Setting temp directory for editing original files

Experts,
Is there a way to default the temporary working directory where a document is stored while editing it in a DIR? This is what we are experiencing: When a user creates a DIR and uploads a Word file into the DIR, the Original field on the document details perserves the path where the file was uploaded from, i.e. s:/share_drive. When another user goes into the same DIR and tries to edit the file, the program tries to create a working copy of the file in u:/share_drive. If the second user does not have access to this path, they get an error.
Is there a way to set the Original field an all files uploaded and stored in DMS to be a common working directory like c:\temp?

Hi Andrew
Th eoriginal is checked into sap/content server
Te original gets saved in a temp location in the users desktop when the user opens the original from DIR.
Check whether te folowing setting is maintained against pc or not.
SPRO-----DMS-Define Data CarrierDefine data carrier type servers and frontend maintain the temp location like C:\temp or tmp.
Regards
Prasad K

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Unable to set up video for editing

I am a novice and am using the trial version of Premiere Elements 8. I have gone through the Using Adobe Premiere Elements 8 product support quite a few times over the past several days and am not able to figure out how to set up videos for editing.
When I am in Elements Organizer, the various files on my hard drive show on the left. Two video files converted to MPEG show in a middle column. I can play them by double clicking on them. However, I am totally lost on how to set them up so that I can edit them (cutting into clips, improving lighting, etc). Would someone please let me know either how to set up my videos for editing or let me know where there are help discussions or tutorials.
Thanks for any help.
Steve Gillings

Steve,
You are in the Elements Organizer, which more like a catalog manager and not a video editor.
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Hi Neelam,
I tried it and did the personalization as the help documentation said.
But I don't know why it doesn't work:(
I followed these steps:
1. open workbook and select a value for the variable used in query
2.click personalized variable and new window pop up then I select the value I chose and added to the selection.
3.click ok and quit
4.save workbook
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BR
Fanchest

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Hi,
How to maintain a Keywords for all original files which are already available in content server? I have done the following steps for full-text search(content search) with in originals.
1.Configured RFC from TREX to R/3
2.Created SSR with VERITY search engine
3.Configured MIME types in DMS
4.Indexing has been done
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Hi Prasad,
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Illustrator needs a Relative mode switch or ability to set a Working directory for each AI file!

Hi guys,
I thought I would post in here because I find I'm wanting this feature more and more over the past year.
This can apply to most of Adobes application but it would be great to see some file management functionality built into the applications themselves. This could then be further expanded in Bridge/Cue to incorporate more applications into the working project but at the very least the application itself the ability to control its own root existence.
On so many occasions I require Illustrators file linking feature to be relative and NOT absolute which it currently is. The only relative capability it has is if ALL the linked assets are in the same local directory as the AI file itself and this as everyone knows breaks the first rule of proper file management.
Many of the projects I work on uses many AI files with sometimes over 50 linked in assets in a variety of different formats from a variety of different clients (locations). I cannot easily move this project folder around without the painful task of linking all the data again and this creates a massive issue.
Ideally an approach similar to Autodesks Maya and Max where you can set project directories. This means all the Save As and other operations will default to that working directory for that file. All linked data will then use the projects working directory as its root and allow the project to move from location to location and not be affected.
This would Im sure benefit many other designers who work on projects with large amounts of data that may not live always in the same spot. For us we work with so many different people during a production that mobility is a must and at the moment we are finding it very difficult.
As always, thanks for reading.
Cheers
Nick.

Hello,
First command
So what does the wiki meen by: "DEVPATH sets the physical device. You can determine this by executing the command
readlink -f /sys/class/hwmon/hwmon-device/device | sed -e 's/^\/sys\///'"
Physical device of what, and what output am I suppose to get: Nothing, a list with output on where the symlinks lead, something else... In my case I got no output, if that is right, I do not know - since I do not understand what the command do.
Seccond comand
DEVNAME: Sets the name of the device. Try:
sed -e 's/[[:space:]=]/_/g' /sys/class/hwmon/hwmon-device/device/name
Does it meen like this - If I during my pwmconfig used hwmon1 wich was coretemp, and hwmon2 wich was nct6775, I should do:
sed -e 's/[[:space:]=]/_/g' /sys/class/hwmon/hwmon1-device/device/name coretemp
sed -e 's/[[:space:]=]/_/g' /sys/class/hwmon/hwmon2-device/device/name nct6775
And that will direct every occurrence of hwmon1 and hwmon2 to the correct sensor chip?
Regards
Martin
Last edited by onslow77 (2015-01-23 21:46:04)

