Sharpness APERTURE vs iPHOTO~file exported from Aperture worse than iPhoto

HEY.
i'm recently using Aperture for my Photo Editing work.I found that everything Good and Perfect after fine tune and preview in the Window of Aperture...while Export it to the Jpeg (originaly image import from jpeg file) I found it's a bit loose from what i see in the Window Aperture...means,Loose the Sharpness...whole image getting un-sharp or s'ld i say added gausion blur of feel??
Once i import it(the one exported from Aperture) into iPhoto and Export it (even down size to 800 of diamention) it became Sharp and nice colour tone while compare with the one which Export from Aperture!!!!
Why?
In the Export setting of Aperture i do set the Quality to max 12 and 300dpi even...
Need your hand...thanks!!

WARNING! The sharpness problem is occurring in iPhoto modifications as well! I'm running Tiger and Leopard at the same time on 2 different computers - SAME EXACT SHARPNESS problems. The problem is NOT the OS - it's in the APPLE Photo Aps!

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Why jpeg file exported from Aperture with 300 dpi's it opens with 72 dpi's on PS ( image size)? I've tried several combinations and all give different results. And I am confused on what is the best workflow for me.

Ok.
My workflow is
RAW > Aperture Library > export jpeg high resolution 300 dpi's > one file on PS > edit > Save us jpeg. The I realised that files from PS were being save in a smaller size from the ones exported form Aperture. That is when I went o see <image size> on PS and files were with 72.
Since ten I've trying different things
1. Aperture > export as PSD > open on PS > edit > Save us jpeg = small file (around 15 MB)
2. Aperture > export as jpeg high resolution 300 dpi's > open on PS > CHANGE dpi's to 300 on <image size> edit > Save us jpeg = big file (Huge, actually)
What am I doing wrong? Would someone give me guidance and tell me what is the best workflow, considering I edit photos to deliver to my clients and I shall give them 300 dpi's.
Thank you

This is a known Aperture issue: Problem with Aperture 3.6 preset exports. | Apple Support Communities
Benjamin

PSE 10 not opening files exported from Aperture

Hi all,
I've just downloaded the trial of PSE 10. I've set up PSE 10 as my external editor in Aperture (8-bit TIFFs). But when I have a photo in Aperture and click on "edit with Photoshop Elements 10," Aperture says it's exporting the image and PSE 10 opens but there's no photo there. I'm sure I'm doing something wrong.
I'd be extremely grateful for some help. I've been wanting to try PSE forever; I finally took the plunge, and now I can't get it to work!
Thank you.

The odds are that you are using the wrong file as the external editor. You want this one:
The easily visible file is the welcome screen alias.

Image files exported from Aperture do not arrive at Photoshop Elements 11

In Aperture preferences, I have nominated PSE 11 as an external editor.
When I try to send an image, I get the Adobe start-up window (even though PSE 11
is already open), but the image from Aperture does not arrive.
Can anyone suggest what I need to do, please?

The odds are that you are using the wrong file as the external editor. You want this one:
The easily visible file is the welcome screen alias.

Export from Aperture builds file structure like projects/albums

Hi!
I use Aperture but also want to use iPhoto (for iLife-Integration - and for the superb presentation facitilities like slideshos with Ken Burns effect etc.).
I´d like to know whether there is a possibility to export from Aperture - perhaps via Automator-script - that the structure of projects, folders, albums, etc. is beeing transferred into the same structure but made of folders. The picture-files themselves should be jpgs.
Can something like that be realized in Automator? Or is there another possibility to get such a result?
regards,
Sandro

When you export versions via the export versions window you have the opportunity to specify the output folder structure for the images.
So for example you can select a subfolder structure using the images year/month/day or the project name or the image year/month etc.
You'll need to look through the options and see what settings will work for you.

How do I export from Aperture to iPhoto?

