Sequence settings for mixed 24f,30f

I shot a friend's wedding on a HVX in 24p on tape (not cards) and a 2nd camera 30fps on a consumer DV camera. I want to edit these together; I do not know what the Sequence settings should be or what challenges are involved. My final output is a DVD. Any help is appreciated.

24P on tape is still 30 fps. It's 24fps with a 3:2 pulldown added. Just set your sequence for NTSC 29.97 DV...
Patrick

Similar Messages

  • Sequence settings for HD

    what are the exact sequence settings for cutting 1080i60 footage in FCP? From my understanding; it's 1920 X 1080 with 59.94fps. But what fields should render first; upper or lower? I also need to know this info for using After Effects; I need to know the specifications so I can render my animations.
    If there is anything else I should know, please let me know. thanks.

    Open your preset in FCP or check your sequence settings and all that information will be there.

  • Sequence settings for 16:9

    Hi,
    Just doing some PAL tests of 16:9 HD to 16:9 SD downconvert.
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    Thank you kindly!

    Thanks Michael,
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  • Proper sequence settings for importing Canon Rebel T2i footage

    Greetings, all. I searched the forum and didn't find this question answered elsewhere, so I thought I'd ask.
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    >When first imported, the render bar above the timeline is yellow
    I think this is written for CS5, but the concept should be the same
    http://blogs.adobe.com/premiereprotraining/2011/02/red-yellow-and-green-render-bars.html

  • Sequence Settings for 30F material

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    It's just like DV situations. If you shoot progressive DV, you still set the capture preset to an interlaced setting... the captured files will retain their progressive nature. Same goes for any progressive format actually.
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  • Settings for Mixed Format Multicam Sequence?

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    Not sure you can get around this one. You may have to convert one format to the other for smoother multicam playback. (Purely speculation on my part.)

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    Thanks Kevin. I had seen Photoshop pop up a lot during my researching the problem, but was unsure if that was the best way to go for my specific problem. Tried it out, and I'm headed down the right road now, just have to tweak output settings. Thanks!

  • Sequence settings for importing DVD material

    Hi there!
    I am about to start a new project that will be shown at a convention on a big screen via projector.
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    Thanks

    use the sequence easy set-up for dv-pal (sweden is pal, yes?)
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    mix by stirring lightly, put into a greased pan and place in a 350 degree oven for 30 minutes or until golden brown.
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  • What Should my sequence settings for H264, 1280x720/30fps be.  Pro Res422?

    I have a job coming up and an fully aware of the nightmare of editing H.264.  The footage I've got was shot on a flip camera.  H.264, 1280x720 at 30fps.  The deliverable is DVD.  Am I right in choosing ProRes 422 for the sequence settings?  I notice when comparing the clip in the browser window to the same clip in the viewer window, the clip in the viewer window looks a tad wider.  Is this a pixel aspect thing. 
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    Field Dominance: Lower (even)
    Editing Timebase: 29.97
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    Compressor: Apple ProRes 422
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    Shane, thank you for your reply.   I want to be sure I understand you correctly.  Convert the footage before bringing it in to FCP (compressor), or can I just render in the time line as I build the sequence?  I plan on exporting a same as file for use in DVD studio Pro for a deliverable.

  • Sequence settings when mixing 25fps (1920x1080) and 50fps (1280x720) ??

    I've got some DSLR footage filmed at different frame rates (25 and 50) and as a result also different sizes (1920 x 1080 / 1280 x 720) compressed as H.264.... can anybody advise me as to what format the footage would edit best in (fastest render times) what my sequence settings (frame rate and frame size) should be in FCP while editing a mixture of both these types of footage? I understand that setting the frame rate at 50 is suitable for slowing 50fps footage down by 50% but would this affect the 25fps footage?
    Any help would be brilliant, cheers.

    Convert both to ProRes. If you want, Magic Bullet Grinder will make this process very fast, and upscale the 720p footage to 1080, and make the 50fps into smooth slow motion 25fps. It utilizes all the processors in the computer.
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  • FCP 7 crashes when choosing "yes" to changing of sequence settings for Flip

    I've been doing quite a bit of work with the Flip HD video camera recently. I grew tired of rendering everything, so decided it was time to finally upgrade from FCP 5 to FCP 7.
    However, FCP 7 crashes every time I try to lay down video files from the Flip camera onto a timeline.
    Upon laying the files down onto the timeline, I am prompted with the message asking if I want to change the sequence settings to match the video. I click yes and immediately get "General Error" and FCP crashes.
    I tried trashing the preferences. same result.
    I tried updating FCP 7 to FCP 7.0.1. same result.
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    I'm currently rendering it out the same way I had been in FCP 5.
    Any advice or ideas?

    AVC is h.264, which is not a work-able editing format, it's a delivery format (and a consumer video camera acquisition format suitable for holiday videos going straight to YouTube), that's why you've been having to render all the time in FCP 5.
    Now you're in FCP 7 and it's asking if you want to change the sequence settings to match the video, but there is no sequence setting to match AVC/h.264 so it's freaking your computer out. Still, it shouldn't crash, but that's the problem i believe.
    You need to correct your work-flow by transcoding your media into something usable like ProRes, or you can choose not to change your sequence settings, and render the timeline as you have been doing in the past.