What is the best product for converting MTS files (NOT on camera or in root directory) for editing in Final Cut

Hello all,
I have read the forums and know that I cannot use the Log and Transfer function on Final Cut Express 4.0 for my AVCHD files (from my Panasonic HC-V700) AFTER I have transfered the files out of the original root directory. Unfortunately, I did not know this until recently and I have a bunch of old footage in .mts form that I copied onto my harddrive WITHOUT the root directory. I now must get it into Final Cut Express 4.0.1. and I would like to use a Log and Transfer style program so that I can select what I need and erase the rest. I know about the program VoltaicHD which can be used for this purpose. I have not yet purchased it, but I will if this is my best option. The downsides to it are that it takes a lot of time to process the files (i hear from this forum) and that it creates extremely large files (hearsay from this forum, though I would like to know just how big those files are and how they compare to the size of files final cut creates). When I tried the trial version, I also noticed that unlike the log and transfer function in Final Cut Express 4.0.1, you cannot capture multiple subclips from a single clip. Well you can, but you have to load the clip into the viewing window again, which is not ideal.
I would love some more advice on this. I imagine other people have made this same mistake and have had to figure their way out of it.
I was also wondering is it possible to use Final Cut Express's Log and Transfer program directly from files if they are in a different file format. So far my experiments with this have failed. But if this is possible, I suppose I can also just convert all the backlogged files wholesale into a format that Final Cut Express supports more easily for Log and Transfer (What file format would this be? Sorry I am new to this). My new harddrive has a lot of free space, so I could probably handle the huge amount of storage that this would require for the raw footage and then I could erase it after I log and transfer just what I need. In which case, do folks have recommendations for a file convertor. I am dealing with over hundreds of files and I don't think the free online convertors would work. This product has been suggested to me, but I know very little about it.
Thanks!
Mira

I am also finding, when I use Voltaic trial version, that the quicktime movies it creates are of inferior quality than those created through log and transfer into final cut express and imovie, particularly during rapid movement. There's a lot of visible lines running horizontally around areas of rapid movement (not sure what the lingo is for this).
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Thank you!
Mira

Trying to open file in photoshop elements, only first option available in Edit Photo window. The other two has "Edit a Copy is not applicable to raw or Digital Negative files" same for Edit Original.

Brand new user to Lightroom 5. Was following tutorials and doing fine editing. After done editing NEF files, I'm trying to open them in PSE 11 to further edit. Using the "Edit Photo with Adobe Photoshop Elements Editor". But the window only has the first option available and the other two grayed out. Each of those has "...is not applicable to raw or Digital Negative files." What??

Ricardo.Amaral wrote:
What I wanted to do instead was to indeed remove that people from the photo with Photoshop but keep those changes in DNG.
sorry, no can do...ain't gonna happen.
What you've done is hit the wall on is the basic difference between lite duty spot healing and photo level tone and color correction (Lightroom and Camera Raw) and heavy duty pixel retouching in Photoshop.
When you need to substantially manipulate the "pixels" you need Photoshop and you'll be forced to render the raw file into a TIFF or PSD file either through Camera Raw or more better, via Lightroom.
You can do the basic tone and color correction directly in Lightroom and edit in Photoshop from Lightroom. But you will NEED to create and save out a "rendered" image that is no longer raw...then retouch to your heart's desire, save it and it'll be available in Lightroom along side your original raw if you choose.
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How can i set a path for my deployment files in weblogic server 10.3

Hi
How can i set the path for my WAR ,JAR files while deploying.i am using the wls10.3 version.
is there any scripts for this ,please provide me.
my Application is ADF 11g application.

By "path", I assume you mean "classpath".
The simplest way is simply to include the jars you need inside the web application or web module's WEB-INF/lib directory, EJB module's META-INF/lib directory, or EAR lib directory.
If that's not practical, if you use NodeManager to start your servers, you can go to the "Server Start" tab in the server definition in the WebLogic console and edit the "Classpath" field, which defaults to no value. You can specify a classpath value there. Note that if you specify a value there, it REPLACES the default classpath for the server, it doesn't add to it. If you need to just add to it (a much more likely scenario), if the value references the value "$CLASSPATH" in it, that will reference the original classpath value that the server would have had.
So, for instance, if you wanted to include the MQ jars in the server classpath, you could set a value like this:
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InDesign CS3 bug for "Edit Original"