Ok, I am very new at all of this, and find it quite confusing.
I took several hundred raw photos and imported them into Aperture. I believe they are all in a 'project', the yellow box looking icon? Then, I created numerous folders inside this project, in which I carefully sorted all my photos by subject - about 18 folders. Then, I worked with each folder, fine tuning each image, and adding exif metadata, and rating each image. So far so good.
Now, I want to bring all this images (as full size jpegs) into iPhoto.. this is where I am getting bogged down. There is an export function in Aperture, and an import function in iPhoto: which do I use?
I have been experimenting with various scenarios, but nothing seems to be working the way I want.. specifically, to have all my images in iPhoto - IN THE SAME STRUCTURE as I have in Aperture. When I did manage to bring them into iPhoto, they all came over in one big massive event, leaving all my sorting and ratings behind. This can't be right.. I don't want to resort them all again, moving them into the appropriate folders. And I don't want to have to re-enter the exif metadata and ratings again.
Can someone please help me with this?

Export from Aperture and then import to iPhoto.
Alternatively, you can share your Previews with iPhoto but that gets only the Preview.
FWIW: your workflow makes no sense. It's like writing your novel in TextEdit then opening it in Word to Spell Check and then copying it back to TextEdit. Why not just write your novel in Word? Aperture is not an editor. It's a complete replacement for iPhoto. It will do everything that iPhoto does, and then more. Or if you want to stick with iPhoto, get an editor and use it as an external editor in that.
Regards
TD

Export from Aperture to edit in Windows Live Photo Gallery

Hi.
I'm hoping to work collaboratively with a colleague, in a scenario where I take & edit photos, then pass them over for a possible final touch up before being forwarded to clients.
I use Mac OSX 10.6 and Aperture. He uses Windows Vista and Windows Live Photo Gallery.
The problem we've come up against is this: he is unable to edit the image I've exported from Aperture. I'm exporting as .JPG, and he's able to read them ok - i.e. load it into Windows Live Photo Gallery, but not alter the image.
Does anyone have a similar workflow, exporting from Aperture, then editing in Windows Live Photo Gallery?
Thanks in advance,
PB

Hi Frank.
Thanks for the response.
Agreed, the pertinent question is why can't my colleague edit the JPG exported by Aperture. It's probably also worth pointing out, the same problem occurs with JPGs exported from iPhoto.
The Windows software usually plays nicely with JPGs by all acounts, just not the ones I send - which I do via eMail or my public space on Mobile Me incidently.
So, another key question is: all settings being equal (color profile, quality, etc.) are the JPGs as produced by iPhoto and Aperture indistinguishable from those produced by other apps on other platforms - i.e. does the use of JPG enforce a common standard?
If that is the case, I suspect ours might be a permissions issue.
According to the Microsoft support page on editing in Windows Live Photo Gallery, the inability to edit a picture is commonly caused by unsupported file type, or read-only attribute set on the file.
Unfortunately, he and I are not in the same place, and he's not particularly au-fait with this type of problem solving. Hence, before involving him, I'd like to know:
1. it's possible (i.e. someone else does it), and,
2. what's involved (at my end and/or his).
Thanks again,
PB

Photos in FCE; export from Aperture in target size?

hi all.
I'm planning to place photos from Aperture into my FCE project, with the photos fading from one to the next. they won't be full screen, less than half. to get the best final quality, do I need to sharpen and export from Aperture so that the photos are placed within the FCE project at 100% without scaling?
cheers,
Gregory

Hi Frank.
Thanks for the response.
Agreed, the pertinent question is why can't my colleague edit the JPG exported by Aperture. It's probably also worth pointing out, the same problem occurs with JPGs exported from iPhoto.
The Windows software usually plays nicely with JPGs by all acounts, just not the ones I send - which I do via eMail or my public space on Mobile Me incidently.
So, another key question is: all settings being equal (color profile, quality, etc.) are the JPGs as produced by iPhoto and Aperture indistinguishable from those produced by other apps on other platforms - i.e. does the use of JPG enforce a common standard?
If that is the case, I suspect ours might be a permissions issue.
According to the Microsoft support page on editing in Windows Live Photo Gallery, the inability to edit a picture is commonly caused by unsupported file type, or read-only attribute set on the file.
Unfortunately, he and I are not in the same place, and he's not particularly au-fait with this type of problem solving. Hence, before involving him, I'd like to know:
1. it's possible (i.e. someone else does it), and,
2. what's involved (at my end and/or his).
Thanks again,
PB

