Selective Color Correction

This may be better done in After Effects - any pointers in Premiere or After Effects will be appreciated. I would like to keep one color in a video clip and make remaining colors sepia or black and white. I found tutorials to single out one color and change that color. But how do the other way - keep single color and change all other colors?
Thanks.
RV

See this:
http://kb2.adobe.com/community/publishing/501/cpsid_50125.html

Similar Messages

Selective Color Correction - Adding to multiple channels

Hi - I am using CS3 on a Mac OSX 10.5.6
I am experiencing an oddity when making color adjustments with Selective Color Correction. I am working with RGB images trying to adjust to get colors in gamut and to maintain detail before converting to CMYK. As an example, I have an image comprised of various red items. I want to add cyan to get some detail for the highly saturated areas. Regardless of the Relative or Absolute setting, when I add cyan I am also getting a lot of black added. By the time I get a 3% dot in cyan I may have 10-12% K. When I reduce the black it also reduces the cyan.
Is this because I am in RGB mode? I want to make these adjustments before separating to CMYK so I can keep detail that is getting blown away in the conversion. I would have hoped that because it is controlled with sliders for CMYK it would isolate it's effects to the specific channel but that is not what is happening.
Any ideas?

I am working with RGB images trying to adjust to get colors in gamut and to maintain detail before converting to CMYK.
If you are trying to bring totally oversaturated RGB colors into the CMYK gammut, then ideally you will have to learn about channel mixing. It may be necessary to reproduce the Cyan channel (Red) by finding detail from other channels. Selective color, as you've discovered can only take you so far.
Luminosity blended Hue/saturation adjustments taken to low opacity is another high end tip, and work around. If you cant deal with the complexity of masking and channel mixing

Selective color correction "Lightroom"

I have two suggestions for Lightroom.
1.) Please absolutely for the next update an improved function for a selective color correction. Select with a pipette the color and over an input window the information selectively work on. That One should be able to determine sphere of influence still additionally. At present this is not yet satisfying. (see and compares, Photoshop PlugIN: aurelon "coco", or Software DxO Optics Pro v4.5).
2.) Information window that comparably as in Photoshop the values for RGB 0-255 indicates.

I am working with RGB images trying to adjust to get colors in gamut and to maintain detail before converting to CMYK.
If you are trying to bring totally oversaturated RGB colors into the CMYK gammut, then ideally you will have to learn about channel mixing. It may be necessary to reproduce the Cyan channel (Red) by finding detail from other channels. Selective color, as you've discovered can only take you so far.
Luminosity blended Hue/saturation adjustments taken to low opacity is another high end tip, and work around. If you cant deal with the complexity of masking and channel mixing

Selection, Color Correction and Blending

How do I make a selection of ALL the yellow on the Meatball building and make it a deeper yellow the way it has been done in the attached photographs:
BEFORE
AFTER
Someone suggested playing with the Color Range: Select/Color Range and then use the lasso tool plus the option button to delete what you don't need. But that's not working for me. Any other suggestions?
And in the next photo, what is/how do you achieve the blended effect on the area that is the where you would more obviously see that this is made-up of two photos? It's a blending mode right? Which one?
Thanks!

The answer in both cases is it come down to masking. Masking is nothing more then a selection and the selection can have both hard and soft edges to help layer blend better. Blending modes and bend if setting can also help with colors. I'll do a little example with your first image since you did not post both layers for the second image.
You need a good selection of the store not perfect. I started by using select Color range to get a starting point selection. Then I switched to the quick selection brush to improve the selection. Remember when using the quick selection brush you need to use the two modifier keys Shift and Alt. Shift to Add to the selection and Alt to remove from selection. I then saver the selection and then fathered the selection 1 pixel and saved it again. With the feathered selection active I added a hue and saturation adjustment layer. The selection was added into the layer masked added. Adjusting the layer effect only the store because of this. You can adjust the layer using opacity, fill, blend modes and blend if as well as using the adjustment layers sliders and check box. I also activated the selection so you can see the marching ants to get some idea of the selected area. To change the color I checked the colorize checkbox in the adjustment properties and mover the sliders. You can color the store just about any color you want. http://www.mouseprints.net/old/dpr/3-storefront_web.psd

Selective Color Correction (FCP 4.0)

