Settings Suggestions (Low Light Performance)

For about a month once I year I do some photography work, primarily portrait type photos, (at a local amusement park for their halloween event) so everything is done typically at dusk and after dark under a lot of special effects lighting. For the last couple years I used my Canon Rebel T3 with a Canon 50mm 1.8 lens, recently I aquired the 1.4 version. After getting the 1.4 I'm considering using my Canon 50D as well for this years run. I'm just seeking advice on how to achieve less noise perhaps? For both bodies? Rebel seems noisy in low light sometimes, I've managed some nice results last year with the help of a external flash on it but I don't like blinding my coworkers working the event... so there's a bit of work going into my photos post production sort to speak before sharing the images. I never been to sure as to what settings to use, I primarily just shoot in either TV or AV mode. It would be an all new experience for my 50D as I usually take it to my local zoos to take pics because I use my 28-300mm lens on it, so any advice is appreciated!
I am considering buying a 6D, or a Nikon in the future but for now I'm just settling with what I got.

If money were no object, a 1Dx and a Canon EF 50mm f1.  But seriously buying a 6D, or a brand-N, is not going to help.
At least not much more than what you already have.  BTW, the 50mm f1.4 you did aquire is only 1/2 stop faster than the 50mm f1.8 you already had.  Not a deal maker!
I love shooting at night and at dusk.  You can get some truely interesting photographs.  My best advice is shoot.  Yes, shoot a lot.  Because experience is the best teacher.  No body here can tell you what settings to use.  They have not seen the venue!
Sometimes Tv will work and sometimes Av will.  Even P will at times.  I would avise you to stay away from the 'fully automatic' choices, however.  The best advise is learn your equipment.  Go to the Mall and shoot. Go to a park. Try the Zoo after dark. Any place to get the experience.  But shoot!
EOS 1Ds Mk III, EOS 1D Mk IV EF 50mm f1.2 L, EF 24-70mm f2.8 L,
EF 70-200mm f2.8 L IS II, Sigma 120-300mm f2.8 EX APO
Photoshop CS6, ACR 8.7, Lightroom 5.7

Similar Messages

  • Lumia 920 "Unbeatable low-light performance" - is ...

    I’ve tried to reproduce photos advertised by Nokia and …. Failed!!!
    I’ve tried different settings (pretty much all that exist on 920) and my pictures were not even close to Nokia’s.
    Is that a hoax? “low-light” pictures was one of the biggest (that and these floating lenses) reason I picked Lumia over HTC 8x.
    What am I missing? What is your experience?
    P.S.
    on Nokia's picture, it says that the shot was taken by a protorype device....i wonder if that prototype has a better camera than end product.
    Nokia's advertized low-ligh picture:
    http://i.nokia.com/image/view/-/1824230/medRes/5/-/ApolloPureView-image2.jpg

    @AlexOdin
     I've attached a couple of stills comparing the N8's night mode and Lumia 920's night mode both without using flash. Both shots were taken with seconds of each other under the same low light conditions.
     I'm quite impressed with the results of the 920.
    Cheers.
    Ray.
    Attachments:
    N8 without flash.jpg ‏202 KB
    Lumia 920 without flash.jpg ‏217 KB

  • HOW DO I RESET MY LOW LIGHT SETTINGS

    How do I reset my I Pad back to regular settings from low-light settings (everything is low light)

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  • 5d mark III focusing slowly/etc. in low light wedding receptions

