Setting up Pro Tools 10
I have recently purchased Pro Tools 10, A MicroKorg XL and an Avid Audio Interface but I'm unsure of how I should go about installing and setting everything up properly. If anybody could give us some pointers or a walkthrough I'd be eternally grateful!
I'm using a MacBook Pro running OS X Version 10.8.2
2.53 GHz Intel Core i5 Processor
4GB 1067MHzDDR3 Memory
I'm running 10.2.0.140 PT. When I launch I get a message that it cannot open a new file because...(not in my studio so dont have it in front of me, sorry) and part of the string includes the words /macos.22/.
PT does not see any of my interfaces - tried all three - Digidesign 002 rack, Mbox, Mbox2 mini. The next error I get is related to that problem. It's trying to use PT i/o as it doesnt know it has another option.
I've been running PT forever on many systems - this is a new mac and my first stab at pt 10. I have the upgrade to pt 10.3, but it won't install either.
Thanks in advance for any advice. Erin
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0xffffff813c2db6e0 : 0xffffff800e6dd265
0xffffff813c2db790 : 0xffffff800e6dc51b
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0xffffff813c2dbab0 : 0xffffff800e906ae7
0xffffff813c2dbc70 : 0xffffff800e9067c5
0xffffff813c2dbcc0 : 0xffffff800e6e9df2
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com.apple.driver.XsanFilter 404
com.apple.iokit.IOAHCIBlockStorage 2.3.1
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FireWire Device: SAFFIRE_PRO_24, Focusrite, 400mbit_speedThe hostile iLok device and the accompanying PACE software are designed to cripple your computer so you can't do anything the software publisher doesn't want you to do, such as upgrading your operating system without also paying for a new version of Pro Tools.
One of the prices you pay for using the products of a hostile developer is system instability. In this case, there may be a conflict between PACE and the Saffire driver. I suggest you back up all data and uninstall both according to the developers' instructions. Reboot and see whether there's an improvement. If there is, reinstall one or the other and test again.
If you find that Pro Tools is causing the panics, the ideal solution is to get rid of it and use the products of a competitor that doesn't think it has the right to cripple your computer. If that's not an option, you'll have to live within the constraints that Digidesign imposes on you. Set up a machine as a dedicated Pro Tools workstation. Don't install any other software on that machine or use it for anything else. -
Logic 7.1 and Pro Tools...a few questions...
Hi everyone,
I just have a couple of questions regarding Logic and Pro Tools. My employer has commissioned me to upgrade his studio from Logic 5.0 (mac os version) to the latest version, which is now 7.1.1 (but we may stick with 7.1 just till I'm sure it won't mess up his setup). I thought I'd post just to get a bit of clarification.
Here are the details of his main theatre studio:
Pro Tools 6.4.1
2 x Digidesign 888 I/O Interface
OS X Panther 10.3.5
Dual 1.25 GHz G4
1 Gig DDR SDRAM
I've read and seen a lot of posts regarding big problems running Logic and certain configurations of Pro Tools in conjunction, however until now this has not been a concern for me as my studio is purely based off of core audio Logic 7.1 and Reason 3.03. So here are the main questions I have:
1. How much is the upgrade going to be? Is is just the standard upgrade or is he going to get shafted and have to buy the whole program again (NOTE: he does have the dongle and all the necessary paperwork from Logic 5.0 mac version)
2. Are there known problems with the configuration that I've outlined above, I really don't want to suggest he go ahead and a) upgrade b) buy the the program again if he must, if there is going to be a problem, he predominantly works in Pro Tools and Logic will just be available as an added selling point to his studio, and composition ablity.
Any information about this or clarification would be greatly appreciated, thank you in advance,
Graham Campbell
PS - if you need more info to answer don't hesiate to ask.Hi Justin,
thanks for the advice/info...I got the quote for the upgrade it'll be 435 Canadian after tax (Just curious if we order the upgrade will it upgrade to 7.1? or do we need to get that seperate, I was confused by your wording).
As for the setup my employer hasn't used Logic at all in a professional setting. He had 5.0 Platinum in case any of his clients needed it however that hasn't been the case, he said it was working fine though. As for Pro Tools, his setup the one I mentioned above, has been rock solid all the way up to 10.3.9 (which he has on two of his other editing sweets). So hopefully that will be the case for Logic as well. I've told him that I think he'll need to address the RAM issue as I'm sure he'll be suprise how quick Sculpture etc eat up the RAM.
My main concern was wether running Logic not using the 'built in audio' driver but rather say the Pro Tools interface would be incompatible, hope that makes sense I haven't done any Pro Tools with Logic set ups before so the wording may wrong. Thanks for the reply though, cheers,
Graham -
How do you export separate audio tracks for Pro Tools?
I need to give separate audio tracks to my sound mixer but am confused on how to do so in FCP X.
So far I've:
Set the dialogue roles and stems for each character
Then I went into Master File>Settings
Selected:
"Format: Audio Only"
"Audio File Format: Wav File"
"Roles as: Audio only as separate files"
"Dialogue"
Sara
"Stereo"
And when I export and listen back to the wav file, there is either no audio or I hear select dialogue.
The only thing I can think of that I am doing wrong, is that each characters dialogue is not on the same track like the picture below. The tracks highlighted is of one character's dialogue that I am trying to export onto one linear track to export into Pro Tools.
