Send work from Premiere Pro to After Effects | Learn Premiere Pro CS6 | Adobe TV

There are several ways to send your creative work from Premiere Pro to After Effects, and this lesson will walk you through all of them.
http://adobe.ly/VwbyvH

Hi, I was sending project from pr to ae using the way that select clips and right click to create a new ae composition, but when the ae project opens up, the pr clips didn't transferred to the ae project, there was only the composition on the screen. Just wondering which part of the process went wrong?
cheers~

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    Message was edited by: Steve Landon-Smyth

    Hello,
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  • Premiere Pro/After Effects -learning proper workflow?

    I'm just beginning with video editing in Premiere Pro/After effects. I have used more basic apps such as iMovie and GoPro Studio. I understand the principles of post production for still images as I am a veteran photo retoucher. But as I want to produce videos with more professional productions values, my plan is to learn these Adobe apps from the ground up -and properly.
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  • Are these video card perfect voor premiere pro and after effect ?

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    1GB NVIDIA® GeForce™ 435M GT grafische kaart (Wireless N1000 Card Only)
    1GB NVIDIA® GeForce™ 420M GT grafische kaart

    None are perfect, for the simple reason that all laptops are handicapped.
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  • Why i can't use dynamic link between After effects and Premiere Pro?

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  • CS5 After Effects and Premiere Pro

    I am using CS5 After Effects and Premiere Pro with footage from a Canon 5D Mark III. Shooting/editing 1080p 24 (or at least their version of it). What are the best render settings/codecs to use to export from AE for import into Premiere Pro other than the animation codec or Pro Res? I dont have Pro Res and the animation codec is great but the file size slows down the app. Thx in advance.
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    As is stated above there are Production codecs which can be lossless, nearly lossless, and at higher bit depth. Production Codecs include Uncompressed (huge files but fast do decode and will not playback in real time) Editing Codecs like Black Magic, Avid, ProRez, and others that are smaller, can still be lossless, may support alpha channels and higher bit depths, and Archival Codecs like Microcosm, JPEG2000, PNG, which support alpha channels, are lossless, and on some systems, will playback in real time.
    Editing codecs are specifically designed to be played back in a NLE. These are good choices for a Premiere Pro / AE workflow. So are Archival Codecs. If your project involves a lot of sharing of files between users and apps, then pick a format common to everyone that is at the highest bit depth your storage system can accommodate.
    There are also image sequence formats. These include PSD sequences, TGA, TIFF, PNG and others. Some support higher bit depth (32bit Float). Image Sequences work great, have advantages when it comes to correcting just a few frames here and there, and are used to a great extent in professional production pipelines. They are much more flexible than video but they have a distinct disadvantage when it comes to keeping track of the files and keeping things organized.
    Then there are delivery codecs. These are designed for playback. They are not suitable for production because delivery codecs use GOP compression, are limited to low bit depth, and are not lossless. IOW, if you render to a delivery codec, then you process and render again to the same codec the artifacts start to build up. H.264 for example, after just 2 or 3 passes, even at very high quality settings, falls completely apart.
    Consumer and ProSumer cameras use delivery codecs for image capture. Your Cannon 5D does. This is OK, and it's the only option you've got with some cameras, but the best workflow for these types of capture systems is to transcode the footage to a production codec before you do anything. Production codecs will render faster because it takes less time to decode the footage for processing. You should never render AVCHD or MPEG footage back to the same codec. Always use a production codec until you're project is ready to archive and deliver.
    One note on ProRez on Windows. This is not a good idea for production. You cannot maintain proRez native 10bit color space. You should not render to ProRez using 3rd party workarounds because you're just building a proRez container for a windows compressed video. Sure, it will playback on a Mac, but the actual image will have lost important detail and color depth.
    Let me give my humble opinion on Dynamic Link. This works great for a shot or two in a Premiere Sequence. This works great for working with Audio in Premiere and Audition. This works great for rendering for delivery or even production using the Adobe Media Encoder. Did you note my second sentence? Dynamic link between AE and Premiere Pro for a few shots in a sequence is a good idea and a time saver, but if you're cutting a film that's over a few minutes, each scene should be it's own sequence. If the scene has more than just a few shots that need to be processed in After Effects then using Dynamic Link can easily become a monster you don't want to deal with. The key to efficient post production of an effects laden production is planning. You've got to cut for story first, then produce your effects shots with sufficient handles (extra frames) to allow some fine tuning, then recut the final. Any other workflow on a long project is just wasting time.

  • I need to reinstall my computer, how do I deal with Premiere pro and After effects?

    Hello,
    As my question states I need to reinstall my computer (laptop) and I'm not quite sure on how to deal with Premiere pro and After effects.
    I am thinking that I need to do some sort of backup and save my projects and footage on a sepparate drive.
    If I reinstall my computer, install my creative suit production premium, and move back all of my projects and footage, won't I have to re-link every single clip?
    I am currently workning on several different projects and having to re-link everything is something I don't even want to think about, that would take me days if not weeks.
    Another option on my mind would be to use Creative cloud. I do have the free version but I have never used it even once before and I'm not quite sure what the purpose of the cloud is and if this is a way to use it.
    I have no idea how to go about this computer reinstalation without either loosing tons of work or having to re-link every single clip used.
    I am videoediting only as a hobby so I have no experience working with other people and sharing projects or the like, wich is my understanding of what the cloud is for.
    Any and all help would be grealty appreciated, I know this is probably really easy but ever since i got my Suit I haven't reinstalled, upgraded och changed my computer so I am just clueless as to how to go about this.
    I have Creative suit production premium, I also have the free Creative cloud.
    It is only Premiere pro and After effects that I am using and am worried about.
    Thank you for any help.
    -Lisa Kajupank
    (and oh, I just notice my name - umustbejoking - I think I just wrote that cause they wouldn't let me use anything else, saying it was already taken. So nevermind that haha.)
    Message was edited by: umustbejoking

    If the computer's running Mac OS X, move the cursor to the very top of the computer's screen, click on Store, and choose Authorize this Computer.
    If the computer's running Windows, press the Alt and S keys and choose Authorize this Computer, or click here, follow the instructions, click on Store in the menu bar, and choose Authorize this Computer.
    (84620)

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