Sequence settings for MPEG

Hello
Which is the best sequence settings in Premier Pro CS4 to work with MPEG files (720 x 480)?
I wish someone can help me because there are no presets available for this format and my redering times are huge.
Thank you in advance.

I will go on working with the red line. It is true that I have a slow
machine and that causes problems in the preview, but for export it is OK.
Thank you very much for your useful advice.
Sabrina
2010/2/14 Bill Hunt <[email protected]>
As Harm points out, Rendering (the need for which is indicated by the "red
line.") is ONLY for playback. I complete many Projects, and never need to
Render, as things play fine. Other times, I might Render a Keyframed section
dozens of times, looking closely at what I have done, as smoothly as is
possible). Don't be put off by the red line. Only Render if playback starts
to stutter, etc. Then, you might only need to Render part of the Timeline,
and that can be controlled with the WAB (Work Area Bar) to limit the area of
the Render. Note: if you do adjust the WAB, it's always a good idea to hit
the \ [Backslash key], and then Dbl-click on the little "box" in the middle
of the WAB to reset it to full, before you do an Export. Though most Export
options can be set to WAB, or Full Sequence, I've found a few, that got
confused and try to Export just the WAB, regardless of the setting. Maybe
CS4 has finally fixed this 100%? I still do that reset of the WAB out of
habit.
>
Good luck,
>
Hunt
>

Similar Messages

Proper sequence settings for importing Canon Rebel T2i footage

Greetings, all. I searched the forum and didn't find this question answered elsewhere, so I thought I'd ask.
I'm using Adobe Premiere Pro CS4, version 4.2.1, and I'm trying to find the ideal sequence settings for the Canon Rebel T2i, which records in MPEG-4 AVC/H.264, with adjustable frame rate. I am running on Apple Mac OSX 10.8.2.
I've been editing with this footage for over a year now, and it's always been a struggle because I have to render all footage before I can even play it in Premiere. When first imported, the render bar above the timeline is yellow.
I'd like to see if I'm doing this incorrectly; to know if I have a simple sequence setting that's incorrect. What sequence settings should I use for my imported footage to start out green and not require a lengty render for video that isn't even edited yet?
Thank you,
-Matt

>When first imported, the render bar above the timeline is yellow
I think this is written for CS5, but the concept should be the same
http://blogs.adobe.com/premiereprotraining/2011/02/red-yellow-and-green-render-bars.html

Sequence settings for HD

what are the exact sequence settings for cutting 1080i60 footage in FCP? From my understanding; it's 1920 X 1080 with 59.94fps. But what fields should render first; upper or lower? I also need to know this info for using After Effects; I need to know the specifications so I can render my animations.
If there is anything else I should know, please let me know. thanks.

Open your preset in FCP or check your sequence settings and all that information will be there.

Sequence settings for 16:9

Hi,
Just doing some PAL tests of 16:9 HD to 16:9 SD downconvert.
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If I use the normal DV PAL 48khz, the VIEWER window shows a normal 16:0 ratio, but the CANVAS window shows a letterboxed 4:3 window. When I export this project, I get a letterboxed 4:3.
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Thank you kindly!

Thanks Michael,
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Sequence Settings for .mov clips from MPEG Streamclip

I'm converting some DVD clips (from old DVDs I created) that I exported to QT using MPEG Streamclip.
When I put them in the timeline sequence, I have to render everything.
Can I change the sequence settings to avoid this? And can I change the settings of a sequence that already has clips in it?
Thanks.

I set MPEG Streamclip QT Export to:
QT Apple DV/DVCPRO NTSC
Frame Size 720X480 (DV-NTSC)
Quality 100%
http://i44.tinypic.com/29zdhr9.png
I set FCP sequence:
Frame size 720X480 NTSC DV (3:2)
Compressor DV DVCPRO - NTSC
http://i44.tinypic.com/of3h8h.png
I still need to render. And the aspect ration looks squished in a bit. Like I've set something wrong.
What am I doing wrong? How should I change the settings:

Sequence settings for importing DVD material

Hi there!
I am about to start a new project that will be shown at a convention on a big screen via projector.
Basically, I have recieved DVD's from around the world that I am supposed to edit into a montage. So far I have been opening them using MPEG streamclip and converting them into Quicktime Files.
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Thanks

use the sequence easy set-up for dv-pal (sweden is pal, yes?)
export your clips from streamclip using dv-pal as the type for PAL dvds.
for ntsc dvds, you need to pull the clips off as ntsc dv/dvcpro then using the advanced section of compressor, convert them to dv-pal.
mix by stirring lightly, put into a greased pan and place in a 350 degree oven for 30 minutes or until golden brown.
x

Sequence settings for 1280 x 720p, 50fps SD card footage???