Can tracks be assigned in FCP X? Or is there a crucial step that I am forgetting tthat explains why the audio for each character is not being exported.
Thanks!If you're dumping audio for ProTools, you should be able to export XML for use in PT. Haven't done it myself, but the option's been there for a while now. You should be able to find instructions easily.
If you want to stick with making Roles work, I suggest making sure the roles are assigned properly to each clip. Kind of a super pain in the neck, to go one by one, but ... that's the way. There are key commands for the three default roles, but if you've created custom ones then it's more time consuming. Is that 'Sara' one a custom Role that you've created?
My only thought is you have compound audio clips there. Maybe go in and set the roles on the individual files inside the compound clips. Dunno...
The visual organization shouldn't matter (one track above another). That's the X way.
((In your picture, you say you have some files selected. When I select, I get a yellow border; yours are light green and dark green. What is that?)) -
Logic Express to Pro Tools for mixdown
Hi!
Really sorry if this topic has been covered before, but all I can find on the various Logic boards I know of are ways of doing this in Logic Pro that aren't available in Express.
My band recorded an EP in Logic Express, which was great, but the engineer we'd like to use to mix it is Pro Tools-only. I know Pro Tools can load up AIF files, but the problem I have is that each track has different start and end points. If I gave him the individual tracks as is, we'd be spending all day synching them up.
I've thought of two ways I can prepare the files for him. Please let me know if they're ********.
1) Setting the fader at unity (0) and bouncing each track individually to a 24 bit WAV or AIF file while the rest are muted.
2) Manually cutting and pasting "fake" beginnings and endings of audio information to each track, then using the Glue tool to create a new, merged track. This way, I figure, each track should be in perfect synch with the rest.
Any help appreciated. Thanks! Rufe.Hi,
half ok,
bounce one by one to a folder (mute the other tracks) from the start to the finish, PCM 24 bit (44.1 if you going to make cd's), WAV, SDII or AIFF,
that way, all files start and finish in the same spot, Inside Protools you cut the silence parts and don't forget to place a dither plug-in in the master-fader.
Regards,
Jorge -
Whats the best size Sorenson or other for Pro Tools session
Having trouble creating reels that are small enough in size to hand over for sound. They are using Pro Tools
My reel sequences are about 15 mins, 23.98, letterbox, 16bit, 48k
I've used the sorenson video 3- but its way to big. Any idea on what size the custom size setting should be? Looking for best yet smallish file.
Thank you
MarkWelcome to the discussions, Mark. What size are you looking to create? What are you using to compress?
Patrick -
HVX Footage from FCP into Pro Tools Settings
I just finished editing a 16 minute video shot on the Panasonic HVX at 720p24. I exported the OMF and a QT video, but our sound editor can't get everything to sync up right. The FCP sequence plays the video at 23.98 and the OMF audio imported at 24 fps.
When I open the video in QT Player, the frame rate says 23.98, but the playback frame rate is 24 fps.
We have tried several pro tools setting and the video never syncs up properly with the TC Window burn.
Our sound editor is using ProTools LE.
Any suggestions?I'm going to cut and paste the reply my audio guy sent me:
"It is most likely that the Pro Tools system or version being used does not
support 23.976. Yes, 23.976 shows up in Pro Tools as 23.976 -- not 23.98
23.976 was not supported in Pro Tools until version 6.4 and above. I am not
an LE expert but its possible that LE or older versions of LE do mot support
23.976.
Also, 23.976 does not work with a non "HD" Pro Tool Hardware when used in
conjunction with a USD sync interface (such as the older Mix or Mix plus
hardware). This does not relate to LE but is might be good information
anyway. In the case of the "mix" generation of hardware, you can free run it
against Quicktime. if you sycncing to video tape you can hotrod older
hardware to run in 23.976 by syncing it with the newer generation sync
interface -- replace the USD interface with a Sync I/O interface and using
word clock as sync instead of Digidesign video "superclock." In that case
you need to be on version 6.41.cs4.
One workaround would be to create a 29.97 Non Drop Frame OMF, which will
sync up with time code that will match number at every even second and will
not drift. I don't think you can easily translate the frame rate of an
existing FCP sequence, but you could find someone who can open it as 23.976
OMF in Pro Tools and translate it to 29.97 ndf or import the track from the
23.976 session into a 29.97 ndf timeline. In Pro Tools, its just a flip of a
switch convert a sequence to a different frame rate."
Just as I figured...his version of ProTools might not support 23.98.
Shane -
I am getting a new iMac and will be using Migration Assistant to transfer files from the old iMac to the new iMac. Will I need registration numbers to run programs like Pro Tools after I tsfr the files? Big problem since I've lost the disks and the reg numbers. What about programs I've downloaded from the net like Quicken. Will these files open and run. Are there a lot of problems in setting up a new machine this way? I would like to start with a clean machine and reload all software but things like pictures and music files are stored all over as I was going through the process of learning how macs store files after being on PC's for years. Any thoughts would be greatly appreciated.
Thanks in advance.
Goober151When you first start the new iMac, you will get Setup Assistant, which is more reliable than Migration Assistant based on what others have experienced. If everything transfers okay, hopefully the applications should work fine.
Some information.
Migration Assistant
Migration Assistant – Tips and Tricks
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