Separating jpg and raw files after importing in lightroom 5

i would like to separate my jpg and raw files once they are in lightroom (right after importing) so that all my jpgs are 1 after the other on the film strip below  and my raw files are one after the other. is this possible?

In Library Grid view, on the Tool Bar (T), change "Sort:" to "File Extension"

Similar Messages

  • When showing JPG and RAW files as one, which do we see and which is edited?

    Hi Guys,
    Hoping someone out there will have the answer to this.
    Just come back from a long trip with thousands of pics in RAW, I like to use Canon DPP to generate the JPGs quickly and to give me Canons interpretation on the RAW image. (Apparently same processing as in camera).
    Once imported into Lightroom 3, I have set up to view the JPG and RAW files as one.
    There are two questions:
    1.) Which of the two is the visible one in Library mode? can one set the preference?
    2.) Which is edited?
    I do not really want to fully develop all the pics in Lightroom as some of the standard shots have come out perfectly and at the same time I feel I need to be able to compare them.
    Any help offered would be greatly appreciated.

    1.) Which of the two is the visible one in Library mode? can one set the preference?
    Raw only. The jpeg is sort of like sidecar. Cannot set a preference. The only setting you can change is to view them separately.
    2.) Which is edited?
    Raw only.
    ... and at the same time I feel I need to be able to compare them.
    Lightroom's Canon-specific DNG profiles are developed to match Canon's picture styles (or whatever they are called). So, if you use, say, the Faithful Picture style in Camera, Lightroom's "Camera Faithful" profile will render your raws very close to DPP, if not identical. That's for default settings. However when you start adjusting, Lightroom's and DPP's processing may differ.
    You may not even need those Jpegs for comparison, after all.

  • JPG and RAW files are not grouped together.

    I am finding that my RAW and JPG files are not grouped together.  They show up on the Grid View as JPG for the JPG file and RAW + JPG for the NEF(RAW) file.  This does not seem to be consistent through out the folder.  Some of the pictures are grouped together and others are not.  The ones that are not grouped together have been auto-stacked and then unstacked.  I am not sure if this is what caused the seperation of JPG and RAW files.  I did try to take a picture that I had auto-stacked it  and then remove it and it did not sepearate.  The "Treat JPG files next to raw files as seperate photos" option is turned off, like it is in my Lightroom 3.

    This is what I'm talking about:
    Show subfolders are on:
    In windows Explorer:
    In the Import Dialog:
    Where are the files?
    If I click on the Folder 2014_12_14... all the files from all folders will populate.

  • How to have my Jpg and RAW files in version sets (PSE10)

    I take both jpg and RAW files on my camera so that most of the time I am pleased with the jpg and do little editing, but some of the time I need to really work on a photo which is where the RAW file comes in handy. In my photo well I have 2 of each picture displayed ie the jpg and RAW. How can I get it so only the jpg is displayed and the RAW either hidden or as a version set collapsed? Having 2 of each photo makes the photo well look untidy and full of duplicates.
    Help appreciated.

    Highlight the two photos (using Ctrl+click), right-click on one of them and select "Stack...Stack Selected Photos".
    Ken

  • Batch Rename Raw Files After Import?

    Can you batch rename raw files after you import, so that the file name changes in Aperture and on the hard drive? I want to be able to edit images, and then rename only the keepers. This has been asked before here, but I could not find an answer.
    Thanks!

    File -> Export, Kind: Original
    When you import a Raw to iPhoto it automatically creates a jepg preview of the file. Why? Because you cannot do anything with a Raw: you cannot print it, use it a slideshow and so on. However, with this preview you can work with the photo immediately.
    You can, however, also process the Raw in iPhoto simply by editing it. The Raw processing engine in iPhoto the same one used in Aperture, but with less fine control. (Think of the differences between Word and TextEdit, iMovie and Final Cut). The output from the processing then replaces the preview. You can choose to save your output as either jpeg or tiff in the iPhoto Preferences.
    When you are processing Raw in iPhoto you will see the Raw badge on the bottom of the iPhoto Window
    Uploaded with plasq's Skitch!
    Note: After you have processed a Raw, subsequent edits to the photo are carried out on the processed jpeg (or tiff) not the Raw. If you want to go back to the original then you need to use the Photos -> Reprocess Raw command.
    Aperture works in an entirely different way. What are you trying to do, exactly?
    Regards
    TD

  • Is it possible to ignore and not import JPG files when a JPG and raw file of the same name exist?