    I've been using 5d2s for a long time because I am simply not rich enough (and I don't want the huge body either) to buy 1d-series cameras for work. I've shot about 20 weddings with the 5d3 since I bought it, and I finally sent it in to Canon the other day for an autofocus checkup.
    My #1 issue is reception autofocus. My 5d2s beat my 5d3 at reception focusing (with 580EX AF assist always used). They are more reliable for AI servo and faster for one-shot.
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    With AI servo, the 5d3 is just inferior to my 5d2s in low light. I was hoping, one day, to get a camera that would give me the ability to track subjects well during processionals/grand entrances/reception dances using the outer points, because I'm pretty tired of being stuck with center-point framing for these situations. I thought the 5d3 was supposed to solve that problem, but in fact it took a step backward in low light AI servo accuracy and locking. My 5d2s (center point) both acquire faster and track better in low light than my 5d3 (center point also).
    After sending the 5d3 in to get it checked (and so they could charge me $175+), I got a nice copy of the page saying that the camera focus in low light is blah blah etc. etc. use AF assist (which I had noted I did) and the overall feeling was that they were very condescending and disregarding of my equipment issue. To me, a $3500 camera should perform better than a camera that is now worth ~$1300...and so the 5d3 performs arguably better in GOOD light, simply because it has more focus points to choose from which are generally pretty accurate - in GOOD light. However, it performs worse in reception light. Wedding photographers will understand what I mean by reception light.
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    I also don't like that AF points don't light up before focusing, but this is less important to me than a fast, responsive AF system for wedding receptions. I have had to put away the 5d3 on multiple occasions and bring out a second 5d2 for wedding receptions just so I can get good dancing photos, good speech/toasting photos, etc., before all the key moments went by and ohhhh too late, my focus system didn't lock in time...
    I have been having this issue with 5d3 performance since I bought it close to a year ago. I do wedding photography primarily, and I have quite a bit of experience shooting weddings and dealing with the various demands of weddings.
    Most of my AF experience is with single point, with only a few experiences using the expansion settings.  I have never had trouble locking or tracking with single point with my 5d2s as long as there was enough light to do it, and being used to that I expected the 5d3 to be able to perform at LEAST comparably.  It does not.
    At this point, this critical functional limitation of the 5d3 has left me very dissatisfied with the camera.  I thought upgrades were supposed to do everything just as well or better than the previous version, but this newest camera has shown me that more AF points definitely does NOT mean a better (or even comparable) AF system in every situation.  Clearly something was traded off when they added a ton of cross-type points, like low light acquisition speed and being able to see your AF points illuminate when you start AF.
    I've been playing around with Nikon equipment for a while and am beginning to think that is my forced alternative.  I don't like the things I hear about Nikon customer support, and I don't really like the direction they are going with some of their releases or how they handled function issues (focus issues with off-center focus points, oil on sensors, etc.) but Canon isn't innocent of that stuff either.  And if I use an all-Nikon setup then I will have excellent dynamic range at low ISOs as well.  Too bad Nikon doesn't have the glass I like best (35L, 85L, etc.)...but compromises must be made in some direction, and I'm intensely frustrated with Canon's latest cameras' focusing systems in low light.
    It's very specific, mind you: Low light performance is inferior to my 5d2s.  In good light, my 5d3 has better AF flexibility for tracking with outer points, and the one-shot focus acquisition is comparable to my 5d2s.

    This singular issue of the 5d3 has ensured that I will never buy another one (unless they fix that, which they won't).  Unlike what I did with the 5d2 (upgraded to 5d2s towards the end of their product cycle), the 5d3 is too impaired for low light photography for me to be able to replace my 5d2s with 5d3s.  I can only hope the next generation will NOT have the same low light focus delays...otherwise I might have to buy a few 6Ds just to keep up with more current tech (since my 5d2s will wear out eventually).  I've heard they don't have the same doublechecking delay, but they also have other limits that I dislike (1/4000 ss, 1/180 flash sync, no pc sync port, SD memory only) and will have to work around.

  • Best camera for low light and sports

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    The challenge with sports is that you are REALLY pushing the camera gear to it's limits.  Fast action requires fast shutter speeds.  But fast shutter speeds demand a lot of light and only outdoor games played during the daytime have that.  Indoor games or games played under field lighting at night generally do not have the kind of lighting needed to shoot with fast shutter speeds -- not the kind of shutter speeds needed to freeze action.  So this ends up demanding a camera with excellent ISO performance and lenses with very low focal ratios so they can collect a LOT more light when the shutter is open.  This gear is expensive.
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  • HF R52-POOR VIDEO QUALITY IN LOW LIGHT

    HELLO,I'VE BEEN USING THE HF R52 FOR SEVERAL MONTHS NOW AND FOR THE MOST PART AM VERY HAPPY WITH IT..THE ONE ISSUE I'M HAVING IS WITH THE POOR VIDEO QUALITY IN LOW LIGHT CONDITIONS[NIGHT TIME OR INDOORS].THE RESULTS ARE "GRAINY" OR "FUZZY"..I'VE TRIED DIFFERENT SETTINGS WITH NO LUCK..WHEN I USE THE "LOW LIGHT"SETTING IT ACTUALLY SLOWS DOWN THE MOVIE LIKE ITS IN SLOW MOTION??  OUTSIDE IN THE SUNLIGHT IT LOOKS GREAT! DOES ANYBODY HAVE ANY SUGGESTIONS?? THANKS,ROB

    The videos on WCSN are Windows Media Video's...320x240...not very good in quaintly to start with. If you make these video larger on the screen they are going to degrade...sorry

  • FS300 in low light

    Anyone know the best settings to use in low light.  Last year, I tried filming inside Pirates of the Caribbean and the Haunted Mansion and the end result was garbage.  I'm going back this year and would like to try again, any suggestions?

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    Picture quality may not be as good as in other modes.
    White points may appear on the screen.
    Autofocus may not work as well as in other modes.
    Low light shooting has certainly improved over the years since the FS300 was released.  Have you considered one of our newer VIXIA models?
    Did this answer your question? Please click the Accept as Solution button so that others may find the answer as well.

