has a bandwidth of approximately 45Mbps for 1080/30p video. Proxy media in FCPX is ProRes 422 but 1/4 resolution (i.e., 1080 video is downconverted to 960x540.)]
    You can drop the video into Motion (set your project to accommodate the length of the clip, or all the clips you need), do your thing, then Share > Export out of Motion and bring the video back into FCPX.
    The way I figure it, the difference between the "new way" for Motion 5 and the old roundtripping is maybe one extra rendering.
    With Motion 5, you don't need the video from FCPX. You design your effect and as soon as you save it, it's available in FCPX. There is a placeholder provided (with the exception of generator templates, for which they are simply not necessary.) If you need a "reference", you can export a still and load it into the placeholder while you design, then delete it when your finished.
    The way Motion 5 and FCPX work together is so much better and more efficient than the old way of FCPStudio roundtripping.

  • Best Method For Importing Clips Between FCP Projects

    What is the best method for importing clips between FCP 7.0.3 projects?  I am wondering whether or not pulling the clips from the Capture Scratch folder is the way to go or will using Import from the new FCP project create a new folder in Capture Scratch with the imported clips?  I have a new HD camcorder with different clips for different projects and Log and Transfer makes it so easy to bring them all in at once but now wondering how best to separate them into separate Capture Scratch folders for each project. 

    well, I simply either drag them in to the new/different project from the finder, or drag or copy and paste between open fcp projects.  Never had any problems working this way.  Just remember that if you delete a specific project scratch disk folder, you may be deleting media used in another project.

  • How do i create a jpeg image from clips in fcp

    how do i/can I create a jpeg image from clips in fcp?
    Stephen

    Select clip in timeline and place the playhead over the frame you want to save as a JPEG. Open the share window ( Button on far right of tool bar) and select 'Save current frame'. If you don't see that option click on add destination and select the Save current frame choice. It will be added to your share options.

  • Cursor jumping to end of clip in FCP log and transfer

    I'm using AVCHD footage from a Sony hxr-nx5u camera. I copied the clips to a hard drive and am now using log and transfer to get the clips into FCP. My problem is that on some of the longer clips (pieces over about 10 min) the cursor start to jump or snap to the end.
    Example, through the first part of the clip I can drag the viewing cursor back and forth along the clip's timeline. When I let go, it stays there. If I do the same thing in the second half or later of the clip, when I let go the cursor jumps to the end of the entire clip every time. I can't log or mark in and out points for the second half of the clip unless I just let it play though. (If I do let it play through, I still can't go back and adjust it)
    I'm using Final Cut 7 and think it's fully updated.
    Very frustrating to say the least. Can anyone provide any help on this?

    Hi -
    No first hand experience at this, but my understanding is there is currently a problem importing clips from that camera that are over 10-15 minutes.
    See this thread for a possible workarounds/solutions:
    http://discussions.apple.com/thread.jspa?messageID=11446024&#11446024
    Not sure this will help you but might get you started in the right direction.
    MTD

  • Help...! Importing a clip from FCP to Motion?

    I'm using FCS 5.1 and I'm totally new to it. I simply want to take a video clip from FCP and work with it on Motion. The said video clip is on a timeline, with in and out points already set. I simply want to take this small segment and add a cool effect to it on Motion. Since I have no idea how this is suppose to be done, I tried dragging the clip from the FCP timeline to the Motion window. This does not work.

    Hi:
    I think you'll get best answers posting this question in the Motion Forum:
    http://discussions.apple.com/forum.jspa?forumID=656
    Good luck !
      Alberto

  • Motion Project clip in FCP clip does not export

    Dear All,
    I edited one clip from FCP 06 sequence with Motion Project and replaced the original clip with the motion project version. I did frame blending effect on the original FCP clip, which had 25% slow motion applied (constant) through FCP. After the clip was replaced with the new one, I exported the whole sequence from FCP to a couple of formats through Compressor (a custom DVD and a custom H.264 formats), the fragment where the Motion Project clip supposed to be did not show the effect of the frame blending. However it shows fince on the timeline in FCP.
    I will appreciate any suggestions,
    Izabela

    Hi Izabela,
    Did you render the Motion effects in FCP prior to sending to Compressor? Are you using the 'Send to Compressor' (Not that that is wrong, it's just so I know your workflow)?
    If it's just the Frame blending that is a problem for you just check your sequence settings in FCP. With the sequence window selected do Cmd-0(zero) to open the sequence settings. In the Render Control tab under Master Templates and Motion Projects, change the Quality to Best and tick the box underneath.
    Now check to see if the Motion clip has become unrendered. If not, double click it and in the viewer goto the Motion tab and change the scale then back to it's original setting (just to unrender the clip). Now rerender the clip and retry your send to compressor.
    Pi Digital

  • Imported clips into FCP 10.1.3 contain no audio in Yosemite...

    I am running FCP 10.1.3 on a mid 2012 15" MBP Retina with the following specs...
    2.7 GHz Intel Core i7
    16GB 1600 MHz DDR3
    NVIDIA GeForce GT 650M 1024 MB
    Ever since I updated to the public beta of Yosemite, when I import clips into FCP X I get the clip but my audio is no longer attached. I assumed this was an issue with the beta and that it would be resolved in the actual release but alas, that is not the case. Does anybody have any experience with this or could anyone point me in a direction. Much appreciated.

    Here is the requested screen shot. In the events list, you will see the clips have no waveforms. In the inspector, you can see that Audio is not even an option and in the Project Timeline, you will see that there is no Waveform present. This clip has audio attached. The source media is irrelevant as this happens with screen capture clips or with clips I've shot with 3 different cameras. If I check the source file, in finder or in the camera the audio is present. This only started happening when I upgraded to Yosemite.

  • Import clips into FCP X version 10.0.8 and keep the original clip names

    Can you Import clips into FCP X version 10.0.8 and keep the original clip names in the event original media folder? in version 10.0.8 it automatically allocates date / time of the event. I need it to keep the original clip name i:e Clip0100 event folder original media Clip0100. I am aware you can change the clip name to original once in FCP X, But it's the event folder original media name which I want to remain as the original file name.

    Hi Tom,
    Thanks for the response.
    I am aware you can do this change in the Info inspector so the original clip name from camera is used in the event library browser, but it does not change the clip name in the Final Cut Events Original Mieda file. This still remains as an event clip name "2013-05-23 17_08_13". I need the original clip name Clip0100 to remain as Clip0100 at import. FCP X doesn't seem to allow this happen any more in version 10.0.8.
    Cheers
    D..

  • Color sent to FCP - New Clip in FCP that also needs color correction

    Good evening, is there a way how - after having color corrected the FCP project in Color - to exchange or add a new clip into the FCP project, which can be color corrected in the same, initial Color project.
    Meaning: I was "lazy" and I didn't bake a Motion Clip, which of course isn't showing in Color.
    Now, I tried to be "smart": Exported the Motion Clip from FCP as Quicktime movie. Than went to Color and relinked media, with that new baked clip, which is the exact same length... That doesn't work...
    Hm. I am being ignorant?
    Thank in advance for the help.
    Sincerely,
    Miss Snoozy

    In your case, if you're up to date on version (1.5 or later), then a Reconform will probably work for you.
    Create a new FCP sequence with the revised "baked" clip, export an XML file, open the original COLOR project, select Reconform from the file menu, select the XML you just created and hold your breah, cross your fingers and hopefully it will work.
    jPo

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