    Is it possible to ignore JPG files on import? I shoot raw + JPG and see no reason to keep the JPGs; I shoot JPG primarily as a backup (I back all the JPGs up online to my smugmug account then delete them before importing the raw files), but they're also occasionally handy if one wants to get a quick print in the field. I know that one can set a preference to "Treat JPEG Files Next to Raw Files As Separate Photos", but even then they still are imported.
    As an example, say I have this scenario (not on DSLRS, but on pNs cameras, sometimes a JPG but not raw is captured - I suspect this has to do with how the buffer is filling) with these files on a memory card:
    IMG_0001.JPG
    IMG_0001.CR2
    IMG_0002.JPG
    IMG_0003.JPG
    IMG_0003.CR2
    When I import pictures from this folder, I'd like 2 CR2 files and 1 JPG to be imported. I'm even willing to copy the relevant files and drag and drop them onto LR's Library module. But even if I do that, all five files get imported. Thanks!
                         Dilip

    jim01403 wrote:
    trshaner wrote:
    For this typical example 98% of the image files are transferred while LR is building previews, which is exactly what I was suggesting be avoided.
    No, I don't believe that's correct. As I said in my previous post, Lightroom's Import is a two-stage process.....first copy the files from the card, then when that is finished, render whatever previews have been requested.
    AFAIK there is nothing unusual about my system, Lightroom has always imported in this two-stage way as far back as I can remember. Based on this I see no 'safety' benefit from copying files first outside Lightroom, then using an ADD import process. On the contrary, as this takes away the possibility of using the "Second Copy on Import" option, as well as having to manually setup import folders, I see nothing but downside from that approach.
    Mea culpa, Jim is correct! I checked my Windows 7 system with LR4.2 and I monitored the 'Destination folder' during an import direct from memory card to hard drive. 'Copy and import' showed in the progress bar until all image files were visible using Windows Explorer in the 'Destination folder.' Only after all files had transferred did the progress bar change to ‘Render 1:1 Previews.’ I started using LR1.0 on a Pentium 3 single-core system with Windows XP 32 bit, which I think is when I made this observation. Regardless, it is clear that LR4.2 is using a two-step import process. Thanks Jim for being persistent!
    It still begs the question why some people are experiencing very slow imports, damaged image files, and other related import problems from memory cards? My guess (and it's only a guess) is that they have 1) 'Rename Files,' 2) 'Automatically write changes into XMP,' or 3) 'Include Develop settings in metadata inside JPEG, TIFF and PSD files' checked in LR preferences. It would be a good idea for anyone experiencing import issues to try an import with these three (3) options unselected.
    My apologies to the OP DBarman for going off topic. Hopefully the extra information and observations are helpful.

  • Retrieving Raw Files after import...?

    I shoot all RAW files and have imported them to my iPhoto. How do I retrieve the RAW file from iphoto. If I copy and drag them out of iPhoto they are .jpg... Is it too late and does iPhoto convert them upon import.
    Also and clue on if Aperture does the same thing?

    File -> Export, Kind: Original
    When you import a Raw to iPhoto it automatically creates a jepg preview of the file. Why? Because you cannot do anything with a Raw: you cannot print it, use it a slideshow and so on. However, with this preview you can work with the photo immediately.
    You can, however, also process the Raw in iPhoto simply by editing it. The Raw processing engine in iPhoto the same one used in Aperture, but with less fine control. (Think of the differences between Word and TextEdit, iMovie and Final Cut). The output from the processing then replaces the preview. You can choose to save your output as either jpeg or tiff in the iPhoto Preferences.
    When you are processing Raw in iPhoto you will see the Raw badge on the bottom of the iPhoto Window
    Uploaded with plasq's Skitch!
    Note: After you have processed a Raw, subsequent edits to the photo are carried out on the processed jpeg (or tiff) not the Raw. If you want to go back to the original then you need to use the Photos -> Reprocess Raw command.
    Aperture works in an entirely different way. What are you trying to do, exactly?
    Regards
    TD

  • Is there any benefit to keep the RAW file after editing outside Lightroom creates a TIFF

    When working with RAW files in Lightroom and you choose to edit in Photoshop, the only option is "Edit a copy with Lightroom Adjustments" (Edit Original is grayed out).  This creates a .TIFF so after you come back from Photoshop you now have two copies of the photo--the RAW file and a TIFF version.
    In my normal workflow, I make additional edits to the TIFF file in addition to the changes Photoshop made so I'm left with a "out dated" version of the RAW file.  Is there any benefit to keeping the RAW file at that point?  I'm doubling my disk usage by keeping it.
    Fire away.....