Hey,
I Use my Canon 550D for shooting, and I've shot some footage at 1280 x 720p, 50fps. Can someone tell me what sequence settings I need to use for the footage?
Thanks,
Hartley

Hartley, skip the next paragraph if you're already doing log & transfer with your 550D.
For some reason, Canon's EOS plug-ins don't support Rebel models, including the 550D (T2i). There is a rather simple hack, which is described here on Phillip Bloom's site. Although I haven't any first hand experience with it, others (including Shane Ross) have reported excellent results with it. The hacked plug-in allows you to use the same log & transfer function that the 5D, 7D, and 60D use. L&T transcodes to Pro Res and provides some other advantages as well.
If you don't want to explore this hack and use L&T, you can always transcode in MPEG Streamclip or Compressor. Compressor can be somewhat slower than Streamclip, depending on your system.
However you do it, I'd avoid trying to edit the h.264; it's not really an editing codec and cutting it can be flaky and sluggish.
Russ

What sequence settings for MP4s when importing them? Rendering is a pain.

I downloaded some clips for an editing project and the codec information listed for them is H.264, AAC, MPEG-4, ODSM, MPEG-4, SDSM. I imported the files into FCP 5.1.2 as part of a new project so what exactly do I change so I don't have to render them every time I make an edit or apply a filter? I'm assuming I change the sequence settings but what exactly do I change...the QuickTime Video Compressor settings? Tried it for H.264 but it didn't work unless I missed a step. Thanks for any help.

chances are Shane's excellent tip will get it all set
up for you, but be warned that not all non-standard
codecs can be edited "natively" in FCP, and you
should not automatically assume that they can.
if you are trying to work with clips in one of these
non-native codecs then you should transcode them to a
native format, such as DV, first. (you can do this
using FCP's Batch Export function)
After using the Batch Export function on the clips as well as individual clips I am receiving General Error messages when I try to import the file(s). Any thoughts? I tried Shane's tip as well and it works except for the audio rendering as mentioned in the tutorial. Not a huge deal though. Now I need to figure out a way to do the Multi-Clip sequence thing for 16 clips since it only does it one clip at a time.

Best Sequence settings for JVC Everio files (TOD format)

I own a JVC Everio camcorder, and I recorded some videos if Full HD (1920 X 1080). I loaded the TOD files to my computer and converted them to MPEGs using the bundled PowerDirector program. When I play these HD MPEG files in Windows Media Player, they look fantastic. Very smooth color and no pixelation.
I loaded these files into a Premier Pro CS4 project because I need to perform some simple editing (trim in/out points, small rotation, and color correction). I created a sequence using the AVCHD 1080p square pixel preset, which has the following settings:
AVCHD 1080p square pixel
29.97 frames/second
Square pixels
Progressive scan
30 fps Drop-Fram time code
48kHz audio
I-Frame Only MPEG
Maximum Bit Depth, Maximum Render Quality
When I play the video files using either the Source or Project Monitor, the quality of the files appears degraded compared to what I see through Windows Media Player. I'm concerned that I'm not using the correct settings to best work with this source video format.
Should I change either the Program or Sequence settings to optimize for this file format, or is Windows Media Player performing some magic in the background?
Thanks,
Matthew
Specs:
Premier Pro CS4 4.2.1
Windows 7 Professional 64-bit
Intel Core i7 860 @ 2.67 GHz (having some overheating issues, so no overclocking)
8 GB DDR3 RAM
ATI Radeon HD 5700 Graphics Card

This ARTICLE might offer some tips on the TOD files.
Good luck,
Hunt

What Should my sequence settings for H264, 1280x720/30fps be. Pro Res422?

I have a job coming up and an fully aware of the nightmare of editing H.264. The footage I've got was shot on a flip camera. H.264, 1280x720 at 30fps. The deliverable is DVD. Am I right in choosing ProRes 422 for the sequence settings? I notice when comparing the clip in the browser window to the same clip in the viewer window, the clip in the viewer window looks a tad wider. Is this a pixel aspect thing.
My sequence settings are as follows;
Under the General Tab;
Frame Size: 1280x720
Aspect ratio: HDTV 720p (16:9)
Pixel Aspect Ratio: Square (Anamorphic 16:9 is unchecked0
Field Dominance: Lower (even)
Editing Timebase: 29.97
QuickTime Video Settings:
Compressor: Apple ProRes 422
Quality: 100
Audio: 44.1

Shane, thank you for your reply. I want to be sure I understand you correctly. Convert the footage before bringing it in to FCP (compressor), or can I just render in the time line as I build the sequence? I plan on exporting a same as file for use in DVD studio Pro for a deliverable.

FCP 7 crashes when choosing "yes" to changing of sequence settings for Flip

I've been doing quite a bit of work with the Flip HD video camera recently. I grew tired of rendering everything, so decided it was time to finally upgrade from FCP 5 to FCP 7.
However, FCP 7 crashes every time I try to lay down video files from the Flip camera onto a timeline.
Upon laying the files down onto the timeline, I am prompted with the message asking if I want to change the sequence settings to match the video. I click yes and immediately get "General Error" and FCP crashes.
I tried trashing the preferences. same result.
I tried updating FCP 7 to FCP 7.0.1. same result.
I even tried updating fixes for iMovie as if that would have anything to do with it. same result.
I'm currently rendering it out the same way I had been in FCP 5.
Any advice or ideas?