Hi,
I have laid out an InDesign document with lots of photos (JPG), with each frame showing the photo at a certain 'crop level' (or % scale relative to the original photo). Let's say I have a frame in which the photo is scaled at 20%. If I try to edit this ('Edit Original') in Photoshop to enhance it, after making changes and saving & closing it, I return back to InDesign. I find this photo to be entirely different scale (the one chosen by InDesign is totally random, and certainly not the original one (so in the example above it will be not 20%, it could be 38%, 48% or whatever, but not the one I had before I started editing the photo).
This is very annoying as I have to remember how the photo was set up in the frame, and fix it after finishing the editing step.
Does any one know if this is a known bug and what is the work around to this problem?
The whole reason for me to use InDesign was to be able to layout my pages perfectly and then edit only those photos that were selected. This bug is making my life miserable :-(
Thx for any help/Regards,
Sandeep

Hi,
I think the "mystery" is solved. The problem occurs ONLY on the portrait photos, and because of the peculiarity of various SW programs (even though they are all from Adobe). I can now recreate the scenario at will, even for a smaller test document with 1 image.
This is what I have discovered so far. InDesign does have the dimensions from the original photo (that's why it will keep the correct settings regardless of how many times you make changes to the ID document or move/resize the rectangle 'linking' to the picture). The problem comes from the fact that photoshop changes some of the EXIF tags "logically".
EXIF tags (I am showing only the relevant ones) for the original photo are the same as the one 'exported' from Photoshop Elements 6.0. They are as follows:
Orientation : Rotate 90 CW
XResolution : 72
YResolution : 72
ResolutionUnit : inches
ExifImageWidth : 3888
ExifImageHeight : 2592
Software : Adobe Photoshop Elements 6.0
Note that my actual photo is in the 'portrait' mode, so width should be 2592 (smaller) and height should be 3888 (larger) - but the orientation of "Rotate 90 CW" is read and honored by InDesign, so I did not need to 'manually' rotate it when placing the file. Now I set the scale to 10% because my rectangle was small. When exporting the photo from my album, the Software tag was attached by PE6.0 as you can see above. In my original camera based file, this tag was missing, but otherwise everything is was same.
AFTER I edited the photo in Photoshop to change its shadows/highlights, levels, etc. when I saved the photo, EXIF tags became:
Orientation : Horizontal (normal)
XResolution : 72
YResolution : 72
ResolutionUnit : inches
ExifImageWidth : 2592
ExifImageHeight : 3888
Software : Adobe Photoshop CS3 Windows
So, you can see that Photoshop changed the orientation to "normal" and also adjusted the Width and Height to support that orientation (I did not notice that quickly enough:-().
What is strange is that, instead of maintaining my scale at 10%, after 'updating the modified link', InDesign changes the scale to 15% (if you do the math, the original horizontal dimension of 3888 is exactly 1.5 times the new dimension of 2592!) so it must keep the link information in some other way that it recomputes to be 15%. BTW, the X & Y values of the placed image were also multiplied by 1.5. That's how I was seeing the changed scales, as well as X, Y values after updates. The net orientation of the photo is not affected (at least for the photos from this camera), but it could as well.
I am much happier that at least I understand the problem! This of course supports all of you who were recommending to 'prep' the files before you start. I'd also add that don't just prep them with any batch tool, but do it with the tool that you are going to use to edit. BECAUSE...
This problem can occur any time I mix and match my editing software. I am going to check the behavior of LightRoom (since I have just got it, I am not as comfortable to work with it as Photoshop - and of course the styles of these 2 products are very different). I have never used the Camera Raw 4.5 (or 5 that comes with PS CS4), but will have to be careful about that too.
Regards,

Possible Bug: Excessive writing to TEMP directory for any PDF metadata change

I am using the latest version of Adobe Bridge CC 6.1.0.116 x64 for Windows.
I use Adobe Bridge to manage large archives of scanned PDF's composed of full page JPG's.
Whenever I attempt to change metadata on these PDF's, Bridge performs heavy writing to the TEMP directory. Even when using an SSD, changing any metadata is very slow and the TEMP writes are enough to produce noticeable wear on the disk.
[I would have attached screenshots, but I get a "That image type is forbidden" error in these forums whenever I attempt to upload screenshots (either JPG or PNG; and they are less than 900px on longest edge).]
Resource Manager:
IMAGE: Bridge.exe
FILE:...\Temp\A9R12b8-1315f76
WRITE: 349,175,808 B/sec
The Task Manager also shows 356MB/sec writes for over fifteen seconds for each metadata change, with brief pauses between files.
This amount of data written amounts to about 20GB each minute!
(Note that the files I was modifying in this test averaged only about 100MB each.)
Bridge did not always do this. I remember earlier versions performed metadata changes swiftly without these excessive write issues. I do not remember in which version this problem began, however.
Resaving the files in question does not solve the problem. I have also tried exporting as Postscript and re-Distilling, and even exporting JPG's and recreating the PDF from scratch.
This problem seems to affect any PDF that is a collection of full-page JPG's. The PDF's that I have made from TIFF's or non-rendered text do not cause this issue. On non-JPG based PDF's metadata changes are fast and do not cause noticeable writes to the TEMP directory.

