SEQUENCE SETTINGS FOR HD PROJECT

I just started a HD project elements were shot 720p 60 on p2. My sequence settings are Frame Size 960x720 Compressor is DVCPRO HD 720p60. Video rate is 29.97. There will be SD file footage mixed in as well. mostly mini DV tape and there are DVDs as well. I am going to edit this sequence in HD and export it either to a SD deck or to a DVD. Before I get into my project too deep are these sequence settings correct? I ask this because my sequence was hesitating while I was playing it back. I got error messages telling me to change my RT bandwith, and change disk speed. I am thinking it was my sequence settings causing this.

Now I have a new issue that just popped up. I have 2 Lacie drives i am working with. As per Lacie Tech support they recommended me not to daisy chain the drives. I have then separately connected. One of the drives is not seen I am getting a message telling me the drive was not properly removed and all of my video that I captured to it is offline. This happened earlier and I re launched and the media came back. Why is this happening?

Similar Messages

  • Sequence Settings for AVCHD project

    I just loaded AVCHD clips for a project, is there a specific sequence setting I should use? The final product will be burned to a DVD

    Yes....very normal.
    New to this? Watch this tutorial
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  • Sequence settings for 16:9

    Hi,
    Just doing some PAL tests of 16:9 HD to 16:9 SD downconvert.
    What are the sequence settings for this?
    If I use the normal DV PAL 48khz, the VIEWER window shows a normal 16:0 ratio, but the CANVAS window shows a letterboxed 4:3 window. When I export this project, I get a letterboxed 4:3.
    If I need to give my European client a 16:9 SD project, what are the sequence settings.
    Thank you kindly!

    Thanks Michael,
    I still get images in FCP and QT exports that are letterboxed. Is that normal? I guess I assumed 16:9 FCP project windows and QT export movies would be all image and no letterbox within a 4:3 window.

  • Sequence settings for HD

    what are the exact sequence settings for cutting 1080i60 footage in FCP? From my understanding; it's 1920 X 1080 with 59.94fps. But what fields should render first; upper or lower? I also need to know this info for using After Effects; I need to know the specifications so I can render my animations.
    If there is anything else I should know, please let me know. thanks.

    Open your preset in FCP or check your sequence settings and all that information will be there.

  • Proper sequence settings for importing Canon Rebel T2i footage

    Greetings, all. I searched the forum and didn't find this question answered elsewhere, so I thought I'd ask.
    I'm using Adobe Premiere Pro CS4, version 4.2.1, and I'm trying to find the ideal sequence settings for the Canon Rebel T2i, which records in MPEG-4 AVC/H.264, with adjustable frame rate. I am running on Apple Mac OSX 10.8.2.
    I've been editing with this footage for over a year now, and it's always been a struggle because I have to render all footage before I can even play it in Premiere. When first imported, the render bar above the timeline is yellow.
    I'd like to see if I'm doing this incorrectly; to know if I have a simple sequence setting that's incorrect. What sequence settings should I use for my imported footage to start out green and not require a lengty render for video that isn't even edited yet?
    Thank you,
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    >When first imported, the render bar above the timeline is yellow
    I think this is written for CS5, but the concept should be the same
    http://blogs.adobe.com/premiereprotraining/2011/02/red-yellow-and-green-render-bars.html

  • Sequence Settings for Computer-targeted Projects

    Hello,
    It seems to me -based on a scan of the forum's topics- that there are many people who would like to use FCP for creating computer-targeted output, that use still images as the source material. That is, projects not destined for tape or broadcast, that were not shot on video. I realize there are 3rd party apps that do this sort of thing, but the reality is there's no need to spend more money. Creating Ken Burns type effects for example, is very easy to do in the Motion Tab. It's the related sequence settings and render settings that cause the real problems IMO.
    For those who do this kind of work successfully on a regular basis, it would be good to create a list of settings that work well, so others can avoid the painful process of trial and error. Sadly the manual (great as it is) isn't much help on topics relating to still image projects. They mention things like square pixels or image size in passing, but they do not give examples of how to start this type of project from scratch.
    So post away; let others know what settings work for you. If you can post the project type, source type, and then the settings, so much the better. Something like:
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    Source: TIF, PSD
    Frame Size:
    Field Dominance:
    Timebase:
    Video settings:
    etc

    Bogie: if some of the sequence settings listed are dependant on the imported material (think that's what you're saying), why are we even able to change them? I guess this is an Apple design issue but seems strange if they "are not part of the creation process", that they should be in the same panel as the other items that are, etc.< </div>
    Umm, no.
    The question here asked about export settings, they did not ask about project or sequence settings. If you meant to ask about sequence settings, that's an entirely different thread and, frankly, it's all covered in the manuals.
    To repeat what Zeb has said, because we can't quite seem to get us all speaking the same language here, use conventional, known formats for your production and creation of effects; DV is a great place to star because it's flexible and it's built into FCP (h264 is not a production format, Animation isn't either, nor is MPEG2).
    Render your sequences and export them as self-contained movies. Bring them into Compressor and (doh!) open that manual for a few hours of casual and frustrating reading. Compressor is where you will create your transcoded, encoded and compressed movie for delivery to the Web.
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  • Sequence settings for importing DVD material