I've heard that this is possible -- any help/insight would be greatly appreciated:
I have a shot of somebody sitting in a bathtub full of red water...however, unfortunately on the un-color-corrected image, the water registers more pink than red. However, all the other colors in the shot are pretty dead-on, as was intended.
Can somebody tell me how to isolate the water (it's the only pink color in the whole shot) and color time it, and it alone, to a deeper red (i.e. so it doesn't affect the rest of the elements in the image)?
Thanks in advance!
Powerbook 15" Titanium Mac OS X (10.4.6) 1 GHz

You'll need to use the "Limit Effect" feature of the 3-Way Color Corrector filter. This article may help: http://www.kenstone.net/fcphomepage/basic_pleasantvillelook.html
-DH

Action written in CS4 won't run correctly in Elements 11 - specif. the "selective color" layer

I created an action using Adobe Photoshop CS4, and it runs correctly in CS4. When I save and load the action into Elements 11, there is a problem with the selective color layer. The selective color layer shows up in the layer stack along with the expected message that it can't be edited b/c it was created in the full version of Photoshop. However, the layer itself does not have any color/changes in it.
In Photoshop, the selective color layer makes the photo look pink. When I run the action in Elements11,the selective color layer does absolutely nothing to the photo. I do have the eye turned "on" to view the layer, and it's set at the correct blending options & opacity (normal, 100%).
If I run the action in Photoshop, save the file with all the action-created layers, and reopen the file in Elements 11, THEN the selective color layer shows its correct pink color. But when I run the action as a stand-alone action in Elements11, it does not.
Can anyone offer help as to why this is happening? Is there something special I need to do to make the action work correctly in Elements 11? My understanding was that it should RUN and create the layers correctly, although some of them will not be editable in Elements11. However, as it stands, it is not creating them with the correct color.
Thanks in advance for your help!

You probaly need to record the action in a little different way in photoshop cs4 to get the selective color adjustment layer to work.
Try something like this:
1. In photoshop cs4 add an selective color adjustment layer, but don't do any adjustments and stop recording the action.
2. Undo the selective color adjustment layer and then double click on on the selective color adjustment layer step in the actions panel
and when the dialog opens set your adjustments and click ok.
Now it should work in pse 11:

Auto-select clip under playhead? (for color correction)

Hi all
Another newbie question concerning color correction in FCS2.
When moving from clip to clip in the timeline, the viewer (which contains the 3-way color correction filter) doesn't refresh until I remember to double-click on the current clip to select it. In other words, if I change a filter on one clip, then move in the timeline to the next clip, the viewer still contains the previous clip's filter, and if I forget, I'll start fiddling with it, thinking I'm now looking at the current clip.
Still with me?
So, my question is, is there an "auto-select" feature whereby, as I move my playhead along the timeline, clips on a selected track (eg V1) will automatically get selected and loaded into the viewer?
I know there is an auto-select feature for tracks, which I've enabled for my video track, but it doesn't seem to be meant for what I want.
Thanks!
Matt

If you set the SYNC to OPEN, what is being played in the time line (and displayed in the Canvas view) will also be displayed in the Viewer.
Just a point of clarification - the Viewer doesn't hold the CC filter, it will only display the filters that have already been applied to currently displayed clip. If the next clip displayed in the viewer has not had the 3way CC applied, the 3way CC won't display as part of the filters on that clip.
Good luck,
x

Color correcting more than one clip at a time

Perhaps I am missing something very elementary here... but here is my situation. I have three camera angles, each of the same concert. They are synced and ready to go, each on a separate track. Each needs color correction. I have found the color correction for each that I want. Before I slice up my clips I can very easily color correct each line separately, as the color correction applies to the whole clip. However, this takes about an hour to render because it is so much material. But since I am slicing up each track anyway to form a composite track, wouldn't it make more sense for me to slice up each track as I see fit, delete the unwanted footage, and then color correct each line before I drag them all into one composite track? That way, the color correction would just be applied to the clips that I am using, presumably taking about 1/3 the time to render. Know what I mean? So here is the question: can I select all of the clips on one line and THEN color correct just those? Or do I have to select each little clip and type in the boatload of numbers into the numeric color correction. Or is there another way all together. (Like, is there a way to SAVE the color correction values that I want and call them like "camera one" "camera two" etc... and then just apply those settings to the clips I want?)
With my sound editing program I have presets for this concert. I am able to take each piece, open it up and apply the same equalization, amplification, reverb, etc. that I did for all of the others, thus making them all sound the same. I'm sure FCE has this option for video, doesn't it?
I have 10 more pieces to do and by far this was the most time consuming part of the job. So any help would be most appreciated!
Much thanks!