Wrong File Names from Aperture

I made a slideshow in iPhoto from images that I have in Aperture. I Did a Batch Name Change in Aperture to rename the files. When I showed selected my Aperture images in a new slideshow in iPhoto and ran the slideshow with "Show Titles" the filenames were the original filenames and not the filenames that I had changed in Aperture! How can I get the correct filenames to display?
Kevin Hawkins

I have the same problem. Of course, there is a work-around, but it's waay too much trouble:
* import the files in Aperture while renaming them / or / batch rename them in Aperture
* do an export from Aperture to some folder on the harddrive
* import the renamed files into iPhoto
But, would there be an easier way?
Did you ever receive any clues from anyone regarding this topic?
Cheers,
Willem
Netherlands

'Unable to quarantine' when exporting from Aperture to a NAS

I have scanned a lot of images as TIFF (approx 28.000), and they are on an External Drive, and I imported them into Aperture (3.3) as referenced files.
Now I want to have a a more workable environment, because the TIFF's are 140 MB each.
So the idea is:
- Export from Aperture to a NAS drive
- Create a new Aperture Library and import them (again as referenced files)
The NAS is a WD MyBook Live Duo that is attached to my Time Machine.
The current Aperture Library and the future Aperture Library will be on my iMac's HD.
I just exported 405 images and in the log I see 405 times:
1/3/13 9:29:34.000 PM kernel[0]: Aperture[54224] Unable to quarantine `/Volumes//Pictures/Modellen_Ref_Files/Mulder_Koosje/JHWA_9601M-25.jpg': 22 (error suppressed)
(Time and filename differ ofcourse.)
However all 405 images were indeed exported.
I read the thread :
https://discussions.apple.com/message/20274081#20274081
https://discussions.apple.com/message/20294802#20294802
from Steffen4712
So before continuing with the rest of the 28.000 images I want to make sure that I will not run into problems.
So can somebody explain to me or point me to a discussion so that I can try and understand what this Quarantine thing is trying to do?
Thanks,
Jan

I managed to find a way to get things done without getting the error.
Workflow from the start:
- scanned negatives and stored them as TIFF files on an external HD
- Started Aperture and imported them as referenced files
- added keywords and adjustments
I tried:
- export them as JPG to a NAS drive
This give the error "Unable to quarantine 22 (error suppressed)"
I tried :
- remove extra attribute from TIFF file on external HD (using xattr -c)
- export them as JPG to a NAS drive
This give the error "Unable to quarantine 22 (error suppressed)"
I tried:
- export them as JPG to my HD
- remove extra attribute from JPG (using xattr -c)
- switch to "new" Aperture Library and import them and choosing the NAS as place to store them
This give the error "Unable to quarantine 22 (error suppressed)"
I tried:
- export them as JPG to my HD
- remove extra attribute from JPG (using xattr -c)
- using Finder and copy them to temporary folder on my NAS
- open "new" Aperture Library and import them and choosing the NAS as place to store them (effectively relocating them)
No errors were seen in the system.log
Conlusion, apparently Aperture wants to quarantine them when moving them to the NAS and Finder does not.
Jan

Which Metadata option when exporting from Aperture?....

When Exporting a single Original (never edited) CR2 file from Aperture 3.6 to my Desktop there are 3 Metadata options :
1) - Don't include IPTC
2) - Include IPTC
3) - Create IPTC4XMP Sidecar File
As I have no idea what 'IPTC' etc is, which option is best to later Import into Capture One, please?

IPTC are all Metadata you assigned in Aperture or in other applications, as opposed to the EXIF metadata embedded in the photos by the camera. The camera tags would be in the EXIF.
The get an idea, what is in clouded in EXIF and IPTC, open the Inspector in Aperture in the sidebar and switch the view to "IPTC info". That will show you a list of all tags, that will be included, when you export from Aperture with IPTC included.
You can only export modified versions with IPTC, since Aperture will not modify the original file on export. That is why you can add a sidecar files, that lists all tags, and many applications are able to read this sidecar file, when you import photos.
I want the camera EXIF data to be exported with the image file.
The camera EXIF are already embedded in the original image files. When you export the originals, the EXIF will be included, independent of your setting for IPTC.
You can test, what will be exported, by opening exported files in Preview and opening the Inspector (Tools menu > Show Inspector)
You can see all EXIF and IPTC tags that have been exported with the photo.