    Hi there!
    I am about to start a new project that will be shown at a convention on a big screen via projector.
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    Thanks

    use the sequence easy set-up for dv-pal (sweden is pal, yes?)
    export your clips from streamclip using dv-pal as the type for PAL dvds.
    for ntsc dvds, you need to pull the clips off as ntsc dv/dvcpro then using the advanced section of compressor, convert them to dv-pal.
    mix by stirring lightly, put into a greased pan and place in a 350 degree oven for 30 minutes or until golden brown.
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  • Sequence Settings for HDV footage to create SD 16 x 9 -help!

    I shot HDV footage (using Sony Z1U) and want to use it as SD footage in final cut.
    How do I set up a sequence to be able to create an SD sequence in 16 x 9? Which sequence settings should I choose for this?
    Also, do I need to capture the footage as Anamorphic 16:9 or can I simply check the Anamporphic 16:9 box?
    Thanks, Joel

    HDV has a natively wide aspect ratio, and is not anamorphic (stretched) like SD widescreen.
    FCP seems unable to correctly allow for the reversed field order of HDV when converting to SD with software, whether exporting QT, going direct to compressor, or nesting into SD and rendering.
    Also, if you go direct to compressor from your HDV sequence, type elements and pixel layers will shift around and change aspect ratio.
    I have had good luck exporting a self-contained native HDV movie and running that through compressor, though I am forced to turn frame controls off in my compressor preset, which throws out every other field and gives a pattern of progressive frames where every 5th frame is repeated. Our producer called it the "max headroom" effect.
    If you know you won't need HDV output for the current planned workflow of your project, I would start by capturing SD by turning on the DV downconvert setting on your HDV deck. You'll save yourself a lot of time and headaches.
    Otherwise, if you want to work in native HDV, output and HDV master of the finished sequences and recapture those as DV if you want to retain the origiinal fields in your SD output, whether to tape or to mpeg2.
    When you recapture as DV, whether the original source, or a recapture of you finished master, that's the point at which you'll want to capture anamorphic.

  • Sequence settings for digibeta anamorphic capture?

    I will be capturing from digibeta where the image is 16x9 anamorphic, using an AJA Kona card. What capture settings and sequence settings must I use to properly deal with the anamorphic image? I am renting the editing suite so I do not have access to it now. I need to prepare still images and titles using the same sequence settings that I will be using to capture. Does the Kona card come with sequence presets that I would not have in final cut pro 5.1, and if so can I edit my sequence settings to match?
    Thanks,
    Mike

    The templates can be found in the new image settings, under "film and video" from memory.
    But you could save yourself some trouble, and possibly aspect issues with an older version of Photoshop, by just making a new image in Photoshop that is 1024 x 480 (NTSC land).
    Paste your images into that as your template.
    Technically the images size IS 720x480 in your project, and then stretched out, but giving it 1024 x 480 starts you at a higher resolution, and avoids any graphics changing shape.
    Though FCP handles larger images, and you would be fine to just have all stills under 2000 pixels, and resize in FCP.
    Sure it needs to render, but then again you can do non-loss moves into stills.
    Oh, and as for presets;
    I prefer to use good old ProRes(HQ) rather then card specific codecs.
    This way you can archive the project to a harddrive and later edit or change in a suite with a blackmagic card, or even a cardless machine(as in capture card!).
    I believe there is an anamorphic Prores(HQ) anamorphic SD option,
    or at the very least you can duplicate a Prores setting and tick the anamorphic option!
    If you had the harddrive bandwidth and space you could choose to go uncompressed?
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  • Sequence settings for MPEG

    Hello
    Which is the best sequence settings in Premier Pro CS4 to work with MPEG files (720 x 480)?
    I wish someone can help me because there are no presets available for this format and my redering times are huge.
    Thank you in advance.