Apply the color correction to one clip and adjust as needed. Copy the clip. Select all other clips that you want to apply the filter with those settings to. Right-click on one and select Paste Attributes/Filters.
-DH

Secondary color correction not working in Premiere CC

Greetings,
I'm unable to build secondary color correction masks in Three Way Color Corrector, RGB Curves etc in the current version of Premiere CC.
In any of these plugins, when I check "show mask" I get the usual white slate filling the frame. But when I use the color picker to make a selection the whole frame stays white. It appears that I'm making selections but it's not building the mask for some reason. When making an extreme color change I can see that the mask is not building as it affects the whole frame.
This started after upgrading to CC. I've recently updated to the most up to date version (yesterday) and am still having the same problem.
Premiere CC 2014.1 Release
8.1.0 (81) Build
Macbook Pro Retina, 15" Late 2013
2Gh Intel Core i7
8Gb
Intel Iris Pro 1536Mb
Yosemite Version 10.10
*note-my Colleague is not having this problem, he's working on the same OS and same CC build but he has an Imac. So I'm guessing this problem is unique to my hardware config.
Anybody else have this problem or know of a fix?

I have the same Problem new MAC OS Premier Pro CC or Premier Pro CS6 both have an issue with the Title Tool. If you open the title tool and try to make color changes or change size of the font it sticks at the default color and default font. SOmetimes the title tool will work and then when I exit it's back to the default first type location, default font and default color. Sometimes it will not even let me exit the Title Tool.
Please help I have Projects I'm working on Deadlines and I pay a monthly Fee for Software that works and it's not working.
Model Name:          Mac Pro
Model Identifier:          MacPro5,1
Processor Name:          6-Core Intel Xeon
Processor Speed:          2.4 GHz
Number of Processors:          2
Total Number of Cores:          12
L2 Cache (per Core):          256 KB
L3 Cache (per Processor):          12 MB
Memory:          16 GB
Software OS X 10.9 (13A603)
Graphics ATI Radeon HD 5770 1024 MB

Multiple Secondary Color Correction Possible?

I'm having a strange problem trying to use the secondary color correction inside the 3 way color corrector. It seems to work ok for the 1st filter, but if I try to use it for a a second or more instance of the filter, it seems to behave strangely or not at all.
I can select a color using the eyedropper, and sometimes it will show up in the color swatch, sometimes not.
If I chose to show the 'mask' of the results, it will usually show the clip as white in the program monitor, so I can't see where I'm masking.
I have a feeling that this might have to do with multiple masks interacting with the secondary color correction, and they somehow counteract each other. It doesn't seem very intuitive about how to fix it though.
I'm also noticing pretty intense banding with the 3 way, I know I can smooth it with the other controls in the color corrector, but I'm also wondering if this might have to do with some secret sequence or screen preview setting that I may have read about before.
Thanks for any advice.

The mask should change from white to composite image when you select the left-hand eyedropper. Is this not happening?

Secondary Color Correction Eyedropper

When I use the eyedropper to build a secondary color correction mask (rgb curves, three-way, etc) I have to click the eyedropper with the + and then go over to my source monitor and click on the portion I want to build the mask for. If I need to select multiple colors to dial in the mask further I have to keep going back over and clicking the little eyedropper + and then back over to the source monitor and back and forth over and over again.
I know there is a better way, or at least a short cut to reselct the eyedropper +
What am I missing?

Pr secondary CC is not the most intuitive of SCC methods. Ae has much finer control.
Pr does give you the option of selection by hue, saturation and luma so, depending upon the type of image, selecting which method of mask creation to use can save time/ make more satisfactory SCC.
But no, you probably haven't missed the broad principal.

Black and white selective coloring with brushes disappeared

The down and dirty:
Upgraded to Aperture 3.1.1
Aperture then updated my library
I open a file that I have selectively colored with black and white (a track and field runner and her lane is color, the field is black and white) and to my horror the thumbnail and "quick preview" is correctly colored, but the full resolution image is not
How do I get my hard work back?