  • Camera wont take a photo - warning "Low light" on screen

    The camera and phone have been working fine*, until today when I get the error message on screen "low light" when trying to take a picture.  It is being used in a room with normal lighting.
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    Hello Mark,
    Welcome to the BlackBerry Support Community.
    Sorry to hear about the issue you are experiencing with the Camera application on your BlackBerry smartphone.
    Please reinsert your battery as a test. If this fails to resolve the issue, perform a reload or upgrade the BlackBerry Device Software. For more information on this procedure see the following article:
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    Let us know if this helps.
    -FB
    Come follow your BlackBerry Technical Team on Twitter! @BlackBerryHelp
    Be sure to click Kudos! for those who have helped you.
    Click "Accept as a Solution" for posts that have solved your issue(s)!

  • Iphone 5S low light video recording is very dark :(

    Hello Friends,
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    Hello there, ankitnavgwal.
    Good job on troubleshooting your issue so far. The following Knowledge Base article offers a great checkllist of practical steps for troubleshooting issues with iOS not functioning as expected:
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    If a single application is not responding or stops responding when it opens, you can force it to close.
    If the device is unresponsive or if certain controls aren't working as expected, restart your device.
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  • Tips for avoiding "noisy" images in low-light

    Hi all,
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    Hi, there is a FAQ related to this topic.
    http://talk.sonymobile.com/t5/FAQ/Capture-better-photos-in-low-light-conditions/m-p/395397#U395397
    Don't forget to mark correct answer as Accepted Solution.
    If you find the post helpful, press Kudos.

  • Nokia Lumia 925 with Black update - When low light...

    The ambient light sensor doesn't seem to be correctly used in low light conditions.
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    Frimware: 3051.40000.1345.1001
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    Solved!
    Go to Solution.

    So I've played with my phone more ... and I don't think there is a big problem. If I move to a room that is darker, and wait a few seconds, the phone unlock screen isn't bright when I hit the unlock button. It seems the phone now needs longer time to get used to the light conditions it is in.
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  • Trouble with low light action shots on 70d

    I just went from a T3i to a 70D. I seem to have trouble with action shots in low light situations, any suggestions on setting...
    Solved!
    Go to Solution.

    "I just went from a T3i to a 70D"
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  • Correcting for low lighting using FCP

    Hi,
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    for what it's worth, i've had pretty satisfactory results with a combination of Shadow Highlight from Lyric Media...
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  • Watching movie on 780p on a 1080p tv has some color issues in low light? any solutions?

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    Just to let you know that I fooled around with the soft focus effect tonight. I took one of the worst clips (15 seconds) and copied it 8 times into the timeline and then did different settings on the soft focus panel and then burned it. It really didn't take much time. Results were encouraging and though the most blurry one had no flickering, I should be able to find some compromise here that will wrok for me. Thanks so much for the help.

  • 6D low light video

    Hello,
    I'm trying to shoot video in low light and I'm getting some extra hue and contrast.  When I shoot stills, what I see on the screen is what I see on my computer.  When I flip over to video (with out changing ISO or WB settings) the images are darker and have a green hue.
    I need what I'm seeing on the screen of the camera to be what I see on my computer monitor after I download of the card. 
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    RobertTheFat wrote:
    Skirball wrote:
    I don't know about you, but my stills (RAW) are always darker than they are on my camera (6D); which is a jpg and might be part of the source.  It wasn't near as noticable on my 450D.   I just learned to adapt my eye and I check my histogram anyway.  But I'd say the actual image looks about a 1/2 stop darker on my computer than the camera.  I don't think it's abnormal to have small differences between the camera screen and computer.  THere are too many variables to deal with to be consistent.
    The most obvious explanation for that phenomenon (which means that you've probably already considered it and ruled it out) is that you've turned up the brightness of the camera's display screen. That setting is independent of all else, and it's easy to turn it up when the ambient light is high and then later forget that you did it. And maybe you didn't have the screen turned up as high on your 450D.
    Also, of course, even a RAW image gets darker if subjected to any white balance correction (because that correction can only subtract, not add, light). I'd expect the screen to display the corrected image, but conceivably it doesn't.
    Yes, that was the first thing that crossed my mind, but not just that the setting was turned up, but that the display is simply brighter.  Although my old 450D seemed to be closer to the actual exposure it was terrible in the shadows.  Things would look black on the camera but I'd still have detail on the actual photo.  
    I didn't bother looking for a brightness setting on my 6D for several reasons.  1) the brightness is really nice when you're out in bright sunlight; 2) I recognize there are far too many variables to expect any consistency between a small jpg with settings applied on a 3" backlit LCD to a full sized RAW file on a calibrated IPS monitor in a dim room; 3) I check my historgram constantly,  I never trust what I see on the image, it's just a preview to get you in the ballpark; and 4) the IQ and recovery on the 6D is so good that I know if the image looks decent on the camera then I'll be able to make it work in post.

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