    I will go on working with the red line. It is true that I have a slow
    machine and that causes problems in the preview, but for export it is OK.
    Thank you very much for your useful advice.
    Sabrina
    2010/2/14 Bill Hunt <[email protected]>
    As Harm points out, Rendering (the need for which is indicated by the "red
    line.") is ONLY for playback. I complete many Projects, and never need to
    Render, as things play fine. Other times, I might Render a Keyframed section
    dozens of times, looking closely at what I have done, as smoothly as is
    possible). Don't be put off by the red line. Only Render if playback starts
    to stutter, etc. Then, you might only need to Render part of the Timeline,
    and that can be controlled with the WAB (Work Area Bar) to limit the area of
    the Render. Note: if you do adjust the WAB, it's always a good idea to hit
    the \ [Backslash key], and then Dbl-click on the little "box" in the middle
    of the WAB to reset it to full, before you do an Export. Though most Export
    options can be set to WAB, or Full Sequence, I've found a few, that got
    confused and try to Export just the WAB, regardless of the setting. Maybe
    CS4 has finally fixed this 100%? I still do that reset of the WAB out of
    habit.
    >
    Good luck,
    >
    Hunt
    >

  • Sequence Settings for 5D Converted Footage

    Hello,
    Can someone please tell me what the sequence settings should be for 5D footage that has been converted to Pro Res? I've changed the frame rate to 29.97. I looked at the easy setup, but it looks like that is 24p Pro Res, so that is not matching up.
    Thanks!

    Not sure how much help I can be other than to tell you it can be done.
    I have an older version of FCStudio (need to upgrade my machine to handle the latest version). Since it will not work directly with the HG20 I import my footage through Toast and convert to a format that FCP can use. It took a while but I managed to find some settings that worked without constant rendering.
    The problem is that it's been a while and I cannot recall the exact settings.
    I seem to recall the "DVCPRO HD (1080i60)" setting being the one. It was a Quicktime "preset" in Toast. I then set my project/sequence to the same setting in FCP and everything worked.
    Sorry I can't provide more detail. I hope this helps.

  • Correct sequence settings for Sony HandyCam?

    I have a Sony HandyCam DCR-SR200 and when i drag the video over in premiere to add it to the edited video it tells me to check my sequence setting meaning i set it up wrong for that type of video? i just used standard settings. But, if i click change or keep, the video is extrmely zoomed in. How can i change this? The correct sequence settings or am i missing a setting? It's Premiere CS6. Thanks!

    Please NOTE that the PPro CS6 screen may look a bit different (I use CS5)
    For CS5 and later, the easy way to insure that your video and your project match
    See 2nd post for picture of NEW ITEM process http://forums.adobe.com/thread/872666
    -and a FAQ on sequence setting http://forums.adobe.com/message/3804341
    Plus, a tutorial list in message #3 http://forums.adobe.com/message/2276578

  • Custom Timebase in sequence settings for 15 fps animation

    I have an stop-motion project, where we are capturing images to playback at 15 frames per second. I have set up FCP to do this in the past, but I cannot find where the preference is. I thought you could just set your sequence settings to use a 15 fps timebase, but all of the options are from 24p to 60. I have an older project file that has the 15 fps timebase, so i could just copy that sequence, but am I missing the obvious preference option to make a 15 fps sequence, or did they take that option away between fcp 3 and 4.5?

    I was thinking about working at 30 fps, and setting the image sequences to use a two second rather than one second duration to simulate the 15 fps playback rate of the movie, but the problem is that the cut made in fcp is only an offline edit, made using lo-quality quicktimes that have to be replaced with the original image sequences for the final export.
    Its not to big of an adjustment to do this, but I don't see why I have to now, and didn't need to before, especially since I will double my file sizes.

  • What sequence settings for MP4s  when importing them? Rendering is a pain.

    I downloaded some clips for an editing project and the codec information listed for them is H.264, AAC, MPEG-4, ODSM, MPEG-4, SDSM. I imported the files into FCP 5.1.2 as part of a new project so what exactly do I change so I don't have to render them every time I make an edit or apply a filter? I'm assuming I change the sequence settings but what exactly do I change...the QuickTime Video Compressor settings? Tried it for H.264 but it didn't work unless I missed a step. Thanks for any help.

    chances are Shane's excellent tip will get it all set
    up for you, but be warned that not all non-standard
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    if you are trying to work with clips in one of these
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    After using the Batch Export function on the clips as well as individual clips I am receiving General Error messages when I try to import the file(s). Any thoughts? I tried Shane's tip as well and it works except for the audio rendering as mentioned in the tutorial. Not a huge deal though. Now I need to figure out a way to do the Multi-Clip sequence thing for 16 clips since it only does it one clip at a time.

  • Best Sequence settings for JVC Everio files (TOD format)

    I own a JVC Everio camcorder, and I recorded some videos if Full HD (1920 X 1080).  I loaded the TOD files to my computer and converted them to MPEGs using the bundled PowerDirector program.  When I play these HD MPEG files in Windows Media Player, they look fantastic.  Very smooth color and no pixelation.
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    Intel Core i7 860 @ 2.67 GHz (having some overheating issues, so no overclocking)
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    This ARTICLE might offer some tips on the TOD files.
    Good luck,
    Hunt

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