I'd like to add one last bit that seems strange to me (and gives me hope that I can recover my edits). When I switch "quick preview" from on to off and the image zooms to the native resolution my edits are in tact for half a second before going away (the image fully loads - I'm not looking at an expanded rendering of the quick preview).
Also, when I move the image at full zoom my B&W edits flash briefly until I stop moving the image.
I tried repair permissions and repair database. Both failed.

I'm using an iMac running Os X Yosemite, Photoshop CS5 Extended, R2880 Epson printer In the Print Settings dialog box, I can't select Color, Advanced BW or Grayscale unless I select "Printer Manages Color". The pull down menu is grayed out. Even with "pr

I’m using an iMac running Os X Yosemite, Photoshop CS5 Extended, R2880 Epson printer In the Print Settings dialog box, I can’t select Color, Advanced BW or Grayscale unless I select “Printer Manages Color”. The pull down menu is grayed out. Even with “printer manages color” the tif or jpg image comes out in color overlaid with black. (See example - printer1. image on left is close to what it should be). Photoshop has no updates pending. I’ve downloaded the latest Epson driver which was working fine just before the problem occurred

Is your Photoshop CS5 updated to 12.1?
Are you on Yosemite 10.10.1 or Yosemite 10.10.2?
Did you apply the recent Epson software 2.1.9 update?
What type of file is it (file format)? What bit depth and what color space?
BOILERPLATE TEXT:
Note that this is boilerplate text.
If you give complete and detailed information about your setup and the issue at hand,
such as your platform (Mac or Win),
exact versions of your OS, of Photoshop (not just "CS6", but something like CS6v.13.0.6) and of Bridge,
your settings in Photoshop > Preference > Performance
the type of file you were working on,
machine specs, such as total installed RAM, scratch file HDs, total available HD space, video card specs, including total VRAM installed,
what troubleshooting steps you have taken so far,
what error message(s) you receive,
if having issues opening raw files also the exact camera make and model that generated them,
if you're having printing issues, indicate the exact make and model of your printer, paper size, image dimensions in pixels (so many pixels wide by so many pixels high). if going through a RIP, specify that too.
etc.,
someone may be able to help you (not necessarily this poster, who is not a Windows user).
a screen shot of your settings or of the image could be very helpful too.
Please read this FAQ for advice on how to ask your questions correctly for quicker and better answers:
http://forums.adobe.com/thread/419981?tstart=0
Thanks!

XML not pulling color correction or Motion Generator data?

Does FCPX 10.0.8 support exporting XML data related to color correction or motion Generator templates?
If I export a project to XML and reimport the same XML film into FCPX all resources are recognized and appear in the correct place/lane. My custom motion title themes come through, but the "Whites" generator in the project reverts its settings to default (i.e., in the Generator tab of the inspector the pop up is set to Smokey (defualt) instead of "Bright White" (selected in my original project). I also loose any color work I did on any of my clips.
Anyone have a similar problem? Workaround?

Hello veritasmediapro,
I was wondering if you discovered a solution for the above. I am experiencing the same as what you describe. I was hoping I could use the fcpxml format to have a 3rd party tool generate a file that changes motion generator parameter values. My plan was to use key frames. As far as my experiments tell generator parameters as well as key frames on generator parameters are not supported :-(

Color Correcting Monitor on Set

Not quite a FCP question, but...
We have a monitor on set that is used as part of the background. Of course it comes up blue on camera. I've tried adding various amounts of a red overlay to my projects, but I still can't seem to get it right. I know there's no magic formula, but does anyone have a suggestion of how much of what color to use that would at least get me in the ballpark?

Your monitor is white-balanced for a color temp of approx. 5600K (Daylight)and your studio lighting is most probably running at 3200K ("Tungsten"). While "CTO" gels can be put in front of the monitor screen to color-correct for the difference in color temp., your other options are to re-balance the colorimetry of the monitor (tricky at-best if there isn't a menu selection to do so), or to light your studio with 5600K lighting fixtures (either Compact fluorescent or "HMI"(Very expensive to rent HMI fixtures). I'm an engineer in the television broadcast world, and I've been dealing with this problem quite regularly over the years. Your own eyes can correct for color temp. differences, but a video camera's imaging sensors have to do it electronically.

Selective Color Correction

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