Thanks a lot Rob. That works.
"Rob Woollen" <[email protected]> wrote in message
news:3f29b665$[email protected]..
java -Djava.io.tmpdir=<tmpdir path> weblogic.appc
-- Rob
Bernhard Lenz wrote:
I realized that weblogic.appc creates a working directory
/var/tmp/appcgen
when compiling ejbs. What happens if 2 developers run weblogic.appc atthe
same time? Will they be using the same temp directory and therefore getin
each others way? I'd rather like to create a temp directory which isunique
for the machine. Our build scripts would be able to create such adirectory
but I couldn't find anything in appc to set the temp directory.
Do you have any advice?
Thanks for your help.
Greetings
Bernie

Less destructive fix for the "original file could not be found" issue

+(Note: this is mostly a copy of the post I just submitted in reply to http://discussions.apple.com/message.jspa?messageID=6785594#6785594)+
Most solutions to the "The song xxx could not be used because the original file could not be found. Would you like to locate it?" issue involve deleting iTunes library files, deleting-then-re-importing everything from iTunes, and other destructive techniques. I found an easier fix for this, but it might be (a) specific to libraries on a network drive (NAS) or (b) specific to me. YMMV, but give it a try. This was on a Mac, so a Windows solution might exist with the same technique. Please post here and let me know if this works for you!
After some investigating and trial-and-error, I discovered that if I viewed a list of songs in Finder, iTunes could find the files again. For example:
*Double click on a song in iTunes and get the "original file could not be found..." error. Do not say 'Yes' to locating it.
*Open Finder and locate that Folder of songs
*Double-click on another song from that album. It should work.
So, my fix: *run a command that lists/touches every file in your iTunes music folder.*
For Macs:
*Open Terminal
*Run this: *ls -R /Path/To/Your/iTunes\ Music \Folder/* (note how you 'escape' spaces in the folder name with back-slashes).
Windows:
*Start - Run - cmd
*Run this: dir /s \Path\To\Your\"iTunes Music Folder" (note that you escape spaces by quoting the dir name.)
My NAS is named "VAULT" so my command was "ls -R /Volumes/VAULT/My\ Music/" You will see the files being listed at light speed -- ignore this. It will run for a while, depending on how many files you have, about 30 seconds for me. After executing this I could listen to any music file in iTunes!
But, every time I lost my connection to my NAS, such as waking from sleep mode, I had to run it again. So I created an Automator application and a Apple Script to run it from within iTunes so I can run it any time I need to. If you don't want to do that, just run the command I specified. If you want to download my Automator app, or see instructions on how to create your own, check out my blog post: http://40withegg.com/2008/3/8/mac-attack-making-itunes-find-those-original-files -especially-on-a-nas
With any luck, my post will be *completely unnecessary* soon because Apple will find a real solution to this.

Jeffe hello,
I have seen more problems created by the consolidate command than I have ever seen fix things... I'm not saying it does not work but what it does do and what it does not is very hard to work out for most and major problems are the result...
to sort your problem do this...
1. Open your iTunes folder in the Home Music folder and make a backup copy of the iTunes Library file and put on the desktop.
2. Start iTunes and in the Library sort on the Heading 'Date added' ... you may need to install it... control/click on heading-bar and select from popup menu.
3. When you have sorted scroll to half way and you will see the songs are split evenly... select the ones you want to remove with a shift/click and hit delete key... say no about move to trash for now.
4. Check that everything is as you want it... if so carry on... if not come back and tell me what happened.
5. Quit iTunes and put the iTunes Library file in the iTunes folder in a safe place like your Documents folder... drag the copy from desktop and put it in the iTunes folder.
6. Check the name is correct on the 'copy' edit it to be iTunes Library.
7. Start iTunes by double/clicking on the file and go through steps 2 & 3 again but this time when you delete say yes about move to trash... don't empty it yet 1st check that all is OK with your library.
You can edit the good files that you are left with but the addition of '01' in the name will not have any adverse effect on them at all... editing with an Applescript is very easy.
take care Jeffe and let's know how you get on or if you run into any unforeseen problems ... TP

How to set default directory for SQL LOADER

hi all,
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Ella,
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Assuming that neither of those help, you will need to get whoever installed SQL Developer on the Citrix C: drive to modify the sqldeveloper.conf to have a line like, where the path exists for everyone who will be using the shared SQL Developer (assumes everyone has a H: drive):
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Best practice for handling original files once movie is complete?

