Score sets: don't like their management....

I often use "command-3" selecting various sequences to quickly view their score set. It's very useful for me.
The thing I don't like is that every time a new set is created and saved, so, after having worked a lot on my song, I find a ton of sets which I don't need anymore...
It's annoying tihs behaviour. Why Logic automatically saves the set I use only for a moment? If I want to save it I can do it by myself...
And then, if you want to delete them, you have to make it one-by-one....

dont you mean @VerizonWireless.com ? (your @ was missing an E)

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tt2

When I sync my photos to iPhoto from my iPhone 4S it like saves about 200 on my phone. I really don't like that because they're like really old and stay the same... Can you take that setting off? Or just make it you most recent pictures instead?

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Any help (to include recommended documentation or literature) would be greatly appreciated.

Thanks very much. Some of this is starting to make sense in a (It Depends on ....) sorta way.
Going to your analogy, isn't it true when the photographer takes a picture in RAW
there is no profile, but this is done when opening the image in PS?
I do use adjustment layers pretty effectively.
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And if I let Adobe handle color management, is the most likely scenario to have the printer set
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A few questions:
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Yes, that's all I'm doing at the Present.
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No, this is strictly a hobby.
3. Are you supplying files to a commercial printer?
Again, no.
4. Have you calibrated and profiled your monitor?
No, but that's probably going to be one of next projects. My monitor (and tablet) is actually a small 10" lcd on a HP Touchsmart notebook
Any suggestions as to a low cost solution?
Date: Mon, 14 Sep 2009 16:17:25 -0600
From: [email protected]
To: [email protected]
Subject: I Don't Understand Color Management
My basic understanding of CM is Source and Destination.
Take a picture, for example. The photographer captures the image in RAW and converts this to an RGB image.
The image is passed on to the designer. If the photographer did their job properly, the image is already tagged with a profile. You can tell this in Photoshop. Beside RGB, there will be *, #, or nothing.
is very, very bad. This means the image is untagged. Nobody knows what it should look like.
means the image is tagged with a profile different from your RGB working space. This is fine.
Nothing means the image is tagged with a profile that matches your RGB working space in Color Settings.
At any rate, the RGB image is usually referred to as a source image. It can be repurposed to a variety of destination color spaces.
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Usually it is best to leave source RGB as source RGB. You can place the RGB image in InDesign, and let InDesign convert to CMYK on output. In other words, there is no reason to convert to CMYK in Photoshop (you should however utilize View: Proof Colors)
When you convert in Photoshop you damage the image and there is no going back. This means saving a copy. But by avoiding conversions to CMYK in Photoshop, no need to save copies.
Also by leaving images source RGB, they can be converted to whatever destination you like when you output from InDesign. You could output for a Sheetfed press printing on cover weight coated stock, you could output for a Web press printing on newsprint, or you could even output sRGB for web design. Having source color saves a lot of time, and you're not chasing a bunch of different Photoshop conversions.
Also note: if you make color adjustments in Photoshop, try to use adjustment layers as these are non-destructive.
A few questions:
1. Are you doing photography?
2. When you print to the Epson - are you trying to proof for a commercial print job, or are you just printing for yourself?
3. Are you supplying files to a commercial printer?
4. Have you calibrated and profiled your monitor?
>

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Want Thunderbird look (theme) from 2.0.0.4. Where is it and if not, please make it. I don't like the newer theme

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Score sets: don't like their management....

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