What is the best settings to use in the export manager when exporting from Aperture 3.5 to Photoshop cc. tiff? psd? 16bit? dpi?

What are the best settings to use in the export manager when exporting from Aperture 3.5 to Photoshop cc for editing?
Should I use tiff or psd?
8bit or 16bit?
How many dpi?

That will depend on the photometric resolution of your originals. For jpegs it would be a waste of space to convert them to a higher resolution than 8bit, but if your images actually have already more than 8bit, you will want to preserve this quality. Then he 16bit format will help to prevent color clipping.
Both tiff and psd will preserve the lossless workflow. With Photoshop as external editor I would use he psd format for better support of layers and transparency, e.g., when you want to create watermark files.
The dpi will only matter, when you export the file for printing.

Can a photo be exported from aperture in CMYK profile

Can a photo be exported from aperture in CMYK profileas TIFF jpeg PSD etc .?

Yes, in the export dialogue panel pick a TIFF or PSD setting, and then set the colorsync profile selector to a cmyk-profile,
You need to have installed cmyk-profiles, however;
most of my colorsync profiles were installed by photoshop.
You will find the cmyk-profiles in the system library:
/Library/ColorSync/Profiles/
Regards
Léonie

Lightroom and DxO: fix lens flaws in a TIF file exported from LR

Hi,
I'm in love with LR, I don't mind if people tell me that other Raw converter do a better job in demosaicing. Anyway some time ago a friend told me about DxO Optics Pro, I tried and loved the lens corrections. I thought I could prform those correction at the end of my workflow on a Tiff file exported from LR to DxO. No way! It seems that DxO doesn't recognize the lens used to shoot the image. It seems that LR and Camera Raw delete all the infos related to optics used. Any help would be appreciated.
Bye!

