Setting for best quality in compressor

Hi.
I'm running FCP 5.1 and Compressor 2.3.1. For best quality videos on youtube I've heard it's a good idea to max out the free space they make available to you. What are the best settings I should use in Compressor for maximum quality uploads to youtube? Also what's a good setting for good quality video with a smaller file size? Also I should note most of my videos uploaded are of short duration 1 minute to 5 minutes. I've been using the settings DVNTSC and it's okay but maybe there's something better you can recommend? Also I tend to use Toast to burn DVD's. What's a good setting for best quality dvd's?
thank you!

For Youtube encoding, read these: http://www.kenstone.net/fcp_homepage/you_tube_redux_gary.html and http://www.kenstone.net/fcp_homepage/you_tube_hd_gary.html
Keep in mind that the more compressed the file is (smaller file size), the lessor quality.
As for DVD compression, I've always found Toast's encoder to create poorer quality DVDs than Compressor or DVD Studio Pro. The best method would be to export a self-contained or reference movie from FCP (Do NOT use QuickTime Conversion), then import that file into Compressor. Use the DVD preset in Compressor that best matches your movie's duration. You can duplicate and adjust presets as needed for your particular movie. Compressor will create the needed MPEG-2 video file (.m2v) and Dolby Digital audio file (.ac3). Import those two files into DVD Studio Pro for authoring and burning.
-DH

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Was mostly trying to find out with the export but it might have something to do with this.
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Export straight to quicktime no quicktime compression or anything?
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According to Apples website you can. Here is the link.
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Hi,
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**Click the KUDOS thumb up on the left to say 'Thanks'**
Make it easier for other people to find solutions by marking a Reply 'Accept as Solution' if it solves your problem.

Help understanding workflow for best quality.

Greetings.
I've read countless hours on this forum in the effort to understand this extremely complicated subject of getting my video out of my camera and onto a DVD in the best quality possible, and I'm still a little confused.
I'm not recording anything that is particularly high-action, but rather weddings, funerals, (yeah, I know), children's school programs, and my next big project is a seminar with keynote speaker.
I have three Sony HDR SR-11 cameras, which clearly record video as ACHDV and the video signal is 1080/60i (NTSC). I could also record in SD with an MPEG2 file.
I understand the a DVD is only SD at best, and am recording in HD since I have room for the files, and someday we might have better options for the video than we have now.
I started using iMovie, and have iMovie 11, and just love how easy and slick it is to make impressive looking stuff.
Once I import into iDVD to make the cool menus, I use "professional" encoding. I am about to produce a longer video than will fit on a single layer disk, and will be burning to a dual-layer DVD.
I own a copy of FCE, but was overwhelmed when I first started to use it, and on a time crunch for that project, reverted back to iMovie.
How I record events is to set up three cameras from different perspectives and then create a movie from the best angles, switching back and forth. This is a little cumbersome in iMovie, but I've had no trouble except for the date stamp disappearing and having to fix that on my most recent project. (once the date stamp is gone...it's hard to figure out where the clips are that you need for the next minute or two at a time).
I'm about to embark on an effort to market my work professionally, and am clearly working with amateur equipment, and without the time or resources to start all over with a $50K investment, would like to squeak by on what I have, and need to get the best quality possible out of it. Without any question, my market requires the movies to be on DVDs.
I'm most confused by interlacing/deinterlacing issue. I understand what the two are, but not what to do about it, if anything. I notice there is a button to check "deinterlace" in iMovie, and wonder why it's there and if it works and if I should be using it.
What would my specific advantages be, if any, to learning FCE? If a huge difference could be made, I would take the time to learn FCE, and I could lay out another couple hundred bucks for other software, if you had some to recommend that would greatly surpass what I'm doing, in place of iDVD or another intermediary I should be using.
I've been exporting with QT, using the following settings:
Video:
Compression: H.264
Quality: High
Key frame:24
Frame reordering: yes
Encoding: multi-pass
Dimensions: 960x540
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Format: Integer (Little Endian)
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Sample: 16-bit
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Does FCE do this with multiple cameras? I'd want to make sure that FCS does it, before I buy it and am stuck with it, especially if FCE will do it and I already have it.
Yes and No
No - Multicamera is a function in FC Pro
Yes - but You do it in a very "Paper-clip" way. Put each Camera on one track ontop of each other
Camera 1 - v-tr 1
Camera 2 - v-tr 2
Camera 3 - v-tr 3
Then schrink the view of each track to 25% with Vireframe and put them into one corner
each (Not the same one)
Move them so that the sync. frame eg a photo flash is on the same time for all three video-tracks.
Now when playing one see the three views in paralell.
THIS demands that all Cameras has a common Sync-point (I use a photo-flash)
AND that no Camera was turned off during uptake.
IT is also important to know if any of the Cameras are sencitive to movements.
My small one is.
So I put mine on tripods !
This recording behaviour is the same if using FinalCut Pro ! Cont. recording and one sync. frame.
Then when playing in FinalCut Express - one use the transparicy tool to make the
Camera visibly that has the best picture.
When done the full movie (by adjusting transparicy - one re-size the Video tracks to 100% and let them fill view.
Now when playback - You see the edited result.
In FC Pro - You set Your Cameras as Multi Camera and set the sync frame. Now it will
in Viewer play (in 25% size) and You just point at the best view trough the movie
and it will assemble in TimeLine. You need not to be especially on target - easily adjusted
with roll-tool (I think) in after hand.
1 hour editing two Cameras takes for me (ME)
• FinalCut Express - about 10 hours
• FinalCut Pro - 2 hours to Capture - 1h15min to edit.
There is a program - CaptureMagic SD (HD) - that let's You copy directly to Your Mac
hard disk - NEED is one FW-port per Camera
(Port is something else than the connectors, My PowerBook G4 has one FW400 and one FW800 connector
BUT ONLY one FW-port - So I need to use a CMA-CIA-card with one FW-connector to get a second FW-port )
This set-up works and I get the material Captured in real-time. Resulting in editing time 1h 15min per hour movie.
Yours Bengt W