So I'm taking movies from my Canon S5IS (and other cameras in the past) and making projects in iMovie, sharing in the Media Browser, importing into iDVD, and burning to DVD.
I can't help but wonder if I might need the original footage one day. Do most people keep their original files for future media (replacement for DVD) which I realize would require recreation of the movies that were created in 2008 with iMovie (with title screens, transitions, etc.)? Or do most people delete the originals with the feeling that DVD will be a suitable way to watch home movies for the foreseeable future?
I just can't figure out what to do. I don't want to burn dozens of DVDs of raw footage, only to have keep up with them in a safe deposit box and have to deal with the anxiety of having to recreate movies one day (which is daunting enough now...unbelievably daunting to think about the exponential growth as time progresses).
Hope this make sense. Reading that DVD movies are not suitable for editing due to the codec has made me realize I need to think through this before destroying all these originals as I'm finished with them.
Thanks in advance!
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If any of your cams are miniDV, then you simply need to keep the original tapes and tape is still the safest long term archiving solution, when stored properly.
Other cams that use flash memory, hard drives, even DVD cams, do not offer the security that tape does. If you are wanting to save those types of files, the best option would be to store them on one or two external hard drives, bearing in mind those drives could fail anytime. Back up to your back up in that case.
Another nice thing about miniDV cams is that you can export your finished movie back to a tape also, using iMovie HD6, and have safe copies of original and finished material.
Message was edited by: Forest Mccready

Set output directory for reports10g

Hello,
Is there a way to set the output directory for reports (10g) of REPORT_DESTYPE=FILE run from the web. Currently they all go to ORACLE_HOME\j2ee\home.
thanks

I am using the absolute path now but am finding that the length of DESNAME is to long.
eg -
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DESNAME - D:\yamba\reports\SERIALS\mb0332.pdf - doesnt work
Any suggestions?
thanks

Tips for editing VOB files using Pinnacle Studio

Summary: Have trouble importing VOB files into Pinnacle
Studio for further editing? If so, follow the quick-start guide to learn
how to prepare VOB videos for editing in Pinnacle Studio without
quality loss.
I normally receive my stuff in a format I can stick on Pinnacle
Studio, but VOBs are not compatible. What I want to do with the current
project is take the VOB I have and convert it for use with Pinnacle
Studio. And what I need is a VOB converter I know.
After getting some reviews online and multiple testing, I found the
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the help from Brorsoft Video Converter.
It is an optimal VOB converter for you, which can help you change VOB
into a different format like MPEG-2, AVI with least quality loss. You
should then be able to import the new file into Pinnacle Studio with
smooth editing without any trouble. It will ensure a perfect VOB
importing, playing and editing workflow with Pinnacle Studio
9/11/12/14/15.
How to Convert VOB to Pinnacle Studio editable format
1. Download, install and run the VOB to Pinnacle Studio Converter; click "Add Videos" icon to load your source .vob videos.
2. Click “Format” bar and choose "Adobe Premiere/Sony Vegas
> MPEG-2 (*.mpg)” as output format on the drop-down menu. Of course,
you can also choose AVI, MP4, WMV from “Common Video” as the output
format.
3. Click “Settings” button if you’d like to customize
advanced audio and video parameters like Video Codec, aspect ratio, bit
rate, frame rate, Audio codec, sample rate, audio channels.
4. Click the convert button under the preview window, the
converter will start encoding VOB for importing to Pinnacle Studio. Soon
after the conversion is finished, just click "Open" button to get the
generated files for edit in Pinnacle Studio 14/15/16 perfectly.
Source: How to split large vob files to Pinnacle Studio
[quote] movies-videos-convert-tips.overblog.com/2014/02/how-to-make-video-object-.vob-format-is-it-editable-friendly-in-pinnacle-studio.html [/quote]

If you have the VOB files is it on a pre-existing DVD that will play on a set top box? (i.e. a VIDEO_TS folder with the VOB of your film inside it?)
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