I used the following command to swap exif data:
exiftool -all= -tagsfromfile DSC_0002.NEF -exif:all DSC_0009-2.tif
The TIF file contais less exif tags than the NEF (or DNG) file, and there is no tag about the lens used.
Here's what I get copying exif data from one file to another:
ExifTool Version Number : 7.70
File Name : DSC_0002.NEF
Directory : .
File Size : 5.7 MB
File Modification Date/Time : 2009:02:25 13:44:44+01:00
File Type : NEF
MIME Type : image/x-raw
Exif Byte Order : Big-endian (Motorola, MM)
Make : NIKON CORPORATION
Camera Model Name : NIKON D70s
Software : Ver.1.00
Modify Date : 2009:02:25 13:44:42
Jpg From Raw Start : 131072
Jpg From Raw Length : 725092
Y Cb Cr Positioning : Co-sited
Subfile Type : Full-resolution Image
Image Width : 3040
Image Height : 2014
Bits Per Sample : 12
Compression : Nikon NEF Compressed
Photometric Interpretation : Color Filter Array
Strip Offsets : 856404
Orientation : Rotate 270 CW
Samples Per Pixel : 1
Rows Per Strip : 2014
Strip Byte Counts : 5095416
X Resolution : 300
Y Resolution : 300
Planar Configuration : Chunky
Resolution Unit : inches
CFA Repeat Pattern Dim : 2 2
CFA Pattern 2 : 2 1 1 0
Reference Black White : 0 255 0 255 0 255
Exposure Time : 1/50
F Number : 4.0
Exposure Program : Manual
Create Date : 2009:02:25 13:44:42
Exposure Compensation : 0
Max Aperture Value : 3.5
Metering Mode : Center-weighted average
Flash : No Flash
Focal Length : 18.0 mm
Maker Note Version : 2.10
ISO : 800
Quality : Raw
White Balance : Auto
Focus Mode : AF-S
Flash Setting : Normal
Flash Type :
White Balance Fine Tune : 0
Program Shift : 0
Exposure Difference : +1.8
Preview Image Start : 8112
Preview Image Length : 24932
Flash Exposure Compensation : 0
ISO Setting : 800
Flash Exposure Bracket Value : 0.0
Exposure Bracket Value : 0
Tone Comp : Normal
Lens Type : G
Lens : 18-70mm f/3.5-4.5
Flash Mode : Did Not Fire
AF Area Mode : Single Area
AF Point : Center
AF Points In Focus : Center
Shooting Mode : Single-Frame
Contrast Curve : (Binary data 4160 bytes, use -b option to extract)
Color Hue : Mode1a
Light Source : Natural
Hue Adjustment : 0
NEF Compression : Lossy (type 1)
Noise Reduction : Off
Linearization Table : (Binary data 1412 bytes, use -b option to extract)
WB RGBG Levels : 555 256 388 256
Lens Data Version : 0101
Exit Pupil Position : 102.4 mm
AF Aperture : 3.6
Focus Position : 0x01
Focus Distance : 3.98 m
Lens ID Number : 127
Lens F Stops : 5.33
Min Focal Length : 18.3 mm
Max Focal Length : 71.3 mm
Max Aperture At Min Focal : 3.6
Max Aperture At Max Focal : 4.5
MCU Version : 132
Effective Max Aperture : 3.6
Raw Image Center : 1520 1008
Sensor Pixel Size : 7.8 x 7.8 um
Serial Number : No= 3005d534
Shutter Count : 31244
Flash Info Version : 0100
Flash Model : (none)
External Flash Flags : (none)
Flash Commander Mode : Off
Flash Control Mode : Off
Flash Group A Control Mode : Off
Flash Group B Control Mode : Off
Flash Group A Exposure Comp : 0
Flash Group B Exposure Comp : 0
Image Optimization : Custom
Vari Program :
User Comment :
Sub Sec Time : 20
Sub Sec Time Original : 20
Sub Sec Time Digitized : 20
Sensing Method : One-chip color area
File Source : Digital Camera
Scene Type : Directly photographed
Custom Rendered : Normal
Exposure Mode : Manual
Digital Zoom Ratio : 1
Focal Length In 35mm Format : 27 mm
Scene Capture Type : Standard
Gain Control : Low gain up
Contrast : Normal
Saturation : Normal
Sharpness : Normal
Subject Distance Range : Unknown
Date/Time Original : 2009:02:25 13:44:42
TIFF-EP Standard ID : 1 0 0 0
Aperture : 4.0
Blue Balance : 1.515625
CFA Pattern : [Blue,Green][Green,Red]
Image Size : 3040x2014
Jpg From Raw : (Binary data 725092 bytes, use -b option to extract)
Lens ID : AF-S DX Zoom-Nikkor 18-70mm f/3.5-4.5G IF-ED
Lens : 18-70mm f/3.5-4.5 G
Preview Image : (Binary data 24932 bytes, use -b option to extract)
Red Balance : 2.167969
Scale Factor To 35 mm Equivalent: 1.5
Shutter Speed : 1/50
Create Date : 2009:02:25 13:44:42.20
Date/Time Original : 2009:02:25 13:44:42.20
Modify Date : 2009:02:25 13:44:42.20
Circle Of Confusion : 0.020 mm
Depth Of Field : 197.49 m (2.01 - 199.50)
Field Of View : 67.1 deg (5.28 m)
Focal Length : 18.0 mm (35 mm equivalent: 27.0 mm)
Hyperfocal Distance : 4.04 m
Light Value : 6.6

HT4489 Hi all, I have .vcf contact file exported from yahoo and need to import it to cloud. When I try to import it I get an eror "53 contacts not imported, eror reading vCards". Pls help ty

Hi all, I have .vcf contact file exported from yahoo and need to import it to cloud. When I try to import it I get an eror "53 contacts not imported, eror reading vCards". Pls help ty

1 - Select the thumbnail of one of the problem photos and use the File ➙ Reveal in Finder ➙ Original menu option. This will take you to the folder containing the original file with that file selected by the Finder.
You can also use Find Any File to search for that file (get the file name from the Info pane in iPhoto). You will find the thumbnail version and maybe an edited version also. Made sure what is found is the large, original version and note were it's located. Search all of your drives with FAF just in case.
If you don't fine the full sized version then the only recourse is to use a file recovery application like SubrosaSoft FileSalvage on your drives to see if any of your full sized photos can be recovered. If you find enough files to make the purchase of the software worthwhile buy it and recover the files. However, since it may have been quite a while since you discovered the missing originals it seems unlikely you'll be able to recover any due to being overwritten.
2 - book projects are just entries in the library databases and can't be exported to another library.

Sharpness APERTURE vs iPHOTO~file exported from Aperture worse than iPhoto

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