Deleting nested seq renders for best quality

So if I have some nested sequences with a fair number of effects, which I've rendered before bringing into my final sequence (to speed things up as I'm working).
Should I go back and delete the renders from within the original sequences (toggle visibility) before doing my final render? (for maximum quality, only rendering one generation)
I remember reading something about this here, but I couldn't find the thread and am unclear about how FC handles rendering nested sequences.
Thanks!

It was probably me... yes indeed, first generation rendering is preferable. So deleting and rendering one time should give you better results for a final QT movie or tape. If you have a lot of motion effects, turn on the high quality filtering in the sequence's settings too.
If you're going to go to DVD though, and we're talking a compression to MPEG, then the best way is to send an unrendered sequence directly to compressor for the compression.
Jerry

Which QT codec for best quality

I have just finished a FCP 5 project that is less than 1 hour and would like to convert it to a QT mov to show from my laptop through a projector on a big screen. Do I use the H264 at the highest quality settings or do I use the DV/DVCPRO-NTSC best quality settings. Or, is there another QT codec that I can use to achieve the highest quality. This a SD video project not an HD. Thanks for any suggestions.
Dual 2GHz PowerPC G5 Mac OS X (10.4.9) QT Pro 7.1.6

The resolution is hardly the main variable for file size vs. the bitrate. I find that 320X clips will upscale quite well from good quality source material at a high enough bitrate. You ignore the data rate and do 640X at 200 kbps it will look crummy regardless of the great size you chose.
Actually the advice I gave him to try a test clip at a few variations is the best to follow. Avoids under or over compressing the original.
Apple agrees with me as well:
Data Rate (bit rate): In general, the higher the data rate, the better the quality, but the bigger the file. In most cases, you’ll want to set a data rate based on the way your movie will be viewed. For example, for streaming to 384K broadband connections, you need to limit the data rate to around 350-360 kilobits per second to leave room for network traffic. If the file will be downloaded for playback, the data rate can be much higher (the higher the data rate, however, the longer a slow-connection user has longer to wait before playback begins). In addition, remember in this dialog you’re setting the video data rate. You also need to leave some room for audio.
For H.264, here are some general guidelines:
* For a frame size of 1920 x 1080 (full high definition), choose a data rate of 7,000-8,000 Kbps.
* For a frame size of 1280 x 720 (commonly-used high definition), choose a data rate of 5,000-6,000 Kbps.
* For a frame size of 640 x 480 (standard definition), choose a data rate of 1,000-2,000 Kbps.
* For a frame size of 320 x 240 (Internet-size content), choose a data rate of 300-500 Kbps.
* For a frame size of 176 x 144 (3G), choose a data rate of 50-60 Kbps for 10-15 fps content, or up to 150-200 Kbps for 24-30 fps content.
As mentioned in the 3G example, it’s important to keep in mind that the data rate of a movie is also affected by other compression options you set, such as the frame rate. So the higher your frame rate, the higher your data rate needs to be.

Setting for best quality in compressor

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