    Answering this question:
    This got me wonderig why LR turns my 25-30mb CR2 RAW files into 80-95 mb TIFF files when it sends them to Photoshop for editing but Photoshop can open the same 25-30 RAW file in DNG format and save it as a 25-30 mb TIFF.  Why are the TIFF's LR creates 3x larger than the ones created by PS?
    Camera RAW file formats are compressed to a small file size using manufacturer proprietary information about the image sensor pixel layout. This provides a more efficient loss-less file compression algorithm than TIFF's LZW or ZIP compression algorithms. LZW or ZIP compression is not used when Lightroom exports and opens an image in Photoshop for editing, but you certainly have that option when saving the file after applying your PS edits. DNG files using loss-less compression can produce a file size slightly smaller than RAW format, but I have no experience with DNG.
    Answering this question:
    CS3 can't read Canon .CR2 RAW files (at least mine can't unless there is a plugin of some kind). 
    Support for newer camera models like your Canon 7D are only added to the then current (and later version) Adobe Camera RAW Converter and Lightroom. Newer Adobe Camera RAW converter versions (6.3) are not supported in older version of Photoshop like CS3. It is the nature of business marketing and also due to the large expense to support older application versions with "new" plug-in features. It would be a support nightmare!
    Hypothetical Example:
    "Why doesn't Adobe Camera RAW 10.3 work properly with my Canon 1600 D MK XV 45 Megapixel camera in Photoshop CS3?"

  • Keeping original metadata from Photoshop CS Raw files on import to Lightroom 2.7

    I've been importing old Raw photos that I had originally worked on in Adobe Photoshop CS (the original CS).  I used the browser feature to edit my Raw files and add caption information.  I am now using Lightroom 2.7 and upon import I am "loosing" all that original metadata.  I kept all the XMP sidecar files beside the RAW files.. so what can I do to get Lightroom to recognize and use that original metadata?
    Thanks so much for help on this.
    Best,
    Forrest MacCormack

    If there is a .xmp file with the same name in the same directory as  the raw file, LR DOES take the XMP data into account on import.
    Forres: Would you be able to upload a sample raw and xmp file to somewhere (i.e. www.yousendit.com) and post a link to it here?
    Beat Gossweiler
    Switzerland

  • Why is CS3 not recoginzing RAW files after installation of Lightroom 5

    I have not used my CS3 Extended software for RAW files in a couple of months. I recently installed Lightroom 5 and now CS3 will not open Camera Raw files. The error message is that the image is the wrong type of document. Anyone know what is going on with this situation?

    Does that mean that my ACR for CS3 was replaced by the on for Lightroom 5 when I installed it recently? I didn’t realize it was a separate program. I knew Bridge was but I assumed it was common to Bridge.
    BTW. Thanks for your response.  Thinking about joining PS CC but not sure how that works. I prefer stand alone so that I don’t need Internet constantly.

  • Linking adjacent JPG and CR2 files

    Most of my folders treat adjacent JPG and CR2 as one file when viewing in Lightroom. However, I have one folder that for some reason treats them as two photos—they are not linked together. How can I fix the photos in that folder so the adjacent JPG and Raw files can be viewed as a single photo?  
    Thanks for any help.

    Thanks. I tried that with stacks at 1 second and then collapsed stacks and it worked well. However, what shows up now is the JPG. How can I have the Raw CR2 show up on top of each stack?
    Skye

  • IPhoto importing RAW, then converting to jpg--losing RAW file completely

    Okay, I've read through some of the posts on similar issues, but I still have some questions. I've always used iPhoto to import my RAW files (since it supported it anyway) and never had problems. I bought a new G5 and it seems like this problem has shown itself since. I went back to my G4 though, and found that all my old .NEF's are now jpg's as well. If I do a search on my computer for .NEF's it brings back nothing having to do with .NEF files.
    In the past I've imported using iPhoto because of the ease of keeping track of the original files. After importing I open them in Photoshop CS with Camera Raw. I cannot do this now. The weird thing is that viewing it in iPhoto the extension that it shows is .NEF, but when I look at the file in the Finder it shows that it's a .jpg. Was there an update recently that changed anything considerably? This is a very frustrating problem. JPG files are pretty worthless to me because I can't get the same amount of info/size out of them.
    Any insights to this would be very appreciated.
    Thanks.
    EDIT: I've forgotten to include other info. My camera is a Nikon D70 (supported by Apple). I'm using all the latest versions of OS X, and iPhoto. I have PS CS.

    Hi heloguy,
    Did you look in the Originals folders on each date?
    This is a view of how the iPhoto Library looks in the Finder.
    It is organized by Year folders. Inside the Year folders are Month folders. Inside the Month folders are the days of the Month. Inside the day folders are the photos you took on that day. If you imported video clips and RAW files on that day they will be in an Originals folder. If you have edited any photo imported on that day, the original will be in that folder also.
    Lori