AVC is h.264, which is not a work-able editing format, it's a delivery format (and a consumer video camera acquisition format suitable for holiday videos going straight to YouTube), that's why you've been having to render all the time in FCP 5.
Now you're in FCP 7 and it's asking if you want to change the sequence settings to match the video, but there is no sequence setting to match AVC/h.264 so it's freaking your computer out. Still, it shouldn't crash, but that's the problem i believe.
You need to correct your work-flow by transcoding your media into something usable like ProRes, or you can choose not to change your sequence settings, and render the timeline as you have been doing in the past.

Sequence settings for HDV 720p 24 fps

Okay, now that the French is gone I'm back on track, but still confused. I've captured my HDV 720p @ 24FPS footage using LumiereHD & it's separated & ready to go. What sequence settings/editing timebase should I use? I've noted people here saying DVCPro, but others said DVCPro is just problemic/not correct for HDV . . . and the Lumiere forum reccomends using the Apple Intermediate Codec, which I think people here said NOT to do . . . and there's a 720p24 option in Lumiere, but not in FCP . . . is it just like using 24p DV where you edit at regular 29.97? My head is turing into goo. Any sage advice, O sage ones? And I'm finishing on DVD, if that's usefull. Thank you!!!

Don't stay nervous for ever, you're missing out on a lot of good stuff.
1. Repair Permissions.
2. update to OS X 10.4.8
http://www.apple.com/support/downloads/
3. update QuickTime to 7.1.3
4. make sure you have Motion 2.1 already installed
5. update all your pro apps with Software Update
http://www.kenstone.net/fcphomepage/whats_new_5.1.2balis.html
http://discussions.apple.com/message.jspa?messageID=3213777
Still nervous?
I can't tell you what setting in FCP 5.1 to use, because I no longer have 5.1.
I would convert the HDV to DVC PRO HD 720p.
Editing in native HDV is a pain because of the frame structure.
You will end up with larger files with DVC PRO HD, but since it's all "I-frames" editing and compositing will be much, much faster.

Sequence Settings for Computer-targeted Projects

Hello,
It seems to me -based on a scan of the forum's topics- that there are many people who would like to use FCP for creating computer-targeted output, that use still images as the source material. That is, projects not destined for tape or broadcast, that were not shot on video. I realize there are 3rd party apps that do this sort of thing, but the reality is there's no need to spend more money. Creating Ken Burns type effects for example, is very easy to do in the Motion Tab. It's the related sequence settings and render settings that cause the real problems IMO.
For those who do this kind of work successfully on a regular basis, it would be good to create a list of settings that work well, so others can avoid the painful process of trial and error. Sadly the manual (great as it is) isn't much help on topics relating to still image projects. They mention things like square pixels or image size in passing, but they do not give examples of how to start this type of project from scratch.
So post away; let others know what settings work for you. If you can post the project type, source type, and then the settings, so much the better. Something like:
Type: Web Slideshow
Source: TIF, PSD
Frame Size:
Field Dominance:
Timebase:
Video settings:
etc

Bogie: if some of the sequence settings listed are dependant on the imported material (think that's what you're saying), why are we even able to change them? I guess this is an Apple design issue but seems strange if they "are not part of the creation process", that they should be in the same panel as the other items that are, etc.< </div>
Umm, no.
The question here asked about export settings, they did not ask about project or sequence settings. If you meant to ask about sequence settings, that's an entirely different thread and, frankly, it's all covered in the manuals.
To repeat what Zeb has said, because we can't quite seem to get us all speaking the same language here, use conventional, known formats for your production and creation of effects; DV is a great place to star because it's flexible and it's built into FCP (h264 is not a production format, Animation isn't either, nor is MPEG2).
Render your sequences and export them as self-contained movies. Bring them into Compressor and (doh!) open that manual for a few hours of casual and frustrating reading. Compressor is where you will create your transcoded, encoded and compressed movie for delivery to the Web.
What settings will you use in Compressor? Those are determined by your Web host's demands. The smoothest path to Web delivery is to give your Webhead a DV file and tell them to use their favorite compression and encoding tools to create their own favorite formats and bitrate settings.
bogiesan

Sequence settings for Sony HandyCam video

I'm working with video shot on a Sony Handycam HDR-CX550. I had no problem importing it into iMovie and then to FCP, however I can't figure out what sequence settings I should use. It appears to be 16x9, but shows up as 4x3 in my FCP bin. Also, the sequence settings I've tried all require rendering every time I make an edit, which obviously becomes a huge pain.
Thanks in advance for any suggestions.

My understanding is that IMovie works with DV streams (files with a .dv extension). You need to convert these to DV quicktimes (with a .mov extensions). Use Compressor (which comes with fcp) to do this. There is an apple preset for this format.

FCP sequence settings for Sony HandyCam video

I'm working with video shot on a Sony Handycam HDR-CX550. I had no problem importing it into iMovie and then to FCP, however I can't figure out what sequence settings I should use. It appears to be 16x9, but shows up as 4x3 in my FCP bin. Also, the sequence settings I've tried all require rendering every time I make an edit, which obviously becomes a huge pain.
Thanks in advance for any suggestions.

I have FCP 6. Should I put this question in the Final Cut Studio forum?

Sequence settings for MPEG

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