  • Sequence settings for HDV 720p 24 fps

    Okay, now that the French is gone I'm back on track, but still confused. I've captured my HDV 720p @ 24FPS footage using LumiereHD & it's separated & ready to go. What sequence settings/editing timebase should I use? I've noted people here saying DVCPro, but others said DVCPro is just problemic/not correct for HDV . . . and the Lumiere forum reccomends using the Apple Intermediate Codec, which I think people here said NOT to do . . . and there's a 720p24 option in Lumiere, but not in FCP . . . is it just like using 24p DV where you edit at regular 29.97? My head is turing into goo. Any sage advice, O sage ones? And I'm finishing on DVD, if that's usefull. Thank you!!!

    Don't stay nervous for ever, you're missing out on a lot of good stuff.
    1. Repair Permissions.
    2. update to OS X 10.4.8
    http://www.apple.com/support/downloads/
    3. update QuickTime to 7.1.3
    4. make sure you have Motion 2.1 already installed
    5. update all your pro apps with Software Update
    http://www.kenstone.net/fcphomepage/whats_new_5.1.2balis.html
    http://discussions.apple.com/message.jspa?messageID=3213777
    Still nervous?
    I can't tell you what setting in FCP 5.1 to use, because I no longer have 5.1.
    I would convert the HDV to DVC PRO HD 720p.
    Editing in native HDV is a pain because of the frame structure.
    You will end up with larger files with DVC PRO HD, but since it's all "I-frames" editing and compositing will be much, much faster.

  • SEQUENCE SETTINGS FOR HD PROJECT

    I just started a HD project elements were shot 720p 60 on p2. My sequence settings are Frame Size 960x720 Compressor is DVCPRO HD 720p60. Video rate is 29.97. There will be SD file footage mixed in as well. mostly mini DV tape and there are DVDs as well. I am going to edit this sequence in HD and export it either to a SD deck or to a DVD. Before I get into my project too deep are these sequence settings correct? I ask this because my sequence was hesitating while I was playing it back. I got error messages telling me to change my RT bandwith, and change disk speed. I am thinking it was my sequence settings causing this.

    Now I have a new issue that just popped up. I have 2 Lacie drives i am working with. As per Lacie Tech support they recommended me not to daisy chain the drives. I have then separately connected. One of the drives is not seen I am getting a message telling me the drive was not properly removed and all of my video that I captured to it is offline. This happened earlier and I re launched and the media came back. Why is this happening?

  • Sequence Settings for Computer-targeted Projects

    Hello,
    It seems to me -based on a scan of the forum's topics- that there are many people who would like to use FCP for creating computer-targeted output, that use still images as the source material. That is, projects not destined for tape or broadcast, that were not shot on video. I realize there are 3rd party apps that do this sort of thing, but the reality is there's no need to spend more money. Creating Ken Burns type effects for example, is very easy to do in the Motion Tab. It's the related sequence settings and render settings that cause the real problems IMO.
    For those who do this kind of work successfully on a regular basis, it would be good to create a list of settings that work well, so others can avoid the painful process of trial and error. Sadly the manual (great as it is) isn't much help on topics relating to still image projects. They mention things like square pixels or image size in passing, but they do not give examples of how to start this type of project from scratch.
    So post away; let others know what settings work for you. If you can post the project type, source type, and then the settings, so much the better. Something like:
    Type: Web Slideshow
    Source: TIF, PSD
    Frame Size:
    Field Dominance:
    Timebase:
    Video settings:
    etc

    Bogie: if some of the sequence settings listed are dependant on the imported material (think that's what you're saying), why are we even able to change them? I guess this is an Apple design issue but seems strange if they "are not part of the creation process", that they should be in the same panel as the other items that are, etc.< </div>
    Umm, no.
    The question here asked about export settings, they did not ask about project or sequence settings. If you meant to ask about sequence settings, that's an entirely different thread and, frankly, it's all covered in the manuals.
    To repeat what Zeb has said, because we can't quite seem to get us all speaking the same language here, use conventional, known formats for your production and creation of effects; DV is a great place to star because it's flexible and it's built into FCP (h264 is not a production format, Animation isn't either, nor is MPEG2).
    Render your sequences and export them as self-contained movies. Bring them into Compressor and (doh!) open that manual for a few hours of casual and frustrating reading. Compressor is where you will create your transcoded, encoded and compressed movie for delivery to the Web.
    What settings will you use in Compressor? Those are determined by your Web host's demands. The smoothest path to Web delivery is to give your Webhead a DV file and tell them to use their favorite compression and encoding tools to create their own favorite formats and bitrate settings.
    bogiesan

  • Sequence settings for Sony HandyCam video

    I'm working with video shot on a Sony Handycam HDR-CX550.  I had no problem importing it into iMovie and then to FCP, however I can't figure out what sequence settings I should use.  It appears to be 16x9, but shows up as 4x3 in my FCP bin.  Also, the sequence settings I've tried all require rendering every time I make an edit, which obviously becomes a huge pain.
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    My understanding is that IMovie works with DV streams (files with a .dv extension).  You need to convert these to DV quicktimes (with a .mov extensions).  Use Compressor (which comes with fcp) to do this.  There is an apple preset for this format.

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