  • How to Delete imported JPEGS after matching RAW files are imported as masters

    Using a 5D Mark III and shoot JPEG (SD) and RAW (CF).
    Aperture 3.5.1, using a managed library
    Perviously, using a 7D so new to shooting JPEG and RAWs from an aperture Aperture workflow standpoint.
    I know that i can import the JPEGs > delete images that do not make the cut > then import the matching RAW files in the import dialogue that correspond to the JPEGs in the Aperture Library.
    I use the RAW files as my Camera Master images and once the RAW files are imported, the smaller resolution JPEGs are no longer needed or viewed in my normal edit workflow.  I only need the JPEGs to quickly go through the images to find out which RAW files i need to import at a later time to increase the speed of import > edit > deliver.
    My Assumptions:
    1.  Logic would lead me to believe that after import the user should see a stack like image representation with whatever file type is considered Master to be on top and the viewable secondary file type on the bottom.  clicking on the image stack should allow you to see both file types as you would normally see with image stacks with the same files types.  This is not the case...  What am i missing here?
    2.  Logic again would lead me to believe that when i have the ability to delete one of the 2 image types as i do not need both in the end.  After the import process is complete and RAWs are backed up, I want to delete the JPEG files as they are just taking up more space on my DAS drive array...  There is no need to keep a duplicate of every file in both JPEG and RAW format.  This is not the case as when i delete the JPEG or RAW, both files formats are deleted simultaneously.  What am i missing here?
    Problems: (correspond to Assumptions above)
    1.  I do not seem to have access to both images (JPEG & RAW) in a stack where i can expand and close the stack to see both?  It seems like i only have access to the image type i have selected as Master?  This seems counter intuitive to what the workflow should be as why would aperture 'lock the secondary file types away' so you can't easily view both file types as the same time for comparison?
    2a.  Reality seems to be that i do not have access to the JPEG and RAW image files.  I can only see one at a time by selecting the images and choosing 'make JPEG master’ and then respectively... 'make RAW master', but you can't see both at the same time for file comparison.
    2b.  Also, I can't find a way to delete the JPEG images after the RAW files have been imported.  I would presume most professional photographers shoot RAW and do not shoot JPEG as their camera master or editing master images.  I do not understand why aperture has captured both as a pair in the library that does not allow me to delete the JPEG (in this case) as i have selected the RAW as my master.
    If someone can please help...  The function seems like either i am missing something obvious or that the implemented function of using RAW + JPEGs files for import is broken from a real world workflow standpoint.

    leonie...
    thank you for clearing that up for me.
    I think that at this point it is silly to use the JPEG+RAW import functionality as it seems that it takes longer to do the above steps than to just import only the RAW files and press on from there.
    I seems what i have done in the past of only importing the RAW files and then using the quick preview functionality to reduce image load times is the best thing in can come up with without keeping 'duplicates' in the database.
    That really baffels me that there is no built in functionality to remove the JPEG from a RAW+JPEG pair and i wonder how the real world photographers who help Apple test and implement software to solve real world workflow problems thought the JPEG+RAW import was going to be used.
    I do understand that i can use a smaller JPEG file size to reduce the bloat of the database, but used over hundreds of thousands of images is certainly going to make a dent in my total aperture database size and therefore storage needs down the road.
    If you have any other workflow thoughts, or know of a 3rd party plugin/ etc... to fix this obvious shortcoming then i am all ears..
    thank you again Leonie and have a great week

  • I write both JPG and DNG files in the camera.   Camera is a Leica Monochrom.   Photo, unlike iPhoto, seems to ignore DNG files and only imports JPG files.   What am I missing here?

    I write both JPG and DNG files in the camera.   Camera is a Leica Monochrom.   Photo, unlike iPhoto, seems to ignore DNG files and only imports JPG files when both are present on the SD card.  JPGs are used for quick proofing on an iPad.    DNG RAW files are edited on a Mac Pro (2013).    Other than deleting the JPGs before importing images from the SD card,  is there any way to force Photo to select and import only the DNG images?

    Thanks Larry,
    I did see the J stacked in the lower left of the thumbnails but couldn't figure out how to get to whatever is below it.   How do you select R?  
    I use an iPad to do quick proofs of my images.   A JPG is good enough for a proof ( dust on the lens,  composition, blown out image, etc. ).   The iPad is JPG friendly and can load the images quickly.    Serious editing takes place on my Mac Pro with the DNG files.   I use the same workflow with the the Leica M 240.   iPhoto has been a quick and easy importer to the Mac capturing all of the metadata in the EXIF sidecar file ( location, date, time,  camera settings, lens type).  A quick scan in iPhoto for the "keepers" let's me export those worth editing to Lightroom/Bridge/Photoshop.  I typically shoot 50 images from three locations in a normal day.  If I'm lucky I'll get 1 worth real work to add to the portfolio.  

  • My LR 4 suddenly no longer recognized my memory cards. I am using the same cards and cameras but consisitently get the error message:"files not imported because the files could not be read. they are jpg and nef files...I am stuck without my workhorse! Any

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